Quotes about taste
page 4

Cornelia Funke photo
Gabriel García Márquez photo

“This soup tastes like windows”

Source: Love in the Time of Cholera

Daniel Handler photo
George Santayana photo
Brandon Sanderson photo

“Why this cult of wilderness?… because we like the taste of freedom; because we like the smell of danger.”

Edward Abbey (1927–1989) American author and essayist

Source: The Serpents of Paradise: A Reader

Ambrose Bierce photo

“Egotist, n. A person of low taste, more interested in himself than in me.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

The Devil's Dictionary (1911)
Source: The Unabridged Devil's Dictionary

Darren Shan photo
Rick Riordan photo
John Kennedy Toole photo

“Good food isn't just about the taste.

It's about where and with whom you eat it.”

Natsumi Ando (1970) Manga artist

Source: Kitchen Princess, Vol. 03

Richelle Mead photo
Richelle Mead photo

“Sunshine had never tasted so sweet as it did at that moment.”

Source: Frostbite

Jodi Picoult photo
Charles Darwin photo

“The loss of these tastes [for poetry and music] is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Source: The Autobiography of Charles Darwin, 1809–82

Margaret Atwood photo
Rachel Carson photo

“The more clearly we can focus our attention on the wonders and realities of the universe about us, the less taste we shall have for destruction.”

Rachel Carson (1907–1964) American marine biologist and conservationist

Speech accepting the John Burroughs Medal (April 1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 94
Context: Mankind has gone very far into an artificial world of his own creation. He has sought to insulate himself, in his cities of steel and concrete, from the realities of earth and water and the growing seed. Intoxicated with a sense of his own power, he seems to be going farther and farther into more experiments for the destruction of himself and his world.
There is certainly no single remedy for this condition and I am offering no panacea. But it seems reasonable to believe — and I do believe — that the more clearly we can focus our attention on the wonders and realities of the universe about us the less taste we shall have for the destruction of our race. Wonder and humility are wholesome emotions, and they do not exist side by side with a lust for destruction.

Robert Redford photo

“Each kiss was like biting into the richest darkest chocolate and pausing to savour the taste.”

Sarra Manning (1950) British writer

Source: You Don't Have to Say You Love Me

Naomi Novik photo
Rick Riordan photo
Jeanette Winterson photo
Henry David Thoreau photo

“A taste for the beautiful is most cultivated out of doors”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

Source: Walden, or Life in the Woods

Edith Wharton photo
Cornelia Funke photo
Don DeLillo photo
P.G. Wodehouse photo
Suzanne Collins photo
Cassandra Clare photo
Cassandra Clare photo
Roald Dahl photo
Rachel Caine photo
George Packer photo
Mitch Albom photo
Cassandra Clare photo
F. Scott Fitzgerald photo
Ellen DeGeneres photo

“It's funny how cucumber water can taste so much better than pickle juice, even though they come from the same source.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Source: Seriously... I'm Kidding

Graham Greene photo
Margaret Atwood photo

“I'd be happy to die for a taste of what Angel had… Someone to live for… Unafraid to say 'I love you!”

Jonathan Larson (1960–1996) American composer and playwright

Source: Rent (1996)

Michael Pollan photo

“When chickens get to live like chickens, they'll taste like chickens, too.”

Source: The Omnivore's Dilemma: A Natural History of Four Meals

Dorothy Parker photo

“A little bad taste is like a nice dash of paprika.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist
Susan Elizabeth Phillips photo
Karen Marie Moning photo
John Kennedy Toole photo

“With the breakdown of the Medieval system, the gods of Chaos, Lunacy, and Bad Taste gained ascendancy.”

Source: A Confederacy of Dunces (1980, posthumous), Ch. 2, opening line

Sherrilyn Kenyon photo
Steven Pressfield photo

“You have never tasted freedom friend, or you would know it is purchased not with gold, but steel.”

Dienekes p. 60
Gates of Fire (1998)
Source: Gates of Fire: An Epic Novel of the Battle of Thermopylae

F. Scott Fitzgerald photo
Patrick Rothfuss photo
Rick Riordan photo
Agatha Christie photo
Jodi Picoult photo
Emily Dickinson photo
Annette Curtis Klause photo
George Bernard Shaw photo
William James photo

“The strenuous life tastes better”

William James (1842–1910) American philosopher, psychologist, and pragmatist
Sherrilyn Kenyon photo
Percy Bysshe Shelley photo

“I have drunken deep of joy,
And I will taste no other wine tonight.”

The Cenci (1819), Act I, sc. iii, l. 88

Anne Fadiman photo
Cassandra Clare photo
Cecily von Ziegesar photo

“Mathematics because of its nature and structure is peculiarly fitted for high school instruction [Gymnasiallehrfach]. Especially the higher mathematics, even if presented only in its elements, combines within itself all those qualities which are demanded of a secondary subject. It engages, it fructifies, it quickens, compels attention, is as circumspect as inventive, induces courage and self-confidence as well as modesty and submission to truth. It yields the essence and kernel of all things, is brief in form and overflows with its wealth of content. It discloses the depth and breadth of the law and spiritual element behind the surface of phenomena; it impels from point to point and carries within itself the incentive toward progress; it stimulates the artistic perception, good taste in judgment and execution, as well as the scientific comprehension of things. Mathematics, therefore, above all other subjects, makes the student lust after knowledge, fills him, as it were, with a longing to fathom the cause of things and to employ his own powers independently; it collects his mental forces and concentrates them on a single point and thus awakens the spirit of individual inquiry, self-confidence and the joy of doing; it fascinates because of the view-points which it offers and creates certainty and assurance, owing to the universal validity of its methods. Thus, both what he receives and what he himself contributes toward the proper conception and solution of a problem, combine to mature the student and to make him skillful, to lead him away from the surface of things and to exercise him in the perception of their essence. A student thus prepared thirsts after knowledge and is ready for the university and its sciences. Thus it appears, that higher mathematics is the best guide to philosophy and to the philosophic conception of the world (considered as a self-contained whole) and of one’s own being.”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 40.

Jane Austen photo
Ruhollah Khomeini photo
Federico García Lorca photo

“The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk on which you are crumbling.
Your silent memory does not know you
because you have died forever.

The autumn will come with conches,
misty grapes and clustered hills,
but no one will look into your eyes
because you have died forever.

Because you have died for ever,
like all the dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No. But I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth.
Of the sadness of your once valiant gaiety.”

<p>No te conoce el toro ni la higuera,
ni caballos ni hormigas de tu casa.
No te conoce el niño ni la tarde
porque te has muerto para siempre.</p><p>No te conoce el lomo de la piedra,
ni el raso negro donde te destrozas.
No te conoce tu recuerdo mudo
porque te has muerto para siempre.</p><p>El otoño vendrá con caracolas,
uva de niebla y montes agrupados,
pero nadie querrá mirar tus ojos
porque te has muerto para siempre.</p><p>Porque te has muerto para siempre,
como todos los muertos de la Tierra,
como todos los muertos que se olvidan
en un montón de perros apagados.</p><p>No te conoce nadie. No. Pero yo te canto.
Yo canto para luego tu perfil y tu gracia.
La madurez insigne de tu conocimiento.
Tu apetencia de muerte y el gusto de su boca.
La tristeza que tuvo tu valiente alegría.</p>
Llanto por Ignacio Sanchez Mejias (1935)

Anthony Burgess photo
Lucille Ball photo

“Knowing what you can not do is more important than knowing what you can do. In fact, that's good taste.”

Lucille Ball (1911–1989) American actress and businesswoman

Quoted in Eleanor Harris, The Real Story of Lucille Ball, ch. 1 (1954)

Pauline Kael photo
Walter Rauschenbusch photo
Djuna Barnes photo

“We are beginning to wonder whether a servant girl hasn’t the best of it after all. She knows how the salad tastes without the dressing, and she knows how life’s lived before it gets to the parlor door.”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

The Home Club: For Servants Only, in the Brooklyn Daily Eagle (12 October 1913)

André Maurois photo
Murasaki Shikibu photo
John Donne photo

“Hee drinkes misery, and he tastes happinesse; he mowes misery, and he gleanes happinesse; he journeys in misery, he does but walke in happinesse.”

John Donne (1572–1631) English poet

Meditation 13
Devotions Upon Emergent Occasions (1624)

Murasaki Shikibu photo

“To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do: whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?”

trans. Richard Bowring
The Diary of Lady Murasaki

Letitia Elizabeth Landon photo
Sri Aurobindo photo
Arjo Klamer photo

“When I tried to sort out the pernicious disagreements between new classical and new Keynesian economists, I conducted a series of conversations with the protagonists (Klamer 1983). The personal differences were revealing. The viva cious Robert Solow (with a taste for the quick quip), the serious Robert Lucas (never less than self-composed), the chatty Franco Modigliani (not shy of self promotion), and the unassuming James Tobin (wanting an interview at least as long as Lucas’s) quickly taught me how trenchant the rhetorical differences were.”

Arjo Klamer (1953) Dutch columnist, economist and politician

Source: Speaking of economics: how to get in the conversation (2007), Ch. 7 : Why disagreements among economists persist, why economists need to brace themselves for differences within their simultaneous conversations and their conversations over time, and why they may benefit from knowing about classicism, modernism, and postmodernism

Heinrich Böll photo

“He avoids the official "heroes'" cemetery, done in such impeccable taste. Why, he wonders, do the Germans do so much for their dead and so little for the living?”

Heinrich Böll (1917–1985) German author, novelist, and short story writer

You Enter Germany (1967); cited from Aufsätze, Kritiken, Reden (Köln: Kiepenheuer & Witsch, 1967) p. 278. Translation: "You are Now Entering Germany", in Leila Vennewitz (trans.) Missing Persons and Other Essays (Evanston: Northwestern University Press, 1994) p. 48.

Hunter S. Thompson photo

“There was no time for scholarly details, and, besides, I have always believed that a man can fairly be judged by the standards and taste of his choices in matters of high-level plagiarism.”

Hunter S. Thompson (1937–2005) American journalist and author

"Prisoner of Denver", in Vanity Fair (June 2004) https://archive.is/20130628091446/www.accessmylibrary.com/coms2/summary_0286-6240592_ITM
2000s

Melanie Joy photo
Isa Chandra Moskowitz photo
James Whitbread Lee Glaisher photo
John Lancaster Spalding photo
John Steinbeck photo

“The Arab world has seen elections before. However, virtually all of them were artificial affairs, their outcomes never in doubt. They were in the end celebrations of one version or another of autocracy, never a repudiation of them. That kind of state-management is not what has just taken place in Iraq. Millions of people actually made choices, and placed claims on those who will lead them in the future. To act upon one's own world like this, and on such a scale, is what politics in the purest sense is all about. It is why we all, once upon a time, became activists. And it is infectious. The taste of freedom is a hard memory to rub out. No wonder the political and intellectual elites of the Arab world are so worried, and no wonder they were so hostile to everything that happened in Iraq since the overthrow of the Saddam regime. They had longed for failure. They trotted out the tired old formulas of anti-Americanism to impart legitimacy to the so-called Iraqi "resistance to American occupation." But the people of Iraq have put an end to all that. En masse, ordinary people took to the streets in the second great Iraqi revolt against the politics of barbarism exemplified by Abu Musab al Zarqawi's immortal words: "We have declared a bitter war against the principle of democracy and all those who seek to enact it."”

Kanan Makiya (1949) American orientalist

"The Shiite Obligation", Wall Street Journal (February 7, 2005)

“When I see a merchant over-polite to his customers, begging them to taste a little brandy and throwing half his goods on the counter,—thinks I, that man has an axe to grind.”

Charles Miner (1780–1865) American politician

"Who ’ll turn Grindstones" from Essays from the Desk of Poor Robert the Scribe, Doylestown, Pa., (1815); first published in the Wilkesbarre Gleaner (1811).

Louis-ferdinand Céline photo
William O. Douglas photo
François de La Rochefoucauld photo