Quotes about symbol
page 7

Edward Bernays photo
Alberto Gonzales photo
Koenraad Elst photo
Nas photo

“When I was nine, coldest winter i remember
we're slipping in december, two feet of snow
Yeah thats the east coast, that black ice - symbolize the rap life”

Nas (1973) American rapper, record producer and entrepreneur

Hope
On Albums, Hip Hop Is Dead (2006)

Daniel Barenboim photo

“The thing about Wagner is we’re always wrong about him, because he always embraces opposites … There are things in his operas which viewed one way are naturalistic, and viewed another way are symbolic, but the problem is you can’t represent both views on stage at once.”

Daniel Barenboim (1942) Israeli Argentine-born pianist and conductor

Q&A: Daniel Barenboim http://www.telegraph.co.uk/culture/music/classicalmusic/10044601/Proms-2013-Daniel-Barenboim-interview.html, 2 November 2012.

K. R. Narayanan photo

“I see and understand both the symbolic as well as the substantive elements of my life. Sometimes I visualise it as a journey of an individual from a remote village on the sidelines of society to the hub of social standing. But at the same time I also realise that my life encapsulates the ability of the democratic system to accommodate and empower marginalised sections of society.”

K. R. Narayanan (1920–2005) 9th Vice President and the 10th President of India

Source: Venkitesh Ramakrishnan Citizen President K.R. Narayanan, 1920-2005 http://www.frontline.in/navigation/type=static&page=flonnet&rdurl=fl2224/stories/20051202005012500.htm, Frontline

Bidzina Ivanishvili photo

“Georgians take pride in Stalin and see him as a symbol of the victory over Fascism… no one should be able to take that away from them.”

Bidzina Ivanishvili (1956) Georgian businessman and exprime minister

Speaking with the local news outlet GDS http://georgiatoday.ge/news/4776/Ivanishvili-Refuses-to-Denounce-Georgia%E2%80%99s-Stalin-Worshipers-
See also: Stalin

George W. Bush photo
Karl Polanyi photo
Fidel Castro photo
Herbert Marcuse photo
Philippe Starck photo

“Everything I do is a symbol. Everything, has a meaning.”

Philippe Starck (1949) French architect and industrial designer

Starck (1986) in: New York Magazine Vol. 19, nr. 39 (Oct 6, 1986) p. 30 ( online http://books.google.nl/books?id=CecCAAAAMBAJ&pg=PA30)

Asger Jorn photo

“Organizations are seen primarily as systems for getting work done, for applying techniques to the problem of altering raw materials - whether the materials be people, symbols or things.”

Charles Perrow (1925–2019) American sociologist

Source: 1960s, "A Framework for the Comparative Analysis of Organizations", 1967, p. 195

James Joyce photo
Marianne von Werefkin photo

“Any art is a concentrated feeling of love elevated to a world view and translated into an artistic language of symbols.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote from Werefkin's lecture in 1914; as quoted in M. K. ČIURLIONIS AND MARIANNE VON WEREFKIN: THEIR PATHS AND WATERSHEDS, by Laima Lauckaité; Institute of Culture, Philosophy and Art, Vilnius
Werefkin gave her lecture during a regular Art Society meeting, 22 March 1914
after 1911

William O. Douglas photo
Richard Holbrooke photo
Joseph Beuys photo

“I think the tree is an element of regeneration which in itself is a concept of time. The oak is especially so because it is a slowly growing tree with a kind of really solid heartwood. It has always been a form of sculpture, a symbol for this planet.”

Joseph Beuys (1921–1986) German visual artist

Joseph Beuys (1982), cited in: Claudia Mesch (2013) Art and Politics: A Small History of Art for Social Change Since 1945. p. 160
1980's

S. I. Hayakawa photo
Augustus De Morgan photo

“This shifted the centre of a truly Hellenic civilization to the east, to the Aegean, the Ionian littoral of Asia Minor and to Constantinople. It also meant that modem Greeks could hardly count as being of ancient Greek descent, even if this could never be ruled out.’ There is a sense in which the preceding discussion is both relevant to a sense of Greek identity, now and earlier, and irrelevant. It is relevant in so far as Greeks, now and earlier, felt that their ‘Greekness’ was a product of their descent from the ancient Greeks (or Byzantine Greeks), and that such filiations made them feel themselves to be members of one great ‘super-family’ of Greeks, shared sentiments of continuity and membership being essential to a lively sense of identity. It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage.”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 29: About Ethnic Change, Dissolution and Survival

John Gray photo
Ralph Waldo Emerson photo

“We are symbols, and inhabit symbols.”

1840s, Essays: Second Series (1844), The Poet

Camille Paglia photo
Theodosius Dobzhansky photo
P. L. Travers photo

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

John Shelby Spong photo

“Above all, words must be recognized as symbolic pointers to truth, not objective containers of truth.”

John Shelby Spong (1931) American bishop

Source: Resurrection: Myth or Reality? (1994), p. 37

Julian May photo
Everett Dean Martin photo
Camille Paglia photo

“For me, the Profumo affair symbolizes the evanescence of male government compared to women’s cosmic power.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), p. 11

Walter Pater photo

“The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all "the ends of the world are come," and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

On the Mona Lisa, in Leonardo da Vinci
The Renaissance http://www.authorama.com/renaissance-1.html (1873)

Charles Baudelaire photo

“Nature is a temple where living columns
Let slip from time to time uncertain words;
Man finds his way through forests of symbols
Which regard him with familiar gazes.”

La Nature est un temple où de vivants piliers
Laissent parfois sortir de confuses paroles;
L’homme y passe à travers des forêts de symboles
Qui l’observent avec des regards familiers.
"Correspondances" [Correspondences] http://fr.wikisource.org/wiki/Correspondances
Les fleurs du mal (Flowers of Evil) (1857)

Amir Taheri photo

“In Iran, no-one can ignore the tragic record of the revolution. Over the past three decades some six million Iranians have fled their homeland. The Iran-Iraq war claimed almost a million lives on both sides. During the first four years of the Khomeinist regime alone 22,000 people were executed, according to Amnesty International. Since then, the number of executions has topped 80,000. More than five million people have spent some time in prison, often on trumped-up charges. In terms of purchasing power parity, the average Iranian today is poorer than he was before the revolution. De-Khomeinization does not mean holding the late ayatollah solely responsible for all that Iran has suffered just as Robespierre, Stalin, Mao, and Fidel Castro shared the blame with others in their respective countries. However, there is ample evidence that Khomeini was the principal source of the key decisions that led to tragedy… Memoirs and interviews and articles by dozens of Khomeini’s former associates—including former Presidents Abol-Hassan Banisadr and Hashemi Rafsanjani and former Premier Mehdi Bazargan—make it clear that he was personally responsible for some of the new regime’s worst excesses. These include the disbanding of the national army, the repression of the traditional Shi’ite clergy, and the creation of an atmosphere of terror, with targeted assassinations at home and abroad. Khomeini has become a symbol of what went wrong with Iran’s wayward revolution. De-Khomeinization might not spell the end of Iran’s miseries just as de-Stalinization and de-Maoization initially produced only minimal results. However, no nation can plan its future without coming to terms with its past.”

Amir Taheri (1942) Iranian journalist

"Opinion: Iran must confront its past to move forwards" http://www.aawsat.net/2015/02/article55341173, Ashraq Al-Awsat (February 6, 2015).

“And there it is, the international symbol of peace – the pigeon!”

Jimmy Magee (1935–2017) Gaelic games commentatot

During the Olympic Games opening ceremony. herald.ie http://www.herald.ie/news/irelands-other-big-games-winner-jimmy-magee-3196108.html
Olympic Games

Johann Georg Hamann photo
Géza Révész photo

“Ebbinghaus: Language is a system of conventional signs that can be voluntarily produced at any time.
Croce: Language is articulated, limited sound organized for the purpose of expression.
Dittrich: Language is the totality of expressive abilities of individual human beings and animals capable of being understood by at least one other individual.
Eisler: Language is any expression of experiences by a creature with a soul.
B. Erdmann: Language is not a kind of communication of ideas but a kind of thinking: stated or formulated thinking. Language is a tool, and in fact a tool or organ of thinking that is unique to us as human beings.
Forbes: Language is an ordered sequence of words by which a speaker expresses his thoughts with the intention of making them known to a hearer.
J. Harris : Words are the symbols of ideas both general and particular: of the general, primarily, essentially and immediately; of the particular, only secondarily, accidentally and mediately.
Hegel: Language is the act of theoretical intelligence in its true sense, for it is its outward expression.
Jespersen: Language is human activity which has the aim of communicating ideas and emotions.
Jodl: Verbal language is the ability of man to fashion, by means of combined tones and sounds based on a limited numbers of elements, the total stock of his perceptions and conceptions in this natural tone material in such a way that this psychological process is clear and comprehensible to others to its least detail.
Kainz : Language is a structure of signs, with the help of which the representation of ideas and facts may be effected, so that things that are not present, even things that are completely imperceptible to the senses, may be represented.
De Laguna: Speech is the great medium through which human co-operation is brought about.
Marty: Language is any intentional utterance of sounds as a sign of a psychic state.
Pillsbury-Meader: Language is a means or instrument for the communication of thought, including ideas and emotions.
De Saussure: Language is a system of signs expressive of ideas.
Schuchardt. The essence of language lies in communication.
Sapir: Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Footnote at pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
The Origins and Prehistory of Language, 1956

“It is better not to know and to know that one does not know, than presumptuously to attribute some random meaning to symbols.”

Source: The Coyote Kings of the Space-Age Bachelor Pad (2004), Chapter 46 “Prelude to the Negative Confession” (p. 260)

Slavoj Žižek photo
Jeremy Clarkson photo
Richard Huelsenbeck photo

“The dissection of words into sounds is contrary to the purpose of language and applies musical principles to an independent realm whose symbolism is aimed at a logical comprehension of one’s environment.... the value of language depends on comprehensibility rather than musicality”

Richard Huelsenbeck (1892–1974) German poet

as quoted in The Sound of Poetry / The poetry of Sound, ed. Marjorie Perloff & Craig Dworkin; University of Chicago Press, 2009, p. 310, note 22
a critic on the sound-poetry of Dadaist Hugo Ball

Henry Louis Gates Jr. photo
Kent Hovind photo

“In Daniel 7, Daniel had a vision where “the four winds of the heavens strove upon the great sea. And four beasts came up from the sea, diverse one from another” (vv. 2-3). In the vision, Daniel saw a lion with eagle’s wings, a bear with three ribs in its mouth, a leopard with four wings, and a terrible beast with iron teeth and ten horns (v. 7). Bible scholars have speculated on the meaning of this passage for centuries. Some think the four beasts in this chapter represent a rehash of the first four empires from Babylon to the Roman Empire; while others think it is all yet in the future. I’m no scholar but here is my opinion: I (and many Bible scholars) think the four beasts are four world powers that will “strive” for world power (domination?) at the end of time before the one with ten horns finally becomes dominant. I think the four beasts are interpreted as follows: The lion sometimes standing like a man with eagle’s wings (v. 4) represents England (whose symbol as always been the lion) and America (whose symbol is the eagle) united, as one of four major end-time powers. The eagle’s wings “were plucked” and “it was lifted up from the earth, and made to stand upon the feet as a man, and a man’s heart was given to it” (v. 4). My best guess is that America will soon cease to be a world power (wings plucked) but there will still be enough of a godly influence that the English/American alliance will have some “heart” or compassion and maybe even be able to finally “take a stand” for God in the wicked world. I think the bear (v. 5) is Russia (whose symbol is the bear) and the three ribs in its mouth represent three countries it has dominated or “eaten,” such as Latvia, Lithuania, and Estonia, or perhaps Ukraine, Belarus, and Georgia. The leopard with four wings (v. 6) could be some sort of oriental alliance between China, Japan, Korea, and a Southeast Asia alliance (Vietnam, Laos, Cambodia, Indonesia, Malaysia, India, etc.). Verse 6 says, “dominion was given to it.” Many certainly feel that China is soon to be the major economic (and military) power in the world. If they could get a military or economic alliance with some of the other oriental nations mentioned, they would indeed be a force to be reckoned with! No animal is named for the fourth beast. It is only described as being dreadful, terrible, strong exceedingly, having great iron teeth, different from all other beasts and having ten horns. As I said earlier there are three options from what I can see for this beast. It is either (A) the European Common Market or a future similar alliance; or (B) 10 world regions and (C) some sort of alliance of Muslim nations around the Middle East or the world. I tend to go with option (C)”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 94-95

Willem de Sitter photo
Margaret Fuller photo

“There are to whom each symbol is a mask;
The life of love is a mysterious task;
They want no answer, for they would not ask.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Life Without and Life Within (1859), The One In All

Christopher Hitchens photo
Tomislav Sunić photo
Omar Bradley photo
Anne Rice photo
Ambrose Bierce photo
André Maurois photo
Michael Polanyi photo
Muhammad photo
Jonathan Franzen photo

“An ink bottle, which now seems impossibly quaint, was still thinkable as a symbol in 1970.”

Jonathan Franzen (1959) novelist

Voices in the Wilderness The Guardian (Saturday 28 September 2002).

Hans Arp photo
Theodore Kaczynski photo
Madonna photo

“Phallic symbols. You know Catholics. I used to draw people naked all the time in my art class and my nun teachers used to tell me I had to put clothes on them. So I just drew lines around their bodies. See-through clothes.”

Madonna (1958) American singer, songwriter, and actress

Madonna Interview : Island Magazine (October 1983), Island, 1983-10-01 http://allaboutmadonna.com/madonna-library/madonna-interview-island-magazine-october-1983,
(When asked what she used to draw as a kid).

David Eugene Smith photo
Louis Brownlow photo
Carol J. Adams photo
Nathaniel Hawthorne photo
Sister Nivedita photo

“Our daily life creates our symbol of God. No two ever cover quite the same conception.”

Sister Nivedita (1867–1911) Scots-Irish social worker, author, teacher and a disciple of Swami Vivekananda

Kali the Mother http://www.sacred-texts.com/hin/ktm/ktm02.htm, Concerning Symbols (1900)

Francois Rabelais photo

“Pantagruel was telling me that he believed the queen had given the symbolic word used among her subjects to denote sovereign good cheer, when she said to her tabachins, A panacea.”

Source: Gargantua and Pantagruel (1532–1564), Fifth Book (1564), Chapter 20 : How the Quintessence cured the sick with a song

Mark Rothko photo
James K. Morrow photo
John Gould Fletcher photo

“Imagism was not Symbolism, but it proceeds from it”

John Gould Fletcher (1886–1950) American writer

Three Imagist Poets, The Little Review, 1916

Max Beckmann photo

“Departure' [also the title of a famous triptych painting of Max Beckmann], yes departure from the illusion of life toward the essential things that wait behind appearance... We must insist that Departure is not bound to a political trend, but is symbolic for all times.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

In a letter to his art dealer Curt Valentin, Amsterdam, 11 February 1938; as quoted in Max Beckmann – On my Painting in the preface, Mayen Beckmann; Tate Publishing London, 2003
1930s

Phillip Guston photo
George Boole photo
George Ballard Mathews photo
Piero Manzoni photo
Sun Ra photo

“Behold the pre-prophetic symbols of the planes of Never.
Behold, behold this thisness!
This isness.”

Sun Ra (1914–1993) American jazz composer and bandleader

"Tomorrow is Never" (1972), p. 252
Sun Ra : The Immeasurable Equation (2005)

Colin Wilson photo
Jalal Talabani photo

“The building of this site would not be possible without the courageous decision by President Bush to liberate Iraq. This building is not only a compound for the embassy but a symbol of the deep friendship between the two peoples of Iraq and America.”

Jalal Talabani (1933–2017) Iraqi politician

On the United States building a new embassy in the Green Zone of Iraq — reported in Chelsea J. Carter, Associated Press (January 6, 2009) "U.S. inaugurates $700 million new embassy in Iraq Mammoth new building called symbol of new era", Charleston Gazette, p. P3A.

Michel Foucault photo
Brooks D. Simpson photo
Maureen O'Hara photo
Jacob Bronowski photo

“The symbol and the metaphor are as necessary to science as to poetry.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Part 2: "The Habit of Truth", §6 (p. 36)
Science and Human Values (1956, 1965)

David Eugene Smith photo

“Bin Laden's real audience is the Middle East, his other Muslims. I think he thought that, by this act, he would win large numbers of converts to his cause … [to] bring Arab regimes down. He would perhaps even take power in this or that country, preferably Saudi Arabia. That is where he is looking to; that is who is the audience. That is who his symbols are directed towards. So this is unlike anything else in the history of Islam. Early Muslims, when they left the Arabian Peninsula and entered the [Fertile Crescent], were conquerors. They converted peoples, and they gave them time to convert. So they didn't force them sometimes, and they were perfectly happy ruling over them. They were setting up a state, and then people converted over time. Syria remained Christian for hundreds of years after the Muslim conquest. So something different is going on here. The obvious sense in which the United States is evil is in the cultural icons that are seen everywhere. They are seemingly trivial things, the influence of the America culture, which is everywhere: TV, how women dress, the lack of importance of religion. So these are the senses in which they are rejecting the United States. But you're right; they don't see Americans as people. … They block that out. They only see as people the Muslims they want to convert to their side, and that's terrifying.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

John Archibald Wheeler photo