Quotes about symbol
page 8

“Perhaps one day, when socialism is the State religion, there will be niches in the temples, with a little lamp in front, and inside, images of the Fathers of the Revolution: Proudhon complete with glasses, Bacunin looking like a bear under his Russian pelts, Karl Marx leaning on his staff – symbolic of the shepherd of souls.”

José Maria Eça de Queiroz book Cartas de Inglaterra

Talvez um dia, quando o socialismo for religião do Estado, se vejam em nichos de templo, com uma lamparina de frente, as imagens dos santos padres da revolução: Proudhon de óculos. Bakunine parecendo um urso sob as suas peles russas, Karl Marx apoiado ao cajado simbólico do pastor de almas tristes.
"Israelismo"; "Israelism" p. 50.
Cartas de Inglaterra (1879–82)

Religion, Soul

“I was surprised as anyone when T-shirts, jeans and leather jackets suddenly became symbols of rebellion. In the film there was a scene in which somebody asked my character, Johnny, what I was rebelling against, and I answered 'Whaddya got?' But none of us involved in the picture ever imagined that it would instigate or encourage youthful rebellion.”

Marlon Brando (1924–2004) American screen and stage actor

Speaking about the film The Wild One (1953) in Songs My Mother Taught Me (1994)

Youth, Imagination

“Robinson (1952) pointed out some limits to approaching map symbolization and design from a purely artistic viewpoint, as he suggested was the guiding perspective at the time. Maps, like buildings that are designed primarily for artistic impact, are often not functional… Robinson (1952) argued that treating maps as art can lead to "arbitrary and capricious" decisions. He saw only two alternatives: either standardize everything so that no confusion can result about the meaning of symbols, or study and analyze characteristics of perception as they apply to maps so that symbolization and design decisions can be based on "objective" rules… Robinson's dissertation, then, signaled the beginning of a more objective approach to map symbolization and design based on testing the effectiveness of alternatives, an approach that followed the positivist model of physical science. In his dissertation, Robinson cited several aspects of cartographic method for which he felt more objective guidelines were required (e. g., lettering, color, and map design). He also suggested that this objective look at cartographic methods should begin by considering the limitations of human perception. One goal he proposed was identification of the "least practical differences" in map symbols”

Alan MacEachren (1952) American geographer

e.g., the smallest difference in lettering size that would be noticeable to most readers
Source: How Maps Work: Representation, Visualization, and Design (1995), p. 2-3

Art, Color, Decision, Study

“In fact a man in love or one consumed with hatred creates symbols for himself, as a superstitious man does, from a passion of conferring uniqueness on things or persons. A man who knows nothing of symbols is one of Dante's sluggards. This is why art mirrors itself in primitive rites or strong passions, seeking for symbols, revolving round the primitive taste for savagery, for what is irrational”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

blood and sex
This Business of Living (1935-1950)

Love, Art, Sex, Strong

“It is this mythical, or rather this symbolic, content of the religious traditions which is likely to come into conflict with science. This occurs whenever this religious stock of ideas contains dogmatically fixed statements on subjects which belong in the domain of science. Thus, it is of vital importance for the preservation of true religion that such conflicts be avoided when they arise from subjects which, in fact, are not really essential for the pursuance of the religious aims.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1940s, Religion and Science: Irreconcilable? (1948)

Religion, Idea, Science

“We humans are an extremely important manifestation of the replication bomb, because it is through us – through our brains, our symbolic culture and our technology – that the explosion may proceed to the next stage and reverberate through deep space.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Source: River out of Eden (1995), Ch. 5: The Replication Bomb

“It is chiefly the psychologists of the school of Freud who have pointed out that many of man's thoughts and actions are compensatory substitutes for desires which he has been obliged to suppress. A thing may be desired not for its intrinsic worth or usefulness, but because he has unconsciously come to see in it a symbol of something else, the desire for which he is ashamed to admit to himself…This general principle, that men are very largely actuated by motives which they conceal from themselves, is as true of mass as of individual psychology…Human desires are the steam which makes the soial machine work. Only by understanding them can the propagandist control that cast, loose-jointed mechanism which is modern society.”

Edward Bernays book Propaganda

Page 75 as quoted in Historical Archaeologies of Capitalism edited by Mark P. Leone, Jocelyn E. Knauf, p.40
Propaganda (1928)

Men, School, Motivation, Understanding

“It becomes you to be wise to smell, feel, and have in estimation these fair books, de haulte gresse, light in the pursuit, and bold at the encounter. Then you must, by a curious reading and frequent meditation, break the bone and suck out the substantific marrow, — that is what I mean by these Pythagorean symbols, — with assured hope of becoming well-advised and valiant by the said reading; for in it you shall find another kind of taste, and a doctrine more profound, which will disclose unto you deep doctrines and dreadful mysteries, as well in what concerneth our religion as matters of the public state and life economical.”

Francois Rabelais book Gargantua and Pantagruel

Prologue.
Gargantua and Pantagruel (1532–1564), Gargantua (1534)

Life, Books, Religion, Hope

“Institutions are social structures that have attained a high degree of resilience. [They] are composed of cultural-cognitive, normative, and regulative elements that, together with associated activities and resources, provide stability and meaning to social life. Institutions are transmitted by various types of carriers, including symbolic systems, relational systems, routines, and artifacts. Institutions operate at different levels of jurisdiction, from the world system to localized interpersonal relationships. Institutions by definition connote stability but are subject to change processes, both incremental and discontinuous.”

W. Richard Scott (1932) American sociologist

Source: Institutions and Organizations., 1995, p. 33 (2001:48)

Life, World, Change

“…by action on man all known force may be measured. Indeed, few men of science measured force in any other way. After once admitting that a straight line was the shortest distance between two points, no serious mathematician cared to deny anything that suited his convenience, and rejected no symbol, proved or unproveable, that helped him to accomplish work. The symbol was force, as a compass-needle or a triangle was force.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Men, Way, Science, Help

“Baladitya understands that in addition to being foreign territory the past is, as history, a hall of mirrors that reflect the needs of souls observing from the present. Absolute fact serves the hungers of only a few disconnected people. Symbol and faith serve the rest.”

Glen Cook book Soldiers Live

Source: Soldiers Live (2000), Chapter 12, “Glittering Stone: Steadfast Guardian” (p. 401)

Hunger, People, Faith, Soul

“Something mysterious happened when Barack Obama entered the Oval Office in 2009. Something vanished from that room, and no one could quite explain why. It was a bust of Winston Churchill – the great British war time leader. It was a fine goggle-eyed object, done by the brilliant sculptor Jacob Epstein, and it had sat there for almost ten years. But on day one of the Obama administration it was returned, without ceremony, to the British embassy in Washington. No one was sure whether the President had himself been involved in the decision. Some said it was a snub to Britain. Some said it was a symbol of the part-Kenyan President’s ancestral dislike of the British empire – of which Churchill had been such a fervent defender. Some said that perhaps Churchill was seen as less important than he once was. Perhaps his ideas were old-fashioned and out of date. Well, if that’s why Churchill was banished from the Oval Office, they could not have been more wrong.”

Boris Johnson (1964) British politician, historian and journalist

In a column for The Sun newspaper http://www.thesun.co.uk/sol/homepage/news/politics/7095695/UK-and-America-can-better-friends-than-ever-Mr-Obama-if-we-LEAVE-the-EU-says-Boris-Johnson.html, 22 April 2016. 2010s, 2016

War, Idea, Fashion, Decision

“As for my birth month, a detail of much interest to poets, obsessed as they are with symbolic systems of all kinds: I was not pleased, during my childhood, to have been born in November, as there wasn't much inspiration for birthday party motifs. February children got hearts, May ones flowers, but what was there for me? A cake surrounded by withered leaves? November was a drab, dark and wet month, lacking even snow; its only noteworthy festival was Remembrance Day. But in adult life I discovered that November was, astrologically speaking, the month of sex, death and regeneration, and that November First was the Day of the Dead. It still wouldn't have been much good for birthday parties, but it was just fine for poetry, which tends to revolve a good deal around sex and death, with regeneration optional.”

Margaret Atwood (1939) Canadian writer

On Writing Poetry (1995)

Life, Death, Children, Sex

“The cross of the Cruxifixion — without the cross of the Resurrection is the symbol of a mutilated Christianity.”

Frederick Franck (1909–2006) Dutch painter

Source: Echoes from the Bottomless Well (1985), p. 121

“The present painter can be said to work with chaos not only in the sense that he is handling the chaos of the blank picture plane, but also in that he is handling the chaos of form. In trying to go beyond the visible and the known world he is working with forms that are unknown even to him. He is therefore engaged in a true act of discovery in the creation of new forms and symbols that will have the living quality of creation.”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 125

World, Sense

“[about the name Disturbed] It had been a name I have been contemplating for a band for years. It just seems to symbolize everything we were feeling at the time. The level of conformity that people are forced into was disturbing to us and we were just trying to push the envelope and the name just sorta made sense.”

David Draiman (1973) American singer and songwriter

Livewire's one on one - David Draiman talks disturbing thoughts http://www.webcitation.org/640D4asgh, concertlivewire.com, 19 February 2005)

People, Feeling, Sense, Time

“Symbol or energy, the Virgin had acted as the greatest force the Western world ever felt, and had drawn man's activities to herself more strongly than any other power, natural or supernatural, had ever done; the historian's business was to follow the track of the energy; to find where it came from and where it went to; its complex source and shifting channels; its values, equivalents, conversions.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

World, Business, Nature

“All complex organizations use people to pursue their tasks, but people-changing organizations work not only with or through people but also on them. People constitute the raison d'etre of these organizations, and, and, as our label suggests, the desired product is a new or altered person. People-changing organizations can be contrasted with organizations that produce, distribute, or service inanimate objects or symbols. The latter may have important consequences for their members' statuses, role-orientations, identities, and personalities, but these alterations are usually incidental, personal, or instrumental. In people-changing organizations the alterations re the primary end. Conceived in this way, the term "people-changing" encompasses a broad variety of organizations, ranging from the monastery (which cleanses the soul while teaching the outward signs of grace) to Menninger's (which restructures the personality), and even to the House of Venus”

Charles Perrow (1925–2019) American sociologist

which reshapes buttocks and identity simultaneously
Source: 1960s, Organization for treatment, 1966, p. 3

People, Way, Soul, Change

“Too often in a modern building the work of art is an afterthought – a piece of decoration added to fill a space that is felt to be too empty. Ideally the work of art should be a focus round which the harmony of the whole building revolves – inseparable from the design, structurally coherent and aesthetically essential... He [the sculptor] will want to consider both external proportions and internal space volumes in relation to the size and style of sculpture that might be required – not merely the decorative function of sculpture... I am thinking of the didactic and symbolic functions of sculpture in Gothic architecture, inseparable from the architectural conception itself…”

Henry Moore (1898–1986) English artist

Quote of Moore, as cited by Unesco, International Conference of artists, Venice 1952; typescript, in HMF Library
1940 - 1955

Art, Thinking

“The criticism of ideology must therefore invert the linking of causality as perceived by the totalitarian gaze: far from being the positive cause of social antagonism, the Jew is just an embodiment of a certain blockage - of the impossibility which prevents the society from achieving its full identity as a closed, homogenous totality. Far from being the positive cause of social negativity, the Jew is a point at which social negativity as such assumes another formula of the basic procedure of the criticism of ideology, supplementing the one given above: to detect, in a given ideological edifice, the element which represents within it its own impossibility. Society is not prevented from achieving its full identity because of Jews: it is prevented by its own antagonistic nature, by its own immanent blockage, and it projects this internal negativity into the figure of the Jew. In other words, what is excluded from the Symbolic (from the frame of the corporalist socio-symbolic order) returns in the Real as a paranoid construction of the Jew.”

Slavoj Žižek book The Sublime Object of Ideology

143
The Sublime Object of Ideology (1989)

Nature

“A poem therefore is to be defined as a structure of words whose sound constitutes a rhythmical unity, complete in itself, irrefragable, unanalyzable, completing its symbolic references within the ambit of its sound effects.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

What is a Poem - Endword - Selected Poems (1926)

“A good symbol is the best argument, and is a missionary to persuade thousands.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Poetry and Imagination 1870s, Society and Solitude (1870), Books, Letters and Social Aims http://www.rwe.org/comm/index.php?option=com_content&task=category&sectionid=5&id=74&Itemid=149 (1876)

“Men cannot be treated as units in operations of political arithmetic because they behave like the symbols for zero and the infinite, which dislocate all mathematical operations.”

Arthur Koestler (1905–1983) Hungarian-British author and journalist

Crossman (1949), p. 68.

Men, Mathematics

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Life, God, Hostility, World

“The main result reached by the new theory was that the classical mechanics can be made to account for the whole range of spectral phenomena, provided entirely new meanings are given to such symbols as p and q which had hitherto been taken to describe the position and motion of the electron…. The most significant of the new properties is that the product pq is no longer the same as the product qp - in other words the order in which the two factors are multiplied together is no longer a matter of indifference. The difference between pq and qp is found to be always the same, being Planck's constant h multiplied by a numerical multiplier.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Indifference

“Now, a symbol is not, properly speaking, either true or false; it is, rather, something more or less well selected to stand for the reality it represents, and pictures that reality in a more or less precise, or a more or less detailed manner.”

Pierre Duhem (1861–1916) French physicist, historian of science

[U]n symbole n'est, à proprement parler, ni vrai, ni faux; il est plus ou moins bien choisi pour signifier la réalité qu'il représente, il la figure d'une manière plus ou moins précise, plus ou moins détaillée...
[Pierre Maurice Marie Duhem, translated by Philip P. Wiener, The Aim and Structure of Physical Theory, Princeton University Press, 1991, 069102524X, 168]
Notice sur les Titres et Travaux scientifiques de Pierre Duhem rédigée par lui-même lors de sa candidature à l'Académie des sciences (mai 1913), The Aim and Structure of Physical Theory (1906)

Reality, Falseness

“After midlife, one falls back on C G Jung and determines that the first years of life were in themselves symbolic.
To learn a profession (calling) doesn't mean that you are called. To obtain money doesn't mean that you are rich. To marry doesn't mean that you have learned to love. To build a house doesn't mean that you are at home.
All the things you did until you turned forty confront you again after midlife as a task, but this time inwardly.”

Eugen Drewermann (1940) German psychologist and theologian

Wort des Heils, Wort der Heilung. II p 148 (1989)

Love, Life, Money, Home

“Against the U. S.-sponsored program to deny subject peoples their own cultural heritage as well as participation in shaping their own social and economic life, Iranian opposition took the form of a revival of the only sphere of life that remained available, Shiite cultural tradition and the ritual space and symbols of the mosques.”

Richard A. Horsley (1939) Biblical scholar

Source: Religion and Empire: People, Power, and the Life of the Spirit (2003), p. 72-73

Life, People

“But because of the way in which depictions represent, there is a correspondence between parts and spatial relations of the representation and those of the object; this structural mapping, which confers a type of resemblance, underlies the way images convey specific content. In this respect images are like pictures. Unlike words and symbols, depictions are not arbitrarily paired with what they represent.”

Stephen Kosslyn (1948) American psychologist

Stephen M. Kosslyn, ‎William L. Thompson, ‎Giorgio Ganis (2006), The Case for Mental Imagery. p. 44; Cited in: Michael R. W. Dawson (2013). Mind, Body, World: Foundations of Cognitive Science. p. 108

Way, Parting

“{Music symbolizes the loss of faith, of common belief. ] The small, intimate church is closed, the organs are dead, it is sadder than before. Only those whom fate designs for the eternal mass of infinite love remain. They compose only a very small chapel of clarity in space and time.”

Louis-ferdinand Céline (1894–1961) French writer

45
Mea culpa; suivi de la vie et l'oeuvre de Semmelweis (1937)

Love, Fate, Faith, Music

“Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.”

Barbara Hepworth (1903–1975) English sculptor

Studio International 171 – June 1966, p. 280
1961 - 1975

Drawing

“We have to stop pretending that Islam is merely a religion—it is primarily a totalitarian ideology that aims to conquer the West. A free society should not grant freedom to those who want to destroy it. Every halal shop, every mosque, every Islamic school, and every burka is regarded by Islam as a step toward the ultimate goal of our submission. As such, we must close down all Islamic schools, for they are totalitarian institutions where young children are indoctrinated into an ideology of violence and hatred. We must also close down all radical mosques and forbid the construction of new mosques, which Islam regards as symbols of its triumph. And we must ban the burka—people's faces should not be hidden in society, for it is our faces that give us our identity and our fundamental means of communication with others.”

Geert Wilders (1963) Dutch politician

Source: 2010s, Marked for Death (2012), Ch. 13, pp. 214–215

Children, People, School, Religion

“The critic asks me: 'So you are a Symbolist? I mean well and I would like to learn; why don't you explain Symbolism to me'.. I answer...'Well, my paintings probably speak Hebrew, which you do not understand, so there is no point in continuing the conversation.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 130: quote in 1898

Understanding, Learning, Painting

“When we say a character in my films doesn't function, we mean he doesn't function as a person, but he does function as a character — that is, until you take him as a symbol. At that point it is you who are not functioning. Why not simply accept him as a character, without judging him? Accept him for what he is. Accept him as a character in a story, without claiming that he derives or acquires meaning from that story. There may be meanings, but they are different for all of us.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

Personality

“Mass, time, magnetic moment, the unconscious: we have grown up with these symbolic concepts, so that we are startled to be told that man had once to create them for himself. He had indeed, and he has: for mass is not an intuition in the muscle, and time is not bought ready-made at the watchmaker's.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Part 2: "The Habit of Truth", §5 (p. 35)
Science and Human Values (1956, 1965)

Time

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Men, People, Health, Truth

“(The story behind the name Celldweller) is hard to trace back completely but I guess in 1992 sometime, I wrote a song called 'Helldweller' and my studios and even places I have lived have traditionally been in basements. In cellars, so to speak. I am also a fairly introverted guy and I hardly ever come out. It was almost a joke initially from family and friends calling me a cell dweller or a cellar dweller. It evolved into Celldweller although that name holds more significance than that. Celldweller is more symbolic of an internal bondage, being restricted and retained internally so the name has many meanings. At the end of the day, it rolls off the tongue very easily so there it is.”

Klayton (1970) American musician

"Klayton Scott - Celldweller," (2003)

Family, Guy

“This language controls by reducing the linguistic forms and symbols of reflection, abstraction, development, contradiction; by substituting images for concepts. It denies or absorbs the transcendent vocabulary; it does not search for but establishes and imposes truth and falsehood.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 103

Truth, Search

“We can now return to the distinction between language and symbolism. A symbol is language and yet not language. A mathematical or logical or any other kind of symbol is invented to serve a purpose purely scientific; it is supposed to have no emotional expressiveness whatever. But when once a particular symbolism has been taken into use and mastered, it reacquires the emotional expressiveness of language proper. Every mathematician knows this. At the same time, the emotions which mathematicians find expressed in their symbols are not emotions in general, they are the peculiar emotions belonging to mathematical thinking.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: The Principles of Art (1938), p. 268

Mathematics, Thinking, Time

“Cindy Sheehan is on a mission to figuratively urinate on her son's grave and make his death stand for nothing. She represents and symbolizes all those who would cut the legs out from the men and women who are fighting now as we speak, to defend us and to build a new country in Iraq. Cindy Sheehan's not interested in the memory of her son. She's only interested in using her son as a prop to advance her own hatred for the American troops.”

Mark Williams American conservative activist, radio talk show host and author

Fox News Live
2005-08-24, quoted in * "Truth Tour's" Williams: Sheehan "on a mission to figuratively urinate on her son's grave
2005-08-24
Media Matters for America
http://mediamatters.org/mmtv/200508240014
2011-02-28

Death, Women, Men, Memory

“The process of transforming all direct experience into the supreme symbolic expression, language, monopolizes life. Like ideology, language conceals and justifies, compelling us to suspend our doubts about its claim to validity. It is the root of civilization, the dynamic code of civilization's alienated nature. As the paradigm of ideology, language stands behind all of the massive legitimation necessary to hold civilization together. It remains for us to clarify what forms of nascent domination engendered this justification, made language necessary as basic means of repression”

John Zerzan (1943) American anarchist and primitivist philosopher and author

Elements of Refusal (1988)

Life, Nature

“By the logical syntax of a language, we mean the formal theory of the linguistic forms of that language -- the systematic statement of the formal rules which govern it together with the development of the consequences which follow from these rules. A theory, a rule, a definition, or the like is to be called formal when no reference is made in it either to the meaning of the symbols (for examples, the words) or to the sense of the expressions (e. g. the sentences), but simply and solely to the kinds and order of the symbols from which the expressions are constructed.”

Rudolf Carnap (1891–1970) German philosopher

Source: Logical Syntax of Language, 1934/1937, p. 1

Sense

“A religion is a system of symbols which acts to establish powerful, pervasive, and long-lasting moods in men by formulating conceptions of a general order of existence and clothing those conceptions with such an aura of factuality that the moods and motivations seem uniquely realistic.”

Clifford Geertz book The Interpretation of Cultures

Source: The Interpretation of Cultures (1973), p. 90

Men, Religion, Motivation, Mood

“A cross could be a shape for expressing something spacious; such as the coordinators of space. That could be called its first significance or its first relevance. A cross could equally stand for crossing something out. It could also be a sign of obstruction. An overturned cross, an X so to speak, could be the symbol of mystery, something for the other side. Then I could paint a cross in such a way that a connection is made between two bars, and in doing so convert it into a symbol of the unlimited. So, many different crosses and X symbols occur in my works.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1988
1981 - 1990
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 27

Way, Quotes, Painting

“My Lord, I am not a superstitious man,” Master Sean said. “Being a sorcerer leaves little room for superstition. A superstitious magician is unable to manipulate symbols properly, and symbolism is a large part of magic.”

Michael Kurland book Ten Little Wizards

Source: Ten Little Wizards (1988), Chapter 6 (p. 55)

Parting

“One and all we felt that the holy calm that lay like sunshine over the wasted face and form was only an earthly token and symbol of the calm that was to reign for ever.”

Bram Stoker book Dracula

Dr. Seward of Lucy Westenra
Dracula (1897)

“I do feel visceral revulsion at the burka because for me it is a symbol of the oppression of women.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

As quoted in Richard Dawkins causes outcry after likening the burka to a bin liner https://www.telegraph.co.uk/news/religion/7936221/Richard-Dawkins-causes-outcry-after-likening-the-burka-to-a-bin-liner.html (10 August 2010), The Telegraph.

Women, Feeling

“The picture developed – bit by bit while I was working on it – into shapes symbolic of an exuberant figure and ladder…. therefore: 'Jacob's Ladder' [= the title of the painting she made in 1966].”

Helen Frankenthaler (1928–2011) American artist

Quote on the birth of a title of her art-work 'Jacob's Ladder'; from: MoMA Highlights, New York, The Museum of Modern Art, revised 2004, originally published in 1999, p. 219 http://www.moma.org/collection/object.php?object_id=78722 1990s - 2000s

Painting

“It was as if by becoming a musician and Music Master he had chosen music as one of the ways toward man's highest goal, inner freedom, purity, perfection, and as though ever since making that choice he has done nothing but let himself be more and more permeated, transformed, purified by music — his entire self from his nimble, clever pianist's hands and his vast, well-stocked musician's memory to all the parts and organs of body and soul, to his pulses and breathing, to his sleep and dreaming — so that he was now only a symbol, or rather a manifestation, a personification of music.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Dreams, Music, Way, Soul

“[A]s a proportion of the labor force, fewer individuals manipulate things, more handle people and symbols.”

C. Wright Mills book White Collar: The American Middle Classes

Source: White Collar: The American Middle Classes (1951), P. 65.

People

“Contemporary theories of politics tend to portray politics as a reflection of society, political phenomena as the aggregate consequences of individual behavior, action as the result of choices based on calculated self-interest, history as efficient in reaching unique and appropriate outcomes, and decision making and the allocation of resources as the central foci of political life. Some recent theoretical thought in political science, however, blends elements of these theoretical styles into an older concern with institutions. This new institutionalism emphasizes the relative autonomy of political institutions, possibilities for inefficiency in history, and the importance of symbolic action to an understanding of politics. Such ideas have a reasonable empirical basis, but they are not characterized by powerful theoretical forms. Some directions for theoretical research may, however, be identified in institutionalist conceptions of political order.”

James G. March (1928–2018) American sociologist

James G. March and Johan P. Olsen. "The new institutionalism: organizational factors in political life." American political science review 78.03 (1983): 734-749.

Life, Behavior, History, Idea

“Until Abstract Expressionism you had to have something to paint about, some kind of subject matter. Even though Kandinsky and w:Arthur Dove were improvising earlier, it didn't take. They had to have symbols, suggested natural images or geometry, which was something real structurally. That gave them something to paint about. What was new was the idea that something you looked at could be like something you heard.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 8
Conversation with Karen Wilkin' (1986-1988)

Idea, Nature, Painting

“Horizontal mathematising leads from the world of life to the world of symbols.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: Revisiting Mathematics Education (1991), p. 41

Life, World

“Mother held no influence over [my father]; though he bestowed much reverence and attention upon Adela. When she swept his chamber, it was to him a great and momentous ceremony, one that he never omitted to witness, following Adela’s every movement with a mixture of fear and a shudder of delight. He ascribed to her every action some deeper, symbolic meaning, and when the girl pushed a long-handled brush across the floor, with youthful and bold thrusts, it was almost beyond his endurance.”

Bruno Schulz (1892–1942) Polish novelist and painter

“The Birds” http://www.schulzian.net/translation/shops/birds.htm His father, Adela (the domestic servant)

Youth, Fear, Girl

“The outbreak of cholera in Zimbabwe became a symbol of that country's collapse — but who noticed the spread of cholera across Iraq? The McCainiacs chorused that "the surge worked" — but a study by the journal Environment and Planning found the truth. Between 2003 and 2007, Iraq was ripped by a massive ethnic cleansing. The mixed Sunni-Shia areas were destroyed. By the time the surge started, there was nobody left to purge: the country was carved into ethnically homogeneous neighbourhoods. All the surge did was build vast concrete walls between the collapsing hoods, cementing the cleansing. That's success?”

Johann Hari (1979) British journalist

"What did we misjudge in 2008?," http://www.independent.co.uk/opinion/commentators/johann-hari/johann-hari-what-did-we-misjudge-in-2008-1202269.html The Independent (2008-12-18).

Truth, Study, Time, Success

“Coleridge observes that all men are born Aristotelians or Platonists. The latter feel that classes, orders, and genres are realities; the former, that they are generalizations. For the latter, language is nothing but an approximative set of symbols; for the former, it is the map of the universe. The Platonist knows that the universe is somehow a cosmos, an order; that order, for the Aristotelian, can be an error or a fiction of our partial knowledge. Across the latitudes and the epochs, the two immortal antagonists change their name and language: one is Parmenides, Plato, Spinoza, Kant, Francis Bradley; the other, Heraclitus, Aristotle, Locke, Hume, William James.”

Jorge Luis Borges book Other Inquisitions

"The Nightingale of Keats"
Other Inquisitions (1952)

Men, Error, Feeling, Knowledge

“Valuing family more than job gives perspectives to politics. It puts the politician in the proper place, which is somewhere less than being the self-perceived agent of God. If family comes first, the politician needs to find ways to make that clear- by words, symbols and actions. The politician must make the effort. By its nature, the job will not do it for him.”

John Danforth (1936) American politician

Page 125
Faith and Politics (2006)

God, Family, Way, Nature

“I strongly suspect that most of the great knowers of Suchness paid very little attention to art.… (To a person whose transfigured and transfiguring mind can see the All in every this, the first-rateness or tenth-rateness of even a religious painting will be a matter of the most sovereign indifference.) Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

Aldous Huxley book The Doors of Perception

The Doors of Perception (1954)

Art, Painting, Personality, Dead

“The idea of creativity is for me the problem of the future. Since the creative power is not a simple thing. It has a rich structure. It is divided into a lot of different principles and represented by figures, and these figures you can also write down in a kind of symbolic mantra. It is important to work on every point of creativity and see how the human being stands in the energy that comes out from the surrounding world.”

Joseph Beuys (1921–1986) German visual artist

Quote in a conversation between Lama Sogyal Rinpoché and Joseph Beuys, 1982; republished in: Joseph Beuys, Carin Kuoni. Joseph Beuys in America: Energy Plan for the Western Man. New York, 1993. p. 197
1980's

World, Idea, Problem, Future

“Heuristic Search Hypothesis. The solutions to problems are represented as symbol structures. A physical symbol system exercises its intelligence in problem solving by search—that is, by generating and progressively modifying symbol structures until it produces a solution structure.”

Allen Newell (1927–1992) American cognitive scientist

Source: Computer Science as Empirical Inquiry: Symbols and Search (1975), p. 120.

Exercises, Search, Intelligence, Problem

“The image of rock and roll since Elvis has ranged from teen rebellion to challenging of the status quo. It represented freedom in the 60's, but lately it represents corporate hegemony, the opposite of what hippies envisioned at Woodstock. The RIAA to many consumers today symbolizes oppression, oppression of both artist and consumer.”

Richard Menta American journalist

Source The RIAA Settles Fast With 12-year-old Trader http://web.archive.org/web/20041010141527/http://www.mp3newswire.net/stories/2003/brianna_laHara.html - 9/10/2003 Quotes from the MP3 Newswire

Freedom

“Greek thought was essentially non-algebraic, because it was so concrete. The abstract operations of algebra, which deal with objects that have been purposely stripped of their physical content, could not occur to minds which were so intently interested in the objects themselves. The symbol is not a mere formality; it is the very essence of algebra. Without the symbol the object is a human perception and reflects all the phases under which the human senses grasp it; replaced by a symbol the object becomes a complete abstraction, a mere operand subject to certain indicated operations.”

Tobias Dantzig (1884–1956) American mathematician

p, 125
Number: The Language of Science (1930)

Sense

“Let us look for a moment at the erroneous interpretations given to the Gospel story. The symbolism of that Gospel story — an ancient story-presentation often presented down the ages, prior to the coming of the Christ in Palestine — has been twisted and distorted by theologians until the crystalline purity of the early teaching and the unique simplicity of the Christ have disappeared in a travesty of errors and in a mummery of ritual, money and human ambitions. Christ is pictured today as having been born in an unnatural manner, as having taught and preached for three years and then as having been crucified and eventually resurrected, leaving humanity in order to "sit on the right hand of God," in austere and distant pomp. Likewise, all the other approaches to God by any other people, at any time and in any country, are regarded by the orthodox Christian as wrong approaches […] Every possible effort has been made to force orthodox Christianity on those who accept the inspiration and the teachings of the Buddha or of others who have been responsible for preserving the divine continuity of revelation. The emphasis has been, as we all well know, upon the "blood sacrifice of the Christ" upon the Cross and upon a salvation dependent upon the recognition and acceptance of that sacrifice. The vicarious at-one-ment has been substituted for the reliance which Christ Himself enjoined us to place upon our own divinity; the Church of Christ has made itself famous and futile (as the world war proved) for its narrow creed, its wrong emphases, its clerical pomp, its spurious authority, its material riches and its presentation of a dead Christ. His resurrection is accepted, but the major appeal of the churches has been upon His death.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Reappearance of the Christ (1948), Chapter IV: The Work of the Christ Today and in the Future, p. 64

Death, Money, God, War

“Vice President Johnson, Mr. Speaker, Mr. Chief Justice, President Eisenhower, Vice President Nixon, President Truman, reverend clergy, fellow citizens, we observe today not a victory of party, but a celebration of freedom — symbolizing an end, as well as a beginning — signifying renewal, as well as change. For I have sworn before you and Almighty God the same solemn oath our forebears prescribed nearly a century and three quarters ago.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, Inaugural Address

God, Justice, Freedom, Change

“I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Statement c. 1962, as quoted in Marilyn (1992) by Peter Harry Brown and Patte B. Barham, Ch. 30
Variant: I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.

Men, Sex, Failure

Johan Olsen (1939) Norwegian political scientist

James G. March and Johan P. Olsen. "The new institutionalism: organizational factors in political life." American political science review 78.03 (1983): 734-749; Abstract.

Life, Behavior, History, Idea

“The chief function of the city is to convert power into form, energy into culture, dead matter into the living symbols of art, biological reproduction into social creativity.”

Lewis Mumford book The City in History

Source: The City in History (1961), Ch. 18

Art, Dead

“Where the artist is concerned it is a question of the conscious immersion in himself, through which, once he has got beyond the individual and contingent level, he can probe deep down to reach the living germs of total humanity. Everything that is humanly communicable is derived from this, and it is through the discovery of the psychic substrata that all men have in common that the relationship of author-work-spectator is made possible. In this way the work of art has the totemic value of living myth, without symbolic or descriptive dispersion: it is a primary and direct expression.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

Men, Art, Way, Question

“Symptoms are meaningless traces, their meaning is not discovered, excavated from the hidden depth of the past, but constructed retroactively - the analysis produces the truth; that is, the signifying frame which gives their symptoms their symbolic place and meaning. As soon as we enter the symbolic order, the past is always present in the form of historical tradition and the meaning of these traces is not given; it changes continually with the transformations of the signifier's network. Every historical rupture, every advent of a new master-signifier, changers retroactively the meaning of all tradition, restructures the narration of the past, and makes it readable in another, new way.”

Slavoj Žižek book The Sublime Object of Ideology

58
The Sublime Object of Ideology (1989)

Truth, Way, Change, Past

“Next year there will be a celebration dedicated to the victory in the Battle of Poltava, so it would be symbolic to play the match with Sweden there.”

Anatoliy Tymoshchuk (1979) Ukrainian footballer

http://www.sports.ru/football/4848739.html (2008)

Victory

“Firstly for the design I decided that the two joined figures should be depicted upright [in Zadkine's first attempt the two brothers were sitting shoulder to shoulder].... two or three days later I was able to send him a photo of my new attempt, in which the two brothers are not only standing, but where the bond – the main idea is projected onto the statue in a hollow, in the heart of the composition the viewer can see a knot of hands, a symbol of the double inspiration.”

Ossip Zadkine (1890–1967) French sculptor

Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69

Photo, Idea, Heart

“The famous sixteenth-century algebraist Jerome Cardan called negative roots fictitious, and the founder of modern symbolic algebra, François Viète, discarded negative roots entirely. Descartes, called them false on the ground that they represented numbers less than nothing and so were meaningless.”

Morris Kline (1908–1992) American mathematician

Source: Mathematics and the Physical World (1959), p. 52.

Falseness

“The assumption that effective cartographic technique and its evaluation is based in part on some subjective artistic or aesthetic sense on the part of the cartographer and map reader is somewhat disconcerting. For example, E. Raisz claims that the “effective use of lines or colors requires artistic judgment,” and J. K. Wright explains that the suitability of a symbol “depends on the map maker's taste and sense of harmony.” Throughout the literature there are numerous similar assertions regarding the assumed subjective aesthetic and artistic content of cartography.”

Arthur H. Robinson (1915–2004) American geographer

Source: The Look of Maps (1952), p. 16; as cited in: Kirk Patrick Goldsberry (2007) Real-time Traffic Maps. p. 23

Color, Literature, Sense, Parting

““Words? Not really. Mankind is a good word.” She set down her glass with a thump. “Or humankind. I’m afraid we’ve spent a lot of feminist energy on meaningless symbols rather than essential functions.””

Sheri S. Tepper (1929–2016) American fiction writer

Source: Gibbon's Decline & Fall (1996), Chapter 10 (p. 170)

“Americans revere their flag as a symbol of the Nation. Indeed, it is because of that reverence that the amendment is under consideration. Few countries in the world would think of amending their Constitution for the purpose of protecting such a symbol.”

Colin Powell (1937) Former U.S. Secretary of State and retired four-star general

1990s, Letter to Patrick Leahy (1999)

World, Thinking, Country

“Logical knowledge is indirect and symbolic in its character. It helps us to handle and control the object and its workings.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Knowledge, Help

“As soon as a thought or word becomes a tool, one can dispense with actually ‘thinking’ it, that is, with going through the logical acts involved in verbal formulation of it. As has been pointed out, often and correctly, the advantage of mathematics—the model of all neo-positivistic thinking—lies in just this ‘intellectual economy.’ Complicated logical operations are carried out without actual performance of the intellectual acts upon which the mathematical and logical symbols are based. … Reason … becomes a fetish, a magic entity that is accepted rather than intellectually experienced.”

Max Horkheimer book Eclipse of Reason

Source: Eclipse of Reason (1947), p. 23.

Mathematics, Thinking

“A declaratory sentence can be asserted, because it is an incomplete symbol, of indeterminate modality; while a question, a command, an invective, or any other sentence of fixed intention can no more be asserted than could my act of hewing wood or of drinking tea.”

Michael Polanyi (1891–1976) Hungarian-British polymath

Source: Personal Knowledge (1958), p. 28

Drink, Question, Tea

“I come from a world of conservative Christian thought. I've absorbed Christianity with my mother's milk. So it must be obvious that certain… archetypes, aren't they called? — stick in one's mind, and that certain lines, certain courses of events, certain ways of behaving, become adequate symbols for what goes on in the Christian system of ideas. … I keep myself supplied with my own angels and demons…”

Ingmar Bergman (1918–2007) Swedish filmmaker

Torsten Manns interview.
Bergman on Bergman (1970)

World, Angels, Way, Idea

“From education by the Church to education by Germanic value is a step of several generations. We are the transition from one education to the other. We are the conquerors of one era and the founders of a new - also religious - epoch. We bear a heavy and therefore a great destiny. To destroy images is something every revolution has been able to do. But to establish its cause upon nothing and yet not to burn all bridges behind it: that is the nobility of character of the National Socialist era. The German people is not marked by original sin, but by original nobility. The place of Christian love has been taken by the National Socialist, Germanic idea of comradeship…which has already been symbolically expressed through the replacement of the rosary by the spade of labour.”

Alfred Rosenberg (1893–1946) German architect and politician

Quoted in Chapter 13, Part 3 of "The Face Of The Third Reich" by Joachim C. Fest.

Love, People, Education, Idea

“I am turned off when I see only formulas and symbols, and little text.”

Stanislaw Ulam (1909–1984) Polish-American mathematician

Source: Adventures of a Mathematician - Third Edition (1991), Chapter 15, Random Reflections on Mathematics and Science, p. 275

“The text of the Bible is but a feeble symbol of the Revelation held in the text of Men and Women.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Impressions and Comments http://www.gutenberg.org/dirs/etext05/8ells10.txt (1914)

Women, Men

“Language in its original imaginative form maybe said to have expressiveness, but no meaning. About such language we cannot distinguish between what the speaker says and what he means… Language in its intellectualized form has both expressiveness and meaning. As language, it expressed a certain emotion. As symbolism, it refers beyond that emotion to the thought whose emotional charge it is… The progressive intellectualization of language, its progressive conversion by the work of grammar and logic into a scientific symbolism, thus represents not a progressive drying-up of emotion, but its progressive articulation and specialization. We are not getting away from an emotional atmosphere into a dry, rational atmosphere; we are acquiring new emotions and new means of expressing them.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: The Principles of Art (1938), p. 269

Imagination

“Between the image of the Imagist and the 'symbol' of the Symbolists there is a difference only of precision”

René Taupin (1905–1981) French academic

L'Influence du symbolism francais sur la poesie Americaine(de 1910 a 1920), Champion, Paris 1929 trans William Pratt and Anne Rich AMS , New York 1985 ISBN 9780404615796

“It takes a full sixty years for the Cold Arrow Bamboo to go through the cycle of flowering, seeding, dying and for the seeds to sprout, grow, and flower. According to Buddhist teachings on transmigration this would be exactly one kalpa. "Man follows earth, earth follows sky, sky follows the way, the way follows nature, don’t commit actions which go against the basic character of nature, don’t commit acts which should not be committed." "Then what scientific value is there in saving the giant panda?" I ask. "It’s symbolic, it’s a sort of reassurance―people need to deceive themselves. We are preoccupied with saving a species which no longer has the capacity for survival and yet on the other hand we’re changing ahead and destroying the very environment for the survival of the human species itself."”

Gao Xingjian book Soul Mountain

Source: Soul Mountain (1989), ch. 8, p. 47

People, Way, Flowers, Nature

“An hour's a symbolic duration.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

“The good thing is that all the symbolic elements are gone, and that which really matters – the core – is left.”

Anders Fogh Rasmussen (1953) former Prime Minister of Denmark and NATO secretary general

On the Lisbon Treaty, Jyllands-Posten, 25 June 2007

“Listen, bin Laden is - you know, he's not irrelevant. He was important all along. Just the fact that he was able to elude capture or being killed for nearly a decade, actually more than a decade if you go back to the embassy bombings in 1998 when we first went after him. He's been a symbol of resistance and also of the failure of American policy to reach out and stop this kind of terror. It emboldened other imitators all around the globe. So getting bin Laden is immeasurably important.”

Lawrence Wright (1947) American writer

[Terry Gross, Lawrence Wright : Bin Laden's Death 'Long In Coming', Fresh Air, National Public Radio, May 2, 2011]

Failure

“My equestrian figures are symbols of the anguish that I feel when I survey contemporary events. Little by little, my horses become more restless; their riders less and less able to control them. Man and beast are both overcome by a catastrophe similar to those that struck Sodom and Pompeii. So I am trying to illustrate the last stages of the disintegration of a myth, I mean the myth of the individual victorious hero, the 'uono di virtù' of the humanists..”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), pp. 87-88

Feeling, Victory, Horse

“A second sun blazed white and swelled visibly as he watched. What on Earth would have been—so many times had been—a climbing mushroom cloud was here in open space a perfect geometrical sphere, growing unbelievably. It swelled still larger, dropping from limelight white to to silvery violet, became blotched with purple, red and flame. And still it grew, until it blanked out the earth beyond it.
At the time it had been transformed into a radioactive cosmic cloud Circum-Terra had been passing over, or opposite, the North Atlantic; the swollen incandescent cloud was visible to most of the habitable portions of the globe, a burning symbol in the sky.”

Robert A. Heinlein book Between Planets

Source: Between Planets (1951), Chapter 6, “The Sign in the Sky” (p. 75)

Time, Sun, Perfection

“She certainly gave me what I've been losing. Youth's intensity, its craving, the soul-priapism, huge lust and fierce to her, clamour for her to realize with me that mightiest marriage-dream, that Sacrament of Satan that may be consummated only beneath Night's dome, in utmost silence, because its Elements are not symbols of things, but They themselves.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: Magical Record of the Beast 666: The Diaries of Aleister Crowley 1914-1920 (1972), p. 193

Marriage, Youth, Dreams, Soul

“Acosta: What the President is proposing here does not sound like it's in keeping with American tradition when it comes to immigration. The says, "Give me your tired, your poor, your huddled masses yearning to breathe free." It doesn't say anything about speaking English or being a computer programmer. Aren't you trying to change what it means to an immigrant coming into this country if you're telling them you have to speak English? Can't people learn to speak English when they get here?
Miller: Well, first of all, right now it's a requirement to be you have to speak English, so the notion that speaking English wouldn't be a part of the immigration system would actually be very ahistorical. Secondly, I don't want to get off into a whole thing about history here, but the Statue of Liberty is a symbol of liberty enlightening the world, it's a symbol of American liberty lighting the world. The poem that you're referring to was added later, is not actually part of the original Statue of Liberty.”

Stephen Miller (1985) political advisor for policy

2010s

People, World, History, Light

“Personally, having lived through all these European disturbances and studied carefully their causes, I am of the opinion that if the Allies at the peace table at Versailles had not imagined that the sweeping away of long-established dynasties was a form of progress, and if they had allowed a Hohenzollern, a Wittelsbach, and a Habsburg to return to their thrones, there would have been no Hitler. To Germany, a symbolic point on which the loyalties of the military classes could centre would have been found, and a democratic basis of society might have been preserved by a crowned Weimar in contact with the victorious Allies.”

Winston S. Churchill book The Second World War

Telegram (26 April 1945) to Hughe Knatchbull-Hugessen, British Ambassador to Turkey, quoted in Martin Gilbert, Road to Victory: Winston S. Churchill, 1941-1945 (London: Heinemann, 1986), p. 1314
The Second World War (1939–1945)

Peace, Imagination, Study, Victory

“We, the Poles, do not understand war as a symbol but as a real fight.”

Wladyslaw Sikorski (1881–1943) Polish military and political leader

in World of Tanks: 1 Polski Odrodzony Batalion Pancerny im. gen. Sikorskiego http://worldoftanks.eu/community/clans/500019796-1POBP/ and Cytatybaza: Władysław Sikorski http://cytatybaza.pl/autorzy/wladyslaw-sikorski.html Original: My Polacy rozumiemy wojnę nie jak symbol, lecz jako prawdziwą walkę.

War, Understanding, Fight

“It seemed incredible to me that day without premonitions or symbols should be the one of my inexorable death.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Variant translation: It seemed incredible that this day, a day without warnings or omens, might be that of my implacable death.
The Garden of Forking Paths (1942), The Garden of Forking Paths

Death

“[A] paradox arises at the level of the subject's relationship to the community to which he belongs: the situation of the forced choice consists in the fact that the subject must freely choose the community to which he already belongs, independent of his choice - he must choose what is already given to him… The subject who thinks he can avoid this paradox and really have a free choice is a psychotic subject, one who retains a kind of distance from the symbolic order - who is not really caught in the signifying network. The totalitarian subject is closer to this psychotic position: the proof would be the status of the enemy in totalitarian distance (the Jew in Fascism, the traitor in Stalinism) - precisely the subject supposed to have made a free choice and to have freely chosen the wrong side. This is also the basic paradox of love: not only of one's country, but also of a woman or a man. If I am directly ordered to love a woman, it is clear that this does not work: in a way, love must be free. But on the other hand, if I proceed as if I really have a free choice, if I start to look around and say to myself 'Let's choose which of these women I will fall in love with,' it is clear that this also does not work, that it is not real love. The paradox of love is that it is a free choice, but a choice which never arrives in the present - it is always already made …I can only state retroactively that I've already chosen … [Stated by Kant], 'Wickedness does not simply depend upon circumstances but is an integral part of his eternal nature.”

Slavoj Žižek book The Sublime Object of Ideology

In other words, wickedness appears to be something which is irreducibly given: the person in question can never change it, outgrow it via his ultimate moral development.
186-187
The Sublime Object of Ideology (1989)

Love, Women, Way, Communication

“Unlike the Cult of the Seven-Edged Star, the Church of the Seven Pointed Star believed that God had seven points rather than seven edges. Therefore, rather than worshipping the journey toward self-realization symbolized by the edges, they worshipped the goals of self-realization as symbolized by the points. […] Adherents to the Church of the Seven-pointed Star used swords with sharp points but no edge, while the Cult of the Seven-Edged Star used swords with sharp edges but no point. Alas, edges proved superior to points in most battles fought in the streets of Nicea. Caroline's followers were forced to either commit sacrilege and switch to edges, or become meals for the ever-present saltwater buzzard. Proving, one could say, the point of the edges.”

Jeff VanderMeer book City of Saints and Madmen

AppendiX, "The Ambergris Glossary", entry for Caroline of the Church of the Seven-Pointed Star
City of Saints and Madmen (2001–2004)

God, Star

“I hail you, old ocean! Old ocean, you are the symbol of identity: always equal unto yourself. In essence, you never change, and if somewhere your waves are enraged, farther off in some other zone they are in the most complete calm. You are not like man — who stops in the street to see two bulldogs seize each other by the scruff of the neck, but does not stop when a funeral passes. Man who in the morning is affable and in the evening ill-humoured. Who laughs today and weeps tomorrow. I hail you, old ocean!”

Comte de Lautréamont book Les Chants de Maldoror

Vieil océan, tu es le symbole de l'identité: toujours égal à toi-même. Tu ne varies pas d'une manière essentielle, et, si tes vagues sont quelque part en furie, plus loin, dans quelque autre zone, elles sont dans le calme le plus complet. Tu n'es pas comme l'homme, qui s'arrête dans la rue, pour voir deux boule-dogues s'empoigner au cou, mais, qui ne s'arrête pas, quand un enterrement passe; qui est ce matin accessible et ce soir de mauvaise humeur; qui rit aujourd'hui et pleure demain. Je te salue, vieil océan!
Les Chants de Maldoror (1972 ed.), p. 13.

Change

“He had enormous and poetic admiration, though very little understanding, of all mechanical devices. They were his symbols of truth and beauty. Regarding each new intricate mechanism—metal lathe, two-jet carburetor, machine gun, oxyacetylene welder—he learned one good realistic-sounding phrase, and used it over and over, with a delightful feeling of being technical and initiated.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 6

Truth, Beauty, Feeling, Understanding

“We don't criticize them, so why criticize Walter Keane just because his symbol of humanity is a child?”

Walter Keane (1915–2000) American plagiarist

Referring to himself in the third person, page 39. "Them" refers to Rembrandt, El Greco, and Michelangelo.
1965, Cited by Jane Howard

Quotes about symbol page 8

Quotes about symbol
page 8