Quotes about surface
page 2

Pierre Bonnard photo
Ram Mohan Roy photo
Abu Hamid al-Ghazali photo

“From my early youth, since I attained the age of puberty before I was twenty, until the present time when I am over fifty, I have ever recklessly launched out into the midst of these ocean depths, I have ever bravely embarked on this open sea, throwing aside all craven caution; I have poked into every dark recess, I have made an assault on every problem, I have plunged into every abyss, I have scrutinized the creed of every sect, I have tried to lay bare the inmost doctrines of every community. All this have I done that I might 68 distinguish between true and false, between sound tradition and heretical innovation. Whenever I meet one of the Batiniyah, I like to study his creed; whenever I meet one of the Zahiriyah, I want to know the essentials of his belief. If it is a philosopher, I try to become acquainted with the essence of his philosophy; if a scholastic theologian I busy myself in examining his theological reasoning; if a Sufi, I yearn to fathom the secret of his mysticism; if an ascetic (muta'ahhid) , I investigate the basis of his ascetic practices; if one ofthe Zanadiqah or Mu'attilah, I look beneath the surface to discover the reasons for his bold adoption of such a creed.”

Abu Hamid al-Ghazali (1058–1111) Persian Muslim theologian, jurist, philosopher, and mystic

The Deliverance from Error https://www.amazon.com/Al-Ghazalis-Path-Sufism-Deliverance-al-Munqidh/dp/1887752307, p: 20-21

Karl Marx photo
Eckhart Tolle photo
Aurelius Augustinus photo
Sara Shepard photo
Marguerite Duras photo
Haruki Murakami photo
Evelyn Waugh photo
Alexis De Tocqueville photo
Gabriel García Márquez photo

“The world was reduced to the surface of her skin and her inner self was safe from all bitterness.”

Source: One Hundred Years of Solitude (1967), p. 279, referring to Amaranta

Roald Dahl photo
Georges Bataille photo
Philip Roth photo
Cassandra Clare photo
Dan Brown photo
Ralph Waldo Emerson photo

“The progress of the intellect is to the clearer vision of causes, which neglects surface differences. To the poet, to the philosopher, to the saint, all things are friendly and sacred, all events profitable, all days holy, all men divine.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), History
Context: The difference between men is in their principle of association. Some men classify objects by color and size and other accidents of appearance; others by intrinsic likeness, or by the relation of cause and effect. The progress of the intellect is to the clearer vision of causes, which neglects surface differences. To the poet, to the philosopher, to the saint, all things are friendly and sacred, all events profitable, all days holy, all men divine. For the eye is fastened on the life, and slights the circumstance. Every chemical substance, every plant, every animal in its growth, teaches the unity of cause, the variety of appearance.

Jonathan Lethem photo

“You can't be deep without a surface”

Source: You Don't Love Me Yet

Guillermo del Toro photo
Thomas Hardy photo
William Carlos Williams photo
Cinda Williams Chima photo
A. Lee Martinez photo
Isabel Allende photo
Jean Baudrillard photo
Rachel Caine photo
Sarah Dessen photo
Jamaica Kincaid photo
Janet Fitch photo
Janet Fitch photo
Milan Kundera photo
John Dewey photo
Khaled Hosseini photo
Luke Davies photo
Cassandra Clare photo

“I turned and bumped my head against his chest a few times. It was the nearest hard surface.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Slays

Šantidéva photo

“Where would I find enough leather
To cover the entire surface of the earth?
But with leather soles beneath my feet,
It’s as if the whole world has been covered.”

Šantidéva (685–763) 8th-century Indian Buddhist monk and scholar

§ 5.13
Bodhicaryavatara, A Guide to the Bodhisattva Way of Life
Context: Where would there be leather enough to cover the entire world? With just the leather of my sandals, it is as if the whole world were covered. Likewise, I am unable to restrain external phenomena, but I shall restrain my own mind. What need is there to restrain anything else?

Cassandra Clare photo
Markus Zusak photo
William James photo
Jonathan Swift photo
Cassandra Clare photo
Sarah Dessen photo
Dan Brown photo
Anne Rice photo
Kim Harrison photo
Colum McCann photo
Haruki Murakami photo

“She waited for the train to pass. Then she said, "I sometimes think that people’s hearts are like deep wells. Nobody knows what’s at the bottom. All you can do is imagine by what comes floating to the surface every once in a while.”

Variant: I sometimes think that people's hearts are like deep wells. Nobody knows what's at the bottom. All you can do is guess from what comes floating to the surface every once in a while.
Source: Blind Willow, Sleeping Woman

Howard Zinn photo
Milan Kundera photo
Colin Powell photo
Paulo Coelho photo
Ann Brashares photo
Mitch Albom photo
Paulo Coelho photo
Elizabeth Gilbert photo
Jeanette Winterson photo
Jodi Picoult photo
Cassandra Clare photo
Eoin Colfer photo
China Miéville photo
Marcus Aurelius photo

“Look beneath the surface; let not the several quality of a thing nor its worth escape thee.”

VI, 3
Source: Meditations (c. 121–180 AD), Book VI

Martin Luther King, Jr. photo

“We who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface hidden tension that is already alive”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Letter from a Birmingham Jail (1963)
Context: Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured.

Cheryl Strayed photo
Anthony Doerr photo
Albert Einstein photo

“If the bee disappears from the surface of the earth, man would have no more than four years to live. No more bees, no more pollination … no more men!”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

A variant — "Professor Einstein, the learned scientist, once calculated that if all bees disappeared off the earth, four years later all humans would also have disappeared" — appears in The Irish Beekeeper, v.19-20, 1965-66, p74, citing Abeilles et Fleurs (Bees and Flowers, the house magazine of Union Nationale de l'Apiculture Française) for June 1965. Snopes.com mentions its use in a beekeepers' protest in 1994 in Europe http://www.snopes.com/quotes/einstein/bees.asp suggesting invention and attribution to Einstein for political reasons.
Misattributed

Jodi Picoult photo
Yves Klein photo

“Mathematics because of its nature and structure is peculiarly fitted for high school instruction [Gymnasiallehrfach]. Especially the higher mathematics, even if presented only in its elements, combines within itself all those qualities which are demanded of a secondary subject. It engages, it fructifies, it quickens, compels attention, is as circumspect as inventive, induces courage and self-confidence as well as modesty and submission to truth. It yields the essence and kernel of all things, is brief in form and overflows with its wealth of content. It discloses the depth and breadth of the law and spiritual element behind the surface of phenomena; it impels from point to point and carries within itself the incentive toward progress; it stimulates the artistic perception, good taste in judgment and execution, as well as the scientific comprehension of things. Mathematics, therefore, above all other subjects, makes the student lust after knowledge, fills him, as it were, with a longing to fathom the cause of things and to employ his own powers independently; it collects his mental forces and concentrates them on a single point and thus awakens the spirit of individual inquiry, self-confidence and the joy of doing; it fascinates because of the view-points which it offers and creates certainty and assurance, owing to the universal validity of its methods. Thus, both what he receives and what he himself contributes toward the proper conception and solution of a problem, combine to mature the student and to make him skillful, to lead him away from the surface of things and to exercise him in the perception of their essence. A student thus prepared thirsts after knowledge and is ready for the university and its sciences. Thus it appears, that higher mathematics is the best guide to philosophy and to the philosophic conception of the world (considered as a self-contained whole) and of one’s own being.”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 40.

George Herbert Mead photo
Sarah Vowell photo
Nicholas of Cusa photo
Italo Svevo photo

“Wine is a great danger, especially because it doesn't bring truth to the surface. Anything but the truth, indeed: it reveals especially the past and forgotten history of the individual rather than his present wish; it capriciously flings into the light also all the half-baked ideas with which in a more or less recent period one has toyed and then forgotten.”

Il vino è un grande pericolo specie perché non porta a galla la verità. Tutt'altro che la verità anzi: rivela dell'individuo specialmente la storia passata e dimenticata e non la sua attuale volontà; getta capricciosamente alla luce anche tutte le ideucce con le quali in epoca più o meno recente ci si baloccò e che si è dimenticate.
Source: La coscienza di Zeno (1923), P. 194; p. 232.

Paul Cézanne photo

“But besides relatedness and influence I should like to see that my colors remain, as much as possible, a 'face' –their own 'face', as it was achieved – uniquely — and I believe consciously - in Pompeian wall-paintings - by admitting coexistence of such polarities as being dependent and independent — being dividual and individual.
Often, with paintings, more attention is drawn to the outer, physical, structure of the color means than to the inner, functional, structure of the color action... Here now follow a few details of the technical manipulation of the colorants which in my painting usually are oil paints and only rarely casein paints.
On a ground of the whitest white available – half or less absorbent – and built up in layers – on the rough side of panels of untempered Masonite – paint is applied with a palette knife directly from the tube to the panel and as thin and even as possible in one primary coat. Consequently there is no under or over painting or modeling or glazing and no added texture – so-called... As a result this kind of painting presents an inlay (intarsia) of primary thin paints films – not layered, laminated, nor mixed wet, half or more dry, paint skins.
Such homogeneous thin and primary films will dry, that is, oxidize, of course, evenly – and so without physical and/or chemical complication – to a healthy, durable paint surface of increasing luminosity.”

Josef Albers (1888–1976) German-American artist and educator

4 quotes from: 'The Color in my Painting'
Homage to the square' (1964)

Wassily Kandinsky photo

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014
Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected
1910 - 1915

Calvin Coolidge photo
Arshile Gorky photo

“Stuart Davis.... is one of but few, who realized his canvas as a.... two-dimensional surface plane.”

Arshile Gorky (1904–1948) Armenian-American painter

In 'Stuart Davis', Arshile Gorky, in 'Creative Art 9', September 1931, p. 213
1930 - 1941

“Landscape - the external surface of the earth beneath the atmosphere… is merely an outward manifestation of most of the factors at work in the area.”

Richard Hartshorne (1899–1992) American Geographer

Source: The Nature of Geography (1939), p. 216-217