The Learner
Quotes about stage
A collection of quotes on the topic of stage, doing, life, likeness.
Quotes about stage
Education helps reduce social problems and improves quality of life

"Rock On Freddie" (1985).

As quoted in "Rock On Freddie" (1985).

Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 8, Supplemental image at randi.org http://www.randi.org/images/122801-BlueDot.jpg

"The Man Who Would Be Queen" in Melody Maker (2 May 1981) http://www.queenarchives.com/index.php?title=Freddie_Mercury_-_05-02-1981_-_Melody_Maker.

Quoted in "Standing Up for Freedom," Academy of Achievement.org (2005-10-31)

Interview (March/April 1972), as quoted in The Leading Men of MGM (2006) by Jane Ellen Wayne, p. 406
Context: The first time that I appeared on stage, it scared me to death. I really didn't know what all the yelling was about. I didn't realize that my body was moving. It's a natural thing to me. So to the manager backstage I said, "What'd I do? What'd I do?" And he said, "Whatever it is, go back and do it again."


In den Zeitungen wird gehetzt und geschimpft. Diese verantwortungslosen Schmieranten!
Das Volk ist auf der Straße, randaliert und demonstriert. Die Herren sitzen am grünen Tisch und spielen seelenruhig ihre Partie zu Ende.
Die alte Europa geht in die Binsen.
Ja, es ist eine tolle Welt! Wirtschaft, Horatio!
Man wird wie von einer geheimnisvollen Macht auf die Straße gezogen. Die Gedanken sind draußen, wo sich ein Stück Weltgeschichte abspielt -- kein erhebendes zwar, aber ein Stück. Der ernsthafte Zuschauer hat viel dabei nachzudenken.
Michael: a German fate in diary notes (1926)

Source: Imperialism, The Highest Stage of Capitalism (1917), Chapter One
Source: Imperialism, the Highest Stage of Capitalism: Full Text of 1916 Edition
Source: Story of O

Source: Imperialism, the Highest Stage of Capitalism: Full Text of 1916 Edition

“All the world's a stage and most of us are desperately unrehearsed.”

Source: Imperialism, the Highest Stage of Capitalism: Full Text of 1916 Edition

Source: A General View of Positivism (1848, 1856), p. 104

in Spain
As quoted in Bernard Lewis, Race and Color in Islam, Harper and Row, 1970, quote on page 38. The brackets are displayed by Lewis.

Press conference (5 September 1972), also quoted in Paranoia & Power : Fear & Fame of Entertainment Icons (2007) by Gene N Landrum, p. 60

From a PBS interview with Amos Oz. The entire interview http://www.pbs.org/newshour/bb/middle_east/jan-june02/oz_1-23.html

“Miscellaneous Observations,” Philosophical Writings, M. Stolijar, trans. (Albany: 1997) #48

Source: The Age of Revolution (1962), Chapter 15, Science

http://www.youtube.com/watch?v=vBqoaW2oEsU&eurl=http%3A%2F%2Fgawker.com%2F5256086%2Fted-nugent-is-the-new-mike-tyson%3Fautoplay%3Dtrue&feature=player_embedded
On himself

Source: Review of Communism and Man by F. J. Sheed in Peace News (27 January 1939)

Die neuesten Arbeiten des Spartacus und Philo in dem Illuminaten-Orden (1794) pp. 20-21.

The speech of President Heydar Aliyev at the signing ceremony of the Contract of the Century (20 September 1994) http://en.president.az/azerbaijan/contract

Interview for Vogue magazine (December 2008)

“Archeologists have not discovered stages of human existence so early that they were without art.”
Nobel lecture (1970)
Context: Archeologists have not discovered stages of human existence so early that they were without art. Right back in the early morning twilights of mankind we received it from Hands which we were too slow to discern. And we were too slow to ask: FOR WHAT PURPOSE have we been given this gift? What are we to do with it?
And they were mistaken, and will always be mistaken, who prophesy that art will disintegrate, that it will outlive its forms and die. It is we who shall die — art will remain. And shall we comprehend, even on the day of our destruction, all its facets and all its possibilities?
Which Level of God Do You Believe In? (2004)
Context: Human beings undergo psychological development. At each level or stage of development, they will see the world in a different way. Hence, each level of development has, as it were, a different religious belief or worldview. This does not make God or Spirit the result of human development; it does, however, make the ways in which humans conceive of God or Spirit the result of development. And this is where it gets really interesting.

In the novel Bhoot quoted in page=92.
Portrayal of Women in Premchands Stories A Critique

Source: Gervaso, Roberto. La mosca al naso, Rizzoli Editore (1980)

Source: The Audacity of Hope: Thoughts on Reclaiming the American Dream

Chicago Defender (1 April 1998)

Source: Macbeth, Act V, scene v.
Context: Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

Preface to ' (1859).
Source: A Contribution to the Critique of Political Economy
Context: In the social production of their life, men enter into definite relations that are indispensable and independent of their will; these relations of production correspond to a definite stage of development of their material forces of production. The sum total of these relations of production constitutes the economic structure of society — the real foundation, on which rises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life determines the social, political and intellectual life process in general. It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness. [Es ist nicht das Bewußtsein der Menschen, das ihr Sein, sondern umgekehrt ihr gesellschaftliches Sein, das ihr Bewusstsein bestimmt. ] At a certain stage of their development, the material productive forces in society come in conflict with the existing relations of production, or — what is but a legal expression for the same thing — with the property relations within which they have been at work before. From forms of development of the productive forces these relations turn into fetters. Then begins an epoch of social revolution. With the change of the economic foundation the entire immense superstructure is more or less rapidly transformed. In considering such transformations a distinction should always be made between the material transformation of the economic conditions of production, which can be determined with the precision of natural science, and the legal, political, religious, aesthetic or philosophic — in short, ideological forms in which men become conscious of this conflict and fight it out. Just as our opinion of an individual is not based on what he thinks of himself, so we can not judge of such a period of transformation by its own consciousness; on the contrary, this consciousness must be explained rather from the contradictions of material life, from the existing conflict between the social productive forces and the relations of production. No social order ever disappears before all the productive forces for which there is room in it have been developed; and new, higher relations of production never appear before the material conditions of their existence have matured in the womb of the old society itself. Therefore, mankind always sets itself only such tasks as it can solve; since, looking at the matter more closely, we will always find that the task itself arises only when the material conditions necessary for its solution already exist or are at least in the process of formation. In broad outlines we can designate the Asiatic, the ancient, the feudal, and the modern bourgeois modes of production as so many progressive epochs in the economic formation of society. The bourgeois relations of production are the last antagonistic form of the social process of production — antagonistic not in the sense of individual antagonism, but of one arising from the social conditions of life of the individuals; at the same time the productive forces developing in the womb of bourgeois society create the material conditions for the solution of that antagonism. This social formation constitutes, therefore, the closing chapter of the prehistoric stage of human society.

On her connection to the stage
Freeman interview (September 2012)

2014, Young Southeast Asian Leaders Initiative Town Hall Speech (November 2014)

Quoted in François-Bernard Mâche (1983, 1992). Music, Myth and Nature, or The Dolphins of Arion (Musique, mythe, nature, ou les Dauphins d'Arion, trans. Susan Delaney). Harwood Academic Publishers. ISBN 3718653214.

On one of his pseudonom, Gyakyo Rojin. He may have said the above in his late life definitely, since he began to use the name Gwakyo Rojin in 1843.
Attributed

"The Argument from Design"
1920s, Why I Am Not a Christian (1927)

1910s, The World Movement (1910)

Third International Conference on Human Dignity https://www.buzzfeed.com/lesterfeder/this-is-how-steve-bannon-sees-the-entire-world?utm_term=.ph1V8aOPJz#.vhqa3rnxpW (2014)

From "I’ll astonish you", interview by Len Brown, Details (March 1991).
In interviews etc., About himself and his work

The Race of My Life: An Autobiography Milkha Singh (2013)

Marc Peyser (September 4, 2006) "Falling for Fall: What's Cool and Coming Your Way: Summer's ending. Get over it. Here's a look at the riches of autumn. First up, 'West Wing' creator Aaron Sorkin rides again with the terrific TV drama 'Studio 60.'", Newsweek, Newsweek Inc., p. 54.

James Tobin, "Keynes' Policies in Theory and Practice", Challenge (1983).
1970s and later

2014, Young Southeast Asian Leaders Initiative Town Hall (April 2014)

Source: Discovery of Freedom: Man's Struggle Against Authority (1943), p. 32

as stated in "The Edinburgh Review" on page 521 by Sydney Smith, Francis Jeffrey Jeffrey, William Empson, Macvey Napier, George Cornewall Lewis, Henry Reeve, Arthur Ralph Douglas Elliot, and Harold Cox, publication in 1860.
Quotee

“What I do on stage has utterly no purpose.”
Peter Gzowski's 90 Minutes Live interview (1977)

From a Just for Laughs appearance in a parody of the popular Molson "I Am Canadian" commercials (21 July 2007) http://video.google.com/videoplay?docid=-1648058156561008324&q=i+am+canadian.

Section 213
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

1910s, The World Movement (1910)

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain