Quotes about somewhere
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Saul Bellow photo
Taylor Swift photo
Rajneesh photo
Rainer Maria Rilke photo

“How shall I hold on to my soul, so that
it does not touch yours? How shall I lift
it gently up over you on to other things?
I would so very much like to tuck it away
among long lost objects in the dark,
in some quiet, unknown place, somewhere
which remains motionless when your depths resound.
And yet everything which touches us, you and me,
takes us together like a single bow,
drawing out from two strings but one voice.
On which instrument are we strung?
And which violinist holds us in his hand?
O sweetest of songs.”

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möchte ich sie bei irgendetwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn diene Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
die aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.
Liebes-Lied (Love Song) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Mariah Carey photo
Morrissey photo

“I left my fingerprints somewhere - that's good enough. I am my own person - that's good enough. I stand my ground - that's good enough.”

Morrissey (1959) English singer

From the TV documentary The Importance of Being Morrissey (2003)
In interviews etc., About himself and his work

Hunter S. Thompson photo
Salman Khan photo
Paul Laurence Dunbar photo

“It is a little dark still, but there are warnings of the day and somewhere out of the darkness a bird is singing to the Dawn.”

Paul Laurence Dunbar (1872–1906) American author

Representative American Negroes, an essay from The Negro Problem, a collection of essays written in 1903 by leading African Americans.

Barack Obama photo

“And at some point, I know that one of my daughters will ask, perhaps my youngest, will ask, "Daddy, why is this monument here? What did this man do?" How might I answer them? Unlike the others commemorated in this place, Dr. Martin Luther King Jr. was not a president of the United States — at no time in his life did he hold public office. He was not a hero of foreign wars. He never had much money, and while he lived he was reviled at least as much as he was celebrated. By his own accounts, he was a man frequently racked with doubt, a man not without flaws, a man who, like Moses before him, more than once questioned why he had been chosen for so arduous a task — the task of leading a people to freedom, the task of healing the festering wounds of a nation's original sin. And yet lead a nation he did. Through words he gave voice to the voiceless. Through deeds he gave courage to the faint of heart. By dint of vision, and determination, and most of all faith in the redeeming power of love, he endured the humiliation of arrest, the loneliness of a prison cell, the constant threats to his life, until he finally inspired a nation to transform itself, and begin to live up to the meaning of its creed.
Like Moses before him, he would never live to see the Promised Land. But from the mountain top, he pointed the way for us — a land no longer torn asunder with racial hatred and ethnic strife, a land that measured itself by how it treats the least of these, a land in which strength is defined not simply by the capacity to wage war but by the determination to forge peace — a land in which all of God's children might come together in a spirit of brotherhood.
We have not yet arrived at this longed for place. For all the progress we have made, there are times when the land of our dreams recedes from us — when we are lost, wandering spirits, content with our suspicions and our angers, our long-held grudges and petty disputes, our frantic diversions and tribal allegiances. And yet, by erecting this monument, we are reminded that this different, better place beckons us, and that we will find it not across distant hills or within some hidden valley, but rather we will find it somewhere in our hearts.”

Barack Obama (1961) 44th President of the United States of America

Dr. Martin Luther King Jr. National Memorial Groundbreaking Ceremony (13 November 2006)
2006

Mikhail Kalashnikov photo

“When a young man, I read somewhere the following: God the Almighty said, "All that is too complex is unnecessary, and it is simple that is needed" … So this has been my lifetime motto – I have been creating weapons to defend the borders of my fatherland, to be simple and reliable.”

Mikhail Kalashnikov (1919–2013) Soviet and Russian small arms designer

"Kalashnikov, 90, decries 'criminal' use of rifle" by Dmitry Solovyov, at Reuters (26 October 2009) http://www.reuters.com/article/idUSLQ148454

John Updike photo
Terry Pratchett photo
Henri Barbusse photo
José Saramago photo
Pablo Picasso photo

“In the old days pictures went forward toward completion by stages. Every day brought something new. A picture used to be a sum of additions. In my case a picture is a sum of destructions. I do a picture — then I destroy it. In the end though, nothing is lost: the red I took away from one place turns up somewhere else”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Herschel Browning Chip (1968, p. 267)
Other translation:
Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
Richard Friedenthal (1968, p. 256); Also quoted in: John Bowker (1988), Is anybody out there?: religions and belief in God in the contemporary world. p. 57.
1930s, "Conversations avec Picasso," 1934–35

Imre Kertész photo
W.B. Yeats photo

“Somewhere beyond the curtain
Of distorting days
Lives that lonely thing
That shone before these eyes
Targeted, trod like Spring.”

Quarrel In Old Age http://poetry.poetryx.com/poems/1567/, st. 2
The Winding Stair and Other Poems (1933)

Paul Graham photo
Jeff Lynne photo
Henri Barbusse photo
Kurt Vonnegut photo
Eddie Vedder photo

“JG: Can I ask what your feelings are about God?
EV: Sure. I think it's like a movie that was way too popular. It's a story that's been told too many times and just doesn't mean anything. Man lived on the planet -- [placing his fingers an inch apart], this is 5000 years of semi-recorded history. And God and the Bible, that came in somewhere around the middle, maybe 2000. This is the last 2000, this is what we're about to celebrate [indicating about an 1/8th of an inch with his fingers]. Now, humans, in some shape or form, have been on the earth for three million years [pointing across the room to indicate the distance]. So, all this time, from there [gesturing toward the other side of the room], to here [indicating the 1/8th of an inch], there was no God, there was no story, there was no myth and people lived on this planet and they wandered and they gathered and they did all these things. The planet was never threatened. How did they survive for all this time without this belief in God? I'd like to ask this to someone who knows about Christianity and maybe you do. That just seems funny to me… (sic) Funny strange. Funny bad. Funny frown. Not good. That laws are made and wars occur because of this story that was written, again, in this small part of time.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

March 23, 1998, Janeane Garofalo interviewing Eddie Vedder for CMJ New Music Report at Brendan's, on the Lower East Side.

Lewis Carroll photo
Morgan Freeman photo

“To go somewhere and say: 'I have this really terrific movie, but I need some... money”

Morgan Freeman (1937) American actor, film director, and narrator

Good luck!
Source: [Jobson, Richard, July 14, 2000, Morgan Freeman, https://www.theguardian.com/film/2000/jul/14/morganfreeman, The Guardian, London, December 4, 2017]

Evelyn Waugh photo
Park Ji-sung photo

“I was sitting alone in an empty locker room, left leg injured. I need to prove my worth when the opportunity is given. I look at my leg, powerless, and wonder why I had to get hurt in this moment. Then, Coach Hiddink appears out of nowhere with an interpretor and speaks to me in English. Not understanding, I stare at the interpretor. He says you have great mentality. With that kind of mental strength, you will become a great player. I was shocked. Before I could murmur the easy 'thank you' in English, he was gone. My heart was pounding. The coach always seemed to be so far away, but he came to me and told me I have great mentality. Somewhere inside, energy was rousing up…. mentality. I have nothing else to boast, but one thing I could do is to never give up. I will endure all hardships, even if I would die from it. And I will keep this mentality…. in the entire World Cup, I played with those words ringing in my ears. With my mentality, I can become a great player. I kicked the ball and ran around the field clinging on to those words. For better or for worse, I am calm and quiet, so not many people take notice of me. But I was sure that Coach Hiddink would be looking at me and urging me to move on. This gave me courage. If it was not for Coach Hiddink, I would not be where I am now. With the words 'where I am now,' I am not referring to me becoming famous or being able to purchase a spacious condo for my parents. I am referring to the fact that I learned to love myself more. Within a minute, what Coach Hiddink said to me changed my life forever. I feel a bit shy thinking about what he would think after reading this, but he is my 'master' and I owe him everything and I won't be able to repay it in my lifetime.”

Park Ji-sung (1981) South Korean footballer

From Park's autobiography, praising the efforts of Guus Hiddink.

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Federico Fellini photo

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one…”

Federico Fellini (1920–1993) Italian filmmaker

"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Context: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.

Joanne K. Rowling photo

“Dumbledore knows pretty much everything anyway, but that Hermione has read it somewhere.”

Joanne K. Rowling (1965) British novelist, author of the Harry Potter series

Interview by Lizo Mzimba (February 2003) <!-- published where? -->
2000s
Context: If you need to tell your readers something … there are only two characters that you can put it convincingly into their dialogue. One is Hermione, the other is Dumbledore. In both cases you accept, it's plausible that they have, well Dumbledore knows pretty much everything anyway, but that Hermione has read it somewhere. So, she's handy.

Anthony de Mello photo

“Suffering points out that there is falsehood somewhere. Suffering occurs when you clash with reality. When your illusions clash with reality when your falsehoods clash with the truth, then you have suffering. Otherwise there is no suffering.”

Anthony de Mello (1931–1987) Indian writer

"Obstacles to Happiness", p. 74
Awareness (1992)
Context: Suffering is a sign that you're out of touch with the truth. Suffering is given to you that you might open your eyes to the truth, that you might understand that there's falsehood somewhere, just as physical pain is given to you so you will understand that there is disease or illness somewhere. Suffering points out that there is falsehood somewhere. Suffering occurs when you clash with reality. When your illusions clash with reality when your falsehoods clash with the truth, then you have suffering. Otherwise there is no suffering.

Ivan Illich photo

“Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."”

Ivan Illich (1926–2002) austrian philosopher and theologist

We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."

Sophia Loren photo
Frank Zappa photo
Henri Barbusse photo

“Two sensuous lovers are not two friends. Much rather are they two enemies, closely attached to each other. I know it, I know it! There are perfect couples, no doubt — perfection always exists somewhere — but I mean us others, all of us, the ordinary people! I know!”

Henri Barbusse (1873–1935) French novelist

the human being's real quality, the delicate lights and shadows of human dreams, the sweet and complicated mystery of personalities, sensuous lovers deride them, both of them! They are two egoists, falling fiercely on each other. Together they sacrifice themselves, utterly in a flash of pleasure.
Light (1919), Ch. XXIII - Face To Face

Masaaki Imai photo
Sufjan Stevens photo

“Somewhere in the desert, there's a forest And an acre before us But I don't know where to begin <br/”

Sufjan Stevens (1975) American singer-songwriter and multi-instrumentalist

"Death with Dignity"
Lyrics, Carrie and Lowell (2015)

“They really need discipline, to be objective, to know what they really want in life. If you train with the mind of winning you always win, if you train with a weak mind, no I am just doing it for the sake of running then something is wrong somewhere.”

Samukeliso Moyo (1974) athletics competitor

Source: 43-year-old Samukeliso Moyo has no intentions of quitting running https://www.sundaynews.co.zw/43-year-old-samukeliso-moyo-has-no-intentions-of-quitting-running/

Henri Poincaré photo

“I think I have already said somewhere that mathematics is the art of giving the same name to different things.”

Original: (fr) Je ne sais si je n’ai déjà dit quelque part que la Mathématique est l’art de donner le même nom à des choses différentes.
Source: Science and Method (1908), Part I. Ch. 2 : The Future of Mathematics, p. 31

Sherrilyn Kenyon photo

“There are always three sides to every memory…yours, theirs, and the truth, which lies somewhere in between the two”

Sherrilyn Kenyon (1965) Novelist

Variant: There are three sides to every story: yours, theirs, and the truth somewhere in the middle.
Source: Styxx

Joe Hill photo

“Who knows what may lie around the next corner? There may be a window somewhere ahead. It may look out on a field of sunflowers.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

Source: 20th Century Ghosts

Philip K. Dick photo
Haruki Murakami photo
Tove Jansson photo
Brian Selznick photo

“People do not love those whose eyes show that they are somewhere else”

Peter Carey (1943) Australian novelist

Source: Collected Stories

Jack Kerouac photo
Octavio Paz photo

“Beyond myself, somewhere,
I wait for my arrival.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Collected Poems, 1957-1987

Andy Stanley photo
Daniel Handler photo
George Carlin photo
Ayn Rand photo
Richelle Mead photo
Chuck Palahniuk photo
Juliet Marillier photo
Cornelia Funke photo
Brian Jacques photo
H.L. Mencken photo

“Puritanism: The haunting fear that someone, somewhere, may be happy.”

H.L. Mencken (1880–1956) American journalist and writer

Sententiæ: The Citizen and the State, p. 624
1940s–present, A Mencken Chrestomathy (1949)
Source: A Mencken Chrestomathy

Juliet Marillier photo
Haruki Murakami photo
Justin Cronin photo
Jodi Picoult photo
Ian McEwan photo
Meg Cabot photo
Ray Bradbury photo
Jeffrey Eugenides photo
Naomi Shihab Nye photo
Ben Fountain photo
Elizabeth Wurtzel photo
Candace Bushnell photo
Stacy Schiff photo

“When a woman teams up with a snake a moral storm threatens somewhere.”

Stacy Schiff (1961) American female Author, Pulitzer Prize winner

Source: Cleopatra: A Life

Eoin Colfer photo

“If you were me, then I'd be you, and if I were you, then I'd hide somewhere far away.”

Eoin Colfer (1965) Irish author of children's books

Source: The Eternity Code

Sarah Dessen photo
Douglas Adams photo
James Thurber photo
D.H. Lawrence photo
Elizabeth Gilbert photo
Tom Stoppard photo

“Look on every exit as being an entrance somewhere else.”

Source: Rosencrantz and Guildenstern Are Dead

E.E. Cummings photo
Nick Hornby photo
Melissa de la Cruz photo
Suzanne Collins photo
Sarah Dessen photo

“You sure you don't need your Prince Charming to come and save you?
Sure, do you have one handy?
Oh, I think I could scrounge one up somewhere. As often as I have to rescue you.”

Ilona Andrews American husband-and-wife novelist duo

Variant: You sure you don't need your Prince Charming to come and save you?"
The knot in my stomach evaporated. My Prince Charming huh. "Sure, do you have one handy?
Source: Magic Slays

Rachel Caine photo

“Where's your sense of adventure?"
"Off on a beach somewhere with your sanity?”

Rachel Caine (1962) American writer

Source: Midnight Alley

F. Scott Fitzgerald photo
Haruki Murakami photo
Ernest Hemingway photo

“My big fish must be somewhere.”

Source: The Old Man and the Sea

Tom Stoppard photo
P.G. Wodehouse photo
Paulo Coelho photo