Quotes about silly
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Emily Brontë photo
Laurell K. Hamilton photo
Jack Kerouac photo

“Things are so hard to figure out when you live from day to day in this feverish and silly world.”

Jack Kerouac (1922–1969) American writer

Source: On the Road: The Original Scroll

Cassandra Clare photo
Kelley Armstrong photo
Jane Austen photo
Langston Hughes photo
Jhumpa Lahiri photo
Graham Chapman photo

“Camelot is a silly place.”

Graham Chapman (1941–1989) English comedian, writer and actor

Source: Monty Python and the Holy Grail (Book): Mønti Pythøn Ik Den Hølie Gräilen

Ernest Hemingway photo
Sylvia Day photo
Louisa May Alcott photo
Robin McKinley photo
Arthur Conan Doyle photo
Aleksandar Hemon photo
Scott Adams photo
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John Steinbeck photo

“And now, our submarines are armed with mass murder, our silly, only way of deterring mass murder.”

John Steinbeck (1902–1968) American writer

Pt. 1
Travels With Charley: In Search of America (1962)

Bill Downs photo

“Go back, go back, you silly bastards. This ain't our kind of war. This one is for the birds.”

Bill Downs (1914–1978) American journalist

Speaking about the Korean War to Murrow when Murrow arrived in Tokyo, as quoted in A.M. Sperber's Murrow: His Life and Times.

Chuck Palahniuk photo
Jonah Goldberg photo
George Borrow photo
Geoffrey Moore photo
John Steinbeck photo
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Orison Swett Marden photo
Robert A. Heinlein photo

“He considered horoscopes as silly as spectacles on a cow.”

Source: Between Planets (1951), Chapter 4, “The Glory Road” (p. 43)

“For the record: Though our professional circles did cross-over slightly… I never had the honour or pleasure of meeting Michael Jackson personally, nor did we ever correspond on matters of our professions, personal lives or faiths. … My approach to faith does not include concepts of "conversion/reversion" or "propagation", so the very idea that I would have even tried to "convert" Mr. Jackson (or anyone else for that matter) to my spiritual perspective, is silly.”

Dawud Wharnsby (1972) Canadian musician

On rumors that he, Yusuf Islam (aka Cat Stevens), and others had convinced Michael Jackson to convert to Islam, in a statement on his blog site in "The Passing of Michael Jackson: Enter Into Peace" (26 June 2009); Yusuf Islam also repudiated the rumors at his site http://www.yusufislam.com/faq/did-yusuf-help-jackson-become/: "Contrary to persistent press rumours, I was not at any kind of conversion ceremony for Michael Jackson. Nor, I believe, was Dawud Wharnsby or any of the others mentioned in connection with the story."

R. A. Lafferty photo

“You silly old fool, you don't even know the alphabet of your own silly old business.”

William Henry Maule (1788–1858) British politician

Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 86. The quotation has been attributed to many others, such as Lord Chief Justice Campbell, Lord Chesterfield, Sir William Harcourt, Lord Pembroke, Lord Westbury, and to an anonymous judge, and said to have been spoken in court to Garter King at Arms, Rouge Dragon Pursuivant, or some other high-ranking herald, who had confused a "bend" with a "bar" or had demanded fees to which he was not entitled. George Bernard Shaw quotes it in Pygmalion (1912) in the form, "The silly people dont [sic] know their own silly business."

Maule cannot be the original source of the quotation, as it is quoted nearly twenty years before his birth in Charles Jenner's The Placid Man: Or, The Memoirs of Sir Charles Beville (1770): "Sir Harry Clayton ... was perhaps far better qualified to have written a Peerage of England than Garter King at Arms, or Rouge Dragon, or any of those parti-coloured officers of the court of honor, who, as a great man complained on a late solemnity, are but too often so silly as not to know their own silly business." "Old Lord Pembroke" (Henry Herbert, 9th Earl of Pembroke) is said by Horace Walpole (in a letter of May 28, 1774 to the Rev. William Cole) to have directed the quip, "Thou silly fellow! Thou dost not know thy own silly business," at John Anstis, Garter King at Arms (though in his 1833 edition of Walpole's letters to Sir Horace Mann, George Agar-Ellis, 1st Baron Dover, attributes the saying to Lord Chesterfield in a footnote, in the form "You foolish man, you do not understand your own foolish business"). Edmund Burke also quotes it ("'Silly man, that dost not know thy own silly trade!' was once well said: but the trade here is not silly.") in a "Speech in the Impeachment of Warren Hastings, Esq." on May 7, 1789 (when Maule was just over a year old). Chesterfield or Pembroke fit best in point of time.
Attributed

Herbert Hoover photo

“[Engineering] is a great profession. There is the fascination of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings jobs and homes to men. Then it elevates the standards of living and adds to the comforts of life. That is the engineer’s high privilege.

The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope that the people will forget. The engineer simply cannot deny that he did it. If his works do not work, he is damned. That is the phantasmagoria that haunts his nights and dogs his days. He comes from the job at the end of the day resolved to calculate it again. He wakes in the night in a cold sweat and puts something on paper that looks silly in the morning. All day he shivers at the thought of the bugs which will inevitably appear to jolt its smooth consummation.

On the other hand, unlike the doctor his is not a life among the weak. Unlike the soldier, destruction is not his purpose. Unlike the lawyer, quarrels are not his daily bread. To the engineer falls the job of clothing the bare bones of science with life, comfort, and hope. No doubt as years go by people forget which engineer did it, even if they ever knew. Or some politician puts his name on it. Or they credit it to some promoter who used other people’s money with which to finance it. But the engineer himself looks back at the unending stream of goodness which flows from his successes with satisfactions that few professions may know. And the verdict of his fellow professionals is all the accolades he wants.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Excerpted from Chapter 11 "The Profession of Engineering"
The Memoirs of Herbert Hoover: Years of Adventure, 1874-1929 (1951)

Anthony Burgess photo
Alex Salmond photo

“I am well aware that in theological and democratic terms I am, no more than "God's silly vassal"”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Scotland in the World Forum (February 4, 2008), Church of Scotland (May 25, 2009)

Thomas Sowell photo

“I'm always embarrassed when people say that I'm courageous. Soldiers are courageous. Policemen are courageous. Firemen are courageous. I just have a thick hide and disregard what silly people say.”

Thomas Sowell (1930) American economist, social theorist, political philosopher and author

"Live" with Thomas Sowell https://www.aei.org/publication/live-thomas-sowell/, The American Enterprise, September 2004.
2000s

David Brin photo
Sri Aurobindo photo
John Ralston Saul photo
Terry Eagleton photo
Larry Niven photo
Henry Fielding photo
Derren Brown photo
Robert A. Dahl photo

“.. without any deformation caused by the silly fashion of the corset... she stands somewhat uneasily, with her arms out and knees bent, as if she is balancing. Shadows play over her body and highlight her womanly figure.”

Fritz Bleyl (1880–1966) German artist

c. 1906; as quoted in Ernst Kirchner's Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913 - 1916, Simmons, Sherwin, in 'The Art Bulletin', Vol. 82, No. 1. March 2000, p. 121
Bleyl stated that he favored this model Isabella due to her natural body. Using only two tones of yellow in the poster, Bleyl was able to impart a clear sense of this woman's physique. It is precisely this that got Bleyl in trouble: the police censored this image because they saw pubic hair in the shadow below the belly, apparently giving it an inappropriate sexual power

Tom Petty photo

“I just catch myself wonderin', waitin', worryin' bout some silly little things that don't add up to nothin.”

Tom Petty (1950–2017) American musician

Here Comes My Girl
Lyrics, Damn The Torpedoes (1979)

Leszek Kolakowski photo
Northrop Frye photo

“The Great Code was a silly and sloppy book. It was also a work of very great genius. The point is that genius is not enough. A book worthy of God and of Helen [Frye's wife] must do better than that.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

1:160
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“The foolish big boys who fight with their toys are so sadly silly.”

Dawud Wharnsby (1972) Canadian musician

"Dear Mr. Crow "
A Picnic of Poems in Allah's Green Garden (2011)

Henry Moore photo

“I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc… To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world”

Henry Moore (1898–1986) English artist

critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114

Robert Fisk photo

“Terrorism' is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence - our violence - which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing 'commentators' of the America east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks. In August 1914, the soldiers thought they would be home by Christmas. Today, we are fighting for ever. The war is eternal. The enemy is eternal, his face changing on our screens. Once he lived in Cairo and sported a moustache and nationalised the Suez Canal. Then he lived in Tripoli and wore a ridiculous military uniform and helped the IRA and bombed American bars in Berlin. Then he wore a Muslim Imam's gown and ate yoghurt in Tehran and planned Islamic revolution. Then he wore a white gown and lived in a cave in Afghanistan and then he wore another silly moustache and resided in a series of palaces around Baghdad. Terror, terror, terror. Finally, he wore a kuffiah headdress and outdated Soviet-style military fatigues, his name was Yassir Arafat, and he was the master of world terror and then a super-statesman and then again, a master of terror, linked by Israeli enemies to the terror-Meister of them all, the one who lived in the Afghan cave.”

Robert Fisk (1946) English writer and journalist

The Great War for Civilization (2005)

John Buchan photo

“I must get off for a bit or I'll bonnet Joggleberry or get up and propose a national monument to Guy Fawkes or something silly.”

Source: The Power-House (1916), Ch. 1 "Beginning of the Wild-Goose Chase"

Gregory Peck photo

“It just seems silly to me that something so right and simple has to be fought for at all.”

Gregory Peck (1916–2003) American actor

Speaking at the Gay and Lesbian Alliance Against Defamation awards, as quoted in "Majestic presence" in The Hindu (20 June 2003) http://www.hindu.com/thehindu/fr/2003/06/20/stories/2003062001400100.htm

Henry St John, 1st Viscount Bolingbroke photo

“The second proposition admits and encourages the very practice we censure so justly, for which the saint [ Augustine of Hippo ] was so famous, and by which he contributed so much to promote contentions in his own days, and to perpetuate them to ours. The practice of deducing doctrines from the scriptures that are not evidently contained in them… Who does not see that the direct tendency of this practice is exactly the same as the event has proved it to be? It composes and propagates a religion, seemingly under the authority of God, but really under that of man. The principles of revelation are lost in theology, or disfigured by it: and whilst some men are impudent enough to pretend, others are silly enough to believe, that they adhere to the gospel, and maintain the cause of God against infidels and heretics, when they do nothing better, nor more, than espouse the conceits of men, whom enthusiasm, or the ambition of forming sects, or of making a great figure in them, has inspired. If you ask now what the practice of the christian fathers, and of other divines, should have been, in order to preserve the purity of faith, and to promote peace and charity, the answer is obvious… They should have adhered to the word of God: they should have paid no regard to heathen philosophy, jewish cabala, the sallies of enthusiasm, or the refinements of human ingenuity: they should have embraced, and held fast the articles of faith and doctrine, that were delivered in plain terms, or in unequivocal figures: they should not have been dogmatical where the sense was doubtful, nor have presumed even to guess where the Holy Ghost left the veil of mystery undrawn.”

Henry St John, 1st Viscount Bolingbroke (1678–1751) English politician and Viscount

Lord Bolingbroke's Philosophical Works http://books.google.com/books?id=E6ATAAAAQAAJ (1754) Vol.III, Essay IV, Sect XVI

David Bowie photo
Bernard Mandeville photo
Ignatius Sancho photo

“Old folks love to seem wise- and if you are silly enough to correspond with grey hairs, take the consequence.”

Ignatius Sancho (1729–1780) British composer, writer and grocer

(from vol 2, letter 1: some time in 1778, to Mr J___ W___e ).

Sienna Guillory photo
Edmund Phelps photo
Madonna photo

“Hey you! Don't be silly! Put a rubber on your willie!”

Madonna (1958) American singer, songwriter, and actress

(Poem written for AIDS P.S.A).

H. G. Wells photo
Prince Philip, Duke of Edinburgh photo
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Heinrich Neuhaus photo

“As for the piano, I was left to my own devices practically from the age of twelve. As is frequently the case in teachers' families, our parents were so busy with their pupils (literally from morning until late at night) that they hardly had any time for their own children. And that, in spite of the fact that with the favourable prejudice common to all parents, they had a very high opinion of my gifts. (I myself had a much more sober attitude. I was always aware of a great many faults although at times I felt that I had in me something "not quite usual".) But I won't speak of this. As a pianist, I am known. My good and bad points are known and nobody can be interested in my "prehistoric period". I will only say that because of this early "independence" I did a lot of silly things which I could have easily avoided if I had been under the vigilant eye of an experienced and intelligent teacher for another three or four years. I lacked what is known as a "school". I lacked discipline. But it is an ill wind that blows nobody any good; my enforced independence compelled me, though sometimes by very devious ways, to achieve a great deal on my own and even my failures and errors subsequently proved more than once to be useful and educational, and in an occupation such as learning to master an art, where if not all, then almost all depends on individuality, the only sound foundation will always be the knowledge gained as the result of personal effort and personal experience.”

Heinrich Neuhaus (1888–1964) Soviet musician

The Art of Piano Playing (1958), Ch. 1. The Artistic Image of a Musical Composition

H. G. Wells photo
Tanith Lee photo
Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Jack Kevorkian photo
Gilbert Ryle photo
Gaio Valerio Catullo photo

“There is nothing more silly than a silly laugh.”
Nam risu inepto res ineptior nulla est.

XXXIX, line 16
Carmina

Ogden Nash photo
Neville Chamberlain photo

“If ever that silly old man comes interfering here again with his umbrella, I'll kick him downstairs and jump on his stomach in front of the photographers.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Adolf Hitler after the Munich Agreement, quoted by Sir Ivone Kirkpatrick, The Inner Circle Macmillan (1959), p. 135
About

Ben Carson photo
John DiMaggio photo
Donald J. Trump photo

“To me, for politicians to claim that we have an answer to every problem is silly. When you listen to some politicians reeling off their prepared answers, you almost fall for it. They're all experts. But nothing ever happens.”

Donald J. Trump (1946) 45th President of the United States of America

Source: 2010s, 2015, Crippled America: How to Make America Great Again (2015), p. 73

Alicia Silverstone photo
Ilana Mercer photo

“My advice to all students is to question everything! You never know where a "silly question" may lead you.”

Derek Abbott (1960) Physicist, engineer

Statement in his Introductory profile at The University of Adelaide http://www.eleceng.adelaide.edu.au/people/profiles/academic.html#abbott.

Paul Newman photo