Quotes about shape
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“We can become inspired to shape a higher, more ideal future, and when we do, miracles happen.”
Source: The Tenth Insight: Holding the Vision

“It's not what we do once in a while that shapes our lives. It's what we do consistently.”

“The best musicians transpose consciousness into sound; painters do the same for color and shape.”
Source: Hard-Boiled Wonderland and the End of the World

“Human nature is like water. It takes the shape of its container.”
“I see her as a series of marvellous shapes formed at random in the kaleidoscope of desire.”
Source: The Infernal Desire Machines of Doctor Hoffman

Source: Teaching Critical Thinking: Practical Wisdom

“I have been bent and broken, but -I hope- into a better shape.”
“For the deeds of a man, not the words of a prophecy, are what shape his destiny.”
Source: The High King
Source: The Palace of Illusions
“He tried to smile, but it was just a shape his mouth made.”
Source: The Girls' Guide to Hunting and Fishing
Source: The Game of Kings
Source: Crown Duel (Crown & Court #1 - 2, 1997)

“Spoon feeding in the long run teaches us nothing but the shape of the spoon.”

“Lots of men are like that, their artistic leanings never go beyond a weakness for shapely thighs.”
Source: Journey to the End of the Night

“Our view of the world is truly shaped by what we decide to hear.”

“The hands of Fate keep time on a heart-shaped watch."
- Harkat Mulds(The Trials of Death)”
Source: Trials of Death

Source: Holy Cows and Hog Heaven: The Food Buyer's Guide to Farm Friendly Food

Source: Gift from the Sea (1955)
Context: The shape of my life is, of course, determined by many other things; my background and childhood, my mind and its education, my conscience and its pressures, my heart and its desires. I want to give and take from my children and husband, to share with friends and community, to carry out my obligations to man and to the world, as a woman, as an artist, as a citizen.
But I want first of all — in fact, as an end to these other desires — to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact — to borrow from the languages of the saints — to live "in grace" as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony.
Context: The shape of my life today starts with a family. I have a husband, five children and a home just beyond the suburbs of New York. I have also a craft, writing, and therefore work I want to pursue. The shape of my life is, of course, determined by many other things; my background and childhood, my mind and its education, my conscience and its pressures, my heart and its desires. I want to give and take from my children and husband, to share with friends and community, to carry out my obligations to man and to the world, as a woman, as an artist, as a citizen.
But I want first of all — in fact, as an end to these other desires — to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact — to borrow from the languages of the saints — to live "in grace" as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony. I am seeking perhaps what Socrates asked for in the prayer from Phaedrus when he said, "May the outward and the inward man be at one." I would like to achieve a state of inner spiritual grace from which I could function and give as I was meant to in the eye of God.
“Energy is neither created nor destroyed. It just changes shape.”

Source: Killing Rage: Ending Racism

“Suffering is the sandpaper of our incarnation. It does its work of shaping us.”

The Hindu, "The Shashi Tharoor column: A departure, fictionally", Sunday, September 16, 2001 Available Online http://www.hinduonnet.com/2001/09/16/stories/13160675.htm
2000s

Source: The Tale of Despereaux (2004)
Context: Despereaux looked down at the book, and something remarkable happened. The marks on the pages, the "squiggles" as Merlot referred to them, arranged themselves into shapes. The shapes arranged themselves into words, and the words spelled out a delicious and wonderful phrase: Once upon a time

“The visions we offer our children shape the future.”

“This hole in my heart is in the shape of you. No one else can fit it. Why would I want them to?”
Source: Written on the Body

“There is no such thing as destiny. We ourselves shape our lives.”

“She knew the true shape of the world. All else was shadow and the sound of distant drums.”
Source: The Slow Regard of Silent Things

Source: "The Latest Attack on Metaphysics" (1937), p. 162.

“Life into death—life’s other shape, no rupture, only crossing.”
“Awakening of a Flower,” p. 38
Circling: 1978-1987 (1993), Sequence: “A Conversations with Atoms”

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 539

This paternalistic attitude that "the government knows best" and that you are merely a helpless child is insulting and reprehensible. Hitler used the same attitude to persuade the Germans to subjugate themselves to the "Fatherland."
Source: Good to be King (2004)

1995, p. 229; As cited in: Jay W. Rojews (2004) International Perspectives on Workforce Education and Development. p. xi
1980s - 1990s, High Output Management (1983)

As quoted in "Sidelights on Sports: Monday Morning's Sports Wash" https://news.google.com/newspapers?id=XOANAAAAIBAJ&sjid=u2wDAAAAIBAJ&pg=7387%2C128274 by Al Abrams, in The Pittsburgh Post-Gazette (Monday, October 2, 1972), p. 24
Baseball-related, <big><big>1970s</big></big>, <big>1972</big>

in Art of this Century, February 12 – March 2, 1946, Peggy Guggenheim Papers on the work of Clyfford Still; as quoted in Abstract Expressionism Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 203
1940's

A Theory of Roughness (2004)

Source: The Birth of Fascist Ideology: From Cultural Rebellion to Political Revolution, 1994, p. 27
"Bellicose and Thuggish: The Roots of Chinese "Patriotism" at the Dawn of the Twenty-First Century" (2002)
No Enemies, No Hate: Selected Essays and Poems
Cconversation with W.C. Seitz, in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 94
after 1970
Postscript (July 1973)
Anarchism : A History of Libertarian Ideas and Movements (1962)

letter to Clyfford Still, undated; as quoted in Mark Rothko : A Biography (1993), James E. B. Breslin / and Abstract Expressionism, Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 170
after 1970, posthumous

[Scorched-Earth Fishing, Issues in Science and Technology, 14, 3, Spring 1998, 33–36, http://www.jstor.org/stable/43313863]
Source: Beyond Modern Sculpture, 1968, p. 369-70
1960s, Modernist Painting (1960)

Grady Booch (2006) " On design https://www.ibm.com/developerworks/community/blogs/gradybooch/entry/on_design?lang=en" cited in: Frank Buschmann, Kevlin Henney, Douglas C. Schmidt (2007) Pattern-Oriented Software Architecture, On Patterns and Pattern Languages. p. 214

“While the arm is strong to strike and heave,
Let soul and arm give shape that will abide…”
The Legend of Jubal (1869)

2001

Burt Ward — A Slice of SciFi Interview http://www.sliceofscifi.com/2011/04/27/burt-ward-a-slice-of-scifi-interview/ (April 27, 2011)

The Review and Herald (15 April 1880); also in Mind, Character, and Personality (1977), Vol. 2, p. 789

Quote of Richter on his 'Grey Paintings', in a letter to nl:Edy de Wilde, 23 February 1975; as cited on collected quotes on the website of Gerhard Richter: on 'Grey-paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/grey-paintings-9
1970's
Variant: It [grey color] makes no statement whatever... It has the capacity that no other color has, to make 'nothing' visible. To me grey is the welcome and only possible equivalent for indifference, non-commitment, absence of opinion, absence of shape (note 99).... but, grey like formlessness and the rest, can be real only as an idea.... The painting is then a mixture of grey as a fiction and grey as a visible, designated area of color.

quote from 1988
1981 - 1990
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 38