Quotes about shape
page 5

“ 2The writer once had an eight-year-old car in good running condition. A friend of his, a repairman who knew the condition of the car, kept urging him to make it for a new model. "But why?" the writer asked. "The old car's in fine shape still." The repairman answered scornfully, "Yeah, but what the hell. All you've got is transportation."
Recently, the term "transportation car" has begun to appear in advertisements; for example, "'48 Dodge -- Runs perfectly good; transportation car. Leaving, must sell. $100." (Classified section of the Pali Press, Kailua Hawaii.) Apparently it means a car that has no symbolic or prestige value and is good only for getting you there and bringing you back -- a miserable kind of vehicle indeed! ”

S. I. Hayakawa book Language in Thought and Action

Footnote, p. 26
Language in Thought and Action (1949), The Symbolic Process

Cars, Hell, Appearance

“Oh how the Vacancy
Laughed at them rushing by.
"Turn again, flesh and brain,
Only yourselves again!
How far above the ape
Differing in each shape,
You with your regular
Meaningless circles are!"”

Edith Sitwell (1887–1964) British poet

"Switchback"
Façades (1922)

“The approach that dominates organizational theory, teaching, and practice for most of the twentieth century looked at organizations from the top-down, starting with a view of the CEO as the "leader" who shapes the organization's strategy, structure, culture, and performance potential. The nature of work and the role of the workforce enter the analysis much later, after considerations of technology and organization design have been considered. However, if the key source of value in the twenty-first-century organization is to be derived from the workforce itself, an inversion of the dominant approach will be needed. The new perspective will start not at the top of the organization, but at but at the front lines, with people and the work itself — which is where value is created. Such an inversion will lead to a transformation in the management and organization of work workers, and knowledge.”

Thomas A. Kochan (1947) American academic

Source: "Beyond McGregor’s Theory Y", 2002, p. 2: introduction; Republished in: Douglas McGregor. The Human Side of Enterprise 1960/2006. p. 366

People, Nature, Knowledge

“I always like to write three versions of a book. The first is always agony and chaos; no one could understand it. With the second you get the shape, it's more or less all right. I write both of those in longhand. The third draft I type out with two fingers: it's for refining of meaning, additions and subtractions. I think my novels usually begin with characters; you have them floating about in your head and it may be years before they get together in a situation. Characters interest me more than situations.”

Patrick White (1912–1990) English-born Australian writer

In The Making (1970)

Books, Understanding, Thinking

“A principal aim of education is to give students a taste for literature, for the books of life and power, and to accomplish this, it is necessary that their minds be held aloof from the babblement and discussions of the hour, that they may accustom themselves to take interest in the words and deeds of the greatest men, and so make themselves able and worthy to shape a larger and nobler future; but if their hours of leisure are spent over journals and reviews, they will, in later years, become the helpless victims of the newspaper habit.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 148

Life, Men, Books, Education

“It [the Mauve-district in the U. S. ] relates to a theme which appears on-and-off, of pictures that often have one central vast shape, district, or territory; in this case, the shape itself [a square] is a play on the very shape of the canvas”

Helen Frankenthaler (1928–2011) American artist

quote in 1969 Quote from 'The collection', MOMA, online http://www.moma.org/collection/object.php?object_id=80712 1960s

Quotes, Appearance

“Man must have light. He must live in the fierce full constant glare of light, where all shadow will be defined and sharp and unique and personal: the shadow of his own singular rectitude or baseness. All human evils have to come out of obscurity and darkness, where there is nothing to dog man constantly with the shape of his own deformity.”

William Faulkner book The Mansion

Gavin Stevens in Ch. 6
The Mansion (1959)

Dogs, Light, Evil, Personality

“Errol Flynn was an excellent fencer. He also knew his lines, something I greatly respect in an actor. Of course there was one glaring inconsistency with his professionalism. Errol also drank on the set, something I greatly disliked. You couldn't stop him. If the director prohibited alcohol on the set, then Errol would inject oranges with booze and eat during breaks. Everything good that we got on film was shot early in the day. He started gulping his water early in the morning and by four P. M. was in no shape to continue filming.”

Maureen O'Hara (1920–2015) Irish-American film actress and singer

Source: Tis Herself (2004), p.214-215

Alcohol, Water

“Often, very often, I am alone. My studio in Amsterdam, [Beckmann lived and worked in the heart of Amsterdam during World War 2. ] an enormous old tobacco storeroom is again filled in my imagination with figures from the old days and from the new, like an ocean moved by storm and sun and always present in my thoughts. Then shapes become beings and seem comprehensible to me in the great void and uncertainty of the space which I call god.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

1930s, On my Painting (1938)

God, War, World, Imagination

“The Ricky Hatton that beat Kostya Tszyu in 2005 can beat Floyd Mayweather, he was so focused and in such amazing physical shape that he would have given anybody at that level a tough time.”

Ricky Hatton (1978) English former professional boxer

Sugar Ray Leonard predicting a Ricky Hatton win if he fought Floyd Mayweather.Tuesday, 6 February 2007. http://news2.thdo.bbc.co.uk/sport1/hi/boxing/6336815.stm Other boxers on Ricky(Sourced)

Time

“[Legitimate Constitution]… I entirely concur in the propriety of resorting to the sense in which the Constitution was accepted and ratified by the nation. In that sense alone it is the legitimate Constitution. And if that be not the guide in expounding it, there can be no security for a consistent and stable, more than for a faithful exercise of its powers. If the meaning of the text be sought in the changeable meaning of the words composing it, it is evident that the shape and attributes of the Government must partake of the changes to which the words and phrases of all living languages are constantly subject. What a metamorphosis would be produced in the code of law if all its ancient phraseology were to be taken in its modern sense! And that the language of our Constitution is already undergoing interpretations unknown to its founders, will I believe appear to all unbiased Enquirers into the history of its origin and adoption.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Letter to Henry Lee http://books.google.com/books?id=B0waAAAAYAAJ&pg=PA191&dq=%22In+that+sense+alone+it+is+the+legitimate+Constitution%22 (25 June 1824) 1820s

Faith, Law, Exercises, History

“You shaped the office of mayor. You gave it national prominence and when London was attacked on 7 July 2005 you spoke for London.”

Boris Johnson (1964) British politician, historian and journalist

2000s, 2008, First Speech As London Mayor (May 3, 2008)

“What the main drift of the twentieth century has revealed is that the economy has become concentrated and incorporated in the great hierarchies, the military has become enlarged and decisive to the shape of the entire economic structure; and moreover the economic and the military have become structurally and deeply interrelated, as the economy has become a seemingly permanent war economy; and military men and policies have increasingly penetrated the corporate economy.”

C. Wright Mills book The Power Elite

The Power Elite (1956)

Men, War, Decision

“If you push it, it feels good; I don’t know what it is. It must have something to do with kinesthesia. I feel now that I am painting I'm not drawing anything, or even representing non-objective art. You know, you can represent abstract art, too, as well as heads figures, nudes. A lot of abstract artists are just representational painters, you know that. And a lot of figurative artists are very abstract. I don't feel as if I'm doing that. I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me. I always thought I am a very spiritual man, not interested in paint, and now I discover myself to be very physical and very involved with matter. I want to be involved with how heavy things are, a balloon, how light things are, things levitating, pushing forms, make me feel as if my hand is pushing in a head, bulges out here and pushes there.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

Art, Feeling, Light, Drawing

“What is to be the nature of the domestic legislation of the future? (Hear, hear.) I cannot help thinking that it will be more directed to what are called social subjects than has hitherto been the case.—How to promote the greater happiness of the masses of the people (hear, hear), how to increase their enjoyment of life (cheers), that is the problem of the future; and just as there are politicians who would occupy all the world and leave nothing for the ambition of anybody else, so we have their counterpart at home in the men who, having already annexed everything that is worth having, expect everybody else to be content with the crumbs that fall from their table. If you will go back to the origin of things you will find that when our social arrangements first began to shape themselves every man was born into the world with natural rights, with a right to a share in the great inheritance of the community, with a right to a part of the land of his birth. (Cheers.) But all these rights have passed away. The common rights of ownership have disappeared. Some of them have been sold; some of them have been given away by people who had no right to dispose of them; some of them have been lost through apathy and ignorance; some have been stolen by fraud (cheers); and some have been acquired by violence. Private ownership has taken the place of these communal rights, and this system has become so interwoven with our habits and usages, it has been so sanctioned by law and protected by custom, that it might be very difficult and perhaps impossible to reverse it. But then, I ask, what ransom will property pay for the security which it enjoys? What substitute will it find for the natural rights which have ceased to be recognized?”

Joseph Chamberlain (1836–1914) British businessman, politician, and statesman

Speech to the Birmingham Artisans' Association at Birmingham Town Hall (5 January 1885), quoted in ‘Mr. Chamberlain At Birmingham.’, The Times (6 January 1885), p. 7.
1880s

Life, Men, Happiness, People

“Your values shape your quality of life.”

Gian Domenico Borasio (1962) physician, specialist of palliative medicine

"It's not about dying", TEDxCHUV address (13 November 2014) https://www.youtube.com/watch?v=x5WYNf1td-4

Life

“One needs a medium. The best is, one is his own medium. But don't be serious because seriousness belongs to a passed time. This medium, called you yourself will tell you to take absolutely the wrong material. That is very good, because only the wrong material used in the wrong way, will give the right picture, when you look at it from the right angle. Or the wrong angle. That leads us to the new ism: Anglism. The first art starting from England [the country of Schwitters' forced stay, when he wrote this quote], except the former shapes of art.”

Kurt Schwitters (1887–1948) German artist

Source: 1940s, I is Style (2000), pp. 100-101 : in: 'That is my confession I have to make MERZ' (1940 – 1946), Kurt Schwitters.

Art, Way, Quotes, Time

“[Harry having drawn at golf] The shape of his collapse clings to him. Who says the universe isn't soaked in disgrace?”

John Updike book Rabbit at Rest

Rabbit at Rest (1990)

Universe

“But if cattle and horses and lions had hands
or could paint with their hands and create works such as men do,
horses like horses and cattle like cattle
also would depict the gods' shapes and make their bodies
of such a sort as the form they themselves have.”

Xenophanes (-570–-475 BC) Presocratic philosopher

Fragment 15 (D-K)

Men, God, Horse, Painting

“It is a myth that style can't be learnt. It's all about dressing for your body shape, following the rules and wearing colours that suit your skin tone.”

Susannah Constantine (1962) British fashion designer and journalist

As quoted in "Mistresses of the makeover" by Cathrin Schaer in New Zealand Herald http://www.nzherald.co.nz/topic/story.cfm?c_id=182&objectid=10493332&pnum=2 (25 February 2008)

“A revolution determines, within the social body, an instantaneous process of reorganisation akin to the tumultuous combinations of the elements of a dissolved body that then tend to recompose themselves in a new form.1 This process cannot begin as long as a breath of life animates the old aggregation. As a result, the ideas that would reconstitute society will never take shape so long as a cataclysm, by dealing the old, decrepit society a mortal blow, has not freed the captive elements whose spontaneous and rapid fermentation will organise the new world. All the powers of thought, all the greatest efforts of intelligence are unable to anticipate this creative phenomenon that can break out at any given moment. One can prepare the cradle, but not bring to life the long-awaited being. Right up until the moment of death and rebirth, the doctrines [that will serve as the] bases of the future society remain vague aspirations, distant and hazy glimpses. They are like a blurred and floating silhouette on the horizon, the contours of which cannot be determined or grasped by human efforts.”

Louis Auguste Blanqui (1805–1881) French socialist and political activist

On Revolution (1850)

Life, Death, World, Intelligence

“[People-processing institutions are] a type of social institution in which human beings constitute both the raw materials and the products of organizational work. Although all social institutions are involved in some degree in people-processing activities, the term is properly restricted to those whose primary goal is the shaping, reshaping, removing, overhauling, retooling, reassembling, and recording the physical, psychological, social, legal, or moral aspects of human objects.”

Charles Perrow (1925–2019) American sociologist

Source: 1960s, Organization for treatment, 1966, p. 163; as cited in: David Shichor (2005), The Meaning and Nature of Punishment. p. 107

People

“…I do not say any form which you construct this way is a good form, or must lead to a good solution; but there are forms which can lead to good solutions, and of course that is only the first link in a whole chain of investigations, and the other links in the investigation, model tests, measuring of the first structure, or a model test in scale 1:1 as we have it out here, these are of primary importance. So the engineer[‘s] problem is remaining all the same, but it is the first link, here, the shaping which has been lacking up to now, and this method can lead to a very nice solution.”

Heinz Isler (1926–2009) engineer

First Congress of the International Association of Shell Structures (now IASS), Madrid (1959) discussion following presentation of his paper paper ‘New Shapes for Shells’, as quoted by John Chilton, "39 etc… : Heinz Isler’s infinite spectrum of new shapes for shells" (2009) Proceedings of the International Association for Shell and Spatial Structures (IASS) Symposium 2009, Valencia, Evolution and Trends in Design, Analysis and Construction of Shell and Spatial Structures, 28 September – 2 October 2009, Universidad Politecnica de Valencia, Spain, eds. Alberto Domingo, Carlos Lazaro.

Way, Problem

“[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 22 as cited in: Robert A. Solo (1994) " Kenneth Ewart Boulding: 1910-1993. An Appreciation http://www.jstor.org/stable/4226892". In: Journal of Economic Issues. Vol. 28, No. 4 (Dec., 1994), pp. 1187-1200

World, Behavior, Sense

“I was brought up knowing you can't do anything truly by yourself. It's God blessing you in some way, shape or form. I have a religious family, and that's just how I was raised. Being a running back, it's also very obvious to me. Any running back that's ever played football, all of the success comes from the people up front. There's no way a running back can be good if nobody is blocking for him.”

Javon Ringer (1987) All-American college football player, professional football player, running back

Quoted here http://www.ncaa.com/sports/m-footbl/spec-rel/092108acj.html

God, People, Family, Way

“(…) as long as you cling to the idea that only what has name and shape exists, the Supreme will appear to you non-existing. When you understand that names and shapes are hollow shells without any content whatsoever, and what is real is nameless and formless, pure energy of life and light of consciousness, you will be at peace – immersed in the deep silence of reality.”

Nisargadatta Maharaj (1897–1981) Indian guru

Reality
Source: "I am That." P.37.

Life, Peace, Idea, Understanding

“I am a big believer that technology shapes mankind.”

Mukesh Ambani (1957) Indian business magnate

Quoted in 5 things you may not know about Mukesh Ambani, 15 October 2012, 17 December 2013, Profit NDTV http://profit.ndtv.com/news/people/article-5-things-you-may-not-know-about-mukesh-ambani-312075,

“On the longest of timescales, over millions of years, the workings of chance defied human intuition. Humans were equipped with a subjective consciousness of risk and improbability suitable for creatures with a lifespan of less than a century or so. Event that came much less frequently than that—such as asteroid impacts—were place, in human minds, in the category not of rare, but of never. But the impacts happened even so, and to a creature with a lifespan of, say, ten million years, would not have seemed so improbable at all.
Given enough time even such unlikely events as ocean crossings from Africa to South America would inevitably occur, over and again, and would shape the destiny of life.”

Stephen Baxter book Evolution

Source: Evolution (2002), Chapter 6 “The Crossing” section IV (p. 185)

Life, Chance, Time

“In the licorice fields at Pontefract
My love and I did meet
And many a burdened licorice bush
Was blooming round our feet;
Red hair she had and golden skin,
Her sulky lips were shaped for sin,
Her sturdy legs were flannel-slack'd
The strongest legs in Pontefract.”

John Betjeman (1906–1984) English poet, writer and broadcaster

"The Licorice Fields at Pontefract" from A Few Late Chrysanthemums.
Poetry

Love

“The 'state' on the modern conception is a legally defined term which refers, at the level of substance, to a state power that possesses both internal and external sovereignty, at the spatial level over a clearly delimited terrain (the state territory) and at the social level over the totality of members (the body of citizens or the people). State power constitutes itself in the forms of positive law, and the people is the bearer of the legal order whose jurisdiction is restricted to the state territory. In political usage, the concepts 'nation' and 'people' have the same extension. But in addition to its legal definition, the term 'nation' has the connotation of a political community shaped by common descent, or at least by a common language, culture, and history. A people becomes a 'nation' in this historical sense only in the concrete form of a particular form of life.”

Jürgen Habermas book The Inclusion of the Other

Habermas (1998) The Inclusion of the Other: Studies in Political Theory. Ciaran Cronin and Pablo De Greiff, eds. Cambridge, MA: The MIT Press.

Life, People, Law, History

“A pure elastic fluid is one the constituent particles of which are all alike, or in no way distinguishable. Steam, or aqueous vapour, hydrogenous gas, oxygenous gas… and several others are of this kind. …Whatever …may be the shape or figure of the solid atom abstractedly, when surrounded by such an atmosphere it must be globular; but as all the globules in any small given volume are subject to the same pressure, they must be equal in bulk, and will therefore be arranged in horizontal strata, like a pile of shot.”

John Dalton book A New System of Chemical Philosophy

Source: A New System of Chemical Philosophy (1808), Ch. II. On the Constitution of Bodies, Sect. 1. On the Constitution of Pure Elastic Fluids

Way

“While the film Life of Christ was rolling past before my eyes I was mentally visualizing the gods, Shri Krishna, Shri Ramachandra their Gokul and Ayodhya.. I was gripped by a strange spell. I bought another ticket and saw the film again. This time I felt my imagination taking shape in the screen. Could this really happen? Could we the sons of India, ever be able to see Indian images on the screen. The whole night passed in this mental agony.”

Dadasaheb Phalke (1870–1944) Indian producer-director-screenwriter

After watching the film The Life of Christ in 1910 quoted in *[Ganti, Tejaswini, Bollywood: A Guidebook to Popular Hindi Cinema, http://books.google.com/books?id=2GAdCp1VAf0C&pg=PA8, 5 March 2013, Routledge, 978-1-136-84929-9, 92]
Quote

Life, God, Imagination, Time

“The second observation is that poetry is a universal human art. Despite post-modern theories of cultural relativism that assert there are no human universals, there exists a massive and compelling body of empirical data, collected and documented by anthropologists, linguists, and archeologists that demonstrates there is no human society, however isolated, that has not developed and employed poetry as a cultural practice. Most of this poetry, of course, has been oral poetry. Many of these cultures never developed writing. But the fact remains—and it is a demonstrable fact, not mere opinion—that every society has developed a special class of speech, shaped by apprehensible patterns of sound, namely, poetry”

Dana Gioia (1950) American writer

9-10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Art, Universe

“Is not the training of an artist a training in the due relation of one thing with another, and in the faculty of expressing that relation clearly; and, even more, a training in the faculty of disengaging from self the very essence of self — and passing that essence into other selves by so delicate means that none shall see how it is done, yet be insensibly unified? Is not the artist, of all men, foe and nullifier of partisanship and parochialism, of distortions and extravagance, the discoverer of that jack-o'-lantern — Truth; for, if Truth be not Spiritual Proportion I know not what it is. Truth it seems to me — is no absolute thing, but always relative, the essential symmetry in the varying relationships of life; and the most perfect truth is but the concrete expression of the most penetrating vision. Life seen throughout as a countless show of the finest works of Art; Life shaped, and purged of the irrelevant, the gross, and the extravagant; Life, as it were, spiritually selected — that is Truth; a thing as multiple, and changing, as subtle, and strange, as Life itself, and as little to be bound by dogma. Truth admits but the one rule: No deficiency, and no excess! Disobedient to that rule — nothing attains full vitality. And secretly fettered by that rule is Art, whose business is the creation of vital things.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Life, Men, Truth, Art

“Then, does everyone lives in fear?'
The firelight barely reached the huge man standing beside Raskan, and the deep voice that came from that vague shape sounded loose, unguarded. 'I would say, most of the time, yes. Fear that our opinion might be chalanged. Fear that our way of seeing things might be called ignorant, self-serving, or indeed evil. Fear for our persons. Fear for our future, our fate. Our moment of death. Fear of failing in all that we set out to achieve. Fear of being forgotten.”

Steven Erikson book Forge of Darkness

Forge of Darkness (2013)

Death, Fate, Fear, Way

“A painting grows like a plant. Use all colours, all shapes. Everything that attracts and excites me is a part of me. Painting is about proportions, relationships which breathe life. "Painting is a harmony which runs parallel to nature."”

Stefan Szczesny (1951) German painter and sculptor

Mustique (2002)

Life, Nature, Parting, Painting

“We can only shape a bright future if we are aware of Germany's enduring responsibility for the ultimate betrayal of all civilised values that was the Shoah.”

Angela Merkel (1954) Chancellor of Germany

Angela Merkel's speech about Holocaust (Shoah). Source: United States Holocaust Memorial Museum 24.04.2017 https://www.youtube.com/watch?v=U6jEkBPcVj4 2017

Betrayal, Future

“The pope has been up against an intransigent church bureaucracy. Vatican officials have proved unwilling to cooperate with the commission; nor has it been furnished with enough resources. But above all, there has been cultural resistance within the church over abuse. The clerical caste is one shaped by obedience and a deep fear of sullying the reputation of the church. The relationship of bishop and priest is a paternal one; if the priest errs, the bishop may focus on forgiveness of the miscreant rather than punishment of an abuser, while his greatest focus is on avoiding publicity. But the church is now reaping what it sowed: like long-festering sores, the suppressed scandals are erupting everywhere.”

Catherine Pepinster (1959)

Pope Francis has utterly failed to tackle the church’s abuse scandal https://www.theguardian.com/commentisfree/2018/jul/26/pope-francis-catholic-church-abuse-scandal-failed (26 July 2018), The Guardian.

Fear, Forgiveness

“I have absolutely no doubt in my mind that Secularism in its present Indian form is no more than an embodiment of anti-Hindu animus, and is supported by all those who want to destroy Hindu society and culture. Secularism is essentially a political concept which originated and took shape in nineteenth century Europe. …. It was in this atmosphere of revolt against Christianity and its closed culture that the concept of Secularism was evolved and employed in country after country in Europe. The secular power of the State was no longer to be the secular arm of the Church. It was to become secular on its own, that is, a power which secured equal rights to all its citizens without bothering about their beliefs. The Church was separated from the State which was no longer supposed to interfere with the religious life of the citizens, or to discriminate against any citizen on the basis of his on her religion or absence of it. Religion was now to be treated as a purely private matter in which the state was not supposed to pry, and which was not to be projected in public affairs.”

Sita Ram Goel (1921–2003) Indian activist

Defence of Hindu Society (1983)

Life, Religion, Support, Country

“Years ago, my mother and I fell in love with Busybee’s voice, its calm, even tone, and a smile which was always audible in the language. My father, meanwhile, is clipping his nails fastidiously, letting them fall on to an old, spread-out copy of the Times of India, till he sneezes explosively, as he customarily does, sending the crescent-shaped nail-clippings flying into the universe.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Afternoon Raag (1993)

Love, Smile, Universe, Time

“What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59.

Love, Truth, Beauty, Loss

“Right here you made an angel of yourself,
free-falling backwards into last night's snow,
indenting a straight, neat, crucified shape,
then flapping your arms, one stroke, a great bird,
to leave the impression of wings. It worked.”

Simon Armitage (1963) Poet, playwright, novelist

'A Glory', from Cloudcuckooland.

Angels, Bird, Night

“A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living.”

David Mitchell book Cloud Atlas

The Pacific Journal of Adam Ewing, Monday, 13th January —, p. 528
Cloud Atlas (2004)

Life, World, Fear

“The etude is a Romantic idea. It appeared in the early nineteenth century as a new genre: a short piece in which the musical interest is derived almost entirely from a single technical problem. A mechanical difficulty directly produces the music, its charm, and its pathos. Beauty and technique are united, but the creative stimulus is the hand, with its arrangement of muscles and tendons, its idiosyncratic shape.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Beauty, Music, Idea, Problem

“Through the gamut of life we struggled for control, for a means to fashion the world around us, an eternal, hopeless hunt for the privilege of being able to predict the shape of our lives.”

Steven Erikson book Gardens of the Moon

Source: Gardens of the Moon (1999), Chapter 16 (p. 457)

Life, World, Fashion

“Every nation has the right to control its own immigration. To shape sensibly an immigration policy is to influence nearly every facet of life, now and for generations to come.”

Geoffrey Blainey book All for Australia

All for Australia (1984)

Life

“I suppose one reason why we are seldom able to comfort our neighbours with our words is that our goodwill gets adulterated, in spite of ourselves, before it can pass our lips. We can send black puddings and petticoes without giving them a flavour of our own egoism; but language is a stream that is almost sure to smack of a mingled soil. There was a fair proportion of kindness in Raveloe; but it was often of a beery and bungling sort, and took the shape least allied to the complimentary and hypocritical.”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 10 (at page 77-78)

“Quotas are a perfectly logical, if diabolical, extension of the regulation of private property courtesy of the Civil Rights Act, whereby in an attempt to shape American society in politically pleasing ways, people have been coerced into liking, hiring or renting against their will or better judgment.”

Ilana Mercer South African writer

“Liberty and the Civil Wrongs Act,” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=542 WorldNetDaily.com, April 2, 2010. 2010s, 2010

People, Way

“Any concept of biology is not only sterile and profitless, it is distorted and untrue, if it puts its primary focus on unnatural conditions rather than on those vast forces not of man's making that shape and channel the nature and direction of life.”

Rachel Carson (1907–1964) American marine biologist and conservationist

Preface to Humane Biology Projects (1961) by the Animal Welfare Institute

Life, Nature

“Somewhere—in desolate wind-swept space—
In Twilight-land—in No-man’s land—
Two hurrying Shapes met face to face,
And bade each other stand.

“And who are you?” cried one, agape,
Shuddering in the gloaming light.
“I know not,” said the second Shape,
“I only died last night.””

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

Identity; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Light, Night

“It is a good point of cunning for a man to shape the answer he would have in his own words and propositions, for it makes the other party stick the less.”

Francis Bacon book Essays

Of Cunning
Essays (1625)

“Whether one agrees with the Communist Party or not, one must at least know the truth about it. One must not permit his ideas to be shaped by the hysteria which now passes as a "crusade against Communism."… For example, the canard that every Communist has his pockets lined with "Moscow gold." If that were true, one could be sure that there would scarcely be any room in our party for workers. The capitalists, to whom gold is god of the universe, would crowd them out.”

Benjamin J. Davis Jr. (1903–1964) American politician

"Why I am a Communist" (1947)

God, Truth, Communication, Idea

“Once, my back wedded to the solid cliff,
I sat silently, bathed in the full moon's light. I counted there ten thousand shapes,
None with substance save the moon's own glow. The pristine mind is empty as the moon,
I thought, and like the moon, freely shines. By what I knew of moon I knew the mind,
Each mirror to each, profound as stone.”

Han-shan Chinese monk and poet

Encounters With Cold Mountain, tr. Peter Stambler (Foreign Languages Press, Beijing, 1996)

Wedding, Light

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Pain, War, Feeling, Idea

“Everyone with any experience of life is aware of the extent to which the characters of people he has known have been given their particular forms by the sufferings through which they have passed. But it is not simply what has happened to them that has defined them; their responses to what has happened to them have been of even greater importance, and these responses have been shaped by their interpretations of what they suffered.”

H. Richard Niebuhr (1894–1962) American theologian

Source: The Responsible Self: An Essay in Christian Moral Philosophy (1963), pp. 60-61

Life, People, Suffering

“It is the medium that shapes and controls the scale and form of human association and action.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 9

“[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebook (undated); as quoted in Impressionism: A Centenary Exhibition, Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, pp. 81-82
quotes, undated

Drawing

“So I changed from this idealistic “I can help shape the future” to all of a sudden I’m in the middle of this frame where we’re literally fighting for our freedoms, for our information, for our privacy. It may be taken from us in a manner that we’re just never gonna get it back. That’s what’s really changed between the last few times I’ve been interviewed and now: This is a matter of immediacy, this is a matter of danger, this is a matter of peril to our liberty.”

Jay Leiderman (1971) lawyer

As stated in The Sabu Effect: An Interview with Jay Leiderman BY RAINCOASTER on AUGUST 22, 2014 http://thecryptosphere.com/2014/08/22/the-sabu-effect-an-interview-with-jay-leiderman/

Freedom, Change, Time, Future

“New York ought to have such an avenue like the Champs Elysées of Paris, Unter den Linden of Berlin, or the Ring Strasse of Vienna, but more ample than any of them; for here, of all places, owing to the shape of the island, there is the most need of such a thing.”

Ernest Flagg (1857–1947) American architect

"The Plan of New York, and How to Improve It," Scribner's Magazine (August, 1904) 36

“Each of us has that ember within him to create his own Camelot, to form his life by taste. Being different from the crowd, like quality, is not a vice. Tradition and standards shape shooting as surely as manners make the man.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

Life

“Just observe what you are. What you are is the fact: the fact that you are jealous, anxious, envious, brutal, demanding, violent. That is what you are. Look at it, be aware; don’t shape it, don’t guide it, don’t deny it, don’t have opinions about it. By looking at it without condemnation, without judgement, without comparison, you observe; out of that observation, out of that awareness comes affection. Now, go still further. And you can do this in one flash. It can only be done in one flash — not first from the outside and then working further and deeper and deeper and deeper; it does not work that way, it is all done with one sweep, from the outermost to the most inward, to the innermost depth. Out of this, in this, there is attention — attention to the whistle of that train, the noise, the coughing, the way you are jerking your legs about; attention whereby you listen to what is said, you find out what is true and what is false in what is being said, and you do not set up the speaker as an authority. So this attention comes out of this extraordinarily complex existence of contradiction, misery and utter despair. And when the mind is attentive, it can then give focus, which then is quite a different thing; then it can concentrate but that concentration is not the concentration of exclusion. Then the mind can give attention to whatever it is doing, and that attention becomes much more efficient, much more vital, because you are taking everything in.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIV, p. 301
Posthumous publications, The Collected Works

Jerk, Way, Falseness, Training

“I've been shaped by the people I've met along the way. I've had great role models and I've had great mentors and a little bit of good luck. Now as a leader in a political movement I want to pay that forward.”

John Horgan (1959) 36th Premier of British Columbia

https://www.bcndp.ca/about-john

People, Way

“The German Youth Movement started quite inconspicuously: a band of secondary schoolboys in Berlin, bored to death by their homes and schools and grown-ups in general, sought to elude this adult world by spending their Sundays and holidays roaming the countryside - what we call hiking, an unheard of pursuit in those days…Hiking became symbolic, standing for Back to Nature against modern civilization; the free-lance spirit as against gregariousness, yet, paradoxically, the urge for comradeship against atomizing individualism…In 1933 the Nazis swallowed up the groups on the nationalistic fringe and shattered the bulk of the Bünde as bulwarks of the individualistic and independent spirit…Today, I suppose, for many of its former members the Youth Movement represents no more than a store of youthful memories. But a small but by no means negligible minority did receive a basic shaping and moulding which held good for the rest of their lives, the essence of that fleeting spirit of the Movement: a shared vision of the true nature of man and his place in the universe,…; a special kind of awareness to Nature; an extremely keen sense of intellectual and spiritual responsibility and a peculiar sanity and sobriety of judgment. This is quite a lot to be thankful for.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Appendix, Broken Lights Diaries and Letters 1951-1959.

Death, Youth, World, School

“As both technologies and organizations undergo dramatic changes in form and function, organizational researchers are increasingly turning to concepts of innovation, emergence, and improvisation to help explain the new ways of organizing and using technology evident in practice. With a similar intent, I propose an extension to the structurational perspective on technology that develops a practice lens to examine how people, as they interact with a technology in their ongoing practices, enact structures which shape their emergent and situated use of that technology. Viewing the use of technology as a process of enactment enables a deeper understanding of the constitutive role of social practices in the ongoing use and change of technologies in the workplace. After developing this lens, I offer an example of its use in research, and then suggest some implications for the study of technology in organizations.”

Wanda Orlikowski American computer scientist

Source: "Using technology and constituting structures", 2000, p. 404; Abstract

People, Way, Understanding, Study

“Good Lord. I’d be lying if I said I’d never Googled myself, but it honestly never occurred to me to add ‘naked’ to my search criteria. Sure enough, there have been five nude ‘episodes’. And I know this is self-destructive but somehow I find myself on a ‘nudescenes’ forum where linus22 is arguing that I have odd-shaped nipples. Do I? Oh God! That thought never occurred to me! One more for the self-esteem list.”

Alice Evans (1971) British actress

Alice Evans' May 2007 Glamour Magazine column "Do I Dare to Bare".

God, Search, Lying

“My best wishes, in the joys, and festivities, and the solemn services of that day on which will be completed the fiftieth year from its birth, of the independence of the United States: a memorable epoch in the annals of the human race, destined in future history to form the brightest or the blackest page, according to the use or the abuse of those political institutions by which they shall, in time to come, be shaped by the human mind.”

John Adams (1735–1826) 2nd President of the United States

Reply to an invitation to 50th Independence Day celebrations from a committee of the citizens of Quincy, Massachusetts (7 June 1826); quoted in "Eulogy, Pronounced at Bridgewater, Massachusetts" http://books.google.com/books?vid=OCLC02570179&id=17ge0_OSAfIC&pg=RA1-PA160&lpg=RA1-PA160&dq=%22solemn+services+of+that+day+on+which+will+be+completed+%22&num=100 (2 August 1826) by John A. Shaw, in A Selection of Eulogies, Pronounced in the Several States, in Honor of Those Illustrious Patriots and Statesmen, John Adams and Thomas Jefferson (1826) http://www.gutenberg.org/files/18196/18196.txt 1820s

History, Birth, Time, Future

“There are fears amongst those who are responsible for government to-day, fears not yet gripping us by the throat but taking grisly shape in the twilight, that the Great War, by the destruction of our best lives in such numbers, has not left enough of the breed to carry on the work of Empire. Our task is hard enough, but it will be accomplished; yet who in Europe does not know that one more war in the West, and the civilization of the ages will fall with as great a shock as that of Rome? She has left danger-signals along the road; it is for us to read them.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech to the Classical Association (8 January 1926), quoted in On England, and Other Addresses (1926), p. 106.
1926

War, Age, Fear, Reading

“We are all inclined to accept conventional forms or colours as the only correct ones. Children sometimes think that stars must be star-shaped, though naturally they are not. The people who insist that in a picture the sky must be blue, and the grass green, are not very different from these children. They get indignant if they see other colours in a picture, but if we try to forget all we have heard about green grass and blue skies, and look at the world as if we had just arrived from another planet on a voyage of discovery and were seeing it for the first time, we may find that things are apt to have the most surprising colours.”

Ernst Gombrich book The Story of Art

Source: The Story of Art (1978), p. 26.

Children, People, World, Star

“Many thanks for your letter and the Gauguin woodcuts... One can see, incidentally, that Gauguin had Persian miniatures, Indian batik and Chinese art in his very blood. The shapes of the birds and the horse show that clearly. But although it looks very well, Gauguin can't stimulate us present-day artists much. We need a direct route from life to plastic form. And we get it by perpetually drawing everything we see.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), Frauenkirch, 29 November 1920; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1920's

Life, Art, Bird, Horse

“All things are connected with all things throughout the universe, from the insect to the archangel; from the sand-grain to the mountain and the globe; from the dew-drop to the ocean; from the rain-drop to the rainbow; from the pebble on the shore to 'the sun that blazes in the firmament; from the zephyr that sings among the flowers of the field to the ocean that pours its wild bass in the great anthem of nature. Not only are all things connected with all things, but there is a concatenation of events, so that the character and effects of no one event can terminate in itself. As each event owes some portion of its nature to that which preceded it, so it imparts some of its nature to that which succeeds it, and thus perpetuates the blended good or evil of itself and its predecessors. The single event may thus live on in its influence along the line of all the ages, assuming new shapes, or if clothing itself in the drapery of new events, ever marching onward and upward in the continually growing affairs of time.”

John Lanahan (1815–1903)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 611.

Age, Mountain, Flowers, Nature

“I have started a large landscape which is beginning to take shape.”

Frédéric Bazille (1841–1870) French painter

Quote in Bazille's letter to his father, June 1870; as cited in Impressionnism, Gary Tinterow, Henri Loyrette; Metropolitan Museum of Art, 1994, p. 338
1866 - 1870

“The world of literature is human in shape”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html Context: The simple point is that literature belongs to the world man constructs, not to the world he sees; to his home, not his environment. Literature's world is a concrete human world of immediate experience... The world of literature is human in shape, a world where the sun rises in the east and sets in the west over the edge of a flat earth in three dimensions, where the primary realities are not atoms or electrons but bodies, and the primary forces not energy or gravitation but love and death and passion and joy.

World, Literature

“God shapes the world by prayer.”

Edward McKendree Bounds (1835–1913) clergyman of the Methodist Episcopal Church South

Purpose in Prayer (1920), p. 9.

God, World

“The pace of life has increased in the last few decades just as the speed of the motor bicycle has been exceeded many times over by the aeroplane. After art passed through a whole series of intermediate stages it reached cubism where for the first time the creative urge to construct instinctively overcame conscious resolve.... from this point the picture started to gain stature as a new world of reality and in this way the foundation stone for a new representation of the shapes and forms of the material world was laid.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

Life, World, Art, Way

“There's something spectacularly freeing about acknowledging that one has both resources and limitations, and that both of these give shape to one's life.”

Colette Dowling (1938)

Perfect Women: Hidden Fears of Inadequacy and the Drive to Perform (1988), p. 249

Life

“Those dreams that on the silent night intrude,
And with false flitting shapes our minds delude
… are mere productions of the brain.
And fools consult interpreters in vain.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

On Dreams (1727)

Dreams, Fools, Falseness, Night

“In the long arcade of the bus station footfalls come back like laughter. He marches darkly toward his darkly marching shape in the glass of the depot door. His fetch come up from life's other side like an autoscopic hallucination, Suttree and Antisuttree, hand reaching to the hand.”

Cormac McCarthy book Suttree

Source: Suttree (1979), Chapter 1, page 28

Life, Laughter

“…the American people seemed to have no clearer idea than they. Indeed, the American people had no idea at all; they were wandering in a wilderness much more sandy than the Hebrews had ever trodden about Sinai; they had neither serpents nor golden calves to worship. They had lost the sense of worship; for the idea that they worshipped money seemed a delusion. Worship of money was an old-world trait; a healthy appetite akin to worship of the Gods, or to worship of power in any concrete shape; but the American wasted money more recklessly than any one ever did before; he spent more to less purpose than any extravagant court aristocracy; he had no sense of relative values, and knew not what to do with his money when he got it”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Money, God, People, World

“Art remains a sure refuge, the hope of a reason in life from now on, and the consoling thought that little beauty manifests itself in our lives, and that we are continuing the work of Creation... Therefore the work of art has merit, inscribed in the marvelous beauty of flowers, of light, in the proportion of trees and shape of waves, and the perfection of faces; to inscribe our poor and lamentable life of suffering, of hope and of thought.”

Maurice Denis (1870–1943) French painter

Quote, 24 March 1895, from Denis' Journal; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [16] 1890 - 1920

Life, Beauty, Hope, Art

“I once inhaled a pretty full dose of ether, with the determination to put on record, at the earliest moment of regaining consciousness, the thought I should find uppermost in my mind. The mighty music of the triumphal march into nothingness reverberated through my brain, and filled me with a sense of infinite possibilities, which made me an archangel for the moment. The veil of eternity was lifted. The one great truth which underlies all human experience, and is the key to all the mysteries that philosophy has sought in vain to solve, flashed upon me in a sudden revelation. Henceforth all was clear: a few words had lifted my intelligence to the level of the knowledge of the cherubim. As my natural condition returned, I remembered my resolution; and, staggering to my desk, I wrote, in ill-shaped straggling letters, the all-embracing truth still glimmering in my consciousness. The words were these (children may smile; the wise will ponder): “A strong smell of turpentine prevails throughout.””

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Mechanism in thought and morals https://books.google.se/books?id=c5rOGqwLGaEC&lpg=PA47 : an address delivered before the Phi Beta Kappa Society of Harvard University, June 29, 1870 Mechanism in thought and morals (1871)

Children, Truth, Smile, Music

“If my car should be in such a position where I can't quite see what's going on, can't get a good enough look, I'm not the least bit shy about asking the police to bring the bodies over a little closer to the car. "Pardon me, officer, would you mind dragging that twisted-looking chap over here a little closer to the car, please? My wife has never seen anyone shaped quite like that. Look at that, Sugar Lips! That's his ribcage sticking out the glove compartment. Thank you, officer, that'll be all. You can throw him back on the pile."”

George Carlin (1937–2008) American stand-up comedian

"Traffic Accidents: Keep Movin'!"
Complaints and Grievances (2001)

Cars

“Is it a phenomenological theory? Granted that… phenomenology comes from various shapes and sizes, our fundamental postulate does not make the usual phenomenological commitments. We did not say, for example, that one is surrounded only by his perceptions. In fact, we started this discussion by asserting that there is a sense in which all of us are caught up in our circumstances. Nor do we say that each personal world is an island universe. The words 'personal' and 'private' are certainly not synonyms. I think the tree that falls in the primeval forest makes a bang just like any other tree. Moreover. we might sometimes, although at the moment cannot say how, take an interest in the noise that centuries ago nobody heard and eventually makes something scientifically important out of it.”

George Kelly (psychologist) (1905–1967) American psychologist and therapist

Source: The function of interpretation in psychotherapy. 1959, p. 6-7

World, Thinking, Sense, Tree

“As young people, we are surrounded by expectations that may have little to do with who we really are, expectations held by people who are not trying to discern our selfhood but to fit us into slots. In families, schools, workplaces, and religious communities, we are trained away from true self toward images of acceptability; under social pressures … our original shape is deformed beyond recognition; and we ourselves, driven by fear, too often betray true self to gain the approval of others.”

Parker Palmer (1939) American theologian

Let Your Life Speak: Listening for the Voice of Vocation (1999)

People, Fear, School, Family

“The fact is that Christian art failed at a deeper level. It failed not in execution but in conception and vision, and this failure was at bottom failure of Christian theology in which mysticism is rudimentary and peripheral. Christian theology has no concept of transcendence, non-attachment, recollectedness, equality (samatâ), liberation (moksha), the vast (bhûmâ) and the infinite (ananta), compassion (kurunâ), of cosmic action emanating from restfulness at the centre; therefore, it felt no call to try to convey them in its art-forms. A deeper iconography needed the support of a deeper theology and vision. This explains why Christian art has no equivalents of Far Eastern Buddhas and Bodhisattvas as Huxley notices. The Eastern tradition was shaped by Hindu religious thinking and sensibility. Hindu art tried to portray the inner man: the Man behind the man, the Eye behind the eye, the Seeing behind the seeing, man's inner prânika or life-currents, the nodal points in his subtle body where the individual meets the cosmic. It portrayed man's inner physiognomy. …. But they portrayed the external man; there was no portrayal of the inner man, the luminous man, the transcendental man.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

Life, Art, Failure, Support

“Public officers, whose character and conduct remain open to debate and free discussion in the press, find their remedies for false accusations in actions under libel laws providing for redress and punishment, and not in proceedings to restrain the publication of newspapers and periodicals. The general principle that the constitutional guaranty of the liberty of the press gives immunity from previous restraints has been approved in many decisions under the provisions of state constitutions. The importance of this immunity has not lessened. While reckless assaults upon public men, and efforts to bring obloquy upon those who are endeavoring faithfully to discharge official duties, exert a baleful influence and deserve the severest condemnation in public opinion, it cannot be said that this abuse is greater, and it is believed to be less, than that which characterized the period in which our institutions took shape. Meanwhile, the administration of government has become more complex, the opportunities for malfeasance and corruption have multiplied, crime has grown to most serious proportions, and the danger of its protection by unfaithful officials and of the impairment of the fundamental security of life and property by criminal alliances and official neglect, emphasizes the primary need of a vigilant and courageous press, especially in great cities. The fact that the liberty of the press may be abused by miscreant purveyors of scandal does not make any the less necessary the immunity of the press from previous restraint in dealing with official misconduct. Subsequent punishment for such abuses as may exist is the appropriate remedy consistent with constitutional privilege.”

Charles Evans Hughes (1862–1948) American judge

Near v. Minnesota, 283 U.S. 697 (1931).
Judicial opinions

Life, Men, Unfaithfulness, Law

“Did not Jupiter transforme himselfe into the shape of Amphitrio to embrace Alcmæna; into the form of a swan to enjoy Leda; into a Bull to beguile Io; into a showre of gold to win Danae?”

John Lyly book Euphues

Source: Euphues (Arber [1580]), P. 93. Compare: "Jupiter himself was turned into a satyr, a shepherd, a bull, a swan, a golden shower, and what not for love", Robert Burton, Anatomy of Melancholy, part iii, sec ii, mem. i, subs. 1.

“Through books you will meet poets and novelists whose creations will fire your imagination. You will meet the great thinkers who will share with you their philosophies, their concepts of the world, of humanity and of creation. You will learn about events that have shaped our history, of deeds both noble and ignoble. All of this knowledge is yours for the taking… Your library is a storehouse for mind and spirit. Use it well.”

Neil Armstrong (1930–2012) American astronaut; first person to walk on the moon

Letter to the children of Troy, Michigan on the opening of its Public Library (1971), in Why Libraries Matter: Letters to the Children of Troy, Michigan (From 1971) http://www.mentalfloss.com/blogs/archives/132316, by Lucas Reilly, Mental Floss (3 July 2012)

Books, World, Imagination, History

“Yet in a relatively short creative life of twenty years or so, Chopin redrew the boundaries of Romantic music, and his self-imposed restriction to the 88 keys of the piano keyboard sublimated nothing less than the aesthetic essence of piano music. It was his total identification with the instrument which, in its radical regeneration of the lyric and the dramatic, fantasy and passion and their unique fusion, shaped a tonal language which united an aristocratic sense of style and formal Classical training and intuition with an ascetic rigor. Chopin’s precisely marshaled trains of thought permitted no experiments, and so he did not ‘wander about’ within his stylistic points of reference as Scriabin was to do. Chopin’s works may seem light and improvisatory, but they are planned in meticulous details, exactly and well calculated.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Life, Music, Sense, Light

“Seeking an English equivalent for peinture relative, Fritz Glarner settled on the term 'relational painting' towards the end of 1946, which he applied retrospectively to some of his earlier paintings and all his subsequent works. It was a term that suited the kind of abstract painting he pursued, focused on relating geometric shapes and ground through colour in ways which would make shape and ground alternate to produce what he called 'pumping planes'. While acknowledging the influence of Piet Mondrian (1872-1944), with whom he was closely associated in New York, Glarner replaced the balancing of horizontality and verticality achieved in Mondrian's painting with interlocking rectangles and wedges that expand out towards the edges of the canvas.”

Dore Ashton (1928–2017) art critic

Dore Ashton, "Fritz Glarner," Art International, vol. 7, no. 1, January 1963, p.51; Republished in: National Gallery of Australia, ‎Michael Lloyd, ‎Michael Desmond (1992). European and American Paintings and Sculpturee 1870-1970 in the Australian National Gallery, p. 246

Way, Painting

“For me, the nude body is like a raw material.. another artist might use oil or clay. I love the fact that, en masse, it can be turned into an infinite number of shapes or abstractions, while the setting I choose.. rural, urban, indoors or out.. is like a canvas.”

Spencer Tunick (1967) American photographer

Over 1,700 men and women strip naked in square in Germany.. and not a sun lounger in sight, 2012

Love

“The contrary, literalist campaign within Christianity is actually quite recent. It developed among more or less extreme Protestants after the Reformation – largely indeed in the last century in the US. It was consciously designed as a competitor with science, providing equal certainty by comparable methods. It is thus a political phenomenon, acting in some ways like a cargo cult. It has enabled relatively poor and powerless people to use their Bibles (which the Protestant Reformers had provided) to shape a rival myth of their own. They see this as an alternative to the materialist glorification of science and technology which they have perceived – with some reason – as the oppressive creed of those in power.”

Mary Midgley (1919–2018) British philosopher and ethicist

"The Abuses of Science" (2010) http://www.theguardian.com/commentisfree/belief/2010/jun/12/science-darwin-newton-religion-atheism.

People, Way, Science

“The reviewer is aware… he has given an imperfect account of this remarkable book. That Klein's researches constitute a splendid advance in dynamics of the rotation of a rigid body there can be no question. One cannot but hope that the outline given in these Princeton lectures may soon be expanded and put in shape more easily assimilated by persons more moderately versed in the theory of elliptic functions.”

Carl Barus (1856–1935) U.S. physicist

"The Mathematical Theory of the Top" (April 8, 1898)

Books, Hope, Question, Personality

“The iPhone brand is in worse shape than I thought was even possible. And the implications of that are huge. … The iPhone is in deep trouble.”

Eric S. Raymond (1957) American computer programmer, author, and advocate for the open source movement

The Smartphone Wars: AT&T CEO reveals all http://esr.ibiblio.org/?p=2898 in Armed and Dangerous (27 January 2011)

“Time carries him as the river carries
A leaf in the downstream water.
No matter. The enchanted one insists
And shapes God with delicate geometry.
Since his illness, since his birth,
He goes on constructing God with the word.
The mightiest love was granted him
Love that does not expect to be loved.”

Baruch Spinoza (1632–1677) Dutch philosopher

Jorge Luis Borges, "Baruch Spinoza", as translated in Spinoza and Other Heretics, Vol. 1: The Marrano of Reason (1989) by Yirmiyahu Yovel
A - F

Love, God, Birth, Water

“Today every child knows what Merz is. But what is 'i'? I is the middle vowel of the alphabet and the designation for the consequence of Merz in relation to an intensive apprehension of the art form. For the shaping of the work of art Merz uses large ready-made complexes that count as material, to shorten as much as possible the path leading from the intuition to the actualization (Sichtbarmachung) of the artistic idea, so as to avoid heat loss through friction. i defines this path as o (i setzt diesen Weg = null). Idea, material, and work of art are the same. i apprehends the work of art in nature. Here the artistic shaping is the recognition of rhythm and expression in a part of nature. Thus, no loss through friction i. e., no disturbing distraction during creation occurs here.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: the article 'i ein Manifest' (or 'i-manifest'), Kurt Schwitters, in Merz 2. 1923; as quoted in Kurt Schwitters Merzbau: The Cathedral of Erotic Misery, by Elizabeth Burns Gamard, Princeton Architectural Press, New York, 2000, p. 116

Art, Idea, Nature, Loss

“What happens when our eye sees a rose? What do we do when that happens? Our mind does something, to be sure, in the mere fact of taking in the object, grasping its color, its shape, and so on. We have to be awake and active. But all the same, it is a "relaxed" looking, so long as we are merely looking at it and not observing or studying it, counting or measuring its various features. Such observation would not be a "relaxed" action; it would be what Ernst Jünger termed an "act of aggression." But simply looking at something, gazing at it, "taking it in," is merely to open our eyes to receive the things that present themselves to us, that come to us without any need for "effort" on our part to "possess" them.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, p. 9
The Ernst Jünger quote is from Blätter und Steine (Hamburg, 1934), p. 202.

Color, Effort, Study, Parting