Quotes about shade
page 3

Heidi Klum photo
Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

Gustavo Gutiérrez photo

“As we progress, various shades of meaning and deeper levels of understanding will complement this initial effort.”

Gustavo Gutiérrez (1928) Peruvian theologian

Part 1, Theology And Liberation, p. 1
A Theology of Liberation - 15th Anniversary Edition

“oh nothin, i was just buying some ear medication for my sick uncle… *LOWERS SHADES TO LOOK YOU DEAD IN THE EYE* who's a Model by the way”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/197502223226384387]
Tweets by year, 2012

Walter Scott photo

“The stag at eve had drunk his fill,
Where danced the moon on Monan's rill,
And deep his midnight lair had made
In lone Glenartney's hazel shade.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 1.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

June Vincent photo
John Keats photo
Persius photo

“Our life is our own to-day, to-morrow you will be dust, a shade, and a tale that is told. Live mindful of death; the hour flies.”
Nostrum est<br/>quod vivis, cinis et manes et fabula fies.<br/>vive memor leti, fugit hora.

Persius (34–62) ancient latin poet

Nostrum est
quod vivis, cinis et manes et fabula fies.
vive memor leti, fugit hora.
Satire V, line 151.
The Satires

Henry Adams photo
Godfrey Higgins photo
Zoran Đinđić photo
Charlotte Brontë photo

“Justice Antonin Scalia fundamentally changed the way the Supreme Court interpreted both statutes and the Constitution. In both contexts, his focus on text and its original public meaning often translated into more limited criminal prohibitions and broader constitutional protections for defendants. ‎As to statutes, Justice Scalia refocused the court’s attention on the text of the laws Congress enacted. Although he may not have succeeded in getting the court to forswear even looking at legislative history, he did persuade his colleagues to start — and very often end — the analysis with the text. In the criminal context, he limited terms like extortion and property to their common law core and found the residual clause of the Armed Career Criminal Act as unconstitutionally vague as “the phrase ‘fire-engine red, light pink, maroon, navy blue, or colors that otherwise involve shades of red.” When it came to interpreting the Constitution, he likewise put the text first and emphasized that the terms must be understood in light of their original public meaning. He believed that the words should be understood the way the framers used them. This did not mean that constitutional protections were frozen in time.”

In Scalia, criminal defendants have lost a great defender: Paul Clement https://www.usatoday.com/story/opinion/2016/02/19/scalia-funeral-constitution-defendants-jury-paul-clement-column/80575460/ (February 19, 2016)

Letitia Elizabeth Landon photo

“The moon is darkened in the sky
As if grief 's shade were passing by;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

Joseph Addison photo
Muhammad of Ghor photo

“When the afiairs of this tract was settled, the royal army marched, in the year 592 h., (1196 a. d.) "towards Galewar (Gwalior), and invested that fort, which is the pearl of the necklace of the castles of Hind, the summit of which the nimble-footed wind from below cannot reach, and on the bastion of which the rapid clouds have never cast their shade, and which the swift imagination has never surmounted, and at the height of which the celestial sphere is dazzled."…In compliance with the divine injunction of holy war, they drew out the bloodthirsty sword before the faces of the enemies of religion…Solankh Pal who had raised the standard of infidelity, and perdition, and prided himself on his countless army and elephants, and who expanded the fist^ of oppression from the hiding place of deceit, and who had lighted the flame of turbulence and rebellion, and who had fixed the root of sedition and enmity firm in his heart, and in the courtyard of whose breast the shrub of tyranny and commotion had shot forth its branches, when he saw the power and majesty of the army of Islam," he became alarmed and dispirited. " Wherever he looked, he saw the road of flight blocked up."”

Muhammad of Ghor (1160–1206) Ghurid Sultan

He therefore " sued for pardon, and placed the ring of servitude in his ear," and agreed to pay tribute...
About the capture of Gwalior. Hasan Nizami. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 227-228 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Bill Downs photo
Sufjan Stevens photo
James Callaghan photo

“For 338 paragraphs the Franks report painted a splendid picture, delineated the light and the shade, and the glowing colours in it, and when Franks got to paragraph 339 he got fed up with the canvas he was painting and chucked a bucket of whitewash over it.”

James Callaghan (1912–2005) Prime Minister of the United Kingdom; 1976-1979

Speech http://hansard.millbanksystems.com/commons/1983/jan/26/falkland-islands-franks-report in the House of Commons (26 January 1983) responding to the Franks Inquiry into intelligence before the Falklands War.
Post-Prime Ministerial

A. P. Herbert photo
John Ogilby photo

“Farewell, farewel, Night shades my Body o're,
Stretching my hands, t'embrace thee, thine no more.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Georgicks

Frederick Douglass photo
William Blake photo
Tom Stoppard photo
Anu Garg photo

“A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.”

Anu Garg (1967) Indian author

The Philomath Speaks An Interview with Anu Garg (Dec 15, 2009) http://www.nas.org/articles/The_Philomath_Speaks_An_Interview_with_Anu_Garg

Philip Schaff photo
Theodor Mommsen photo

“He accustomed the people to the fact that one man was the foremost in all things, and threw the lax and lame administration of the senatorial college into the shade by the vigour and dexterity of his personal rule. ]]”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

He knew neither the art of gaining his antagonists, nor that of keeping his own party in subjection
Vol. 3, Translated by W.P. Dickson.
On Gaius Marius
The History of Rome - Volume 3

Gerard Bilders photo

“Now one thing is annoying and no one can change this. It is that the days are so horribly short because of the dark weather. Sketching and [? ] is still possible to do, but to look closely and to reproduce subtle hues and shades would now be completely impossible. Especially in the Museum it is sometimes really dark.”

Gerard Bilders (1838–1865) painter from the Netherlands

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: ..Nu is er maar één ding, dat hinderlijk is en waar niemand iets aan veranderen kan, het is, dat de dagen zoo schrikkelijk kort zijn door het donkere weder. Voor aanleggen[?] en schetsen gaat het nog, maar fijne toonen en tinten te begluren en weder te geven zou nu eene onmogelijkheid zijn. Vooral op het Museum is het somtijds bijzonder duister.
Quote of Gerard Bilders, in a letter to his mecenas Johannes Kneppelhout, The Hague 19 Jan. 1857; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/512, in the RKD-Archive, The Hague
1850's

Julia Gillard photo
Dante Gabriel Rossetti photo
Alexander Pope photo

“What beck'ning ghost, along the moonlight shade
Invites my steps, and points to yonder glade?”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 1. Compare: "What gentle ghost, besprent with April dew, Hails me so solemnly to yonder yew?", Ben Jonson, Elegy on the Lady Jane Pawlet.

Carl Sagan photo
Arshile Gorky photo

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23

John Ogilby photo
Blake Ross photo

“I’m a firm believer in shades of gray.”

Blake Ross (1985) Software developer

Blog entry http://www.blakeross.com/2006/11/17/on-the-ucla-tasering/

Joseph Addison photo

“Great Pompey's shade complains that we are slow,
And Scipio's ghost walks unavenged amongst us!”

Act II, scene i.
Cato, A Tragedy (1713)

Richard Francis Burton photo

“What see we here? Forms, nothing more! Forms fill the brightest, strongest eye,
We know not substance; 'mid the shades shadows ourselves we live and die.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Paul Simon photo
Robert Charles Wilson photo
Aldous Huxley photo
Antoni Tàpies photo
Henry James photo

“If the artist is necessarily sensitive, does that sensitiveness form in its essence a state constantly liable to shade off into the morbid? Does this liability, moreover, increase in proportion as the effort is great and the ambition intense?”

Henry James (1843–1916) American novelist, short story author, and literary critic

"The Journal of the Brothers de Goncourt," Fortnightly Review (October 1888).

William Wordsworth photo

“Men are we, and must grieve when even the Shade
Of that which once was great, is passed away.”

William Wordsworth (1770–1850) English Romantic poet

On the Extinction of the Venetian Republic, l. 13 (1807).

David Brin photo
Charlotte Perkins Gilman photo
Edmund Waller photo

“In such green palaces the first kings reign'd,
Slept in their shades, and angels entertain'd;
With such old counsellors they did advise,
And by frequenting sacred groves grew wise.”

Edmund Waller (1606–1687) English poet and politician

On St. James's Park; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Muhammad photo
Oliver Goldsmith photo
Philip Freneau photo

“The hunter and the deer a shade.”

Philip Freneau (1752–1832) American poet, nationalist, polemicist, sea captain and newspaper editor

The Indian Burying-Ground. This line was appropriated by Thomas Campbell in O'Connor's Child.

Robert A. Heinlein photo
Henry Abbey photo

“Infernal Gods, who rule the Shades below,
Chaos and Phlegethon, ye Realms of Woe,
Grant what I've heard I may to light expose,
Secrets which Earth, and Night, and Hell inclose.”

Richard Maitland, 4th Earl of Lauderdale (1653–1695) Scottish Jacobite politician

The Works of Virgil, Translated Into English Verse (1709), Aeneid, Book VI, lines 328–331, p. 210

Alexander von Humboldt photo
Bal Gangadhar Tilak photo
Algis Budrys photo

“Once he’d been in his twenties, looking forward. Now he was a shade past fifty, and what he looked back on was subtly less satisfactory than what he had looked forward to.”

Algis Budrys (1931–2008) American writer

The Executioner, p. 122 (originally published in Astounding Science Fiction, January 1956)
The Unexpected Dimension (1960)

Walter Scott photo
Gerhard Richter photo
Torquato Tasso photo

“Fame, whose sweet voice whispers of phantom bliss
to you proud mortals, and who seems so fair,
is a mere echo, dream, dream lost in shade,
at every wind-puff scattered and unmade.”

Torquato Tasso (1544–1595) Italian poet

La fama che invaghisce a un dolce suono
Voi superbi mortali, e par si bella,
E un'ecco, un sogno, anzi del sogno un'ombra,
Ch'ad ogni vento si dilegua e sgombra.
Canto XIV, stanza 63 (tr. Wickert)
Gerusalemme Liberata (1581)

Jean Toomer photo

“And there, a field rat, startled, squealing bleeds,
His belly close to ground. I see the blade,
Blood-stained, continue cutting weeds and shade”

Jean Toomer (1894–1967) American poet and novelist

from "Reapers"
Poems from Cane (1923)

John Muir photo

“I wish I had space to write more of the surpassing beauty of this favorite spruce. … The deer love to lie down beneath its spreading branches; bright streams from the snow that is always near ripple through its groves, and bryanthus spreads precious carpets in its shade. But the best words only hint its charms. Come to the mountains and see.”

John Muir (1838–1914) Scottish-born American naturalist and author

[Concerning the Hemlock Spruce, now called Mountain Hemlock http://plants.usda.gov/java/profile?symbol=TSME:]
Source: 1890s, The Mountains of California (1894), chapter 8: The Forests

John Constable photo

“The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)

William Wordsworth photo
W. Somerset Maugham photo
Michel Seuphor photo

“In nature, light creates the color; in the picture, color creates light. Every color shade emanates a very characteristic light — no substitute is possible.”

Hans Hofmann (1880–1966) American artist

As quoted in Readings in American art, 1900 -1975 (1975) by Barbara Rose, p. 117
1970s and later
Variant: In nature, light creates the color. In the picture, color creates the light.

Arun Shourie photo

“The press is a ready example of their efforts, and of the skills they have acquired in this field. They have taken care to steer their members and sympathizers into journalism. And within journalism, they have paid attention to even marginal niches. Consider books. A book by one of them has but to reach a paper, and suggestions of names of persons who would be specially suitable for reviewing it follow. As I mentioned, the editor who demurs, and is inclined to send the book to a person of a different hue is made to feel guilty, to feel that he is deliberately ensuring a biased, negative review. That selecting a person from their list may be ensuring a biased acclamation is talked out. The pressures of prevailing opinion are such, and editors so eager to evade avoidable trouble, that they swiftly select one of the recommended names…
You have only to scan the books pages of newspapers and magazines over the past fifty years to see what a decisive effect even this simple stratagem has had. Their persons were in vital positions in the publishing houses: and so their kind of books were the ones that got published. They then reviewed, and prescribed each other’s books. On the basis of these publications and reviews they were able to get each other positions in universities and the like…. Even positions in institutions which most of us would not even suspect exist were put to intense use. How many among us would know of an agency of government which determines bulk purchases of books for government and other libraries. But they do! So that if you scan the kinds of books this organization has been ordering over the years, you will find them to be almost exclusively the shades of red and pink….
So, their books are selected for publication. They review each other’s books. Reputations are thereby built. Posts are thereby garnered. A new generation of students is weaned wearing the same pair of spectacles – and that means yet another generation of persons in the media, yet another generation of civil servants, of teachers in universities….”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Willa Cather photo
P.G. Wodehouse photo
Nathalia Crane photo

“Lo and behold! God made this
starry wold,
The maggot and the mold; lo and
behold!
He taught the grass contentment
blade by blade,
The sanctity of sameness in a shade.”

Nathalia Crane (1913–1998) American writer

Impromptu poem, made at the request of reporters, printed in "Markham v. Prodigy" http://jcgi.pathfinder.com/time/magazine/printout/0,8816,928761,00.html TIME magazine (23 November 1925)

Jane Austen photo
Muhammad photo
Machado de Assis photo

“Besides, I like epitaphs. Among civilized people they're an expression of that pious and secret selfishness that induces us to pull out of death a shred at least of the shade that has passed on.”

Machado de Assis (1839–1908) Brazilian writer

Gosto dos epitáfios; eles são, entre a gente civilizada, uma expressão daquele pio e secreto egoísmo que induz o homem a arrancar à morte um farrapo ao menos da sombra que passou.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 151, p. 196.

Stéphane Mallarmé photo
Truman Capote photo
Tom Lehrer photo

“The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.”

Hans Hofmann (1880–1966) American artist

Hofmann's quote in: 'Space pictorially realized through the intrinsic faculty of the colors to express volume' in New Paintings by Hans Hofmann (1951); also in Hans Hofmann (1998) by Helmut Friedel and Tina Dickey
1950s

Robert Chambers (publisher, born 1802) photo
Edgar Degas photo
Rihanna photo
John Dalberg-Acton, 1st Baron Acton photo
Paul Simon photo
Clive Staples Lewis photo
Hideki Tōjō photo

“It is natural that I should bear entire responsibility for the war in general, and, needless to say, I am prepared to do so. Consequently, now that the war has been lost, it is presumably necessary that I be judged so that the circumstances of the time can be clarified and the future peace of the world be assured. Therefore, with respect to my trial, it is my intention to speak frankly, according to my recollection, even though when the vanquished stands before the victor, who has over him the power of life and death, he may be apt to toady and flatter. I mean to pay considerable attention to this in my actions, and say to the end that what is true is true and what is false is false. To shade one's words in flattery to the point of untruthfulness would falsify the trial and do incalculable harm to the nation, and great care must be taken to avoid this.”

Hideki Tōjō (1884–1948) former Prime Minister of Japan and Minister of War executed in 1948

Written in his prison diary https://books.google.com/books?id=aynFAgAAQBAJ&pg=PA217&lpg=PA217&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=ov6_NlNuJx&sig=W_gAxNsPYqUMqh-FE1WF4CbCQ-8&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CDIQ6AEwAw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false, as quoted in The Imperial Japanese Army: The Invincible Years 1941–42 https://books.google.com/books?id=LTZfBAAAQBAJ&pg=PA337&lpg=PA337&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=wiF4ARAlht&sig=EjofLr6zBGo9YG4b0dBGjL91VB0&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CEIQ6AEwBw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false (2014), by Bill Yenne, Oxford, United Kingdom: Oxford Publishing, p. 337.
1940s

Edmund Waller photo

“To man, that was in th' evening made,
Stars gave the first delight;
Admiring, in the gloomy shade,
Those little drops of light.”

Edmund Waller (1606–1687) English poet and politician

An Apology for Having Loved Before (1664).
Poetical Works of Edmund Waller and Sir John Denham (1857)

Francis Parkman photo
Billy Joel photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo

“Ah! love and song are but a dream,
A flower's faint shade on life's dark stream.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

All from The Vow of the Peacock (Title Poem - Introduction)
The Vow of the Peacock (1835)

Ogden Rood photo

“Economic problems have no sharp edges. They shade off imperceptibly into politics, sociology, and ethics. Indeed, it is hardly an exaggeration to say that the ultimate answer to every economic problem lies in some other field.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1940s, The Economics of Peace, 1945, p. 252, quoted in Leonard Silk (1976) The Economists. New York: Basic Books. p. 208

Octavio Paz photo
Marco Girolamo Vida photo

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”

Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Frances Kellor photo