
Quoted by Brantley Bardin for Life in 2007 http://www.life.com/Life/article/0,26385,1224195,00.html.
Quoted by Brantley Bardin for Life in 2007 http://www.life.com/Life/article/0,26385,1224195,00.html.
Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2
Part 1, Theology And Liberation, p. 1
A Theology of Liberation - 15th Anniversary Edition
[ Link to tweet https://twitter.com/dril/status/197502223226384387]
Tweets by year, 2012
Canto I, stanza 1.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)
“Our life is our own to-day, to-morrow you will be dust, a shade, and a tale that is told. Live mindful of death; the hour flies.”
Nostrum est<br/>quod vivis, cinis et manes et fabula fies.<br/>vive memor leti, fugit hora.
Nostrum est
quod vivis, cinis et manes et fabula fies.
vive memor leti, fugit hora.
Satire V, line 151.
The Satires
The Education of Henry Adams (1907)
"Of Wasps and WASPs", p. 161
The Flamingo's Smile (1985)
In Scalia, criminal defendants have lost a great defender: Paul Clement https://www.usatoday.com/story/opinion/2016/02/19/scalia-funeral-constitution-defendants-jury-paul-clement-column/80575460/ (February 19, 2016)
“The moon is darkened in the sky
As if grief 's shade were passing by;”
The London Literary Gazette, 1823
Source: Gormenghast (1950), Chapter 1, section 1 (p. 399; opening words)
No. 465, Ode (23 August 1712).
The Spectator (1711–1714)
He therefore " sued for pardon, and placed the ring of servitude in his ear," and agreed to pay tribute...
About the capture of Gwalior. Hasan Nizami. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 227-228 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
"Casimir Pulaski Day"
Lyrics, Illinois (2005)
Source: Knowing Our Place in the Animal World, p. 75
Speech http://hansard.millbanksystems.com/commons/1983/jan/26/falkland-islands-franks-report in the House of Commons (26 January 1983) responding to the Franks Inquiry into intelligence before the Falklands War.
Post-Prime Ministerial
“Farewell, farewel, Night shades my Body o're,
Stretching my hands, t'embrace thee, thine no more.”
The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Georgicks
1860s, Our Composite Nationality (1869)
The Philomath Speaks An Interview with Anu Garg (Dec 15, 2009) http://www.nas.org/articles/The_Philomath_Speaks_An_Interview_with_Anu_Garg
He knew neither the art of gaining his antagonists, nor that of keeping his own party in subjection
Vol. 3, Translated by W.P. Dickson.
On Gaius Marius
The History of Rome - Volume 3
translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: ..Nu is er maar één ding, dat hinderlijk is en waar niemand iets aan veranderen kan, het is, dat de dagen zoo schrikkelijk kort zijn door het donkere weder. Voor aanleggen[?] en schetsen gaat het nog, maar fijne toonen en tinten te begluren en weder te geven zou nu eene onmogelijkheid zijn. Vooral op het Museum is het somtijds bijzonder duister.
Quote of Gerard Bilders, in a letter to his mecenas Johannes Kneppelhout, The Hague 19 Jan. 1857; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/512, in the RKD-Archive, The Hague
1850's
Resignation Press Conference after leadership ballot
"Australia's Prime Minister Julia Gillard Defeated In Shock Leadership Challenge by Kevin Rudd" http://www.huffingtonpost.co.uk/2013/06/26/australia-julia-gillard-defeated-leadership-contest_n_3501448.html?utm_hp_ref=uk, in Huffington Post, 26 June 2013
“What beck'ning ghost, along the moonlight shade
Invites my steps, and points to yonder glade?”
Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 1. Compare: "What gentle ghost, besprent with April dew, Hails me so solemnly to yonder yew?", Ben Jonson, Elegy on the Lady Jane Pawlet.
Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 11
Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23
“I’m a firm believer in shades of gray.”
Blog entry http://www.blakeross.com/2006/11/17/on-the-ucla-tasering/
“Great Pompey's shade complains that we are slow,
And Scipio's ghost walks unavenged amongst us!”
Act II, scene i.
Cato, A Tragedy (1713)
The Kasîdah of Hâjî Abdû El-Yezdî (1870)
A Hazy Shade of Winter
Song lyrics, Bookends (1968)
In 'Celebració de la mel', Antoni Tàpies, in La peinture et le vide, Fundació Antoni Tàpies, Barcelona, 1993, p. 41 –46
1991 - 2000
"The Journal of the Brothers de Goncourt," Fortnightly Review (October 1888).
“Men are we, and must grieve when even the Shade
Of that which once was great, is passed away.”
On the Extinction of the Venetian Republic, l. 13 (1807).
On St. James's Park; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Riyad as Saliheen 486 https://bewley.virtualave.net/riyad3.html|
Sunni Hadith
“The hawthorn bush, with seats beneath the shade,
For talking age and whispering lovers made.”
Source: The Deserted Village (1770), Line 13.
“The hunter and the deer a shade.”
The Indian Burying-Ground. This line was appropriated by Thomas Campbell in O'Connor's Child.
The Works of Virgil, Translated Into English Verse (1709), Aeneid, Book VI, lines 328–331, p. 210
Equinoctial Regions of America (1814-1829)
Tilak, quoted in Law in the Scientific Era by M. Hidayatullah
The Executioner, p. 122 (originally published in Astounding Science Fiction, January 1956)
The Unexpected Dimension (1960)
"The Ghost of Protagoras", p. 67
An Urchin in the Storm (1987)
Peninsular War (1810), Vol. ii, Book xi, Chap. iii.
Richter's quote from the catalog of a group exhibition in 'Palais des Beaux-Arts', Brussels, 1974
1970's
La fama che invaghisce a un dolce suono
Voi superbi mortali, e par si bella,
E un'ecco, un sogno, anzi del sogno un'ombra,
Ch'ad ogni vento si dilegua e sgombra.
Canto XIV, stanza 63 (tr. Wickert)
Gerusalemme Liberata (1581)
[Concerning the Hemlock Spruce, now called Mountain Hemlock http://plants.usda.gov/java/profile?symbol=TSME:]
Source: 1890s, The Mountains of California (1894), chapter 8: The Forests
Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)
"The judgement seat", p. 314
Short Stories, Collected short stories 1
Source: Abstract Painting (1964), pp. 43/44: (1962)
As quoted in Readings in American art, 1900 -1975 (1975) by Barbara Rose, p. 117
1970s and later
Variant: In nature, light creates the color. In the picture, color creates the light.
Eminent Historians: Their Technology, Their Line, Their Fraud
Impromptu poem, made at the request of reporters, printed in "Markham v. Prodigy" http://jcgi.pathfinder.com/time/magazine/printout/0,8816,928761,00.html TIME magazine (23 November 1925)
Letter to Cassandra (1801-05-21) [Letters of Jane Austen -- Brabourne Edition]
Letters
on the Day of Judgement
Jami’ul Akhbar, Page 78
Shi'ite Hadith
Gosto dos epitáfios; eles são, entre a gente civilizada, uma expressão daquele pio e secreto egoísmo que induz o homem a arrancar à morte um farrapo ao menos da sombra que passou.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 151, p. 196.
"Lobachevsky"
Songs by Tom Lehrer (1953)
Hofmann's quote in: 'Space pictorially realized through the intrinsic faculty of the colors to express volume' in New Paintings by Hans Hofmann (1951); also in Hans Hofmann (1998) by Helmut Friedel and Tina Dickey
1950s
quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875
The History of Freedom in Antiquity (1877)
Written in his prison diary https://books.google.com/books?id=aynFAgAAQBAJ&pg=PA217&lpg=PA217&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=ov6_NlNuJx&sig=W_gAxNsPYqUMqh-FE1WF4CbCQ-8&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CDIQ6AEwAw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false, as quoted in The Imperial Japanese Army: The Invincible Years 1941–42 https://books.google.com/books?id=LTZfBAAAQBAJ&pg=PA337&lpg=PA337&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=wiF4ARAlht&sig=EjofLr6zBGo9YG4b0dBGjL91VB0&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CEIQ6AEwBw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false (2014), by Bill Yenne, Oxford, United Kingdom: Oxford Publishing, p. 337.
1940s
An Apology for Having Loved Before (1664).
Poetical Works of Edmund Waller and Sir John Denham (1857)
Introduction
Pioneers of France in the New World (1865)
Shades of Grey.
Song lyrics, River of Dreams (1993)
The London Literary Gazette, 1833-1835
Asters, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 45.
Source: Chinh phụ ngâm, Lines 61–64
“Ah! love and song are but a dream,
A flower's faint shade on life's dark stream.”
All from The Vow of the Peacock (Title Poem - Introduction)
The Vow of the Peacock (1835)
Students' Text-book of Color; Or, Modern Chromatics, with Applications to Art and Industry. New York: D. Appleton and Company. 1881.
Source: 1940s, The Economics of Peace, 1945, p. 252, quoted in Leonard Silk (1976) The Economists. New York: Basic Books. p. 208
Between Going and Staying
“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”
Jam vero cum rem propones, nomine nunquam
Prodere conveniet manifesto: semper opertis
Indiciis, longe et verborum ambage petita
Significant, umbraque obducunt: inde tamen, ceu
Sublustri e nebula, rerum tralucet imago
Clarius, et certis datur omnia cernere signis.
Hinc si dura mihi passus dicendus Ulysses,
Non ilium vero memorabo nomine, sed qui
Et mores hominum multorum vidit et urbes
Naufragus, eversae post saeva incendia Trojae,
Addam alia, angustis complectens omnia dictis.
Book II, line 40
De Arte Poetica (1527)