Quotes about shade
page 3

“In Germany—and this started with a newspaper headline — they call us “the Patchwork Family.” I was, like, Hmm, is this an insult or is this positive? I talked to Seal about it, and we’re, like, it’s actually kind of great — we’re all different shades and we came together and we all love each other. They may call it black and white, but I’m not white, I’m a shade of brown and so is our daughter, Leni. She’s the lightest, then it’s me, then it’s our son, and then it’s Seal. So I think, Hey, it’s actually kind of nice to have a 'patchwork family.'”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Quoted by Brantley Bardin for Life in 2007 http://www.life.com/Life/article/0,26385,1224195,00.html.

Love, Family, Thinking, Daughters

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

People, Communication, Idea, Birthday

“As we progress, various shades of meaning and deeper levels of understanding will complement this initial effort.”

Gustavo Gutiérrez (1928) Peruvian theologian

Part 1, Theology And Liberation, p. 1
A Theology of Liberation - 15th Anniversary Edition

Understanding, Effort

“oh nothin, i was just buying some ear medication for my sick uncle… *LOWERS SHADES TO LOOK YOU DEAD IN THE EYE* who's a Model by the way”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/197502223226384387] Tweets by year, 2012

Way, Dead

“The stag at eve had drunk his fill,
Where danced the moon on Monan's rill,
And deep his midnight lair had made
In lone Glenartney's hazel shade.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 1. The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Dance

“Off screen, I was friends with people I was nasty to in pictures. Judy Canova and I were friends. There’s a terrific line in ‘WAC From Walla Walla’ where she’s trying to pick out a shade of lipstick. I walk by and say ‘window shade.’ [Laughs] Judy played the star bit to the hilt! She had an entourage that followed her around. One woman held an umbrella over Judy’s head to keep the sun off her.”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

People, Star, Sun

“The poetical character… is not itself — it has no self — it is every thing and nothing — It has no character — it enjoys light and shade; it lives in gusto, be it fair or foul, high or low, rich or poor, mean or elevated. — It has as much delight in conceiving an Iago as an Imogen. What shocks the virtuous philospher, delights the camelion poet.”

John Keats Letter to Richard Woodhouse

Letter to Richard Woodhouse (October 27, 1818)
Letters (1817–1820)

Light

“Our life is our own to-day, to-morrow you will be dust, a shade, and a tale that is told. Live mindful of death; the hour flies.”
Nostrum est quod vivis, cinis et manes et fabula fies. vive memor leti, fugit hora.

Persius (34–62) ancient latin poet

Nostrum est
quod vivis, cinis et manes et fabula fies.
vive memor leti, fugit hora.
Satire V, line 151.
The Satires

Life, Death

“…in his case it went further and became indifference to social distinction. Never once in forty years of intimacy did his son notice in him a trace of snobbishness. He was one of the exceedingly small number of Americans to whom an English duke or duchess seemed to be indifferent, and royalty itself nothing more than a slightly inconvenient presence. This was, it is true, rather the tone of English society in his time, but Americans were largely responsible for changing it, and Mr. Adams had every possible reason for affecting the manner of a courtier even if he did not feel the sentiment. Never did his son see him flatter or vilify, or show a sign of envy or jealousy; never a shade of vanity or self-conceit. Never a tone of arrogance! Never a gesture of pride!”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Jealousy, Feeling, Change, Time

“We have seen that though Cristna was said to have left many sons, he left his immense empire, which extended from the sources of the Indus to Cape Comorin, (for we find a Regio Pandionis near this point,) to his daughter Pandæa; but, from finding the icon of Buddha so constantly shaded with the nine Cobras, &c., I am induced to think that this Pandeism was a doctrine, which had been received both by Buddhists and Brahmins.”

Godfrey Higgins book Anacalypsis

Vol. I., p. 439.
Anacalypsis (published 1833)

Thinking, Daughters

“We are still in the position of those who cut the forest and planted some seedlings, and now are surprised that there is no shade. Do I worry that there is no shade? I do. Am I working on making the trees grow? I am, but it cannot grow in one year.”

Zoran Đinđić (1952–2003) Serbian politician

Večernje novosti, 30.12.2002.

Tree

“All these relics gave… Thornfield Hall the aspect of a home of the past: a shrine to memory. I liked the hush, the gloom, the quaintness of these retreats in the day; but I by no means coveted a night's repose on one of those wide and heavy beds: shut in, some of them, with doors of oak; shaded, others, with wrought old-English hangings crusted with thick work, portraying effigies of strange flowers, and stranger birds, and strangest human beings, — all which would have looked strange, indeed, by the pallid gleam of moonlight.”

Charlotte Brontë book Jane Eyre

Jane (Ch. 11)
Jane Eyre (1847)

Home, Flowers, Bird, Memory

“Antiessentialist thinking forces us to view the world differently. We must accept shadings and continua as fundamental. We lose criteria for judgment by comparison to some ideal: short people, retarded people, people of other beliefs, colors, and religions are people of full status.”

Stephen Jay Gould book The Flamingo's Smile

"Of Wasps and WASPs", p. 161
The Flamingo's Smile (1985)

People, World, Religion, Color

“Justice Antonin Scalia fundamentally changed the way the Supreme Court interpreted both statutes and the Constitution. In both contexts, his focus on text and its original public meaning often translated into more limited criminal prohibitions and broader constitutional protections for defendants. ‎As to statutes, Justice Scalia refocused the court’s attention on the text of the laws Congress enacted. Although he may not have succeeded in getting the court to forswear even looking at legislative history, he did persuade his colleagues to start — and very often end — the analysis with the text. In the criminal context, he limited terms like extortion and property to their common law core and found the residual clause of the Armed Career Criminal Act as unconstitutionally vague as “the phrase ‘fire-engine red, light pink, maroon, navy blue, or colors that otherwise involve shades of red.” When it came to interpreting the Constitution, he likewise put the text first and emphasized that the terms must be understood in light of their original public meaning. He believed that the words should be understood the way the framers used them. This did not mean that constitutional protections were frozen in time.”

Paul Clement (lawyer)

In Scalia, criminal defendants have lost a great defender: Paul Clement https://www.usatoday.com/story/opinion/2016/02/19/scalia-funeral-constitution-defendants-jury-paul-clement-column/80575460/ (February 19, 2016)

Justice, Law, Color, Way

“The moon is darkened in the sky
As if grief 's shade were passing by;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

“Titus is seven. His confines, Gormenghast. Suckled on shadows; weaned, as it were, on webs of ritual: for his ears, echoes, for his eyes, a labyrinth of stone: and yet within his body something other – other than this umbrageous legacy. For first and ever foremost he is child.
A ritual, more compelling than ever devised, is fighting anchored darkness. A ritual of the blood; of the jumping blood. These quicks of sentience owe nothing to his forebears, but to those feckless hosts, a trillion deep, of the globe’s childhood.
The gift of the bright blood. Of blood that laughs when the tenets mutter ‘Weep’. Of blood that mourns when the sere laws croak ‘Rejoice!’ O little revolution in great shades!”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 1, section 1 (p. 399; opening words)

Law, Fight, Childhood

“Soon as the evening shades prevail,
The moon takes up the wondrous tale,
And nightly to the listening earth
Repeats the story of her birth;
While all the stars that round her burn,
And all the planets in their turn,
Confirm the tidings as they roll,
And spread the truth from pole to pole.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 465, Ode (23 August 1712).
The Spectator (1711–1714)

Truth, Star, Birth

“When the afiairs of this tract was settled, the royal army marched, in the year 592 h., (1196 a. d.) "towards Galewar (Gwalior), and invested that fort, which is the pearl of the necklace of the castles of Hind, the summit of which the nimble-footed wind from below cannot reach, and on the bastion of which the rapid clouds have never cast their shade, and which the swift imagination has never surmounted, and at the height of which the celestial sphere is dazzled."…In compliance with the divine injunction of holy war, they drew out the bloodthirsty sword before the faces of the enemies of religion…Solankh Pal who had raised the standard of infidelity, and perdition, and prided himself on his countless army and elephants, and who expanded the fist^ of oppression from the hiding place of deceit, and who had lighted the flame of turbulence and rebellion, and who had fixed the root of sedition and enmity firm in his heart, and in the courtyard of whose breast the shrub of tyranny and commotion had shot forth its branches, when he saw the power and majesty of the army of Islam," he became alarmed and dispirited. " Wherever he looked, he saw the road of flight blocked up."”

Muhammad of Ghor (1160–1206) Ghurid Sultan

He therefore " sued for pardon, and placed the ring of servitude in his ear," and agreed to pay tribute...
About the capture of Gwalior. Hasan Nizami. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 227-228 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

War, Religion, Imagination, Light

“The United States State Department will tell you that American aid is given to preserve the things for which we stand, to promote the basic freedoms of mankind, not necessarily to promote individual governments. That is our justification for sending help to a Greek government that, for a time at least, could by no means be called democratic. In the case of Britain, the nation is marching on the road towards Socialism. But the ingrained liberty and freedom of the individual has been proved by men like Churchill who still speak out against the government and by the men like the transport workers and miners who tell the government which they voted for to go to blazes. And between these fires, the British government--no matter what its political shadings--has the job of getting the country back on its feet.”

Bill Downs (1914–1978) American journalist

The British Crisis (1948)

Men, Freedom, Time, Help

“In the morning when you finally go
And the nurse runs in with her head hung low,
And the cardinal hits the window.
In the morning in the winter shade,
On the first of March, on the holiday,
I thought I saw you breathing.”

Sufjan Stevens (1975) American singer-songwriter and multi-instrumentalist

"Casimir Pulaski Day"
Lyrics, Illinois (2005)

Winter, Holiday

“Hume describes (E, 235) as a “fancied monster” a man who has “no manner of concern to his fellow-creatures but to regard the happiness and misery of all sensible beings with greater indifference than even two contiguous shades of the same color” (ibid.). To limit one's concern to those sensible beings who are of one's own species is to be part-monster, but such monsters, alas, are not merely fancied ones.”

Annette Baier (1929–2012) New Zealand philosopher

Source: Knowing Our Place in the Animal World, p. 75

Color, Parting, Indifference, Happiness

“For 338 paragraphs the Franks report painted a splendid picture, delineated the light and the shade, and the glowing colours in it, and when Franks got to paragraph 339 he got fed up with the canvas he was painting and chucked a bucket of whitewash over it.”

James Callaghan (1912–2005) Prime Minister of the United Kingdom; 1976-1979

Speech http://hansard.millbanksystems.com/commons/1983/jan/26/falkland-islands-franks-report in the House of Commons (26 January 1983) responding to the Franks Inquiry into intelligence before the Falklands War. Post-Prime Ministerial

Light, Painting

“It is like the thirteenth stroke of a crazy clock, which not only is itself discredited but casts a shade of doubt over all previous assertions.”

A. P. Herbert book Uncommon Law

"Is It a Free Country?"
Uncommon Law (1935)

“Farewell, farewel, Night shades my Body o're,
Stretching my hands, t'embrace thee, thine no more.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Georgicks

Night

“We have for a long time hesitated to adopt and carry out the only principle which can solve that difficulty and give peace, strength and security to the republic, and that is the principle of absolute equality. We are a country of all extremes, ends and opposites. The most conspicuous example of composite nationality in the world. Our people defy all the ethnological and logical classifications. In races we range all the way from black to white, with intermediate shades which, as in the apocalyptic vision, no man can name or number.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

People, World, Peace, Way

“I'll shade him from the heat till he can bear
To lean in joy upon our Father's knee;
And then I'll stand and stroke his silver hair,
And be like him and he will then love me.”

William Blake The Little Black Boy

The Little Black Boy, st. 7
1780s, Songs of Innocence (1789–1790)

Love, Joy

“Their coarseness is the sinew of some kind of brute confidence which is the reason England is home to every shade of political exile. They don't give asylum out of respect for asylum-seekers, but out of respect for themselves. They invented personal liberty, and they know it, and they did it without having any theories about it. They value liberty because it's liberty.”

Tom Stoppard (1937) British playwright

Herzen
The Coast of Utopia: Salvage (2002)

Home, Confidence, Personality

“A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.”

Anu Garg (1967) Indian author

The Philomath Speaks An Interview with Anu Garg (Dec 15, 2009) http://www.nas.org/articles/The_Philomath_Speaks_An_Interview_with_Anu_Garg

Color, Help, Painting

“Earlier Versions. Luther was not the first, but by far the greatest translator of the German Bible, and is as inseparably connected with it as Jerome is with the Latin Vulgate. He threw the older translation into the shade and out of use, and has not been surpassed or even equaled by a successor. There are more accurate versions for scholars (as those of De Wette and Weizsäcker), but none that can rival Luther's for popular authority and use.
The civilization of the barbarians in the dark ages began with the introduction of Christianity, and the translation of such portions of the Scriptures as were needed in public worship.
The Gothic Bishop Wulfila or Wölflein (i. e., Little Wolf) in the fourth century translated nearly the whole Bible from the Greek into the Gothic dialect. It is the earliest monument of Teutonic literature, and the basis of comparative Teutonic philology.”

Philip Schaff (1819–1893) American Calvinist theologian

Ulfilas's Gothic translation

Age, Literature, Wolf

“He accustomed the people to the fact that one man was the foremost in all things, and threw the lax and lame administration of the senatorial college into the shade by the vigour and dexterity of his personal rule. ]]”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

He knew neither the art of gaining his antagonists, nor that of keeping his own party in subjection
Vol. 3, Translated by W.P. Dickson.
On Gaius Marius
The History of Rome - Volume 3

People, Personality

“Now one thing is annoying and no one can change this. It is that the days are so horribly short because of the dark weather. Sketching and [? ] is still possible to do, but to look closely and to reproduce subtle hues and shades would now be completely impossible. Especially in the Museum it is sometimes really dark.”

Gerard Bilders (1838–1865) painter from the Netherlands

translation from the Dutch original: Fons Heijnsbroek version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: ..Nu is er maar één ding, dat hinderlijk is en waar niemand iets aan veranderen kan, het is, dat de dagen zoo schrikkelijk kort zijn door het donkere weder. Voor aanleggen[?] en schetsen gaat het nog, maar fijne toonen en tinten te begluren en weder te geven zou nu eene onmogelijkheid zijn. Vooral op het Museum is het somtijds bijzonder duister. Quote of Gerard Bilders, in a letter to his mecenas Johannes Kneppelhout, The Hague 19 Jan. 1857; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/512, in the RKD-Archive, The Hague 1850's

Change, Weather

“There's been a lot of analysis about the so-called gender wars... me playing the so-called gender card because heavens knows no-one noticed I was a woman until I raised it, but against that background, I do want to say about all of these issues, the reaction to being the first female Prime Minister does not explain everything about my Prime Ministership, nor does it explain nothing about my Prime Ministership. I've been a little bit bemused by those colleagues in the newspaper who have admitted that I have suffered more pressure as a result of my gender than other Prime Ministers in the past but then concluded that it had zero effect on my political position or the political position of the Labor Party. It doesn't explain everything... it explains some things. And it is for the nation to think in a sophisticated way about those shades of grey. What I am absolutely confident of is it will be easier for the next woman and the woman after that and the woman after that - and I'm proud of that.”

Julia Gillard (1961) Australian politician and lawyer, 27th Prime Minister of Australia

Resignation Press Conference after leadership ballot "Australia's Prime Minister Julia Gillard Defeated In Shock Leadership Challenge by Kevin Rudd" http://www.huffingtonpost.co.uk/2013/06/26/australia-julia-gillard-defeated-leadership-contest_n_3501448.html?utm_hp_ref=uk, in Huffington Post, 26 June 2013

War, Way, Confidence, Thinking

“And Love, our light at night and shade at noon,
Lulls us to rest with songs, and turns away
All shafts of shelterless tumultuous day.”

Dante Gabriel Rossetti The House of Life

Heart's Haven.
The House of Life (1870—1881)

Love, Light, Night

“What beck'ning ghost, along the moonlight shade
Invites my steps, and points to yonder glade?”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 1. Compare: "What gentle ghost, besprent with April dew, Hails me so solemnly to yonder yew?", Ben Jonson, Elegy on the Lady Jane Pawlet.

“Ann Druyan suggests an experiment: Look back again at the pale blue dot of the preceding chapter. Take a good long look at it. Stare at the dot for any length of time and then try to convince yourself that God created the whole Universe for one of the 10 million or so species of life that inhabit that speck of dust. Now take it a step further: Imagine that everything was made just for a single shade of that species, or gender, or ethnic or religious subdivision. If this doesn't strike you as unlikely, pick another dot. Imagine it to be inhabited by a different form of intelligent life. They, too, cherish the notion of a God who has created everything for their benefit. How seriously do you take their claim?”

Carl Sagan book Pale Blue Dot

Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 11

Life, God, Imagination, Intelligence

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23

Women, People, Spring, Tear

“These Heaven decrees, and ever-fixed Fate.
But say, blest prophet, and the truth relate;
I see my mother's shade, who not her son
Will speak to, nor so much as look upon:
Silent she sits by sacred blood: ah, how
May she, poor shadow! her dear offspring know?”

John Ogilby (1600–1676) Scottish academic

Book X
Homer His Odysses Translated (1665)

Fate, Truth

“I’m a firm believer in shades of gray.”

Blake Ross (1985) Software developer

Blog entry http://www.blakeross.com/2006/11/17/on-the-ucla-tasering/

“Great Pompey's shade complains that we are slow,
And Scipio's ghost walks unavenged amongst us!”

Joseph Addison book Cato

Act II, scene i.
Cato, A Tragedy (1713)

“What see we here? Forms, nothing more! Forms fill the brightest, strongest eye,
We know not substance; 'mid the shades shadows ourselves we live and die.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

“Time, time, time, see what's become of me,
While I looked around for my possibilities,
I was so hard to please,
But look around, the leaves are brown,
And the sky is a hazy shade of winter.”

Paul Simon (1941) American musician, songwriter and producer

A Hazy Shade of Winter
Song lyrics, Bookends (1968)

Winter, Time

“He was as alone as he had ever been, frighteningly alone, in a borderless land of shaded forests and rocky, abyssal gorges. But that was all right. He didn’t much mind being alone. It was what happened when people were around that worried him.”

Robert Charles Wilson book Darwinia

Source: Darwinia (1998), Chapter 24 (p. 195)

People

“How significant is the enormous heightening, under mescalin, of the perception of color! … Man's highly developed color sense is a biological luxury—inestimably precious to him as an intellectual and spiritual being, but unnecessary to his survival as an animal. … Mescalin raises all colors to a higher power and makes the percipient aware of innumerable fine shades of difference, to which, at ordinary times, he is completely blind. It would seem that, for Mind at Large, the so-called secondary characters of things are primary.”

Aldous Huxley book The Doors of Perception

describing his experiment with mescaline, pp. 26-27
The Doors of Perception (1954)

Color, Sense, Time, Animals

“Metaphors of space have always been introduced into painting, the play of fullness and emptiness, volumes, surfaces, light and shade... And, in recent painting, in particular, the notion of 'emptiness' has assumed great significance... This interest in emptiness, in nothingness, is found in many disciplines, in particular in an important sector of modern philosophy. We know, for example, that the philosophers such as Heidegger or Sartre have, at a given moment, made nothingness the center of their thought…”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

In 'Celebració de la mel', Antoni Tàpies, in La peinture et le vide, Fundació Antoni Tàpies, Barcelona, 1993, p. 41 –46
1991 - 2000

Light, Painting

“If the artist is necessarily sensitive, does that sensitiveness form in its essence a state constantly liable to shade off into the morbid? Does this liability, moreover, increase in proportion as the effort is great and the ambition intense?”

Henry James (1843–1916) American novelist, short story author, and literary critic

"The Journal of the Brothers de Goncourt," Fortnightly Review (October 1888).

Effort

“Men are we, and must grieve when even the Shade
Of that which once was great, is passed away.”

William Wordsworth (1770–1850) English Romantic poet

On the Extinction of the Venetian Republic, l. 13 (1807).

Men

“He read about humanity’s age-old racial struggles. Had it really been less than half a millennium since humans contrived gigantic, fatuous lies about each other simply because of pigment shades, and killed millions because they believed their own lies?”

David Brin book Startide Rising

Source: Startide Rising (1983), Chapter 81 (p. 364)

Age, Reading

“This wallpaper has a kind of sub-pattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then.”

Charlotte Perkins Gilman book The Yellow Wall Paper

The Yellow Wallpaper (1891)

Light

“In such green palaces the first kings reign'd,
Slept in their shades, and angels entertain'd;
With such old counsellors they did advise,
And by frequenting sacred groves grew wise.”

Edmund Waller (1606–1687) English poet and politician

On St. James's Park; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Angels

“'Abdullah ibn Mas'ud said, "The Messenger of Allah, may Allah bless him and grant him peace, slept on a straw mat and when he got up he had a mark on his side. We said, "Messenger of Allah, we could make a covering for you?" He said, "What have I to do with this world? I am only in this world like a rider who seeks shade under a tree and then goes on."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyad as Saliheen 486 https://bewley.virtualave.net/riyad3.html| Sunni Hadith

World, Peace, Tree

“The hawthorn bush, with seats beneath the shade,
For talking age and whispering lovers made.”

Oliver Goldsmith The Deserted Village

Source: The Deserted Village (1770), Line 13.

Age, Lovers

“The hunter and the deer a shade.”

Philip Freneau (1752–1832) American poet, nationalist, polemicist, sea captain and newspaper editor

The Indian Burying-Ground. This line was appropriated by Thomas Campbell in O'Connor's Child.

“Just now I’m writing a series of oh-so-respectful articles about the private life of the Prophet and his acolytes and attending priests, how many servants they have, how much it costs to run the Palace, all about the fancy ceremonies and rituals, and such junk. All of it perfectly true, of course, and told with unctuous approval. But I lay it on a shade too thick. The emphasis is on the jewels and the solid gold trappings and how much it all costs, and I keep telling the yokels what a privilege it is for them to be permitted to pay for such frippery and how flattered they should feel that God’s representative on earth lets them take care of him.”

Robert A. Heinlein book If This Goes On

If This Goes On— (p. 426)
Short fiction, The Past Through Tomorrow (1967)

Life, God, Feeling

“What do we plant when we plant a tree?
A thousand things that we daily see,
We plant the spire that out-towers the crag,
We plant the staff for our country's flag;
We plant the shade from the hot sun free,
We plant all these when we plant the tree.”

Henry Abbey What do we plant when we plant a tree?

What do we plant when we plant a tree?

Tree, Sun, Country

“Infernal Gods, who rule the Shades below,
Chaos and Phlegethon, ye Realms of Woe,
Grant what I've heard I may to light expose,
Secrets which Earth, and Night, and Hell inclose.”

Richard Maitland, 4th Earl of Lauderdale (1653–1695) Scottish Jacobite politician

The Works of Virgil, Translated Into English Verse (1709), Aeneid, Book VI, lines 328–331, p. 210

God, Secret, Hell, Light

“Devoted from my earliest youth to the study of nature, feeling with enthusiasm the wild beauties of a country guarded by mountains and shaded by ancient forests, I experienced in my travels, enjoyments which have amply compensated for the privations inseparable from a laborious and often agitated life.”

Alexander von Humboldt (1769–1859) Prussian geographer, naturalist and explorer

Equinoctial Regions of America (1814-1829)

Life, Youth, Beauty, Travel

“It has been said, gentlemen, by some that we Hindus have yielded too much to our Mohammedan brethern. I am sure I represent the sense of the Hindu community all over India when I say that we could not have yielded too much. I would not care if the rights of selfgovernment are granted to the Mohammedan community only…. When we have to fight against a third party — it is a very important thing that we stand on this platform united, united in race, united in religion, united as regards all different shades of political creed.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

Tilak, quoted in Law in the Scientific Era by M. Hidayatullah

Religion, Communication, Sense, Fight

“Once he’d been in his twenties, looking forward. Now he was a shade past fifty, and what he looked back on was subtly less satisfactory than what he had looked forward to.”

Algis Budrys (1931–2008) American writer

The Executioner, p. 122 (originally published in Astounding Science Fiction, January 1956)
The Unexpected Dimension (1960)

Past

“When Bonner writes that “natural selection for optimal feeding is then presumed to be the cause of non-motility in all forms,” I can't help suspecting that some plants might do even better if they could walk from shade to sun—but the inherited constraints of design never permitted a trial of this intriguing option.”

Stephen Jay Gould book An Urchin in the Storm

"The Ghost of Protagoras", p. 67
An Urchin in the Storm (1987)

Optimism, Nature, Sun, Help

“O, Woman! in our hours of ease,
Uncertain, coy, and hard to please,
And variable as the shade
By the light quivering aspen made;
When pain and anguish wring the brow,
A ministering angel thou!”

Walter Scott Marmion

Canto VI, st. 30.
Marmion (1808)

Pain, Angels, Light

“Napoleon’s troops fought in bright fields, where every helmet caught some gleams of glory; but the British soldier conquered under the cool shade of aristocracy. No honours awaited his daring, no despatch gave his name to the applauses of his countrymen; his life of danger and hardship was uncheered by hope, his death unnoticed.”

William Francis Patrick Napier (1785–1860) Irish soldier in the British Army and military historian

Peninsular War (1810), Vol. ii, Book xi, Chap. iii.

Life, Death, Hope

“1,024 Colours in 4 Permutations'
In order to represent all extant colour shades in one painting, I worked out a system which – starting from the three primaries, plus grey – made possible a continual subdivision (differentiation) through equal gradations. 4 x 4 = 16 x 4 = 64 x 4 = 256 x 4 = 1,024. The multiplier 4 was necessary because I wanted to keep the image size, the square size and the number of squares in a constant proportion to each other. To use more than 1,024 tones (4,096, for instance) seemed pointless, since the difference between one shade and the next would no longer have been detectable.
The arrangement of the colours on the squares was done by a random process, to obtain a diffuse, undifferentiated overall effect, combined with stimulating detail. The rigid grid precludes the generation of figurations, although with an effort these can be detected. This aspect of artificial naturalism fascinates me – as does the fact that, if I had painted all the possible permutations, light would have taken more than 400 billion years to travel from the first painting to the last. I wanted to paint four large, colourful pictures.”

Gerhard Richter (1932) German visual artist, born 1932

Richter's quote from the catalog of a group exhibition in 'Palais des Beaux-Arts', Brussels, 1974
1970's

Travel, Nature, Effort, Light

“Fame, whose sweet voice whispers of phantom bliss
to you proud mortals, and who seems so fair,
is a mere echo, dream, dream lost in shade,
at every wind-puff scattered and unmade.”

Torquato Tasso (1544–1595) Italian poet

La fama che invaghisce a un dolce suono
Voi superbi mortali, e par si bella,
E un'ecco, un sogno, anzi del sogno un'ombra,
Ch'ad ogni vento si dilegua e sgombra.
Canto XIV, stanza 63 (tr. Wickert)
Gerusalemme Liberata (1581)

Dreams

“And there, a field rat, startled, squealing bleeds,
His belly close to ground. I see the blade,
Blood-stained, continue cutting weeds and shade”

Jean Toomer (1894–1967) American poet and novelist

from "Reapers"
Poems from Cane (1923)

“I wish I had space to write more of the surpassing beauty of this favorite spruce. … The deer love to lie down beneath its spreading branches; bright streams from the snow that is always near ripple through its groves, and bryanthus spreads precious carpets in its shade. But the best words only hint its charms. Come to the mountains and see.”

John Muir (1838–1914) Scottish-born American naturalist and author

[Concerning the Hemlock Spruce, now called Mountain Hemlock http://plants.usda.gov/java/profile?symbol=TSME:] Source: 1890s, The Mountains of California (1894), chapter 8: The Forests

Love, Lie, Beauty, Mountain

“The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)

Sun, Country

“Behold, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.”

William Wordsworth The Sparrow's Nest

The Sparrow's Nest, st. 1 (1801).

Chance

“[…] the Eternal turned his attention to the three shades who stood humbly and yet hopefully before him. The quick, with so short a time to live, when they talk of themselves, talk too much; but the dead, with eternity before them, are so verbose that only angels could listen to them with civility.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

"The judgement seat", p. 314
Short Stories, Collected short stories 1

Angels, Time, Dead

“As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations… for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship… (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness. It is the same in the cases of Mondrian, Kandinsky and the Cubists: abstraction and figuration have a common frontier in their work that is so tenuous that we often do not know which side we are on. It is this ambiguity that imports a rare poetic charm to their paintings. Artists like Klee, Miro and Dubuffet have also pitched their tents on this borderline and constantly travel from one side tot the other.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), pp. 43/44: (1962)

Friendship, Secret, Travel, Feeling

“In nature, light creates the color; in the picture, color creates light. Every color shade emanates a very characteristic light — no substitute is possible.”

Hans Hofmann (1880–1966) American artist

As quoted in Readings in American art, 1900 -1975 (1975) by Barbara Rose, p. 117
1970s and later
Variant: In nature, light creates the color. In the picture, color creates the light.

Color, Nature, Light

“The press is a ready example of their efforts, and of the skills they have acquired in this field. They have taken care to steer their members and sympathizers into journalism. And within journalism, they have paid attention to even marginal niches. Consider books. A book by one of them has but to reach a paper, and suggestions of names of persons who would be specially suitable for reviewing it follow. As I mentioned, the editor who demurs, and is inclined to send the book to a person of a different hue is made to feel guilty, to feel that he is deliberately ensuring a biased, negative review. That selecting a person from their list may be ensuring a biased acclamation is talked out. The pressures of prevailing opinion are such, and editors so eager to evade avoidable trouble, that they swiftly select one of the recommended names…
You have only to scan the books pages of newspapers and magazines over the past fifty years to see what a decisive effect even this simple stratagem has had. Their persons were in vital positions in the publishing houses: and so their kind of books were the ones that got published. They then reviewed, and prescribed each other’s books. On the basis of these publications and reviews they were able to get each other positions in universities and the like…. Even positions in institutions which most of us would not even suspect exist were put to intense use. How many among us would know of an agency of government which determines bulk purchases of books for government and other libraries. But they do! So that if you scan the kinds of books this organization has been ordering over the years, you will find them to be almost exclusively the shades of red and pink….
So, their books are selected for publication. They review each other’s books. Reputations are thereby built. Posts are thereby garnered. A new generation of students is weaned wearing the same pair of spectacles – and that means yet another generation of persons in the media, yet another generation of civil servants, of teachers in universities….”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Books, Feeling, Decision, Effort

“One realizes that human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them. In those simple relationships of loving husband and wife, affectionate sisters, children and grandmother, there are innumerable shades of sweetness and anguish which make up the pattern of our lives day by day, though they are not down in the list of subjects from which the conventional novelist works.”

Willa Cather (1873–1947) American writer and novelist

Katherine Mansfield (1925)

Love, Life, Children, Sister

“Don't you like this hat?‘
‘No, sir.‘
‘Well, I do,‘ I replied rather cleverly, and went out with it tilted just that merest shade over the left eye which makes all the difference.”

P.G. Wodehouse book Stiff Upper Lip, Jeeves

Stiff Upper Lip, Jeeves (1963)

“Lo and behold! God made this
starry wold,
The maggot and the mold; lo and
behold!
He taught the grass contentment
blade by blade,
The sanctity of sameness in a shade.”

Nathalia Crane (1913–1998) American writer

Impromptu poem, made at the request of reporters, printed in "Markham v. Prodigy" http://jcgi.pathfinder.com/time/magazine/printout/0,8816,928761,00.html TIME magazine (23 November 1925)

God, Grass

“It would have amused you to see our progress. We went up by Sion Hill, and returned across the fields. In climbing a hill Mrs. Chamberlayne is very capital; I could with difficulty keep pace with her, yet would not flinch for the world. On plain ground I was quite her equal. And so we posted away under a fine hot sun, she without any parasol or any shade to her hat, stopping for nothing, and crossing the churchyard at Weston with as much expedition as if we were afraid of being buried alive.”

Jane Austen (1775–1817) English novelist

Letter to Cassandra (1801-05-21) [Letters of Jane Austen -- Brabourne Edition]
Letters

World, Sun

“If you want ease and success in this world, the death of a martyr, to be saved on the Day of Loss, a shade on the Day of the burning Qiyamat, and guidance on the Day of going astray, then take lessons from the Qur’an. Surely it is the word of the Merciful, a protection from the Satan, and one of the most weightiest of things for the scale of (good) deeds”

Muhammad (570–632) Arabian religious leader and the founder of Islam

on the Day of Judgement
Jami’ul Akhbar, Page 78
Shi'ite Hadith

Death, World, Loss, Success

“Besides, I like epitaphs. Among civilized people they're an expression of that pious and secret selfishness that induces us to pull out of death a shred at least of the shade that has passed on.”

Machado de Assis (1839–1908) Brazilian writer

Gosto dos epitáfios; eles são, entre a gente civilizada, uma expressão daquele pio e secreto egoísmo que induz o homem a arrancar à morte um farrapo ao menos da sombra que passou.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 151, p. 196.

Death, People, Secret, Selfishness

“I, proud of my rumour, for long I will talk
Of goddesses; and by picturings idolatrous,
From their shades unloose yet more of their girdles:
So when of grapes the clearness I've sucked,
To banish regret by my ruse disavowed,
Laughing, I lift the empty bunch to the sky,
Blowing into its luminous skins and athirst
To be drunk, till the evening I keep looking through.
Oh nymphs, we diverse MEMORIES refill.”

Stéphane Mallarmé (1842–1898) French Symbolist poet

The Afternoon of a Faun (1876)

Memory

“Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.”

Truman Capote (1924–1984) American author

From a 1957 interview
Truman Capote: Conversations (1987)

Law, Music, Light, Learning

“I am never forget the day I first meet the great Lobachevsky.
In one word he told me secret of success in mathematics: Plagiarize!
Plagiarize,
Let no one else's work evade your eyes,
Remember why the good Lord made your eyes,
So don't shade your eyes,
But plagiarize, plagiarize, plagiarize…
Only be sure always to call it please "research."”

Tom Lehrer (1928) American singer-songwriter and mathematician

"Lobachevsky"
Songs by Tom Lehrer (1953)

Secret, Mathematics, Success, Forgetting

“The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.”

Hans Hofmann (1880–1966) American artist

Hofmann's quote in: 'Space pictorially realized through the intrinsic faculty of the colors to express volume' in New Paintings by Hans Hofmann (1951); also in Hans Hofmann (1998) by Helmut Friedel and Tina Dickey
1950s

Color, Light

“There are nations, such as the inhabitants of Hindostan, known to be one in descent which nevertheless, contain groups of people of almost all shades of color, and likewise discrepant in other of those important features on which much stress has been laid.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 278-279

People, Color

“villas with columns in different styles [in Louisiana, America] painted white, in gardens of magnolias, orange trees, banana trees, negroes in old clothes like characters from La Belle Jardiniere.... rosy white children in black [negro] arms.... a brilliant light which streams my eyes.... the Negresses of all shades, holding in their arms little white babies, so white, against white houses with columns of fluted wood and in gardens of orange trees.”

Edgar Degas (1834–1917) French artist

quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

Children, Quotes, Tree, Light

“I was a little confused as a kid because I grew up with my mom, and my mom is black. So, I was cultured in a very 'black' way. But when I go to school, I'm getting called 'white.' They would look at me, and they would curse me out. I didn't understand. I just knew I saw people of all different shades, and I was light. Now, I'm in a much bigger world.”

Rihanna (1988) Barbadian singer, songwriter, and actress

Allure magazine, January 2008.

People, World, School, Way

“The conflict between liberty under divine authority and the absolutism of human authorities ended disastrously. …In the very year 586 [BCE], in which the flood of Asiatic despotism closed over the city which had been, and was destined again to be, the sanctuary of freedom in the East, a new home was prepared for it in the West, where, guarded by the sea and the mountains, and by valiant hearts, that stately plant was reared under whose shade we dwell, and which is extending its invincible arms so slowly and yet so surely over the civilised world.”

John Dalberg-Acton, 1st Baron Acton (1834–1902) British politician and historian

The History of Freedom in Antiquity (1877)

World, Home, Mountain, Freedom

“Tonight I'll sing my songs again,
I'll play the game and pretend.
But all my words come back to me in shades of mediocrity
Like emptiness in harmony I need someone to comfort me.”

Paul Simon (1941) American musician, songwriter and producer

Song lyrics, Parsley (1966)

Game, Singing

“The human imagination has seldom had before it an object so sublimely ordered as the medieval cosmos. If it has an aesthetic fault, it is perhaps, for us who have known romanticism, a shade too ordered. For all its vast spaces it might in the end afflict us with a kind of claustrophobia. Is there nowhere any vagueness? No undiscovered by-ways? No twilight? Can we never really get out of doors?”

Clive Staples Lewis book The Discarded Image

The Discarded Image: An Introduction to Medieval and Renaissance Literature (1964)

Way, Imagination, Affliction

“It is natural that I should bear entire responsibility for the war in general, and, needless to say, I am prepared to do so. Consequently, now that the war has been lost, it is presumably necessary that I be judged so that the circumstances of the time can be clarified and the future peace of the world be assured. Therefore, with respect to my trial, it is my intention to speak frankly, according to my recollection, even though when the vanquished stands before the victor, who has over him the power of life and death, he may be apt to toady and flatter. I mean to pay considerable attention to this in my actions, and say to the end that what is true is true and what is false is false. To shade one's words in flattery to the point of untruthfulness would falsify the trial and do incalculable harm to the nation, and great care must be taken to avoid this.”

Hideki Tōjō (1884–1948) former Prime Minister of Japan and Minister of War executed in 1948

Written in his prison diary https://books.google.com/books?id=aynFAgAAQBAJ&pg=PA217&lpg=PA217&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=ov6_NlNuJx&sig=W_gAxNsPYqUMqh-FE1WF4CbCQ-8&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CDIQ6AEwAw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false, as quoted in The Imperial Japanese Army: The Invincible Years 1941–42 https://books.google.com/books?id=LTZfBAAAQBAJ&pg=PA337&lpg=PA337&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=wiF4ARAlht&sig=EjofLr6zBGo9YG4b0dBGjL91VB0&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CEIQ6AEwBw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false (2014), by Bill Yenne, Oxford, United Kingdom: Oxford Publishing, p. 337. 1940s

Life, Death, War, World

“To man, that was in th' evening made,
Stars gave the first delight;
Admiring, in the gloomy shade,
Those little drops of light.”

Edmund Waller (1606–1687) English poet and politician

An Apology for Having Loved Before (1664).
Poetical Works of Edmund Waller and Sir John Denham (1857)

Star, Light