Quotes about shade
page 2

Karen Marie Moning photo
P.G. Wodehouse photo
Christopher Golden photo
Edith Wharton photo

“Silence may be as variously shaded as speech.”

Edith Wharton (1862–1937) American novelist, short story writer, designer
Sylvia Plath photo
Paul Laurence Dunbar photo

“.. we wear the mask that grins and lies,
it hides our cheeks and shades our eyes-
this debt we pay to human guile;
with torn and bleeding hearts we smile.”

We Wear The Mask, in the 1913 collection of his work, The Complete Poems of Paul Laurence Dunbar.
Context: We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

Khushwant Singh photo
Jodi Picoult photo
Neal Shusterman photo
W.S. Merwin photo
Steven Pressfield photo
Karen Marie Moning photo
Edouard Manet photo

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

“The Latmian hunter rests in the summer shade, fit lover for a goddess, and soon the Moon comes with veiled horns.”
Latmius aestiva residet venator in umbra dignus amore deae, velatis cornibus et iam Luna venit.

Source: Argonautica, Book VIII, Lines 28–30

Daniel Kahneman photo
Berthe Morisot photo
Thomas Campbell photo

“The hunter and the deer a shade.”

Thomas Campbell (1777–1844) British writer

O'Connor's Child, Stanza 5
Bartlett's Familiar Quotations, 10th ed. (1919)

John Ogilby photo
James Allen photo
William James photo

“The difference between the first- and second-best things in art absolutely seems to escape verbal definition — it is a matter of a hair, a shade, an inward quiver of some kind — yet what miles away in the point of preciousness!”

William James (1842–1910) American philosopher, psychologist, and pragmatist

To Henry Rutgers Marshall (7 February 1899)
1920s, The Letters of William James (1920)

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Sorley MacLean photo
Apuleius photo

“Behold me, Lucius; moved by thy prayers, I appear to thee; I, who am Nature, the parent of all things, the mistress of all the elements, the primordial offspring of time, the supreme among Divinities, the queen of departed spirits, the first of the celestials, and the uniform manifestation of the Gods and Goddesses; who govern by my nod the luminous heights of heaven, the salubrious breezes of the ocean, and the anguished silent realms of the shades below: whose one sole divinity the whole orb of the earth venerates under a manifold form, with different rites, and under a variety of appellations.”
En adsum tuis commota, Luci, precibus, rerum naturae parens, elementorum omnium domina, saeculorum progenies initialis, summa numinum, regina manium, prima caelitum, deorum dearumque facies uniformis, quae caeli luminosa culmina, maris salubria flamina, inferum deplorata silentia nutibus meis dispenso: cuius numen unicum multiformi specie, ritu vario, nomine multiiugo totus veneratus orbis.

Bk. 11, ch. 5; p. 226.
Metamorphoses (The Golden Ass)

Percy Bysshe Shelley photo
Charles Taze Russell photo
Alfred Horsley Hinton photo

“… to put it into slightly different form, it is not the facts in nature that the good picture aims at portraying, but the effects of light and shade accompanied by a pleasing arrangement.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 34

Edward Young photo
Thomas Hood photo
Christopher Pitt photo
Walter Savage Landor photo

“Stand close around, ye Stygian set,
with Dirce in the boat conveyed,
Lest Charon, seeing her, forget,
That he is old and she a shade.”

Walter Savage Landor (1775–1864) British writer

Epitaph on Dirce - George Orwell called it 'one of the best epitaphs in English - If I were a woman it would be my favourite epitaph-it would be the one I should like to have for myself." - quoted in Orwell:Collected Works, It is What I Think, p. 45.

John Ogilby photo

“None can Protect themselves with their own Shade.
None for themselves are born.”

John Ogilby (1600–1676) Scottish academic

Fab. XLVII: Of the Rebellion of the Hands and Feet
The Fables of Aesop (2nd ed. 1668)

Thomas Moore photo

“As half in shade and half in sun
This world along its path advances,
May that side the sun's upon
Be all that e'er shall meet thy glances!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Peace be around Thee.
Bartlett's Familiar Quotations, 10th ed. (1919)

Roger Bacon photo

“I use the example of the rainbow and of the phenomena connected with it, of which sort are the circle around the sun and the stars, likewise the rod lying at the side of the sun or of a star which appears to the eye in a straight line… called the rod by Seneca, and the circle is called the corona, which often has the colors of the rainbow. But neither Aristotle nor Avicenna, in their Natural Histories, has given us knowledge of things of this sort, nor has Seneca, who composed a special book on them. But Experimental Science makes certain of them. [The experimenter] considers rowers and he finds the same colors in the falling drops dripping from the raised oars when the solar rays penetrate drops of this sort. It is the same with waters falling from the wheels of a mill; and when a man sees the drops of dew in summer of a morning lying on the grass in the meadow or the field, he will see the colors. And in the same way when it rains, if he stands in a shady place and if the rays beyond it pass through dripping moisture, then the colors will appear in the shadow nearby; and very frequently of a night colors appear around the wax candle. Moreover, if a man in summer, when he rises from sleep and while his eyes are yet only partly opened, looks suddenly toward an aperture through which a ray of the sun enters, he will see colors. And if, while seated beyond the sun, he extend his hat before his eyes, he will see colors; and in the same way if he closes his eye, the same thing happens under the shade of the eyebrow; and again, the same phenomenon occurs through a glass vessel filled with water, placed in the rays of the sun. Or similarly if any one holding water in his mouth sprinkles it vigorously into the rays and stands to the side of the rays; and if rays in the proper position pass through an oil lamp hanging in the air, so that the light falls on the surface of the oil, colors will be produced. And so in an infinite number of ways, as well natural as artificial, colors of this sort appear, as the careful experimenter is able to discover.”

6th part Experimental Science, Ch.2 Tr. Richard McKeon, Selections from Medieval Philosophers Vol.2 Roger Bacon to William of Ockham
Opus Majus, c. 1267

Constantine P. Cavafy photo

“One candle is enough. Its gentle light
will be more suitable, will be more gracious
when the Shades arrive, the Shades of Love.”

Constantine P. Cavafy (1863–1933) Greek poet

To Call Up the Shades http://www.cavafy.com/poems/content.asp?id=17&cat=1
Collected Poems (1992)

Victor Villaseñor photo

“It was from this day on that I began to notice a real difference between our vaqueros on the ranch from Mexico and the gringo cowboys. The American cowboys always seemed so ready to act rough and tough, wanting to “break” the horse, cow, or goat or anything else. Where, on the other hand, our vaqueros—who used the word “amanzar,” meaning to make “tame,” for dealing with horses—had a whole different attitude towards everything. To “break” a horse, for the cowboys, actually, really meant to take a green, untrained horse and rope him, knock him down, saddle him while he fought to get loose, then mount him as he got up on all four legs, and ride the living hell out of the horse until you tired him out, taught him who was boss, and “broke” his spirit. To “amanzar” a horse, on the other hand, was a whole other approach that took weeks of grooming, petting, and leading the green horse around in the afternoon with a couple of well-trained horses. Then, after about a month, you began to put a saddle on the horse and tie him up in shade in the afternoon for a couple of hours until, finally, the saddle felt like just a natural part of him. Then, and only then, did a person finally mount the horse, petting and sweet-talking him the whole time, and once more the green horse was taken on a walk between two well-trained horses.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Christopher Pitt photo
Roy Lichtenstein photo
Simone de Beauvoir photo
Henry Temple, 3rd Viscount Palmerston photo

“If I wished to convince an impartial Englishman of the policy of abolishing these [anti-Catholic] laws, I should bid him repair to the south of Ireland; to mix with the Catholic gentry; to converse with the Catholic peasantry…to see what a fierce and unsocial spirit bad laws engender, and how impossible it is to degrade a people, without at the same time demoralizing them too. But if this should fail to convince him…I should then tell him to go among the Protestants of the north. There he would see how noble and generous natures may be corrupted by the possession of undue and inordinate ascendancy; there he would see men, naturally kind and benevolent, brought up from their earliest infancy to hate the great majority of their countrymen, with all the bitterness which neighbourhood and consanguinity infuse into quarrels; and not satisfied with the disputes of the days in which they live, raking up the ashes of the dead for food to their angry passions; summoning the shades of departed centuries, to give a keener venom to the contests of the present age.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech in the House of Commons (18 March 1829) in favour of Catholic Emancipation, quoted in George Henry Francis, Opinions and Policy of the Right Honourable Viscount Palmerston, G.C.B., M.P., &c. as Minister, Diplomatist, and Statesman, During More Than Forty Years of Public Life (London: Colburn and Co., 1852), p. 98.
1820s

George Gordon Byron photo
Francisco de Sá de Miranda photo

“The sun is high — the birds oppress'd with heat
Fly to the shade, until refreshing airs
Lure them again to leave their cool retreat. —
The falls of water but of wearying cares”

Francisco de Sá de Miranda (1491) Portuguese poet

The sun is high — the birds oppress'd with heat, translated by John Adamson in Lusitania Illustrata, Vol. I, 1842

Letitia Elizabeth Landon photo
John Dryden photo
Robert Southey photo

“It runs through the reeds,
And away it proceeds,
Through meadow and glade,
In sun and in shade,
And through the wood-shelter,
Among crags in its flurry,
Helter-skelter,
Hurry-skurry.”

Robert Southey (1774–1843) British poet

St. 2.
The Cataract of Lodore http://www.cs.rice.edu/~ssiyer/minstrels/poems/652.html (1820)

Richard Dawkins photo

“Some states, e. g. "pregnant", are all-or-none, no intermediates. But sexual abuse has shades of grey, from violent buggery to mild touching.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

https://twitter.com/RichardDawkins/status/282850316377014272
Twitter

Hermann Rauschning photo
Letitia Elizabeth Landon photo
Rand Paul photo
Wallace Stevens photo
John Constable photo

“There is nothing ugly; I never saw an ugly thing in my life: for let the form of an object be what it may, — light, shade, and perspective will always make it beautiful.”

John Constable (1776–1837) English Romantic painter

Quoted in C.R. Leslie, Memoirs of the Life of John Constable, Composed Chiefly of His Letters (1843), (Phaidon, London, 1951), p. 280
Reply "to a lady who, looking at an engraving of a house, called it an ugly thing"
posthumous, undated

William Ernest Henley photo
Steven Erikson photo
Letitia Elizabeth Landon photo
Modest Mussorgsky photo
Muhammad photo

“Allah's Apostle said, "Know that Paradise is under the shades of swords."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Narrated 'Abdullah bin Abi Aufa, in Bukhari, Volume 4, Book 52, Number 73
Sunni Hadith

Charles Symmons photo

“Yet have I lived!—and lived for noble ends!
My shade in glory to the shades descends.”

Charles Symmons (1749–1826) Welsh poet

Book IV, lines 878–879
The Æneis (1817)

Émile Durkheim photo
John Quincy Adams photo

“This hand, to tyrants ever sworn the foe,
For Freedom only deals the deadly blow;
Then sheathes in calm repose the vengeful blade,
For gentle peace in Freedom’s hallowed shade.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Written in an Album (1842)l compare: "Manus haec inimica tyrannis / Ense petit placidam sub libertate quietem", Algernon Sidney, From the Life and Memoirs of Algernon Sidney.

Federico García Lorca photo

“The wounds were burning like suns
at five in the afternoon,
and the crowd broke the windows
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!”

Las heridas quemaban como soles
a las cinco de la tarde,
y el gentío rompía las ventanas
a las cinco de la tarde.
A las cinco de la tarde.
¡Ay qué terribles cinco de la tarde!
¡Eran las cinco en todos los relojes!
¡Eran las cinco en sombra de la tarde!
Llanto por Ignacio Sanchez Mejias (1935)

Luigi Russolo photo
Letitia Elizabeth Landon photo

“Where had thy life been at this hour,
Had not my Love been more than my Power? —
Away, if thou fearest, — love never must,
Never can live with one shade of distrust.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1825-2) Antony and Cleopatra. An Anecdote from Plutarch
The Monthly Magazine

Letitia Elizabeth Landon photo

“It was a beautiful embodied thought,
A dream of the fine painter, one of those
That pass by moonlight o'er the soul, and flit
'Mid the dim shades of twilight, when the eye
Grows tearful with its ecstasy.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1st June 1822) Poetic Sketches. Second Series - Sketch the Fifth. Mr. Martin’s Picture of Clytie
8th June 1822) The Deserter see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Alain photo
Thomas Tickell photo

“Nor e'er was to the bowers of bliss conveyed
A fairer spirit or more welcome shade.”

Thomas Tickell (1685–1740) English poet and man of letters

On the Death of Mr. Addison (1721), line 45.

Barend Cornelis Koekkoek photo

“.. on the banks of a very picturesque mountain stream that pours out its crystalline water in four or five waterfalls into the Dussel brook... Oh, in this cave, at this crystal flood, I often felt myself so well! Sensations frequently welled up in my bosom at this blessed place that ennoble the soul and make pour out joyful tombs; [they] give the heart impressions that neither greatness or honor can steal from us. An indomitable longing came to me, to learn more and more about these enchanting shades of beautiful and holy nature, and to transfer them on the canvas with my brush.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) ..aan den oever van eenen hoogst schilderachtigen bergstroom die zijn kristallijnen vocht door vier of vijf watervalletjes in de Dusselbeek uitstort.. .Oh, in deze grot, bij dezen kristallen vloed, gevoelde ik mij dikwijls zo wel! Gewaarwordingen, die den ziel veredelen, vreugdentranen uit het oog doen vloeijen, het hart indrukken geven, die grootheid noch eer ons kunnen ontvreemden, welden vaak in dit zalige oord in mijn boezem op. Een ontembare zucht greep mij aan, om die tooverachtige schakeringen der schoone en heilige natuur meer en meer te leren kennen, en die door mijn penseel op het doek over te brengen.
he frequently visited this location along the Düssel stream, as Koekoek's quote illustrates
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 37-38

Mark Knopfler photo
Brad Paisley photo

“All you really need this time of year
Is a pair of shades
And ice cold beer.
And a place to sit somewhere near
Water.”

Brad Paisley (1972) American country music singer

Water, written by Brad Paisley, Chris DuBois, and Kelley Lovelace.
Song lyrics, American Saturday Night (2009)

Tom McCarthy (writer) photo
Theodor Mommsen photo
John Clare photo
Tanith Lee photo
Letitia Elizabeth Landon photo
Ossip Zadkine photo
Sorley MacLean photo

“My obsession was the preservation of the Gaelic language so that there would be people left in the world who could hear its great songs as they really were. No poetry could be translated, still less could song poetry, and the great language of Gaelic song made me fanatical about the beauty of the Gaelic language and its astonishing ability to indicate shades and positions of emphasis with natural inversions and the use of particles.”

Sorley MacLean (1911–1996) Scottish poet

Sorley MacLean, 1982, quoted in Krause, Corinna. Eadar Dà Chànan: Self-Translation, the Bilingual Edition and Modern Scottish Gaelic Poetry https://www.era.lib.ed.ac.uk/bitstream/handle/1842/3453/Krause2007.pdf?sequence=1&isAllowed=y
Letters and interviews

Diogenes Laërtius photo

“Bion used to say that the way to the shades below was easy; he could go there with his eyes shut.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Bion, 3.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 4: The Academy

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Ludovico Ariosto photo

“For hopeless love is but a dream and shade.”

Che l'amar senza speme è sogno e ciancia.
Canto XXV, stanza 49 (tr. W. S. Rose)
Orlando Furioso (1532)

Ann Eliza Bleecker photo
Tommy Franks photo
Letitia Elizabeth Landon photo
Christopher Pitt photo

“Infernal gods, who rule the shades below,
Chaos and Phlegethon, the realms of woe;
Grant what I've heard I may to light expose,
Secrets which earth, and night, and hell inclose!”

Christopher Pitt (1699–1748) English poet

Richard Maitland, 4th Earl of Lauderdale, The Works of Virgil, Translated Into English Verse (1709), Aeneid, Book VI, lines 328–331, p. 210
Misattributed

Van Morrison photo
Christopher Pitt photo
John Keats photo
Franz Marc photo

“In war we are all equal, but among a thousand good men, a bullet hit an irreplaceable one... We painters know well that with the loss of his harmony [ of August Macke ], the color in German art will become many shades paler..”

Franz Marc (1880–1916) German painter

Quote of Franz Marc, in exhibition-text 'Die Blaue Reiter', Gemeentemuseum the Hague, Netherlands 2010
c. 1914/15, on the death of his close friend August Macke, who fell in the first months of World War 1.
1915 - 1916

Frederick Douglass photo
Paul von Hindenburg photo