Quotes about rose
page 7

Alexander Mackenzie photo
Charles Darwin photo

“Praying is another way of singing.
You plant in the tree the soul of lemons.
You plant in the gardens the spirit of roses.”

Dannie Abse (1923–2014) Welsh poet and physician

Poem Song for Dov Shamir in: Dannie Abse (1963), Dannie Abse, p. 8

Thomas Moore photo

“No, the heart that has truly lov'd never forgets,
But as truly loves on to the close;
As the sunflower turns on her god when he sets
The same look which she turn'd when he rose.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Believe me, if all those endearing young Charms.
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: No, the heart that has truly lov'd never forgets,
But as truly loves on to the close;
As the sunflower turns on her god when he sets
The same look which she turn'd when he rose.

Frederick Douglass photo
Aleksey Mozgovoy photo

“[Criticizing the authorities of Lugansk People's Republic]: All who rose up here - rose up for the justice and supremacy of the PEOPLE! In the end, both sides got the same - murder.”

Aleksey Mozgovoy (1975–2015) pro-Russian rebel and warlord in Eastern Ukraine

In Russian: Все, кто поднимался здесь – поднимался за справедливость и главенство НАРОДА! В итоге, что одна, что другая сторона, получили одно – убийство.

Robert Graves photo
Harriet Harman photo

“While the happy couple are enjoying the thrill of the rose garden, the in-laws are saying that they are just not right for each other. We keep telling them that they cannot pay couples to stay together, and it is clear that it will take more than a three-quid-a-week tax break to keep this marriage together.”

Harriet Harman (1950) British politician

During the Queen's Speech Debate, on the newly formed Coalition Government and their policy to provide a tax break to married couples http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100525/debtext/100525-0002.htm#10052511000378, 25 May 2010.

Robert G. Ingersoll photo
Gertrude Stein photo

“When I said. "A rose is a rose is a rose." And then later made that into a ring I made poetry and what did I do? I caressed completely caressed and addressed a noun.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"Poetry and Grammar"
Lectures in America (1935)

Joseph Strutt photo
David Boaz photo
Letitia Elizabeth Landon photo
Hans Christian Andersen photo
Derek Walcott photo
Letitia Elizabeth Landon photo
Edmund Clarence Stedman photo
Simone de Beauvoir photo
Isa Bowman photo
Robert Fisk photo
Fred Weatherly photo

“Oh, Danny Boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side,
The summer's gone, and all the roses falling,
It's you, it's you must go, and I must bide.”

Fred Weatherly (1848–1929) English lawyer, author, lyricist and broadcaster

Song Danny Boy http://www.recmusic.org/lieder/get_text.html?TextId=22729

Nathalia Crane photo

“In the darkness, who would answer for the color of a rose,
Or the vestments of the May moth and the pilgrimage it goes?”

Nathalia Crane (1913–1998) American writer

"The Blind Girl"
The Janitor's Boy And Other Poems (1924)

John Calvin photo

“Please look out for the few thorns that might have got mixed up with the roses.”

Source: The Private Life of an Indian Prince (1969), p. 72

Dan Fogelberg photo
Letitia Elizabeth Landon photo

“Oh, softest is the cheek's love-ray
When seen by moonlight hours
Other roses seek the day,
But blushes are night flowers.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

When Should Lover’s Breathe Their Vows from The London Literary Gazette (24th November 1821)
The Improvisatrice (1824)

“September fattens on vines. Roses
flake from the wall. The smoke
of harmless fires drifts to my eyes.”

Geoffrey Hill (1932–2016) English poet and professor

September Song http://www.poemhunter.com/poem/september-song/.
Poetry

Robert Charles Wilson photo
Adam Mickiewicz photo

“In spring's own country, where the gardens blow,
You faded, tender rose! For hours now past,
Like butterflies departing, on you're cast
The worms of memories to work you woe.”

Adam Mickiewicz (1798–1855) Polish national poet, dramatist, essayist, publicist, translator, professor of Slavic literature, and polit…

"The Grave of the Countess Potocki" http://daisy.htmlplanet.com/amick.htm
Crimean Sonnets

Nathaniel Hawthorne photo

“While the lime-burner was struggling with the horror of these thoughts, Ethan Brand rose from the log, and flung open the door of the kiln. The action was in such accordance with the idea in Bertram's mind, that he almost expected to see the Evil One issue forth, red-hot, from the raging furnace.
Hold! hold!" cried he, with a tremulous attempt to laugh; for he was ashamed of his fears, although they overmastered him. "Don't, for mercy's sake, bring out your Devil now!"
"Man!" sternly replied Ethan Brand, "what need have I of the Devil? I have left him behind me, on my track. It is with such half-way sinners as you that he busies himself. Fear not, because I open the door. I do but act by old custom, and am going to trim your fire, like a lime-burner, as I was once."
He stirred the vast coals, thrust in more wood, and bent forward to gaze into the hollow prison-house of the fire, regardless of the fierce glow that reddened his face. The lime-burner sat watching him, and half suspected this strange guest of a purpose, if not to evoke a fiend, at least to plunge into the flames, and thus vanish from the sight of man. Ethan Brand, however, drew quietly back, and closed the door of the kiln.
"I have looked," said he, "into many a human heart that was seven times hotter with sinful passions than yonder furnace is with fire. But I found not there what I sought. No, not the Unpardonable Sin!"”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

Robert Burns photo

“Oh, my Luve is like a red, red rose,
That's newly sprung in June.
O, my Luve is like the melodie,
That's sweetly played in tune.”

Robert Burns (1759–1796) Scottish poet and lyricist

A Red, Red Rose, st. 1
Johnson's The Scots Musical Museum (1787-1796)

T. E. Lawrence photo
Pierre de Ronsard photo

“Gather today the roses of life.”

Pierre de Ronsard (1524–1585) French poet

Cueillez dès aujourd'hui les roses de la vie.
"Quand vous serez bien vieille, au soir, à la chandelle," l. 14.

Nas photo

“Live amongst no roses, only the drama, for real
A nickel-plate is my fate, my medicine is the ganja”

Nas (1973) American rapper, record producer and entrepreneur

Memory Lane (Sittin' in Da Park)
On Albums, Illmatic (1994)

Pat Conroy photo
Robert E. Howard photo
Stephen Vincent Benét photo
Philip K. Dick photo
Vladimir Putin photo

“I think there are things of which I and the people who have worked with me can feel deservedly proud. They include restoring Russia's territorial integrity, strengthening the state, progress towards establishing a multiparty system, strengthening the parliamentary system, restoring the Armed Forces' potential and, of course, developing the economy. As you know, our economy has been growing by 6.9 percent a year on average over this time, and our GDP has increased by 7.7 percent over the first four months of this year alone.
When I began my work in the year 2000, 30 percent of our population was living below the poverty line. There has been a two-fold drop in the number of people living below the poverty line since then and the figure today is around 15 percent. By 2009-2010, we will bring this figure down to 10 percent, and this will bring us in line with the European average.
We had enormous debts, simply catastrophic for our economy, but we have paid them off in full now. Not only have we paid our debts, but we now have the best foreign debt to GDP ratio in Europe. Our gold and currency reserve figures are well known: in 2000, they stood at just $12 billion and we had a debt of more than 100 percent of GDP, but now we have the third-biggest gold and currency reserves in the world and they have increased by $90 billion over the first four months of this year alone.
During the 1990s and even in 2000-2001, we had massive capital flight from Russia with $15 billion, $20 billion or $25 billion leaving the country every year. Last year we reversed this situation for the first time and had capital inflow of $41 billion. We have already had capital inflow of $40 billion over the first four months of this year. Russia's stock market capitalisation showed immense growth last year and increased by more than 50 percent. This is one of the best results in the world, perhaps even the best. Our economy was near the bottom of the list of world economies in terms of size but today it has climbed to ninth place and in some areas has even overtaken some of the other G8 countries' economies. This means that today we are able to tackle social problems. Real incomes are growing by around 12 percent a year. Real income growth over the first four months of this year came to just over 18 percent, while wages rose by 11-12 percent.
Looking at the problems we have yet to resolve, one of the biggest is the huge income gap between the people at the top and the bottom of the scale. Combating poverty is obviously one of our top priorities in the immediate term and we still have to do a lot to improve our pension system too because the correlation between pensions and the average wage is still lower here than in Europe. The gap between incomes at the top and bottom end of the scale is still high here – a 15.6-15.7-fold difference. This is less than in the United States today (they have a figure of 15.9) but more than in the UK or Italy (where they have 13.6-13.7). But this remains a big gap for us and fighting poverty is one of our biggest priorities.”

Vladimir Putin (1952) President of Russia, former Prime Minister

When asked in June 2007 at the interview with G8 journalists about main achievements of his presidency http://web.archive.org/web/20070607221025/http://www.kremlin.ru/eng/speeches/2007/06/04/2149_type82916_132772.shtml.

J. F. C. Fuller photo
The Mother photo
Edmund Spenser photo

“Roses red and violets blew,
And all the sweetest flowres that in the forrest grew.”

Canto 6, stanza 6
The Faerie Queene (1589–1596), Book III

George Mason photo

“The constitution as agreed to till a fortnight before the convention rose was such a one as he could have set his hand and heart to.”

George Mason (1725–1792) American delegate from Virginia to the U.S. Constitutional Convention

Discussion with Jefferson (1792)

Omar Khayyám photo
Henry Adams photo
Letitia Elizabeth Landon photo

“I dreamed a dream, that I had flung a chain
Of roses around Love,—I woke, and found
I had chained Sorrow.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Literary Souvenir, 1826 (1825) The Forsaken
Other Gift Books

Letitia Elizabeth Landon photo
Nathalia Crane photo

“Great is the rose
Infected by the tomb,
Yet burgeoning
Indifferent to death.”

Nathalia Crane (1913–1998) American writer

"Tadmore"
Venus Invisible and Other Poems (1928)

Thomas Middleton photo

“Like pearl
Dropt from the opening eyelids of the morn
Upon the bashful rose.”

Thomas Middleton (1580–1627) English playwright and poet

A Game of Chess (1624).

Henry Adams photo
F. Scott Fitzgerald photo
Wallace Stevens photo

“The old seraph, parcel-gilded, among violets
Inhaled the appointed odor, while the doves
Rose up like phantoms from chronologies.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Change

James Thurber photo

“Once upon a sunny morning a man who sat in a breakfast nook looked up from his scrambled eggs to see a white unicorn with a golden horn quietly cropping the roses in the garden. The man went up to the bedroom where his wife was still asleep and woke her. "There's a unicorn in the garden," he said. "Eating roses." She opened one unfriendly eye and looked at him. "The unicorn is a mythical beast," she said, and turned her back on him. The man walked slowly downstairs and out into the garden. The unicorn was still there; he was now browsing among the tulips.”

"The Unicorn in the Garden", The New Yorker (31 October 1939); Fables for Our Time & Famous Poems Illustrated (1940). This is a fable where a man sees a Unicorn in his garden, and his wife reports the matter to have him taken away, to the "booby-hatch". Online text with illustration by Thurber http://english.glendale.cc.ca.us/unicorn1.html
From Fables for Our Time and Further Fables for Our Time

Theodor Mommsen photo

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Amit Chaudhuri photo
Winthrop Mackworth Praed photo

“She was our queen, our rose, our star;
And then she danced—O Heaven, her dancing!”

Winthrop Mackworth Praed (1802–1839) British politician, poet

"The Belle of the Ball" in The Poetical Works of Winthrop Mackworth Praed (published 1860) p. 139.

Theodor Mommsen photo

“It is a dreadful picture—this picture of Italy under the rule of the oligarchy. There was nothing to bridge over or soften the fatal contrast between the world of the beggars and the world of the rich. The more clearly and painfully this contrast was felt on both sides—the giddier the height to which riches rose, the deeper the abyss of poverty yawned—the more frequently, amidst that changeful world of speculation and playing at hazard, were individuals tossed from the bottom to the top and again from the top to the bottom. The wider the chasm by which the two worlds were externally divided, the more completely they coincided in the like annihilation of family life—which is yet the germ and core of all nationality—in the like laziness and luxury, the like unsubstantial economy, the like unmanly dependence, the like corruption differing only in its tariff, the like criminal demoralization, the like longing to begin the war with property. Riches and misery in close league drove the Italians out of Italy, and filled the peninsula partly with swarms of slaves, partly with awful silence. It is a terrible picture, but not one peculiar to Italy; wherever the government of capitalists in a slave-state has fully developed itself, it has desolated God's fair world in the same way as rivers glisten in different colours, but a common sewer everywhere looks like itself, so the Italy of the Ciceronian epoch resembles substantially the Hellas of Polybius and still more decidedly the Carthage of Hannibal's time, where in exactly similar fashion the all-powerful rule of capital ruined the middle class, raised trade and estate-farming to the highest prosperity, and ultimately led to a— hypocritically whitewashed—moral and political corruption of the nation. All the arrant sins that capital has been guilty of against nation and civilization in the modern world, remain as far inferior to the abominations of the ancient capitalist-states as the free man, be he ever so poor, remains superior to the slave; and not until the dragon-seed of North America ripens, will the world have again similar fruits to reap.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Italy under the Oligarchy
The History of Rome - Volume 4: Part 2

Khushwant Singh photo
William Julius Mickle photo
Russell Brand photo
Thomas Carlyle photo
Margaret Fuller photo

“The rosy-fingered morn with gladsome ray
Rose to her task from old Tithonus' lap.”

Edward Fairfax (1580–1635) English translator

Book XV, stanza 1
Tasso's Jerusalem Delivered (1600)

Charlotte Brontë photo
Joanna Newsom photo
William Wordsworth photo

“The budding rose above the rose full blown.”

Bk. XI, l. 121.
The Prelude (1799-1805)

James Macpherson photo

“Then rose the strife of kings about the hill of night; but it was soft as two summer gales, shaking their light wings on a lake.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Cathlin of Clutha"
The Poems of Ossian

Ken Ham photo
George William Russell photo

“Late, late, I come to you, now death discloses
Love that in life was not to be our part:
On your low lying mound between the roses,
Sadly I cast my heart.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

You Would Have Understood Me

Walter de la Mare photo
Menachem Begin photo
John Fante photo
Robert E. Howard photo
Kenneth Grahame photo
Thomas Moore photo

“What though youth gave love and roses,
Age still leaves us friends and wine.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

National Airs, Spring and Autumn, st. 1 (1815).

Nixon Waterman photo

“A rose to the living is more
Than sumptuous wreaths to the dead.”

Nixon Waterman (1859–1944) American writer

A Rose to the Living, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Nico photo

“You will never see these lights
Glowing in your nights
If you don't know
And there are roses growing in the snow.”

Nico (1938–1988) German musician, model and actress, one of Warhol's superstars

Roses in the Snow

Cornstalk photo
Thomas Moore photo

“Life is a waste of wearisome hours
Which seldom the rose of enjoyment adorns;
And the heart that is soonest awake to the flowers,
Is always the first to be touch'd by the thorns.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

O! think not my spirits are always as light, st. 1
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Morrissey photo

“Now I know how Joan of Arc felt,
As the flames rose to her Roman nose
And her Walkman started to melt…”

Morrissey (1959) English singer

From the song "Bigmouth Strikes Again"
From songs

Tim Minchin photo

“He's never really been part of the scene
Give him Guns N' Roses, he'll take Queen
He's more into Beatles than the Stones,
He's more Stevie Wonder than Ramones”

Tim Minchin (1975) Australian comedian, actor, singer, songwriter, music composer and musician (from British descend)

"Rock and Roll Nerd" (from Darkside, 2005)

Dorothy Day photo
Francis Turner Palgrave photo
Letitia Elizabeth Landon photo
Torquato Tasso photo

“p>'Ah, see,' he sang, 'the shamefast, virgin rose
first bursting her green bud so timidly,
half hidden and half bare: the less she shows
herself, the lovelier she seems to be.
Now see her bosom, budding still, unclose
and look! She droops, and seems no longer she—
not she who in her morning set afire
a thousand lads and maidens with desire.So passes in the passing of a day
the leaf and flower from our mortal scene,
nor will, though April come again, display
its bloom again, nor evermore grow green.”

Torquato Tasso (1544–1595) Italian poet

Deh mira (egli cantò) spuntar la rosa
Dal verde suo modesta e verginella;
Che mezzo aperta ancora, e mezzo ascosa,
Quanto si mostra men, tanto è più bella.
Ecco poi nudo il sen già baldanzosa
Dispiega: ecco poi langue, e non par quella,
Quella non par che desiata innanti
Fu da mille donzelle e mille amanti.<p>Così trapassa al trapassar d'un giorno
Della vita mortale il fiore, e 'l verde:
Nè, perchè faccia indietro April ritorno,
Si rinfiora ella mai, nè si rinverde.
Canto XVI, stanzas 14–15 (tr. Wickert)
Gerusalemme Liberata (1581)