Quotes about rose
page 6

Ludovico Ariosto photo

“A virgin is like a rose: while she remains on the thorn whence she sprang, alone and safe in a lovely garden, no flock, no shepherd approaches. The gentle breeze and the dewy dawn, water, and earth pay her homage; amorous youths and loving maidens like to deck their brows with her, and their breasts. / But no sooner is she plucked from her mother-stalk, severed from her green stem, than she loses all, all the favour, grace, and beauty wherewith heaven and men endowed her.”

La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.<p>Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)

William Golding photo
R. C. Majumdar photo

“Dr. R. C. Majumdar has summed up the situation so far in the following words: “India south of the Vindhyas was under Hindu rule in the 13th century. Even in North India during the same century, there were powerful kingdoms not yet subjected to Muslim rule, or still fighting for their independence… Even in that part of India which acknowledged the Muslim rule, there was continual defiance and heroic resistance by large or small bands of Hindus in many quarters, so that successive Muslim rulers had to send well-equipped military expeditions, again and again, against the same region… As a matter of fact, the Muslim authority in Northern India, throughout the 13th century, was tantamount to a military occupation of a large number of important centres without any effective occupation, far less a systematic administration of the country at large.” …. The situation during the 14th and the 15th centuries has been summed up by Dr. R. C. Majumdar in the following words: “The Khalji empire rose and fell during the brief period of twenty years (A. D 1300-1320). The empire of Muhammed bin Tughlaq… broke up within a decade of his accession (A. D. 1325), and before another decade was over, the Turkish empire passed away for ever… Thus barring two every short-lived empires under the Khaljis and Muhammad bin Tughlaq… there was no Turkish empire in India. This state of things continued for nearly two centuries and a half till the Mughals established a stable and durable empire in the second half of the sixteenth century A. D.””

R. C. Majumdar (1888–1980) Indian historian

Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. Chapter 8 ISBN 9788185990231

James Brown photo
James Bolivar Manson photo

“The roses are dying, and so am I.”

James Bolivar Manson (1879–1945) British artist

Shortly before his death, quoted in Frances Spalding, The Tate: A History (1998), pp. 62–70. Tate Gallery Publishing, London. ISBN 1854372319.

A. James Gregor photo
Halldór Laxness photo
Robert E. Howard photo
Letitia Elizabeth Landon photo
Sam Harris photo
Georgia O'Keeffe photo
George Lippard photo
Renée Vivien photo

“Goddess who delights in the ruin of the rose,
Prolong the night!”

Renée Vivien (1877–1909) British poet who wrote in the French language

Déesse à qui plaît la ruine des roses,
Prolonge la nuit !
Prolonge la Nuit http://www.reneevivien.com/evocations.html#feuilles (Prolong the Night), trans. Margaret Porter
Évocations http://www.reneevivien.com/evocations.html (1903)

Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Richard Nixon photo

“Bill Rogers has got — to his credit it’s a decent feeling — but somewhat sort of a blind spot on the black thing because he’s been in New York. He says well, ‘They are coming along, and that after all they are going to strengthen our country in the end because they are strong physically and some of them are smart.’ So forth and so on. My own view is I think he’s right if you’re talking in terms of 500 years.
What has to happen is they have to be, frankly, inbred. And, you just, that’s the only thing that’s going to do it, Rose.”

Richard Nixon (1913–1994) 37th President of the United States of America

Conversation with secretary Rose Mary Woods on tapes recorded February-March 1973 http://graphics8.nytimes.com/packages/flash/national/20101211_NIXON_AUDIO/3_VIETNAM.mp3 on tapes recorded February-March 1973; as quoted in "In Tapes, Nixon Rails About Jews and Blacks" http://www.nytimes.com/2010/12/11/us/politics/11nixon.html, by Adam Nagourney, New York Times (10 December 2010); with sound recording http://graphics8.nytimes.com/packages/flash/national/20101211_NIXON_AUDIO/4_BLACKS.mp3.
1970s

John Keats photo
Geoffrey Chaucer photo

“Up rose the sonne, and up rose Emelie.”

The Knight's Tale, l. 2275
The Canterbury Tales

Alan Keyes photo

“You can't build marriage on a foundation of selfish hedonism, because that would be to promise people only roses, and marriage is also thorns.”

Alan Keyes (1950) American politician

Party for the President, September 2, 2004. http://renewamerica.us/archives/speeches/04_09_02partypresident.htm.
2009

Letitia Elizabeth Landon photo
Courtney Love photo

“Every time that I sell myself to you
I feel a little bit cheaper than I need to
I will tear the petals off of you
Rose red, I will make you tell the truth”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Asking for It"
Song lyrics, Live Through This (1994)

Omar Khayyám photo

“Up from Earth's Centre through the Seventh Gate
rose, and on the Throne of Saturn sate;
And many a Knot unravel'd by the Road;
But not the Master-knot of Human Fate.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

George Gordon Byron photo
Elinor Glyn photo
Will Eisner photo

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

Agatha Christie photo
Leslie Stuart photo
P. L. Travers photo
Basil of Caesarea photo
Emily Brontë photo
Graham Greene photo

“T is now the summer of your youth. Time has not cropt the roses from your cheek, though sorrow long has washed them.”

Edward Moore (1712–1757) English dramatist and writer

The Gamester (1753), Act iii. Sc. 4.

Thomas Haynes Bayly photo

“The rose that all are praising
Is not the rose for me.”

Thomas Haynes Bayly (1797–1839) English poet, songwriter, dramatist, and writer

The Rose that all are praising, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Vladimir Lenin photo
Letitia Elizabeth Landon photo
Jim Morrison photo

“I'm sick of dour faces
Staring at me from the T. V.
Tower.
I want roses in
my garden bower; dig?”

Jim Morrison (1943–1971) lead singer of The Doors

An American Prayer (1978)

Edgar Rice Burroughs photo
Henry Austin Dobson photo
Andrew Ure photo
A. James Gregor photo
Henry Adams photo

“The Roman de la Rose is the end of true mediæval poetry […] Our age calls it false taste, and no doubt our age is right;— every age is right by its own standards as long as its standards amuse it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Adams specifies that he refers "only to the Roman of William of Lorris, which dates from the death of Queen Blanche and of all good things, about 1250". He describes the rather cynical continuation by Jean de Meung, about 1300, as "beyond our horizon".
Mont Saint Michel and Chartres (1904)

Elizabeth Drew Stoddard photo

“A woman's love is like the morning dew. It's just as likely to settle on a horse turd as a rose.”

Larry McMurtry (1936) American novelist, essayist, bookseller and screenwriter

Leaving Cheyenne (1963).

Rubén Darío photo

“I seek a form that my style cannot discover,
a bud of thought that wants to be a rose.”

Rubén Darío (1867–1916) Nicaraguan poet and writer

Prosas Profanas y Otros Poemas (Profane Hymns and Other Poems). I Seek a Form (1896).

Aldous Huxley photo
Letitia Elizabeth Landon photo
Toby Keith photo
James Thomson (poet) photo

“Amid the roses fierce Repentance rears
Her snaky crest.”

Source: The Seasons (1726-1730), Spring (1728), l. 996.

Cao Xueqin photo
Carl Gustav Jacob Jacobi photo

“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

Luís de Camões photo

“As when a rose, ere-while of bloom so gay,
Thrown from the careless virgin's breast away,
Lies faded on the plain, the living red,
The snowy white, and all its fragrance fled;
So from her cheeks the roses died away,
And pale in death the beauteous Inez lay.”

Luís de Camões (1524–1580) Portuguese poet

Assim como a bonina, que cortada
Antes do tempo foi, cândida e bela,
Sendo das mãos lascivas maltratada
Da menina que a trouxe na capela,
O cheiro traz perdido e a cor murchada:
Tal está morta a pálida donzela,
Secas do rosto as rosas, e perdida
A branca e viva cor, co'a doce vida.
Stanza 134 (tr. William Julius Mickle)
Epic poetry, Os Lusíadas (1572), Canto III

“When at length they rose to go to bed, it struck each man as he followed his neighbour upstairs that the one before him walked very crookedly.”

Robert Smith Surtees (1805–1864) English writer

Source: Mr. Sponge's Sporting Tour (1853), Ch. 40

Henry Temple, 3rd Viscount Palmerston photo

“When Bonaparte was to be dethroned, the Sovereigns of Europe called up their people to their aid; they invoked them in the sacred names of Freedom and National Independence; the cry went forth throughout Europe: and those, whom Subsidies had no power to buy, and Conscriptions no force to compel, roused by the magic sound of Constitutional Rights, started spontaneously into arms. The long-suffering Nations of Europe rose up as one man, and by an effort tremendous and wide spreading, like a great convulsion of nature, they hurled the conqueror from his throne. But promises made in days of distress, were forgotten in the hour of triumph…The rulers of mankind…had set free a gigantic spirit from its iron prison, but when that spirit had done their bidding, they shrunk back with alarm, from the vastness of that power, which they themselves had set into action, and modestly requested, it would go down again into its former dungeon. Hence, that gloomy discontent, that restless disquiet, that murmuring sullenness, which pervaded Europe after the overthrow of Bonaparte; and which were so unlike that joyful gladness, which might have been looked for, among men, who had just been released from the galling yoke of a foreign and a military tyrant. In 1820 the long brooding fire burst out into open flame; in Germany it was still kept down and smothered, but in Italy, in Spain, and in Portugal, it overpowered every resistance.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1830/mar/10/affairs-of-portugal in the House of Commons (10 March 1830).
1830s

Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

Barry Diller photo
Sara Teasdale photo
John Buchan photo

“What do you want — a cliff over a city?
A foreland, sloped to sea and overgrown with roses?
These people live here.”

Muriel Rukeyser (1913–1980) poet and political activist

"Gauley Bridge"
U.S. 1 (1938), The Book of the Dead

Heather Brooke photo
Anthony Trollope photo
Yanis Varoufakis photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

Alfred P. Sloan photo
Linus Torvalds photo
John Keats photo
Thomas Moore photo

“Tis the last rose of Summer,
Left blooming alone;
All her lovely companions
Are faded and gone.”

The Last Rose of Summer, st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

William Saroyan photo

“How did roses ever happen?”

William Saroyan (1908–1981) American writer

Jim Dandy : Fat Man in a Famine (1947)

“I know the colour rose, and it is lovely,
But not when it ripens in a tumour.”

Dannie Abse (1923–2014) Welsh poet and physician

Poem The Pathology of Colours in: Dannie Abse (1981) Miscellany One - Volume 1, p. 65

Max Beckmann photo
Kuvempu photo

“When Manmatha kissed Rati, blood from her lips may have spit on earth and blossomed into rose on the plant and kisses the viewer's eyes with its beauty now!”

Kuvempu (1904–1994) Kannada novelist, poet, playwright, critic, and thinker

The first is a poem on flowers translated from a Kannada poem, 'Poovu', and the second is linked mythological story and both are quoted in Poet, nature lover and humanist, 24 November 2013, Archive Organization http://web.archive.org/web/20060318053230/http://www.deccanherald.com/deccanherald/apr252004/sh1.asp,

James Russell Lowell photo

“The question of common sense is always "What is it good for?"—a question which would abolish the rose and be answered triumphantly by the cabbage.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

"Chaucer," http://books.google.com/books?id=LOdNAAAAcAAJ&q=%22The+question+of+common+sense+is+always+what+is+it+good+for+a+question+which+would+abolish+the+rose+and+be+answered+triumphantly+by+the+cabbage%22&pg=PA185#v=onepage North American Review (July 1870) http://books.google.com/books?id=sAVaov3zePMC&q=%22The+question+of+common+sense+is+always+what+is+it+good+for+a+question+which+would+abolish+the+rose+and+be+answered+triumphantly+by+the+cabbage%22&pg=PA173#v=onepage
My Study Windows (1871)

Arthur Symons photo
Ernest Thayer photo
Omar Khayyám photo

“Iram indeed is gone with all his Rose,
And Jamshyd's Sev'n-ring'd Cup where no one knows;
But still a Ruby kindles in the Vine,
And many a Garden by the Water blows.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Nathalia Crane photo
Axl Rose photo

“My growth was stopped at two years old. And when they talk about Axl Rose being a screaming two-year-old, they're right. There's a screaming two-year-old who's real pissed off and hides and won't show himself that often, even to me. Because I couldn't protect him. And the world didn't protect him.”

Axl Rose (1962) American singer-songwriter and musician

Quoted in "Axl Rose: The Rolling Stone Interview" http://www.rollingstone.com/news/story/15808548/axl_rose_the_rolling_stone_interview/9 by Kim Neely, Rolling Stone, No. 627 (2 April 1992)

Nathaniel Parker Willis photo

“It is the month of June,
The month of leaves and roses,
When pleasant sights salute the eyes,
And pleasant scents the noses.”

Nathaniel Parker Willis (1806–1867) American magazine writer, editor, and publisher

The Month of June.
Bartlett's Familiar Quotations (1919)

James K. Morrow photo

“My spirits rose: I could see the photon at the end of the tunnel.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Philosopher's Apprentice (2008), Chapter 3 (p. 43)

Joseph Strutt photo

“A number of little birds, to the amount, I believe, of twelve or fourteen, being taken from different cages, were placed upon a table in the presence of the spectators; and there they formed themselves into ranks like a company of soldiers: small cones of paper bearing some resemblance to grenadiers caps were put upon their heads, and diminutive imitations of muskets made with wood, secured under their left wings. Thus equipped, they marched to and fro several times; when a single bird was brought forward, supposed to be a deserter, and set between six of the musketeers, three in a row, who conducted him from the top to the bottom of the table, on the middle of which a small brass cannon charged with a little gunpowder had been previously placed, and the deserter was situated in the front part of the cannon; his guards then divided, three retiring on one side, and three on the other, and he was left standing by himself. Another bird was immediately produced; and, a lighted match being put into one of his claws, he hopped boldly on the other to the tail of the cannon, and, applying the match to the priming, discharged the piece without the least appearance of fear or agitation. The moment the explosion took place, the deserter fell down, and lay, apparently motionless, like a dead bird; but, at the command of his tutor he rose again; and the cages being brought, the feathered soldiers were stripped of their ornaments, and returned into them in perfect order.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 250
The Sports and Pastimes of the People of England (1801), Public entertainment

John Fante photo
John Milton photo
Thomas Moore photo

“There's a bower of roses by Bendemeer's stream,
And the nightingale sings round it all the day long;
In the time of my childhood 'twas like a sweet dream,
To sit in the roses and hear the bird's song.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Part II.
Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part I-III: The Veiled Prophet of Khorassan

Narendra Modi photo
Hildegard of Bingen photo
J. Proctor Knott photo

“Duluth! The word fell upon my ear with a peculiar and indescribable charm, like the gentle murmur of a low fountain stealing forth in the midst of roses, or the soft sweet accent of an angel’s whisper in the bright, joyous dream of sleeping innocence. ’T was the name for which my soul had panted for years, as the hart panteth for the water-brooks.”

J. Proctor Knott (1830–1911) American politician

Speech on the St. Croix and Bayfield Railroad Bill, Jan. 27, 1871; Knott made this satirical speech, sometimes titled as Duluth! or The Untold Delights of Duluth, while serving in the United States House of Representatives; the speech lampooned Western boosterism by portraying Duluth, Minnesota, in fantastical and glowing language.

François de Malherbe photo

“But she bloomed on earth, where the most beautiful things have the saddest destiny;
And Rose, she lived as live the roses, for the space of a morning.”

François de Malherbe (1555–1628) (1555–1628) French poet, critic, and translator

Mais elle était du monde, où les plus belles choses
Ont le pire destin;
Et Rose, elle a vécu ce que vivent les roses,
L'espace d'un matin.
Letter of condolence to M. Du Perrier on the loss of his daughter, as quoted in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 680

Rumi photo
Ludovico Ariosto photo

“For roses also blossom on the thorn,
And the fair lily springs from loathsome weed.”

Che de le spine ancor nascon le rose,
E d'una fetida erba nasce il giglio.
Canto XXVII, stanza 121 (tr. W. S. Rose)
Orlando Furioso (1532)

Bono photo

“This shitty world sometimes produces a rose
The scent of it lingers and then it just goes”

Bono (1960) Irish rock musician, singer of U2

Cedars Of Lebanon
Lyrics, No Line On The Horizon (2009)

Isaac Leib Peretz photo

“A stranger's rose is but a thorn.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

In Alien Lands, translated by Leah W. Leonard.

John Boyle O'Reilly photo

“The red rose whispers of passion,
And the white rose breathes of love;
O, the red rose is a falcon,
And the white rose is a dove.”

John Boyle O'Reilly (1844–1890) Irish-born poet and novelist

A White Rose, lines 1-4, in In Bohemia (1886), p. 24.

Henry Adams photo

“Never in all these seven hundred years has one of us looked up at this Rose without feeling it to be Our Lady's promise of Paradise.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Amir Khusrow photo
Gabriel García Márquez photo
George Lippard photo
James Comey photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John