Quotes about room
page 15

Charles Darwin photo

“M. Perrier found that their exposure to the dry air of a room for only a single night was fatal to them. On the other hand he kept several large worms alive for nearly four months, completely submerged in water.”

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 1: Habits of Worms, pp. 12-13 http://darwin-online.org.uk/content/frameset?pageseq=27&itemID=F1357&viewtype=image.

George Boole photo

“Probability is expectation founded upon partial knowledge. A perfect acquaintance with all the circumstances affecting the occurrence of an event would change expectation into certainty, and leave neither room nor demand for a theory of probabilities.”

George Boole (1815–1864) English mathematician, philosopher and logician

Source: 1850s, An Investigation of the Laws of Thought (1854), p. 244; Cited in: Michael J. Katz (1986) Templets and the Explanation of Complex Patterns, p. 123

Rick Santorum photo

“I reject that number completely, that people die in America because of lack of health insurance. People die in America because people die in America. And people make poor decisions with respect to their health and their healthcare. And they don’t go to the emergency room or they don’t go to the doctor when they need to.”

Rick Santorum (1958) American politician

2011-12-06
Santorum: No One Has Ever Died Because They Didn’t Have Health Care
David
Badash
The New Civil Rights Movement
http://thenewcivilrightsmovement.com/santorum-no-one-has-ever-died-because-they-didnt-have-health-care/politics/2011/12/06/31304

Frank Stella photo
James Jeans photo
Ursula K. Le Guin photo
Johnny Marr photo
Agatha Christie photo
Camille Pissarro photo
Bill Hybels photo
Dwight L. Moody photo
Alain de Botton photo
Thomas Wolfe photo
Amit Chaudhuri photo
Steven Pinker photo

“Pedantry crams our heads with learned lumber, and takes out our brains to make room for it.”

Charles Caleb Colton (1777–1832) British priest and writer

Vol. II; XX
Lacon (1820)

“Manuel Mercado Acosta is an indio from the mountains of Durango. His father operated a mescal distillery before the revolutionaries drove him out. He met my mother while riding a motorcycle in El Paso. Juana Fierro Acosta is my mother. She could have been a singer in a Juarez cantina but instead decided to be Manuel’s wife because he had a slick mustache, a fast bike and promised to take her out of the slums across from the Rio Grande. She had only one demand in return for the two sons and three daughters she would bear him: “No handouts. No relief. I never want to be on welfare.” I doubt he really promised her anything in a very loud, clear voice. My father was a horsetrader even though he got rid of both the mustache and the bike when FDR drafted him, a wetback, into the U. S. Navy on June 22, 1943. He tried to get into the Marines, but when they found out he was a good swimmer and a non-citizen they put him in a sailor suit and made him drive a barge in Okinawa. We lived in a two-room shack without a floor. We had to pump our water and use kerosene if we wanted to read at night. But we never went hungry. My old man always bought the pinto beans and the white flour for the tortillas in 100-pound sacks which my mother used to make dresses, sheets and curtains. We had two acres of land which we planted every year with corn, tomatoes and yellow chiles for the hot sauce. Even before my father woke us, my old ma was busy at work making the tortillas at 5:00 A. M. while he chopped the logs we’d hauled up from the river on the weekends.”

Source: Autobiography of a Brown Buffalo (1972), p. 72.

Anna Akhmatova photo

“At dawn they came and took you away.
You were my dead: I walked behind.
In the dark room children cried,
the holy candle gasped for air.”

Anna Akhmatova (1889–1966) Russian modernist poet

They led you away...
They took you away at daybreak. Half wak-
ing, as though at a wake, I followed.
In the dark chamber children were crying,
In the image-case, candlelight guttered.
At your lips, the chill of icon,
A deathly sweat at your brow.
I shall go creep to our walling wall,
Crawl to the Kremlin towers.
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Prologue

Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

Anthony Trollope photo

“The affair simply amounted to this, that they were to eat their dinner uncomfortably in a field instead of comfortably in the dining room.”

Anthony Trollope (1815–1882) English novelist (1815-1882)

On a picnic, in Can You Forgive Her? (1864), Ch. 78

Sinclair Lewis photo

“As they talked around the fire in the sitting-room, he was embarrassed by the nakedness of their piety.”

Sinclair Lewis (1885–1951) American novelist, short-story writer, and playwright

The God-Seeker (1949), Ch. 22

Helen Garner photo
Kent Hovind photo
Shreya Ghoshal photo
Tom Hanks photo
Carl Schmitt photo

“In a community, the constitution of which provides for a legislator and a law, it is the concern of the legislator and of the laws given by him to ascertain the mediation through calculable and attainable rules and to prevent the terror of the direct and automatic enactment of values. That is a very complicated problem, indeed. One may understand why law-givers all along world history, from Lycurgus to Solon and Napoleon have been turned into mythical figures. In the highly industrialized nations of our times, with their provisions for the organization of the lives of the masses, the mediation would give rise to a new problem. Under the circumstances, there is no room for the law-giver, and so there is no substitute for him. At best, there is only a makeshift which sooner or later is turned into a scapegoat, due to the unthankful role it was given to play.
A jurist who interferes, and wants to become the direct executor of values should know what he is doing. He must recall the origins and the structure of values and dare not treat lightly the problem of the tyranny of values and of the unmediated enactment of values. He must attain a clear understanding of the modern philosophy of values before he decides to become valuator, revaluator, upgrader of values. As a value-carrier and value-sensitive person, he must do that before he goes on to proclaim the positings of a subjective, as well as objective, rank-order of values in the form of pronouncements with the force of law.”

Carl Schmitt (1888–1985) German jurist, political theorist and professor of law

"The Tyranny of Values" (1959)

George Galloway photo
Donald J. Trump photo

“Reporter: Would a reasonable observer say that you are potentially vulnerable to blackmail by Russia or by its intelligence agencies?
Trump: Lemme just tell you what I do. When I leave our country, I’m a very high-profile person, would you say? I am extremely careful. I’m surrounded by bodyguards. I’m surrounded by people. And I always tell them — anywhere, but I always tell them if I’m leaving this country, “Be very careful, because in your hotel rooms and no matter where you go, you’re gonna probably have cameras.” I’m not referring just to Russia, but I would certainly put them in that category. And number one, “I hope you’re gonna be good anyway. But in those rooms, you have cameras in the strangest places. Cameras that are so small with modern technology, you can’t see them and you won’t know. You better be careful, or you’ll be watching yourself on nightly television.” I tell this to people all the time. I was in Russia years ago, with the Miss Universe contest, which did very well — Moscow, the Moscow area did very, very well. And I told many people, “Be careful, because you don’t wanna see yourself on television. Cameras all over the place.”
And again, not just Russia, all over. Does anyone really believe that story? I’m also very much of a germaphobe, by the way, believe me.”

Donald J. Trump (1946) 45th President of the United States of America

Trump Press Conference at Trump Tower https://www.nytimes.com/2017/01/11/us/politics/trump-press-conference-transcript.html,Donald (11 January 2017)
2010s, 2017, January

Lien Chan photo

“Both of our (Mainland China and Taiwan) legal and governance systems were built following the 'one China' structure. That is why cross-strait relations are not state-to-state relations and there is no room for Taiwanese independence.”

Lien Chan (1936) former Chairman of the Kuomintang

Source: Lien Chan (2018) cited in " Lien Chan says no room for Taiwanese independence in talks with Xi Jinping http://www.taipeitimes.com/News/front/archives/2018/07/14/2003696647" on Taipei Times, 14 July 2018

Jozef Israëls photo

“As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right…. There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each…. [with] standing light and the paintings positioned on an easel or standard behind…. I just want to add here, that my own studio can serve as a very special model…. concerning the sizes and the lighting.”

Jozef Israëls (1824–1911) Dutch painter

Quote from Israëls' letter to the Dutch Minister S. van Houten, 4 Nov. 1894; as cited in In het Rijksmuseum, Jan Veth (translation from the original Dutch: Fons Heijnsbroek); Holkema's Boekhandel http://docplayer.nl/42488824-In-het-rijksmuseum-door-jan-veth-met-twee-brieven-van-jozef-israels-holkema-s-boekhandel-i-4-november-mdcccxciv.html, Amsterdam, 1894, p. 10
During Israel's whole artistic life Rembrandt was his inspiration and had a strong impact on his own painting-style
Quotes of Jozef Israels, 1871 - 1900

Whittaker Chambers photo
John R. Bolton photo
William Saroyan photo
Arlo Guthrie photo
Samuel Butler photo
Henry Van Dyke photo
Hannah Arendt photo
Tom Stoppard photo
Robert Louis Stevenson photo
Saki photo
Jimmy Hoffa photo
John Major photo

“John Major: What I don't understand, Michael, is why such a complete wimp like me keeps winning everything.
Michael Brunson: You've said it, you said precisely that.
Major: I suppose Gus will tell me off for saying that, won't you Gus?
Brunson: No, no, no … it's a fair point. The trouble is that people are not perceiving you as winning.
Major: Oh, I know … why not? Because…
Brunson: Because rotten sods like me, I suppose, don't get the message clear [laughs].
Major: No, no, no. I wasn't going to say that - well partly that, yes, partly because of S-H-one-Ts like you, yes, that's perfectly right. But also because those people who are opposing our European policy have said the way to oppose the Government on the European policy is to attack me personally. The Labour Party started before the last election. It has been picked up and it is just one of these fashionable things that slips into the Parliamentary system and it is an easy way to proceed.
Brunson: But I mean you … has been overshadowed … my point is there, not just the fact that you have been overshadowed by Maastricht and people don't…
Major: The real problem is this…
Brunson: But you've also had all the other problems on top - the Mellors, the Mates … and it's like a blanket - you use the phrase 'masking tape' but I mean that's it, isn't it?
Major: Even, even, even, as an ex-whip I can't stop people sleeping with other people if they ought not, and various things like that. But the real problem is…
Brunson: I've heard other people in the Cabinet say 'Why the hell didn't he get rid of Mates on Day One?' Mates was a fly, you could have swatted him away.
Major: Yeah, well, they did not say that at the time, I have to tell you. And I can tell you what they would have said if I had. They'd have said 'This man was being set up. He was trying to do his job for his constituent. He had done nothing improper, as the Cabinet Secretary told me. It was an act of gross injustice to have got rid of him'. Nobody knew what I knew at the time. But the real problem is that one has a tiny majority. Don't overlook that. I could have all these clever and decisive things that people wanted me to do and I would have split the Conservative Party into smithereens. And you would have said, Aren't you a ham-fisted leader? You've broken up the Conservative Party.
Brunson: No, well would you? If people come along and…
Major: Most people in the Cabinet, if you ask them sensibly, would tell you that, yes. Don't underestimate the bitterness of European policy until it is settled - It is settled now.
Brunson: Three of them - perhaps we had better not mention open names in this room - perhaps the three of them would have - if you'd done certain things, they would have come along and said, 'Prime Minister, we resign'. So you say 'Fine, you resign'.
Major: We all know which three that is. Now think that through. Think it through from my perspective. You are Prime Minister. You have got a majority of 18. You have got a party still harking back to a golden age that never was but is now invented. And you have three rightwing members of the Cabinet actually resigned. What happens in the parliamentary party?
Brunson: They create a lot of fuss but you have probably got three damn good ministers in the Cabinet to replace them.
Major: Oh, I can bring in other people into the Cabinet, that is right, but where do you think most of this poison has come from? It is coming from the dispossessed and the never-possessed. You and I can both think of ex-ministers who are going around causing all sorts of trouble. Would you like three more of the bastards out there? What's the Lyndon Johnson, er, maxim?
Brunson: If you've got them by the balls their hearts and minds will follow.
Major: No, that's not what I had in mind, though it's pretty good.”

John Major (1943) Former Prime Minister of the United Kingdom

Andrew Culf, "What the `wimp' really said to the S-H-one-T", The Guardian, 26 July 1993.
'Off-the-record' exchange with ITN reporter Michael Brunson following videotaped interview, 23 July 1993. Neither Major nor Brunson realised their microphones were still live and being recorded by BBC staff preparing for a subsequent interview; the tape was swiftly leaked to the Daily Mirror.

Norman Mailer photo
Jacqueline Kennedy Onassis photo
Thomas R. Marshall photo

“This Court will always know to temper mercy with justice where there is room for it.”

William Henry Ashurst (judge) (1725–1807) English judge

Holt's Case (1793), 22 How. St. Tr. 1237.

Bob Dylan photo
S. Nambi Narayanan photo
John Milton photo
Ernest Hemingway photo
Margaret Caroline Anderson photo

““You are settling in?” he said. “Your rooms are sufficient; the fire is lit, the floors swept; all ets are ceteraed?””

Tina Connolly American writer

Source: Ironskin (2012), Chapter 3, “Sequins and Bluepacks” (p. 43)

Andrew Solomon photo
Hans Arp photo
Sepp Dietrich photo
Haruki Murakami photo
Dylan Moran photo
George S. Patton IV photo
Aldous Huxley photo

““What about spatial relationships?” the investigator inquired, as I was looking at the books. It was difficult to answer. True, the perspective looked rather odd, and the walls of the room no longer seemed to meet in right angles. But these were not the really important facts. The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as Where?—How far?—How situated in relation to what? In the mescalin experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its Perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern. I saw the books, but was not at all concerned with their positions in space. What I noticed, what impressed itself upon my mind was the fact that all of them glowed with living light and that in some the glory was more manifest than in others. In this context position and the three dimensions were beside the point. Not, of course, that the category of space had been abolished. When I got up and walked about, I could do so quite normally, without misjudging the whereabouts of objects. Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.”

describing his experiment with mescaline, pp. 19-20
Source: The Doors of Perception (1954)

Shandi Finnessey photo
Jimmy Carr photo

“But what's true about comedians is that we've all got a huge hole in our personality. In a room of 3,000 people, we're the one person facing in the opposite direction - yet we have this overwhelming desire to be liked.”

Jimmy Carr (1972) British comedian and humourist

Stephen Armstrong (December 3, 2006) "He who laughs last... - Comedy", The Sunday Times, p. Culture 10.

John Constable photo

“I am most anxious to get into my London painting-room, for I do not consider myself at work unless I am before a six-foot canvas. I have done a good deal of skying for I am determined to conquer all difficulties, and that among the rest.”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Rev. John Fisher (23 October 1821), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 41
1820s

Tom Petty photo

“I don't want to end up
In a room all alone
Don't want to end up someone
That I don't even know.”

Tom Petty (1950–2017) American musician

King's Highway
Lyrics, Into The Great Wide Open (1991)

Lyndon B. Johnson photo
T. E. Lawrence photo

“The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly. A first knowledge of their sense of the purity of rarefaction was given me in early years, when we had ridden far out over the rolling plains of North Syria to a ruin of the Roman period which the Arabs believed was made by a prince of the border as a desert-palace for his queen. The clay of its building was said to have been kneaded for greater richness, not with water, but with the precious essential oils of flowers. My guides, sniffing the air like dogs, led me from crumbling room to room, saying, 'This is jessamine, this violet, this rose'. But at last Dahoum drew me: 'Come and smell the very sweetest scent of all', and we went into the main lodging, to the gaping window sockets of its eastern face, and there drank with open mouths of the effortless, empty, eddyless wind of the desert, throbbing past. That slow breath had been born somewhere beyond the distant Euphrates and had dragged its way across many days and nights of dead grass, to its first obstacle, the man-made walls of our broken palace. About them it seemed to fret and linger, murmuring in baby-speech. 'This,' they told me, 'is the best: it has no taste.”

My Arabs were turning their backs on perfumes and luxuries to choose the things in which mankind had had no share or part.
Source: Seven Pillars of Wisdom (1922), Ch. 3

Edvard Munch photo
Adolf Eichmann photo

“I turned to Brecht and asked him why, if he felt the way he did about Jerome and the other American Communists, he kept on collaborating with them, particularly in view of their apparent approval or indifference to what was happening in the Soviet Union. […] Brecht shrugged his shoulders and kept on making invidious remarks about the American Communist Party and asserted that only the Soviet Union and its Communist Party mattered. […] But I argued… it was the Kremlin and above all Stalin himself who were responsible for the arrest and imprisonment of the opposition and their dependents. It was at this point that he said in words I have never forgotten, 'As for them, the more innocent they are, the more they deserve to be shot.' I was so taken aback that I thought I had misheard him. 'What are you saying?' I asked. He calmly repeated himself, 'The more innocent they are, the more they deserve to be shot.' […] I was stunned by his words. 'Why? Why?' I exclaimed. All he did was smile at me in a nervous sort of way. I waited, but he said nothing after I repeated my question. I got up, went into the next room, and fetched his hat and coat. When I returned, he was still sitting in his chair, holding a drink in his hand. When he saw me with his hat and coat, he looked surprised. He put his glass down, rose, and with a sickly smile took his hat and coat and left. Neither of us said a word. I never saw him again.”

Sidney Hook (1902–1989) American philosopher

Out of Step (1985)

George William Russell photo

“Let thy young wanderer dream on:
Call him not home.
A door opens, a breath a voice
From the ancient room,
Speaks to him now. Be it dark or bright
He is knit with his doom.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

"Germinal" in Vale and Other Poems (1931)

Samuel Butler photo
John Banville photo
J.M. Coetzee photo

“Obviously, being on The Real Housewives of Beverly Hills brought more awareness to Erika Jayne and brought her out of the clubs and into people’s living rooms. I’m very thankful for that. I have nothing but great things to say about my experience.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne interview to Yahoo https://www.yahoo.com/entertainment/erika-jayne-wants-people-to-forget-their-005915255.html?guccounter=1 (2016)

Buddy Carter photo
Judith Martin photo
Julius Malema photo

“Malema: So these popcorn and mushrooming political parties in Zimbabwe, they will never find friendship in us. They can insult us here from air-conditioned offices of Sandton, we are unshaken. They must stop shouting at us, they must go and fight with their battle in Zimbabwe and win. Even if they've got ground and they are formed on the basis of solid ground in Zim, why are they speaking in Sandton and not Mashonaland or Matabeleland? … Let them go back and go and fight there. Even when the ANC was underground in exile, we had our internal underground forces fighting for freedom.
Fisher: You live in Sandton.
Malema: And we have never spoken from … exile. Let me tell you before you are tjatjarag [i. e. chatty]. This is a building of a revolutionary party, and you know nothing about the revolution.
Fisher: So, so they are not welcome in Sandton but you are?
Malema: So here you behave or else you jump. [Fisher and others laugh. ] Don't laugh.
Fisher: You're joking.
Malema: Chief, can you get security to remove this thing here. If you are not going to behave … call security to take you out. This is not a news room this. This is a revolutionary house. And you don't come here with that tendency. Don't come here with that white tendency, not here. … If you've got a tendency of undermining blacks even while you work, you are in a wrong place …
Fisher: That's rubbish.
Malema: … and you can go out!
Fisher: Absolutely rubbish.
Malema: Rubbish is what you have covered in that trouser. … You are a small boy, you can't do anything. … Bastard! Go out! You bloody agent! … So we think that we need to ensure that we encourage Zanu PF comrades to engage in peaceful means.”

Julius Malema (1981) South African political activist

Outburst against reporter Jonah Fisher at Luthuli House on 8 April 2010, while president of the ANC youth league and after his return from Zimbabwe, ANC's Julius Malema lashes out at 'misbehaving' BBC journalist https://www.theguardian.com/world/2010/apr/08/anc-julius-malema-bbc-journalist (8 April 2010)

Barry Goldwater photo
Horace Walpole photo

“The way to ensure summer in England is to have it framed and glazed in a comfortable room.”

Horace Walpole (1717–1797) English art historian, man of letters, antiquarian and Whig politician

Letter to Willam Cole (28 May 1774)

Sören Kierkegaard photo

“He did not like Ambassador Bern’s diplomatic response. Probably he was the sort that preferred to be the only liar in the room.”

Sarah Zettel (1966) American writer

Source: Bitter Angels (2009), Chapter 11 (p. 151)

Nicholas Serota photo
Mark Tobey photo

“The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists with a faded orange moon. The nocturne transformed itself into dreamy rooms with Chopin's music creating a mood that softened the hard core of self.”

Mark Tobey (1890–1976) American abstract expressionist painter

quote from conversation with Seitz
1950's
Source: 'Reminiscence and Reverie', Mark Tobey, Magazine of Art, 44, October 1951, pp. 228, 231

Ron Paul photo

“Once you become self-conscious, there is no end to it; once you start to doubt, there is no room for anything else.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Adolf Hitler photo

“In my scheme of the German state, there will be no room for the alien, no use for the wastrel, for the usurer or speculator, or anyone incapable of productive work.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Interview with George Sylvester Viereck, 1923 https://www.theguardian.com/theguardian/2007/sep/17/greatinterviews1
1920s

George Soros photo