Quotes about room
page 16

Gerald Ford photo
Bill Bryson photo

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Russell Brand photo
Bel Kaufmanová photo
Boris Johnson photo
William Watson (poet) photo

“On from room to room I stray,
Yet mine Host can ne’er espy,
And I know not to this day,
Whether guest or captive I.”

William Watson (poet) (1858–1935) English poet, born 1858

World-Strangeness, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

John Donne photo
E.M. Forster photo
Lu Xun photo
Woodrow Wilson photo

“Congress in session is Congress on public exhibition, whilst Congress in its committee-rooms is Congress at work.”

Congressional Government, A Study in American Politics (1885; republished 1981), chapter 2, p. 69 (1981)
1880s

Robert Rauschenberg photo
Chuck Jones photo
The Edge photo
Giorgio de Chirico photo

“The structure of cities, the architecture of houses, squares, gardens, public walks, gateways, railway stations, etc – all these provide us with the basic principles of a great Metaphysical aesthetic... We, who live under the sign of the Metaphysical alphabet, we know the joy and sorrows to be found in a gateway, a street corner, a room, on the surface of a table, between the sides of a box…”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p. 233
De Chirico's statement on Metaphysical aesthetic in painting motifs like houses, architecture, railway stations
1908 - 1920, On Mystery and Creation, Paris 1913

“As [Phoenix] drew near her room, she heard a woman's voice saying, "It will be easier for us when that monster of yours dies."
"There will be another one, and she will be the same," answered Chia Lien's voice.
"You can make Patience your wife," the woman said. "She will be easier to manage."
"She won't even let me touch Patience," Chia Lien said. "And Patience doesn't dare complain, though she doesn't like her vigilance either. I wonder what I have done to deserve such a wife."
Phoenix shook with rage. Thinking that Patience must have complained behind her back, she turned to her and slapped her face. She then burst into the room, seized Pao-er's wife and struck her repeatedly. Fearing that Chia Lien would bolt from the room, she planted herself at the door while she denounced the woman. "Prostitute!" she cried, "you seduce your mistress's husband and then plot to murder her! And you," she turned to Patience, "you prostitutes are all in conspiracy against me, though you pretend to be on my side." She struck Patience again.
Patience was outraged. She cried, "You two—is it not enough for you to do this shameful thing without dragging me in?" She also made for Pao-er's wife.
Chia Lien, who had until now stood helplessly watching Phoenix beat Pao-er's wife, took the opportunity to hide his own embarrassment by beating Patience. "Who are you to raise your hand against her?" he said to the maid.
Patience retreated and said, weeping, "But why did you drag me into it?"
Phoenix's anger mounted when she saw that Patience was afraid of Chia Lien and commanded her to ignore him and beat Pao-er's wife. The maid, outraged and helpless, ran out of the room, crying and threatening to kill herself.
Phoenix now threw herself at Chia Lien, crying that he might as well kill her then and there since he wanted to get rid of her. Chia Lien grew desperate. He seized a sword from the wall and said he would gladly oblige if she insisted.
Yu-shih and others arrived on the scene. "What is the matter now?"”

Wang Chi-chen (1899–2001)

she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199

Bill Maher photo
Bill Cosby photo
Richard Stallman photo
Edwin Abbott Abbott photo
Francis Escudero photo

“If we are shocked by reports about policemen owning prime properties then all the more should we be angered by the fact many police officers rent rooms no bigger than a pig pen.”

Francis Escudero (1969) Filipino politician

Manila Standard Today http://manilastandardtoday.com/mobile/2014/09/26/belmonte-to-purisima-resign-now
2014

Richard K. Morgan photo
Karl Schmidt-Rottluff photo

“The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.... an adjoining room was hidden by a curtain with abstractedly patterned batik.”

Karl Schmidt-Rottluff (1884–1976) German artist

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]

Piet Mondrian photo
Albrecht Thaer photo
Theo van Doesburg photo
Adam Zagajewski photo
Orson Scott Card photo

““A man like that thinks that fear can win loyalty.”
“Plenty of masters with a lash who can testify it works.”
“Don’t win loyalty, just obedience, and only while the lash is in the room.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 4 “La Tia” (p. 74).

Richard Burton photo
Necro (rapper) photo

“I make beats like surgeons resume
To stitch up your wounds
Inside the emergency room
They must work urgently or you'll permanently be in a tomb
You see in the clergy soon
I enjoy physical intimacy with young men”

Necro (rapper) (1976) American rapper

Song 24 Shots http://www.sing365.com/music/lyric.nsf/24-Shots-lyrics-Necro/64198B0091F2423E48256D98000D6B54

S.L.A. Marshall photo
Ai Weiwei photo
Bram van Velde photo

“When you get to the bottom, you discover that there is no room for pride. That’s what I paint.”

Bram van Velde (1895–1981) Dutch painter

short quotes, 28 December 1967; p. 69
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Jay Nordlinger photo

“[T]he nutcase Left and the nutcase Right are alike in virtually every particular. They should get a room somewhere -- far from here.”

Jay Nordlinger (1963) American journalist

Twitter post https://twitter.com/jaynordlinger/status/1037178490376863744 (4 September 2018)
2010s

William Lever, 1st Viscount Leverhulme photo
Jean Genet photo
Edward Heath photo
Bert McCracken photo
Donald J. Trump photo
Mahmud of Ghazni photo
Yanni photo

“You have to give up some of the old so that you can make room for the new.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

Colin Wilson photo
David Sedaris photo
Martin Amis photo
Thomas Fuller photo

“Their heads sometimes so little that there is no room for wit; sometimes so long that there is no wit for so much room.”

Thomas Fuller (1608–1661) English churchman and historian

Of Natural Fools.
The Holy State and the Profane State (1642)

Trent Lott photo

“We need more meetings like this across the nation. The people in this room stand for the right principles and the right philosophy.”

Trent Lott (1941) United States Senator from Mississippi

To the CCC (1992), as quoted in The Ku Klux Klan in Mississippi http://www.pdfarchive.info/pdf/N/Ne/Newton_Michael_-_The_Ku_Klux_Klan_in_Mississippi.pdf (2010), by Michael Newton, p. 195.
1990s

Elton John photo
Frank Chodorov photo

“There are no stars to-night
But those of memory.
Yet how much room for memory there is
In the loose girdle of soft rain.”

Hart Crane (1899–1932) American writer

My Grandmother's Love Letters (l. 1-4). In The Norton Anthology of Modern Poetry, by Richard Ellmann and Robert O'Clair (1988)

“There is only so much space on the planet. Fathers perish to make room for sons.”

Roger Kahn (1927–2020) American baseball writer

Afterwords on the Life of Kings, p. 434
The Boys Of Summer

George Grossmith photo

“I left the room with silent dignity, but caught my foot in the mat.”

The Diary of a Nobody (1892), ch. 12
Co-written with his brother Weedon Grossmith.

Mickey Spillane photo

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

The Big Kill (1951)

Daisy Ashford photo
P.G. Wodehouse photo
Łukasz Pawlikowski photo

“When I was a few years, often approached the door of the room where my mother exactly practicing, listened to sounds and imagined this music.”

Łukasz Pawlikowski (1997) Polish cellist

Kiedy miałem kilka lat, często podchodziłem do drzwi pokoju, w którym akurat ćwiczyła mama, wsłuchiwałem się w dźwięki i wyobrażałem sobie tę muzykę.
A little cellist from Krakow conquers the world, warszawa.naszemiasto.pl, 2008-04-02, Polish http://warszawa.naszemiasto.pl/archiwum/1664386,maly-wiolonczelista-z-krakowa-podbija-swiat,id,t.html,

Pierre Monteux photo
Conrad Aiken photo
Toby Keith photo
Henry Burchard Fine photo
Phil Brooks photo

“Isn't this the prettiest little thing you've ever seen? It was over a year ago I held this belt high in the air after I fought for it for the first time in Dayton, Ohio against Samoa Joe and I proclaimed this belt the most important thing to me. Right now, in my hands, as of this day 6/18/05, THIS becomes the most important belt in the world! This belt in the hands of any other man is just a belt, but in my hands it becomes power. Just like this microphone in the hands of any of the boys in the back is just a microphone, but in the hands of a dangerous man like myself it becomes a pipe-bomb. These words that I speak spoken by anybody else are just words strung loosely together to form sentences. What I say I mean, and what I mean I say, and they become anthems! You see, if I could be afforded the time here a little bit of a story. There was once an old man, walking home from work. He was walking in the snow, and he stumbled upon a snake frozen in the ice. He took that snake, and he brought it home, and he took care of it, and he thawed it out, and he nursed it back to health. And as soon as that snake was well enough, it bit the old man. And as the old man lay there dying he asked the snake, 'Why? I took care of you. I loved you. I saved your life.' And that snake looked that man right in the eye and said, 'You stupid old man. I'm a snake.' The greatest thing the devil ever did was make you people believe he didn't exist… and you're looking at him right now! I AM THE DEVIL HIMSELF! And all of you stupid, mindless people fell for it! You all believed in the same make-believe superhero that the legendary Ricky 'The Dragon' Steamboat saw some year ago today. No, you see, you don't know anything. You followed me hook-line and sinker, all of you did, and I'm not mad at you… I just feel sorry for you. This belongs to me! Everything you see here belongs to me, and I did what I had to do to get my hands on this. Now I am the GREATEST PRO WRESTLER walkin' the Earth today! This is my stage, this is my theater, you are my puppets! When I pulled those marionette strings, and I moved your emotions, and I played with them, and honestly it's 'cause I get off on it. I hate each and every single one of you with a thousand burns and I will not stop… I will not stop until I prove that I am better than you, that I am better than Low Ki, that I am better than AJ Styles! I'm better than Samoa Joe. Ladies and gentlemen, the champ is here! You don't have to love it, but you better learn to accept it. 'Cause I'm taking this with me, and there's not a single person in that locker room that can stop me!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor, Death Before Dishonor III. June 18th, 2005.
This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act.
Ring of Honor

Stendhal photo

“It is with blows dealt by public contempt that a husband kills his wife in the nineteenth century; it is by shutting the doors of all the drawing-rooms in her face.”

C'est à coups de mépris public qu'un mari tue sa femme au XIXe siècle; c'est en lui fermant tous les salons.
Vol. I, ch. XXI
Le Rouge et le Noir (The Red and the Black) (1830)

John Updike photo
Brandon Boyd photo

“She is a girl so I wouldn’t slap her. I would lock her in a room full of spiders and let her think about what she’s doing to the youth of America.”

Brandon Boyd (1976) American rock singer, writer and visual artist

On what he would do if he met Britney Spears

John Fante photo
Mitch Albom photo
Katherine Mansfield photo
Marie Bilders-van Bosse photo

“In the afternoon he [ Johannes Bosboom ] took me to look for it [her first showed painting, ever]. There it was! I thought I was swimming! And next day, our lounge was full of people [at home, with her father], a friend of dad came in and he said: 'I have seen your painting. Very well, indeed. Do you know it just has been sold?' Suddenly it fell silent in the room. Daddy looked at me with surprised eyes. It was my declaration of independence.”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Maria Bilders-van Bosse, in Nederlands): 's Middags nam hij [ nl:Johannes Bosboom ] me mee, om ernaar te gaan kijken [haar eerst-getoonde schilderij]. Daar hing het! Ik dacht dat ik zwom! En den volgenden dag, de salon was bij ons [thuis bij haar vader] vol menschen, komt een vriend van papa binnen en zegt: 'Ik heb je schilderij gezien. Heel goed. Weet je dat het verkocht is?' Het was ineens stil in de kamer. Pappa keek me met een paar verbaasde ogen aan. Het was mijn onafhankelijkheidsverklaring.
Quote of Marie Bilders-van Bosse, c. Jan. 1875; as cited by Dutch writer Augusta de Wit, in 'Marie Philippine Bilders-van Bosse', in artmagazine 'De Gids', 1900, p. 513
Bosboom had organized that one of her early paintings was showed in the shop-window of art-dealer Goupil in The Hague; it became her first sale, to Dr. Blom Coster

Robert E. Howard photo
Barend Cornelis Koekkoek photo

“[Nature] only give it you, when you carefully consider its majesty and greatness. Does it not present beautiful scenes in front of your eyes that impossibly could be described to you by somebody else?…. [scenes], which you can try to realize afterwards in your room on the canvas or panel.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van B.C. Koekkoek:) [de natuur] alleen schenkt u die bij eene aandachtige beschouwing harer majesteit en grootheid.. .Spreidt zij geene prachttaferelen voor uw oog ten toon, die onmogelijk een ander u zou kunnen beschrijven?. ..die gij naderhand op uwe kamer op het doek of paneel kunt trachten te verwezenlijken.
Quote of Koekkoek, 1841: in: Herinneringen aan en Mededeelingen van eenen Landschapschilder, as cited in 'Andreas Schelfhout Onsterfelijk schoon', p. 35 https://www.simonis-buunk.nl/wp-content/uploads/2016/06/catalogus_schelfhout.pdf

Jacob M. Appel photo

“I am grateful that I have rights in the proverbial public square--but, as a practical matter, my most cherished rights are those that I possess in my bedroom and hospital room and death chamber.”

Jacob M. Appel (1973) American author, bioethicist, physician, lawyer and social critic

"A Culture of Liberty" http://www.huffingtonpost.com/jacob-m-appel/a-culture-of-liberty_b_242402.html, The Huffington Post (2009-07-21)

Wilhelm II, German Emperor photo

“Where my Guards appear, there is no room for democracy.”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Speech to representatives of German political parties (20 July 1917), quoted in Michael Balfour, The Kaiser and His Times (London: Penguin, 1975), pp. 379-380
1910s

Douglas Adams photo
Billy Childish photo

“Bowie and McCartney arrived, and the biscuits and caviare started and I left immediately. I don’t like shouting across rooms, with people in shiny suits who look like used-car salesmen.”

Billy Childish (1959) British musician

Tim Teeman, "The importance of being Childish", http://www.timesonline.co.uk/article/0,,22876-2475809.html The Times, 2006-12-02
On a party in the mid-1990s.

Moby photo

“For example, you can go on all the pro-life chat rooms and say you're an outraged right-wing voter and that you know that George Bush drove an ex-girlfriend to an abortion clinic and paid for her to get an abortion.Then you go to an anti-immigration website chat room and ask, "What's all this about George Bush proposing amnesty for illegal aliens?"”

Moby (1965) Activist, American musician, DJ and photographer

Quoted in "Punk the prez? Moby's anti-Bush tricks" by George Rush and Joanna Rush Molloy, New York Daily News (9 February 2004); for Moby's comment on this news item, see "today's daily news", journal entry (8 February 2004) at moby.com http://www.moby.com/journal/2004-02-09/todays_daily_news.html

Elton John photo
John Coleridge, 1st Baron Coleridge photo
Chris Cornell photo
William Grey Walter photo
Helena Petrovna Blavatsky photo
Phil Brown (footballer) photo

“When you compare the changing room to last season, there is a massive, massive difference. The changing room now is full of men”

Phil Brown (footballer) (1959) English association football player and manager

14-Jan-2007, Hull City OWS
Last season they were women?