Quotes about room
page 16

“As I look into the faces that fill this familiar room, and as I imagine those faces in other rooms across the land, I do not see members of the legislative branch or the executive branch or the judicial branch, though I am very much aware of the importance of keeping the separate but coequal branches of our Federal Government in balance. I do not see Senators or Representatives, nor do I see Republicans or Democrats, vital as the two-party system is to sustain freedom and responsible government.
At this moment of visible and living unity, I see only Americans. I see Americans who love their country, Americans who work and sacrifice for their country and their children. I see Americans who pray without ceasing for peace among all nations and for harmony at home.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

1970s, First Vice-Presidential address (1973)

Love, Children, Peace, Home

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Life, Women, Secret, World

“I could see the room dividing as I spoke. I could hear the laughter of some and louder still silence of others. I realised that for some people this was regarded as an event with import. The magazine, the sponsors and some of those in attendance saw it as a kind of ceremony that warranted respect. In effect, it is a corporate ritual, an alliance between a media organisation, GQ, and a commercial entity, Hugo Boss. What dawned on me as the night went on is that even in apparently frivolous conditions the establishment asserts control, and won't tolerate having that assertion challenged, even flippantly, by that most beautifully adept tool: comedy.”

Russell Brand (1975) British comedian, actor, and author

Russell Brand - The Guardian (2013)

People, Laughter, Silence, Night

“Teachers try to make us feel lower than themselves, maybe because this is because they feel lower than outside people. One teacher told me to get out of the room and never come back, which I did.”

Bel Kaufmanová book Up the Down Staircase

Part II, ch. 10 (Jerry "Cutter" Hyams)
Up the Down Staircase (1965)

People, Feeling, Teachers

“Something mysterious happened when Barack Obama entered the Oval Office in 2009. Something vanished from that room, and no one could quite explain why. It was a bust of Winston Churchill – the great British war time leader. It was a fine goggle-eyed object, done by the brilliant sculptor Jacob Epstein, and it had sat there for almost ten years. But on day one of the Obama administration it was returned, without ceremony, to the British embassy in Washington. No one was sure whether the President had himself been involved in the decision. Some said it was a snub to Britain. Some said it was a symbol of the part-Kenyan President’s ancestral dislike of the British empire – of which Churchill had been such a fervent defender. Some said that perhaps Churchill was seen as less important than he once was. Perhaps his ideas were old-fashioned and out of date. Well, if that’s why Churchill was banished from the Oval Office, they could not have been more wrong.”

Boris Johnson (1964) British politician, historian and journalist

In a column for The Sun newspaper http://www.thesun.co.uk/sol/homepage/news/politics/7095695/UK-and-America-can-better-friends-than-ever-Mr-Obama-if-we-LEAVE-the-EU-says-Boris-Johnson.html, 22 April 2016. 2010s, 2016

War, Idea, Fashion, Decision

“On from room to room I stray,
Yet mine Host can ne’er espy,
And I know not to this day,
Whether guest or captive I.”

William Watson (poet) (1858–1935) English poet, born 1858

World-Strangeness, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Since I am coming to that holy room,
Where, with thy choir of saints forevermore,
I shall be made thy music; as I come
I tune the instrument here at the door,
And what I must do then, think here before.”

John Donne (1572–1631) English poet

Hymn to God My God, in My Sickness, stanza 1

Music, Thinking

“His hand came nearer, his eyes danced round the room, which began to fill with a golden haze. He beckoned, and Clesant moved into his arms. Clesand had often been proud of his disease but never, never of his body, it had never occurred to him that he could provoke desire. This sudden revelation shattered him, he fell from his pedestal, but not alone, there was someone to cling to, broad shoulders, a sunburnt throat, lips that parted as they touched him to murmur – ‘And to hell with Woolacott’.”

E.M. Forster (1879–1970) English novelist

Dr Woolacott
The Life to Come and other stories (1972)

Disease, Hell, Dance, Parting

“Chinese people love compromise. If you say to them, "This room is too dark, we must have a window made," they will all oppose you. But if you say, "Let's take off the roof," they will compromise with you and say "Let's have a window."”

Lu Xun (1881–1936) Chinese novelist and essayist

16
"The Epigrams of Lusin"

Love, People

“Congress in session is Congress on public exhibition, whilst Congress in its committee-rooms is Congress at work.”

Woodrow Wilson Congressional Government

Congressional Government, A Study in American Politics (1885; republished 1981), chapter 2, p. 69 (1981)
1880s

“I have another feeling that in working with a canvas, and with something you picked up off the street and you work on it for three or four days or maybe a couple of weeks and then, all of a sudden, it is in another situation. Much later, you go to see somebody in California, and there it is. You know that you know everything about that painting, so much more than anybody else in that room. You know where you ran out of nails... At the time I did that early piece, I didn't know it was the lower right-hand corner that had the new element – that that part would grow and that other parts would relate more to the past.”

Robert Rauschenberg (1925–2008) American artist

1960's, I never thought of it as much of an ability,' (1968)

Feeling, Time, Past, Parting

“John Lewell: Can you tell us: what exactly was Jack Warner like, as an employer?
Chuck Jones: Well, what he was like was nothing! We had nothing to do with Jack Warner. After fifteen years of direction (and the other person present, Friz Ferleng, had directed longer than that) we were finally invited by him to have lunch in the executive dining room. This was reserved for executives and favorite directors. Jack Warner was there. And Harry Warner was there. Jack didn't say very much to us. He was talking to other people about other things. But Harry Warner said: "The only thing I know about our cartoon department is that we make Mickey Mouse." Well, that was a little startling. It was the early 1950s, for God's sake! And so when we left, I said: "Don't worry, Mr Warner, we'll continue to make good Mickey Mouses!"”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

And he patted me on the back.
Lewell, "The Art of Chuck Jones", 139.

God, People, Personality

“My room overlooks the park and yesterday during the afternoon I'd opened up all the blinds and taken back the curtains so I could look out over the park. Come nightfall, I was grooving to some rap record in my room, bopping around the room for maybe half an hour. I don't know what I was doing, just messing around…and at one stage I looked out of the window and there were about 200 people looking up, clapping, applauding my dancing. That was funny.”

The Edge (1961) Irish rock musician, guitar player of U2

On dancing

People, Dance

“They say productivity is the key to confidence, and confidence … to productivity. And they’re happy walking back and forth between these two rooms, each the excuse for the other.”

James Richardson (1950) American poet

#150
Vectors: Aphorisms and Ten Second Essays (2001)

Happiness, Confidence

“The structure of cities, the architecture of houses, squares, gardens, public walks, gateways, railway stations, etc – all these provide us with the basic principles of a great Metaphysical aesthetic... We, who live under the sign of the Metaphysical alphabet, we know the joy and sorrows to be found in a gateway, a street corner, a room, on the surface of a table, between the sides of a box…”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p. 233
De Chirico's statement on Metaphysical aesthetic in painting motifs like houses, architecture, railway stations
1908 - 1920, On Mystery and Creation, Paris 1913

Joy, Housing, Box

“As [Phoenix] drew near her room, she heard a woman's voice saying, "It will be easier for us when that monster of yours dies."
"There will be another one, and she will be the same," answered Chia Lien's voice.
"You can make Patience your wife," the woman said. "She will be easier to manage."
"She won't even let me touch Patience," Chia Lien said. "And Patience doesn't dare complain, though she doesn't like her vigilance either. I wonder what I have done to deserve such a wife."
Phoenix shook with rage. Thinking that Patience must have complained behind her back, she turned to her and slapped her face. She then burst into the room, seized Pao-er's wife and struck her repeatedly. Fearing that Chia Lien would bolt from the room, she planted herself at the door while she denounced the woman. "Prostitute!" she cried, "you seduce your mistress's husband and then plot to murder her! And you," she turned to Patience, "you prostitutes are all in conspiracy against me, though you pretend to be on my side." She struck Patience again.
Patience was outraged. She cried, "You two—is it not enough for you to do this shameful thing without dragging me in?" She also made for Pao-er's wife.
Chia Lien, who had until now stood helplessly watching Phoenix beat Pao-er's wife, took the opportunity to hide his own embarrassment by beating Patience. "Who are you to raise your hand against her?" he said to the maid.
Patience retreated and said, weeping, "But why did you drag me into it?"
Phoenix's anger mounted when she saw that Patience was afraid of Chia Lien and commanded her to ignore him and beat Pao-er's wife. The maid, outraged and helpless, ran out of the room, crying and threatening to kill herself.
Phoenix now threw herself at Chia Lien, crying that he might as well kill her then and there since he wanted to get rid of her. Chia Lien grew desperate. He seized a sword from the wall and said he would gladly oblige if she insisted.
Yu-shih and others arrived on the scene. "What is the matter now?"”

Wang Chi-chen (1899–2001)

she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199

Fear, Thinking, Rage, Cry

“Republicans say that sex is bad, because with them it always is. It is!…I'm sorry, but they're just doughy, asexual, wonky, white people, and if you had to have sex with them it would be over in an excruciating three minutes. It's just, — and from the headlines of the past year I gather the only sex they're really good at, is gay sex. Really. Jeff Gannon in the White House press room, Representative Mark Foley, the Reverend Ted Haggard. I mean, that's a lot of gay when you're running against it in every election.”

Bill Maher (1956) American stand-up comedian

The Decider (21 July 2007)

People, Sex, Past, Housing

“The rhythmic pattern of the poem, which forces continuity of attention – incites a pleasurable compulsion to ‘follow’ – is either a tried metrical suasion-contrivance or a specially invented pattern of physical insistences, equally, if not more, binding in its effect on the reader. From a straight linguistic point of view, there is room for wonder if there is not latent vice in this environment in which pleasurable physically-compelled responses, produced by incidents of poetic utterance, are identified with the Good.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"The Promise of Words" in London Review of Books, Vol. 17, No. 17, p. 23

Pleasure

“I shook my head ruefully. Police departments all over the world were identical in two respects: they all have a fondness for breaking your head open for little or no provocation, and they can’t see the simple truth if it’s lying in front of them naked with its legs spread. The police don’t enforce laws; they don’t even get busy until after the laws are broken. They solve crimes at a pitifully low rate of success. What the police are, to be honest, is a kind of secretarial pool that records the names of the victims and the statements of the witnesses. After enough time passes, they can safely shove this information to the back of the filing system to make room for more.”

George Alec Effinger book When Gravity Fails

Source: When Gravity Fails (1986), Chapter 17 (pp. 235-236).

Truth, World, Law, Lying

“My wife stood up in the stirrups, grabbed my bottom lip and said "I want morphine!" I said "But, dear —" [vigorously breathing]. She said "You shut up! YOU did this to me!" And on the next contraction she told everybody in the delivery room that my parents were never married.”

Bill Cosby (1937) American actor, comedian, author, producer, musician, activist

Himself (1983)

Parent

“Nobody ever wrote so well so fast as Jim. One year he wrote, and we published, nine novels. It was an obsession. Back in 1941, his father had been in an asylum in Oklahoma City, begging Jim to get him out. Jim needed money to get him out, so he said to his father, "Give me a month, and I'll raise the money." His father brightened, because Jim never went back on his word. Jim took a bus to New York City and went door to door to the publishing houses, asking for money for a hotel room, a rented typewriter and meals so he could write a novel. Finally, at Modern Age, they took a chance, and in 10 days he wrote a novel. But things being what they are in publishing, it was a month plus one day before Jim got his advance. The same day, a telegram arrived. His father had committed suicide, ripping the excelsior out of his mattress and stuffing it down his throat. When Jim would drink he would sometimes cry and say, "Why couldn't he have waited another day? Didn't he trust me?"”

Arnold Hano (1922) American writer

From "Jim Thompson, 1906 - 1977," in The Los Angeles Times (May 1, 1977), p. X3
Other Topics

Money, Age, Drink, Suicide

“He [somebody at Carnegie Mellon University] had betrayed us. But he didn't just do it to us. Chances are he did it to you too. [Pointing at member of audience. ] And I think, mostly likely, he did it to you too. [Pointing at another member of audience. ][Laughter] And he probably did it to you as well. [Pointing to third member of audience. ] He probably did it to most of the people here in this room — except a few, maybe, who weren't born yet in 1980. Because he had promised to refuse to cooperate with just about the entire population of the Planet Earth. He had signed a non-disclosure agreement.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

2000s, Free Software: Freedom and Cooperation (2001)

People, Thinking, Laughter, Universe

“The trains take us anywhere we want on earth. They’re very fast and dependable. If I remember from history we tried personal mechanical vehicles for a short time, but gave them up as a bad idea. They smell up the road, take up too much room, caused many accidents and just proved a general nuisance.”

Michael Kurland book The Unicorn Girl

Source: The Unicorn Girl (1969), Chapter 7 (p. 95)

History, Idea, Time, Dependency

“Nature herself supplies us with an ascending scale or Alphabet of angles for half a degree up to 60 degrees, Specimens of which are placed in every Elementary School throughout the land. Owing to occasional retrogressions, to still more frequent moral and intellectual stagnation, and to the extraordinary fecundity of the Criminal and Vagabond Classes, there is always a vast superfluity of individuals of the half degree and single degree class, and a fair abundance of Specimens up to 10 degrees. These are absolutely destitute of civic rights; and a great number of them, not having even intelligence enough for the purposes of warfare, are devoted by the States to the service of education. Fettered immovably so as to remove all possibility of danger, they are placed in the class rooms of our Infant Schools, and there they are utilized by the Board of Education for the purpose of imparting to the offspring of the Middle Classes that tact and intelligence of which these wretched creatures themselves are utterly devoid.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 5. Of Our Methods of Recognizing One Another

Education, School, Intelligence, Nature

“If we are shocked by reports about policemen owning prime properties then all the more should we be angered by the fact many police officers rent rooms no bigger than a pig pen.”

Francis Escudero (1969) Filipino politician

Manila Standard Today http://manilastandardtoday.com/mobile/2014/09/26/belmonte-to-purisima-resign-now 2014

Anger

“He [ Hans Hofmann one of her art teachers] would come up to me [1937-38], look at my work, and do a critique half in English and half in German, but certainly nothing I could understand. When he left the room I would call George McNeil, who was then the monitor, over and I would ask: 'What did this man say to me?' Hoffman was teaching Cubism and that was pretty exciting. Matisse and Picasso were my highlights. It was as though I was swinging between them. First I started to work with color and then there was a heavy swing toward the linear.”

Lee Krasner (1908–1984) American artist

Source: Art Talk, Conversations with 15 woman artists 1975, p. 73.

Art, Color, Understanding, Teachers

“Just as a primitive sextant functions on the illusion that the sun and stars rotate around the planet we are standing on, our senses give us the illusion of stability in the universe, and we accept it, because without that acceptance, nothing can be done.
Virginia Vidaura, pacing the seminar room, lost in lecture mode.
But the fact that a sextant will let you navigate accurately across an ocean does not mean that the suns and stars do rotate are us. For all that we have done, as a civilization, as individuals, the universe is not stable, nor is any single thing within it. Stars consume themselves, the universe itself rushes apart, and we ourselves are composed of matter in constant flux. Colonies of cells in temporary alliance, replicating and decaying, and housed within, an incandescent cloud of electrical impulse and precariously stacked carbon code memory. This is reality, this is self-knowledge, and the perception of it will, of course, make you dizzy.”

Richard K. Morgan book Altered Carbon

Source: Altered Carbon (2002), Chapter 28 (pp. 354-355)

Star, Knowledge, Reality, Sense

“The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.... an adjoining room was hidden by a curtain with abstractedly patterned batik.”

Karl Schmidt-Rottluff (1884–1976) German artist

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]

“[.. how the] landlord has had my room cleaned by Snow White and the squirrel has whitewashed the walls with his tail [signed:] - "Sleepy."”

Piet Mondrian (1872–1944) Peintre Néerlandais

1930's

“The physicians in Celle were fifteen years behind in their practice; they had heard of a new style of practice, but regarded it as a mere chimera. When I ventured to say a word or two, they did not understand me: when I appealed to some great authority, they were ignorant of it: when I spoke from my own practical experience, they looked at me, from head to foot, and said sneeringly, "Well, well; experience will come in time." But when by chance I ventured to make some proposal, they turned round, and wondered where they should find room enough in the churchyards to bury my patients. The great applause with which my Dissertations had been received in all the learned journals, even in England as well as in France, gave me courage, hoping that this circumstance would make some impression on the mind of the public; but it was generally thought I had ill employed my time, and knew little or nothing. Being obliged to frequent society, I was so disgusted with the general tone and the topics of their conversation, that I was almost in despair; at last, some young ladies treated me with more attention.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

Hope, Courage, Understanding, Learning

“Art has poisoned our life. Aesthetics has infected everyone… If one chooses a typewriter or a sewing machine in the living room, the housewife say: 'Please take it away; it destroys the harmony of the room'. Post-cards, stamps, pouches, railway-tickets, pots umbrellas, towels, pyamas, chairs, blankets, handkerchiefs and ties – everything is 'arty'. How much more refreshing are those articles which are not called art: bathrooms, bath-tubs, bicycles, automobiles, engine-rooms and flat-irons. There are still people who can make beautiful things without art. They are the progressives.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote of Van Doesburg in his article: 'The end of art'; in 'De Stijl' series XII, 1924-5, pp. 135–136
1920 – 1926

Life, People, Beauty, Art

“By March, 1908, we were ready to announce Model T, but not to produce it, On October 1 of that year the first car was introduced to the public. From Joe Galamb's little room on the third floor had come a revolutionary vehicle. In the next eighteen years, out of Piquette Avenue, Highland Park, River Rouge, and from assembly plants all over the United States came 15,000,000 more.”

Charles E. Sorensen (1881–1968) American businessman

Source: My Forty Years with Ford, 1956, p. 110 ; As cited in: EyeWitness to History (2005)

Cars

“You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.”

Adam Zagajewski (1945) Poet

Try to Praise the Mutilated World, Try to Praise the Mutilated World, September 11, 2011, Adam Zagajewski, The New Yorker, September 24, 2001 http://www.newyorker.com/archive/2001/09/24/010924po_poem_zagajewski,

World, Music, Autumn, Light

“I covered the walls of both basement rooms with Milino, a cheap substitute for canvas, stretched string backwards and forwards across the rooms and attached widths of packing-paper to them, so that they reached down to the floor and as far as the walls that I wanted to paint. I wanted to create a labyrinth which would somehow help to prevent a compositional idea from establishing itself all too quickly. I had the idea of working on all the walls pretty well at the same time, as if they were one large painting completely surrounding me. By constantly wandering in the labyrinth I sought to realise a form of “de-composition.””

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 114 (1985)

Idea, Time, Help, Painting

““A man like that thinks that fear can win loyalty.”
“Plenty of masters with a lash who can testify it works.”
“Don’t win loyalty, just obedience, and only while the lash is in the room.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 4 “La Tia” (p. 74).

Fear, Thinking, Loyalty

“My Lord, I am not a superstitious man,” Master Sean said. “Being a sorcerer leaves little room for superstition. A superstitious magician is unable to manipulate symbols properly, and symbolism is a large part of magic.”

Michael Kurland book Ten Little Wizards

Source: Ten Little Wizards (1988), Chapter 6 (p. 55)

Parting

“I stayed in bed all day yesterday, for instance, while she [Elizabeth Taylor] spent the entire day until well after midnight sitting in the main room, gossiping, etc. And, of course, inevitably sipping away at the drinks… What is more frightening is that she has become bored with everything in life.”

Richard Burton (1925–1984) Welsh actor

In "Richard Burton and Elizabeth Taylor: The Love Letters. How drinking cocooned them from pressure of fame. Without it, they couldn't even make love."

Life, Drink

“Villages and valleys pass by [Balla viewed during his train voyage to Düsseldorf in July 1912] and with my friend the binoculars [field glasses] I stare into the closest windows; semi-undressed people who wash themselves, bedding on balconies, clean almost empty rooms, a stupendous white shoulder of a women who, with a nude arm opens a door and goes inside.”

Giacomo Balla (1871–1958) Italian artist

quote from a letter to Balla's family, July 1912; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 306, note 34

Women, People, Training

“I make beats like surgeons resume
To stitch up your wounds
Inside the emergency room
They must work urgently or you'll permanently be in a tomb
You see in the clergy soon
I enjoy physical intimacy with young men”

Necro (rapper) (1976) American rapper

Song 24 Shots http://www.sing365.com/music/lyric.nsf/24-Shots-lyrics-Necro/64198B0091F2423E48256D98000D6B54

Men

“The night room heaves a sigh, yes Heaves, a Sigh — old-fashioned comical room, oh me I'm hopeless, born a joker never change, flirting away through the mirrorframe in something green-striped, pantalooned, and ruffled — meantime though, it is quaint, most rooms today hum you know, have been known also to "breathe," yes even wait in hushed expectancy and that ought to be the rather sinister tradition here, long slender creatures, heavy perfume and capes in rooms assailed by midnight, pierced with spiral stairways, blue-petaled pergolas, an ambience in which no one, however provoked or out of touch, my dear young lady, ever, Heaves, a Sigh. It is not done.”

Thomas Pynchon book Gravity's Rainbow

Gravity's Rainbow (1973)

Fashion, Change, Waiting, Night

“(17.2. 1914) Beyond some bars, out of arm's reach, lies an objective [a banana]; on this side, in the background of the experiment room, is placed a sawn-off castor-oil bush, whose branches can be easily broken off. It is impossible to squeeze the tree through the railings, on account of its awkward shape; besides, only one of the bigger apes could drag it as far as the bars. Sultan is let in, does not immediately see the objective, and, looking about him indifferently, sucks one of the branches of the tree. But, his attention having been drawn to the objective, he approaches the bars, glances outside, the next moment turns round, goes straight to the tree, seizes a thin slender branch, breaks it off with a sharp jerk, runs back to the bars, and attains the objective. From the turning round upon the tree up to the grasping of the fruit with the broken-off branch, is one single quick chain of action, without the least 'hiatus', and without the slightest movement that does not, objectively considered, fit into the solution described.”

Wolfgang Köhler book The Mentality of Apes

Source: The Mentality of Apes, 1925, p. 94; As cited in: Arthur Koestler, The Act of Creation, 1964, p. 103

Jerk, Tree, Indifference

“With respect to the effect of "friendly fire" hitting among troops. however, it is to be observed that if the circumstances leave any room for doubt as to the source, the men will jump to the conclusion that they are being victimized by their own guns.”

S.L.A. Marshall (1900–1977) United States Army general and Military historian

Men Under Fire. p. 193.
Men Against Fire: The Problem of Battle Command (1947)

Men

“At midnight they can come into your room and take you away. They can put a black hood on you, take you to a secret place and interrogate you, trying to stop what you’re doing. They threaten people, your family, saying: 'Your children won’t find jobs.”

Ai Weiwei (1957) Chinese concept artist

2010-, China’s Censorship Can Never Defeat the Internet, 2012

Children, People, Secret, Family

“Opposers of compassion urge: ‘If we should live on vegetable food, what shall we do with our cattle? What would become of them? They would grow so numerous they would be prejudicial to us—they would eat us up if we did not kill and eat them.’ But there is abundance of animals in the world whom men do not kill and eat; and yet we hear not of their injuring mankind, and sufficient room is found for their abode. Horses are not usually killed to be eaten, and yet we have not heard of any country overstocked with them. … Cattle are at present an article of trade, and their numbers are industriously promoted. … Self-preservation justifies a man in putting noxious animals to death, yet cannot warrant the least act of cruelty to any being. … Some animals are savage and unfeeling; but let not their ferocity and brutality be the standard pattern of the conduct of man.”

George Nicholson (printer)

Because some of them have no compassion, feeling, or reason, are we to possess no compassion, feeling, or reason? Remarks on Defences of Flesh-eating; quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), p. 193.

Death, Men, World, Food

“When you get to the bottom, you discover that there is no room for pride. That’s what I paint.”

Bram van Velde (1895–1981) Dutch painter

short quotes, 28 December 1967; p. 69
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Painting

“[T]he nutcase Left and the nutcase Right are alike in virtually every particular. They should get a room somewhere -- far from here.”

Jay Nordlinger (1963) American journalist

Twitter post https://twitter.com/jaynordlinger/status/1037178490376863744 (4 September 2018) 2010s

“My happiness is my business. I can see finality for myself, an end, an absolute end; but none for my business. There one has room to breathe, to grow, to expand, and the possibilities are boundless. One can go to places like the Congo, and organize, organize, organize, well, very big things indeed. But I don’t work at business only for the sake of money. I am not a lover of money as money and never have been. I work at business because business is life. It enables me to do things.”

William Lever, 1st Viscount Leverhulme (1851–1925) English industrialist, philanthropist, and politician

William Lever, quoted in C. Wilson, The History of Unilever, London: Cassell, 1954, vol. 1, p. 187; Requoted in Witzel (2004: 166)

Life, Money, Happiness, Lovers

“So long as we were in a room in a brothel, we belonged to our fantasies, but once having exposed them, we're now tied up with human beings, tied to you and forced to go on with this adventure according to the laws of visibility.”

Jean Genet The Balcony

The Balcony (1956)

Law

“You will see that our strategy is clear. It is to reorganise the functions of Government, to leave more to individual or to corporate effort, to make savings in Government expenditure, to provide room for greater incentives to men and women and to firms and businesses. Our strategy is to encourage them more and more to take their own decisions, to stand on their own feet, to accept responsibility for themselves and for their families.”

Edward Heath (1916–2005) Prime Minister of the United Kingdom (1970–1974)

Speech to Conservative Party Conference (10 October 1970), quoted in John Campbell, Edward Heath (London: Jonathan Cape, 1993), p. 310.
Prime Minister

Women, Men, Family, Business

“I cry all the time. In fact, I cried when we were at the Islington Academy. I got a bit teary-eyed at the crowd's reaction to our show. We were playing a song called On My Own and the response from the audience just got to me. Sometimes the love in the room is so overwhelming that I just cry. I'm not ashamed of that.”

Bert McCracken (1982) American musician

WENN staff (October 17, 2007) "McCracken: 'I Cry All the Time'", World Entertainment News Network.

Love, Time, Cry

“Anderson Cooper: You bragged that you have sexually assaulted women. Do you understand that?
Donald Trump: No, I didn't say that at all. I don't think you understood what was — this was locker room talk.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, October, Second presidential debate (October 9, 2016)

Women, Understanding, Thinking

“Sultam Mahmud, having entered into the idol temple, beheld an excessively long and broad room, in so much that fifty-six pillars had been made to support the roof. Somnat was an idol cut out of stone, whose height was five yards, of which three yards were visible, and two yards were concealed in the ground. Yaminu-d daula having broken that idol with his own hand, ordered that they should pack up pieces of the stone, take them to Ghaznin, and throw them on the threshold of the Jama Masjid.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Somnath (Gujarat) . Habibu’s-Siyar, in Elliot and Dowson, Vol. IV : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 182-83
Quotes from The History of India as told by its own Historians

Support

“You have to give up some of the old so that you can make room for the new.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

“What is beginning to emerge, then, is a theory about psychic sensitivity. It runs as follows. When I relax deeply, it is as if someone opened up the partition between the two compartments of my brain, turning them into a single large room. I experience a sense of mental freedom as if I can suddenly breathe more deeply, and a feeling of contact with things. Everyone has had the experience of being in a state of hurry or excitement, and failing to notice that they have bruised or scratched themselves -- until the excitement evaporates and the pain makes itself known. Hurry and tension raise our sensitivity threshold, and at the same time, erect a glass wall between us and reality. In the "unicameral" state, this wall vanishes, and everything seems more real.”

Colin Wilson (1931–2013) author

Source: After Life (1999), p. 51

Pain, Feeling, Reality, Sense

“"You kids think you invented sex," my mother was fond of saying. But hadn't we? With no instruction manual or federally enforced training period, didn't we all come away feeling we'd discovered something unspeakably modern? What produced in others a feeling of exhilaration left Jason and me with a mortifying feeling of guilt. We fled the room as if, in our fumblings, we had uncapped some virus we still might escape if we ran fast enough. Had one of the counselors not caught me scaling the fence, I felt certain I could have made it back to Raleigh by morning, skittering across the surface of the ocean like one of those lizards often featured on television wildlife programs.”

David Sedaris Naked

Essay: "I like guys". (p.106-107) [Page numbers per the 2006 Abacus paperback edition.]
Naked (1997)

Sex, Feeling, Thinking, Training

“His last words were spoken to a woman, to the nurse who was holding his hand. Perhaps we all have the last words ready when we go into the last room. Perhaps the thing about last words is not how good they are, but whether we can get them out. What Larkin said faintly was, "I'm going to the inevitable."”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)

“As far as country houses were concerned, the functions of the lower ranks within the hierarchy were now only those of respectful service to their superiors. They lived in the basement, or in subordinate wings to either side of the house. The main rooms were designed as the orderly setting for meetings between gentlemen, lords, and princes, who seldom forgot their rank. But behind the rigid etiquette which regulated their intercourse, continual jockeying for power, position and favours went on. The central government was a rich source of jobs and perquisites, which were distributed either by the king himself, or by his ministers and favourites. The main power of the court aristocracy now lay in its power of patronage; it was constantly being solicited for favours.”

Mark Girouard (1931) British architectural historian

Life in the English Country House: A Social and Architectural History (1978)

Housing, Country

“Their heads sometimes so little that there is no room for wit; sometimes so long that there is no wit for so much room.”

Thomas Fuller (1608–1661) English churchman and historian

Of Natural Fools.
The Holy State and the Profane State (1642)

“We need more meetings like this across the nation. The people in this room stand for the right principles and the right philosophy.”

Trent Lott (1941) United States Senator from Mississippi

To the CCC (1992), as quoted in The Ku Klux Klan in Mississippi http://www.pdfarchive.info/pdf/N/Ne/Newton_Michael_-_The_Ku_Klux_Klan_in_Mississippi.pdf (2010), by Michael Newton, p. 195. 1990s

People

“Early one morning in the winter of 1906-7, Henry Ford dropped in at the pattern department of the Piquette Avenue plant to see me. 'Come with me, Charlie,' he said, 'I want to show you something.'
I followed him to the third floor and its north end, which was not fully occupied for assembly work. He looked about and said, 'Charlie, I'd like to have a room finished off right here in this space. Put up a wall with a door in big enough to run a car in and out. Get a good lock for the door, and when you're ready, we'll have Joe Galamb come up in here. We're going to start a completely new job.”

Charles E. Sorensen (1881–1968) American businessman

The room he had in mind became the maternity ward for Model T. Source: My Forty Years with Ford, 1956, p. 96 ; As cited in: EyeWitness to History, " Henry Ford Changes the World, 1908 http://www.eyewitnesstohistory.com/ford.htm," www.eyewitnesstohistory.com (2005).

Cars, Winter, Maternity

“For this dark and lonely room
Projects a shadow cast in gloom.
And my eyes are mirrors
Of the world outside.
Thinking of the way
That the wind can turn the tide.
And these shadows turn
From purple into grey.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Skyline Pigeon
Song lyrics, Empty Sky (1969)

World, Way, Thinking

“The folks who get their rent cheap, at the expense of other taxpayers, acquire the notion that society is obligated to take care of them—good Freudianism and that these rooms are a down payment on that obligation.”

Frank Chodorov (1887–1966) American libertarian thinker

Source: Out of Step: The Autobiography of an Individualist (1962), p. 19

“Archie waited a beat- in strict command of the room, the silence almost unbearable- and said, "Everything in Brother Eugene's room is held together by screws. The chairs, the desks, the blackboards. Now, with your little screwdriver- maybe you'd better bring along various and assorted sizes, just in case- you start to loosen. Don't take out the screws. Just loosen them until they reach the point where they're almost ready to fall out, everything hanging by a thread…" A howl of delight came from the guys- probably Obie, who had gotten the picture, who could see the house that Archie was building, the house that didn't exist until he built it in their minds.”

Robert Cormier book The Chocolate War

Source: The Chocolate War (1974), p. 35

Guy, Silence, Waiting, Housing

“There are no stars to-night
But those of memory.
Yet how much room for memory there is
In the loose girdle of soft rain.”

Hart Crane (1899–1932) American writer

My Grandmother's Love Letters (l. 1-4). In The Norton Anthology of Modern Poetry, by Richard Ellmann and Robert O'Clair (1988)

Star, Memory, Night

“It's natural for a man to defend what’s dear to him: his own life, his home, his family. But in order to make him fight on behalf of his rulers, the rich and powerful who are too cunning to fight their own battles—in short to defend not himself but people whom he’s never met and moreover would not care to be in the same room with him—you have to condition him into loving violence not for the benefits it bestows on him but for its own sake. Result: the society has to defend itself from its defenders, because what’s admirable in wartime is termed psychopathic in peace. It’s easier to wreck a man than to repair him. Ask any psychotherapist. And take a look at the crime figures among veterans.”

John Brunner book The Sheep Look Up

September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Love, Life, People, Family

“There is only so much space on the planet. Fathers perish to make room for sons.”

Roger Kahn (1927–2020) American baseball writer

Afterwords on the Life of Kings, p. 434
The Boys Of Summer

“I left the room with silent dignity, but caught my foot in the mat.”

George Grossmith book The Diary of a Nobody

The Diary of a Nobody (1892), ch. 12
Co-written with his brother Weedon Grossmith.

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

Mickey Spillane book The Big Kill

The Big Kill (1951)

Pain, Smile, Jerk, Way

“My own room is next the bath room said Bernard it is decerated dark red as I have somber tastes. The bath room has got a tip up bason and a hose thing for washing your head.”

Daisy Ashford book The Young Visiters

Source: The Young Visiters (1919), Chapter 2

“…and worst of all, on June's huge doublebed with the Oriental drapecover on it we had ample room for sometimes six of us to sprawl with coffee cups and ashtrays and discuss the decadence of the 'bourgeoisie' for days on end.”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

About

Coffee

“Then he rose and began to pace the room in an overwrought sort of way, like a zoo lion who has heard the dinner-gong go and is hoping the keeper won't forget him in the general distribution.”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Hope, Way, Forgetting

“When I was a few years, often approached the door of the room where my mother exactly practicing, listened to sounds and imagined this music.”

Łukasz Pawlikowski (1997) Polish cellist

Kiedy miałem kilka lat, często podchodziłem do drzwi pokoju, w którym akurat ćwiczyła mama, wsłuchiwałem się w dźwięki i wyobrażałem sobie tę muzykę. A little cellist from Krakow conquers the world, warszawa.naszemiasto.pl, 2008-04-02, Polish http://warszawa.naszemiasto.pl/archiwum/1664386,maly-wiolonczelista-z-krakowa-podbija-swiat,id,t.html,

Music, Imagination

“I decided then and there that the symphonies of Beethoven and Brahms were the only music for me, not the music of this crazy Russian. … My one desire was to flee that room and find a quiet corner in which to rest my aching head. Then Diaghilev turned to me and with a smile said, "This is a masterpiece, Monteux, which will completely revolutionize music and make you famous, because you are going to conduct it."”

Pierre Monteux (1875–1964) French conductor

And, of course, I did.
Quoted in Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 91
On first hearing The Rite of Spring

Smile, Music

“More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes...
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him...
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out... For once, he forgot his pail.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Dreams, Boy, Coffee, Kiss

“That's my house and that's my car
That's my dog in my backyard
There's the window to the room
Where she lays her pretty headI planted that tree out by the fence
Not long after we moved in
That's my kids and that's my wife
Who's that man, runnin' my life?”

Toby Keith (1961) American country music singer and actor

Who's That Man.
Song lyrics, Boomtown (1994)

Life, Dogs, Cars, Tree

“The opinion is widely prevalent that even if the subjects are totally forgotten, a valuable mental discipline is acquired by the efforts made to master them. While the Conference admits that, considered in itself this discipline has a certain value, it feels that such a discipline is greatly inferior to that which may be gained by a different class of exercises, and bears the same relation to a really improving discipline that lifting exercises in an ill-ventilated room bear to games in the open air. The movements of a race horse afford a better model of improving exercise than those of the ox in a tread-mill.”

Henry Burchard Fine (1858–1928) American academic

Simon Newcomb, Henry Burchard Fine, Florian Cajori et al. Report of the Committee [of Ten http://books.google.com/books?id=58agAAAAMAAJ on Secondary School Studies Appointed at the Meeting of the National Educational Association July 9, 1892: With the Reports of the Conferences Arranged by this Committee and Held December 28-30, 1892]. p. 108: On math education

Feeling, Exercises, Game, Effort

“Isn't this the prettiest little thing you've ever seen? It was over a year ago I held this belt high in the air after I fought for it for the first time in Dayton, Ohio against Samoa Joe and I proclaimed this belt the most important thing to me. Right now, in my hands, as of this day 6/18/05, THIS becomes the most important belt in the world! This belt in the hands of any other man is just a belt, but in my hands it becomes power. Just like this microphone in the hands of any of the boys in the back is just a microphone, but in the hands of a dangerous man like myself it becomes a pipe-bomb. These words that I speak spoken by anybody else are just words strung loosely together to form sentences. What I say I mean, and what I mean I say, and they become anthems! You see, if I could be afforded the time here a little bit of a story. There was once an old man, walking home from work. He was walking in the snow, and he stumbled upon a snake frozen in the ice. He took that snake, and he brought it home, and he took care of it, and he thawed it out, and he nursed it back to health. And as soon as that snake was well enough, it bit the old man. And as the old man lay there dying he asked the snake, 'Why? I took care of you. I loved you. I saved your life.' And that snake looked that man right in the eye and said, 'You stupid old man. I'm a snake.' The greatest thing the devil ever did was make you people believe he didn't exist… and you're looking at him right now! I AM THE DEVIL HIMSELF! And all of you stupid, mindless people fell for it! You all believed in the same make-believe superhero that the legendary Ricky 'The Dragon' Steamboat saw some year ago today. No, you see, you don't know anything. You followed me hook-line and sinker, all of you did, and I'm not mad at you… I just feel sorry for you. This belongs to me! Everything you see here belongs to me, and I did what I had to do to get my hands on this. Now I am the GREATEST PRO WRESTLER walkin' the Earth today! This is my stage, this is my theater, you are my puppets! When I pulled those marionette strings, and I moved your emotions, and I played with them, and honestly it's 'cause I get off on it. I hate each and every single one of you with a thousand burns and I will not stop… I will not stop until I prove that I am better than you, that I am better than Low Ki, that I am better than AJ Styles! I'm better than Samoa Joe. Ladies and gentlemen, the champ is here! You don't have to love it, but you better learn to accept it. 'Cause I'm taking this with me, and there's not a single person in that locker room that can stop me!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor, Death Before Dishonor III. June 18th, 2005. This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act. Ring of Honor

Love, Life, Hate, People

“It is with blows dealt by public contempt that a husband kills his wife in the nineteenth century; it is by shutting the doors of all the drawing-rooms in her face.”

Stendhal book The Red and the Black

C'est à coups de mépris public qu'un mari tue sa femme au XIXe siècle; c'est en lui fermant tous les salons.
Vol. I, ch. XXI
Le Rouge et le Noir (The Red and the Black) (1830)

Drawing

“A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Introduction to The Best American Short Stories of 1984 (1984)

Painting, Falseness

“She is a girl so I wouldn’t slap her. I would lock her in a room full of spiders and let her think about what she’s doing to the youth of America.”

Brandon Boyd (1976) American rock singer, writer and visual artist

On what he would do if he met Britney Spears

Youth, Girl, Thinking

“But the room seemed so poor, pleading for warmth and joy. Vera Rivken's room. She had been nice to Arturo Bandini, and she was poor. I took the small roll from my pocket, peeled off two one dollar bills, and laid them on the table. Then I walked down the stairs, my lungs full of air, elated, my muscles so much stronger than ever before.”

John Fante book Ask the Dust

Ask the Dust (1939)

Joy

“In the stories about life and death, the soul often floats above the goodbye moment, hovering over police cars at highway accidents, or clinging like a spider to hospital room ceilings. These are people who receive a second chance, who somehow, for some reason, resume their place in the world. Eddie, it appeared, was not getting a second chance.”

Mitch Albom book The Five People You Meet in Heaven

The Five People You Meet in Heaven (2003)

Life, Death, People, World

“When I say "I fear" — don't let it disturb you, dearest heart. We all fear when we are in waiting-rooms. Yet we must pass beyond them, and if the other can keep calm, it is all the help we can give each other.”

Katherine Mansfield (1888–1923) New Zealand author

Journal entry (14 October 1922), published in The Journal of Katherine Mansfield (1927)

Fear, Waiting, Help, Heart

“In the afternoon he [ Johannes Bosboom ] took me to look for it [her first showed painting, ever]. There it was! I thought I was swimming! And next day, our lounge was full of people [at home, with her father], a friend of dad came in and he said: 'I have seen your painting. Very well, indeed. Do you know it just has been sold?' Suddenly it fell silent in the room. Daddy looked at me with surprised eyes. It was my declaration of independence.”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Maria Bilders-van Bosse, in Nederlands): 's Middags nam hij [ nl:Johannes Bosboom ] me mee, om ernaar te gaan kijken [haar eerst-getoonde schilderij]. Daar hing het! Ik dacht dat ik zwom! En den volgenden dag, de salon was bij ons [thuis bij haar vader] vol menschen, komt een vriend van papa binnen en zegt: 'Ik heb je schilderij gezien. Heel goed. Weet je dat het verkocht is?' Het was ineens stil in de kamer. Pappa keek me met een paar verbaasde ogen aan. Het was mijn onafhankelijkheidsverklaring.
Quote of Marie Bilders-van Bosse, c. Jan. 1875; as cited by Dutch writer Augusta de Wit, in 'Marie Philippine Bilders-van Bosse', in artmagazine 'De Gids', 1900, p. 513
Bosboom had organized that one of her early paintings was showed in the shop-window of art-dealer Goupil in The Hague; it became her first sale, to Dr. Blom Coster

People, Home, Painting

“"This warrior says you must fight him for the leadership," said Bran, and Kull, eyes glittering with growing battle-joy, nodded: "I guessed as much. Give us space."
"A shield and a helmet!" shouted Bran, but Kull shook his head.
"I need none," he growled. "Back and give us room to swing our steel!"”

Robert E. Howard (1906–1936) American author

"Kings of the Night" (1930)

Joy, Fight

“[Nature] only give it you, when you carefully consider its majesty and greatness. Does it not present beautiful scenes in front of your eyes that impossibly could be described to you by somebody else?…. [scenes], which you can try to realize afterwards in your room on the canvas or panel.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

translation from original Dutch: Fons Heijnsbroek (original Dutch, citaat van B.C. Koekkoek:) [de natuur] alleen schenkt u die bij eene aandachtige beschouwing harer majesteit en grootheid.. .Spreidt zij geene prachttaferelen voor uw oog ten toon, die onmogelijk een ander u zou kunnen beschrijven?. ..die gij naderhand op uwe kamer op het doek of paneel kunt trachten te verwezenlijken. Quote of Koekkoek, 1841: in: Herinneringen aan en Mededeelingen van eenen Landschapschilder, as cited in 'Andreas Schelfhout Onsterfelijk schoon', p. 35 https://www.simonis-buunk.nl/wp-content/uploads/2016/06/catalogus_schelfhout.pdf

Beauty, Nature

“It was no consolation to say their long ordeal was ended. It was not ended for us and — perhaps I should speak for myself — their memory was already turning to stone in my mind. In my whole life I have never felt such a weight of pure bitterness, helpless anger in utter defeat, outraged love and hope, as hung over us all in that room — or did we breathe it out of ourselves?”

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

The Never-Ending Wrong (1977)

Love, Life, Hope, Memory

“I am grateful that I have rights in the proverbial public square--but, as a practical matter, my most cherished rights are those that I possess in my bedroom and hospital room and death chamber.”

Jacob M. Appel (1973) American author, bioethicist, physician, lawyer and social critic

"A Culture of Liberty" http://www.huffingtonpost.com/jacob-m-appel/a-culture-of-liberty_b_242402.html, The Huffington Post (2009-07-21)

Death

“Where my Guards appear, there is no room for democracy.”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Speech to representatives of German political parties (20 July 1917), quoted in Michael Balfour, The Kaiser and His Times (London: Penguin, 1975), pp. 379-380
1910s

Democracy, Appearance

“Police, federal agency and military operations are fraught with the potential for catastrophic disaster. The nature of operations routinely conducted by counter narcotic agents, special weapons and tactics units, special response teams, and mlitary special operations units leave no room for error. A drug bust in the wrong house or a botched hostage rescue situation will be on the evening news with some senior official hemming and hawing and wishing he'd planned better. Once that occurs there is no defense. The best that can happen is to convince everyone that it will not occur again because of all the "lessons learned, and hope that there is a crisis somewhere else that will take your place in the media's attention. THIS IS A LOSING STRATEGY.”

Wheeler L. Baker (1938) President of Hargrave Military Academy

Source: Crisis Management: A Model For Managers (1993), p. 12

Hope, Error, Nature, Learning

“The room was not a room to elevate the soul. Louis XIV, to pick a name at random, would not have liked it, would have found it not sunny enough, and insufficiently full of mirrors. He would have desired someone to pick up the socks, put the records away, and maybe burn the place down. Michelangelo would have been distressed by its proportions, which were neither lofty nor shaped by any noticeable inner harmony or symmetry, other than that all parts of the room were pretty much equally full of old coffee mugs, shoes and brimming ashtrays, most of which were now sharing their tasks with each other. The walls were painted in almost precisely that shade of green which Raffaello Sanzio would have bitten off his own right hand at the wrist rather than use, and Hercules, on seeing the room, would probably have returned half an hour later armed with a navigable river. It was, in short, a dump, and was likely to remain so for as long as it remained in the custody of Mr Svlad, or 'Dirk', Gently, né Cjelli.”

Douglas Adams The Long Dark Tea-Time of the Soul

Source: The Long Dark Tea-Time of the Soul (1988), Ch. 3

Shoe, Soul, Coffee, Parting

“Bowie and McCartney arrived, and the biscuits and caviare started and I left immediately. I don’t like shouting across rooms, with people in shiny suits who look like used-car salesmen.”

Billy Childish (1959) British musician

Tim Teeman, "The importance of being Childish", http://www.timesonline.co.uk/article/0,,22876-2475809.html The Times, 2006-12-02 On a party in the mid-1990s.

People, Cars

“For example, you can go on all the pro-life chat rooms and say you're an outraged right-wing voter and that you know that George Bush drove an ex-girlfriend to an abortion clinic and paid for her to get an abortion.Then you go to an anti-immigration website chat room and ask, "What's all this about George Bush proposing amnesty for illegal aliens?"”

Moby (1965) Activist, American musician, DJ and photographer

Quoted in "Punk the prez? Moby's anti-Bush tricks" by George Rush and Joanna Rush Molloy, New York Daily News (9 February 2004); for Moby's comment on this news item, see "today's daily news", journal entry (8 February 2004) at moby.com http://www.moby.com/journal/2004-02-09/todays_daily_news.html

Life

“In the quiet silent seconds I turned off the light switch
And I came down to meet you in the half light the moon left.
While a cluster of night jars sang some songs out of tune,
A mantle of bright light shone down from a room.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Come Down in Time
Song lyrics, Tumbleweed Connection (1970)

Light, Night

“However much men may honestly endeavour to limit the exercise of their discretion by definite rule, there must always be room for idiosyncracy; and idiosyncracy, as the word expresses, varies with the man. But there is, besides this, that of which every student of legal history must be aware, the leaning of the Courts for a certain time in a particular direction, balanced at least, if not reversed, by the leaning of the Courts for a certain time in a direction opposite. The current of legal decision runs often to a point which is felt to be beyond the bounds of sound and sane control, and there is danger sometimes that the retrocession of the current should become itself extreme.”

John Coleridge, 1st Baron Coleridge (1820–1894) British lawyer, judge and Liberal politician

Reg. v. Labouchere (1884), 15 Cox, C. C. 425.

Men, Exercises, History, Decision

“Susan [Silver] gives me a huge amount of room to be that recluse, and also the incentive to not be. It’s worth a lot to see her be excited about being around someone who’s not afraid of his shadow. It’s good for her. She digs it. But we’re becoming more alike. When she comes home to me from a day at the office, where she’s talking to people from all over the world about all sorts of important things… well, I probably haven’t answered the phone in seventy-two hours. She knows that when she comes home she’s going to get privacy, because I’m not like ‘These are my South American friends and… honey, have you ever really listened to that first Van Halen album?’ She’s the best roommate I’ve ever had. People are sort of perplexed, as to how this could possibly work in this grunge-music, super-druggy era where everybody is so emotionally screwed up. Not only is Soundgarden not OD’ing on heroin, but the singer’s wife manages the band, there’s no weird Yoko Ono trip, and she’s not trying to make us dress up like lions and unicorns.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if intimacy is an issue in his marriage to Soundgarden's manager Susan Silver ** Interview with Details Magazine, December 1996 https://pitchfork.com/features/article/10081-chris-cornell-searching-for-solitude/, Soundgarden Era

People, World, Music, Home