Margaret Caroline Anderson Quotes (7 quotes)

Margaret Caroline Anderson: 7 quotes0 likes

Famous Margaret Caroline Anderson Quotes

“How can anyone be interested in war? — that glorious pursuit of annihilation with its ceremonious bellowings and trumpetings over the mangling of human bones and muscles and organs and eyes, its inconceivable agonies which could have been prevented by a few well-chosen, reasonable words. How, why, did this unnecessary business begin? Why does anyone want to read about it — this redundant human madness which men accept as inevitable?”

Margaret Caroline Anderson

The Strange Necessity (1969), part 1.

“It has been years since I have seen anyone who could even look as if he were in love. No one's face lights up any more except for political conversation.”

Margaret Caroline Anderson

The Fiery Fountains (1951), part 1.

“I was born to be an editor, I always edit everything. I edit my room at least once a week. Hotels are made for me. I can change a hotel room so thoroughly that even its proprietor doesn't recognize it… I edit people's clothes, dressing them infallibly in the right lines… I change everyone's coiffure — except those that please me — and these I gaze at with such satisfaction that I become suspect, I edit people's tones of voice, their laughter, their words. I change their gestures, their photographs. I change the books I read, the music I hear… It's this incessant, unavoidable observation, this need to distinguish and impose, that has made me an editor. I can't make things. I can only revise what has been made.”

Margaret Caroline Anderson

My Thirty Years' War: An Autobiography (Knopf, 1930, 274 pages), p. 58.

“People with heavy physical vibrations rule the world.”

Margaret Caroline Anderson

My Thirty Years' War: An Autobiography (1930), ch. 6 (p. 251).

“Life seems to be an experience in ascending and descending. You think you're beginning to live for a single aim — for self-development, or the discovery of cosmic truths — when all you're really doing is to move from place to place as if devoted primarily to real estate.”

Margaret Caroline Anderson

The Fiery Fountains (1951), part 1.

“Intellectuals are too sentimental for me.”

Margaret Caroline Anderson

The Strange Necessity (1969), part 1.

“How can anyone be interested in war?”

Margaret Caroline Anderson

that glorious pursuit of annihilation with its ceremonious bellowings and trumpetings over the mangling of human bones and muscles and organs and eyes, its inconceivable agonies which could have been prevented by a few well-chosen, reasonable words. How, why, did this unnecessary business begin? Why does anyone want to read about it — this redundant human madness which men accept as inevitable?
The Strange Necessity (1969), part 1.