Quotes about rock
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"Sonnet II" in Scribner's Monthly Vol. IX (November 1874 - April 1875), p. 359.
Source: Roxy Music legend Bryan Ferry unwinds in Paris, Talia Soghomonian, December 2002 http://www.musicomh.com/music/features/bryan-ferry.htm,
Eu, no fundo, não invento nada. Sou apenas alguém que se limita a levantar uma pedra e a pôr à vista o que está por baixo. Não é minha culpa se de vez em quando me saem monstros.
Quoted in the article Literatura: Saramago doutor honoris causa da Universidade Autónoma Madrid. Published by Rádio Mirasado. (March 15th, 2007)
BBC interview, used in a Citroën ad, as quoted in "John Lennon Appearance In Car Ad Stirs Controversy" by Monica Herrera in Billboard (4 March 2010) http://www.billboard.com/column-viralvideos/john-lennon-appearance-in-car-ad-stirs-controversy-1004072693.story#/column-viralvideos/john-lennon-appearance-in-car-ad-stirs-controversy-1004072693.story. Though there has been no official dispute that he made this statement, a YouTube video has claimed that the audio used in the advertisement is not original http://www.youtube.com/watch?v=ipyUk5-wlFg.
Disputed
As quoted in Call Her Miss Ross : The Unauthorized Biography of Diana Ross (1989) by J. Randy Taraborrelli
Untitled last poem found after his death; translation from Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 4, p. 235
“And so rock bottom became the solid foundation on which I rebuilt my life.”
Harvard address (2008)
“Classical musicians go to the conservatories, rock´n roll musicians go to the garages.”
Interview at Swedish Radio, programme Nightflite (circus 1980) http://home.swipnet.se/bengt-jonsson/zappaint.htm#Bobby
Concepts
Never Know Why, written by Jake E. Lee, Bob Daisley and Ozzy Osbourne.
Song lyrics, The Ultimate Sin (1986)
2000s, Kingdom of Fear: Loathsome Secrets of a Star-crossed Child in the Final Days of the American Century (2004)
Quote of Friedrich, shortly after his return in 1798; as quoted in C. D. Friedrich by H.W. Grohn; Kindlers Malerei Lexicon, Zurich, 1965, II p. 46; as cited & transl. by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 17
Friedrich's quote is referring to the typical landscape and atmosphere of Denmark, he intensively experienced for four years. In 1798 Friedrich left Copenhagen and returned to Germany, to Dresden
1794 - 1840
From an interview with "The Nashville Network" in 1991, putting rumors aside that she might be retiring.
Rock and Roll Rebel, written by Ozzy Osbourne.
Song lyrics, Bark at the Moon (1983)
“It makes rock concerts look like tea parties.”
Commenting on American Football, in interview with Howard Cosell on ABC Television (December 1974)
Source: 1960s, Fuzzy sets (1965), p. 338
As quoted in The Daily Of The University Of Washington (1989-05-05).
Interviews (1989-1994), Print
Swagga Like Us
Paper Trail (2008)
Peter Gzowski's 90 Minutes Live interview (1977)
You Can't Kill Rock and Roll, written by Ozzy Osbourne, Randy Rhoads and Bob Daisley.
Song lyrics, Diary of a Madman (1981)
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 148, in: 'What he told me – I. The motif'
1980s, Second term of office (1985–1989), Farewell Address (1989)
Interview on Scene And Heard by David Wigg (25 October 1971)
Spiritual Canticle of The Soul and The Bridegroom
Interview on The David Frost Show (14 June 1969) http://web.archive.org/web/20010719003543/http://homepage.ntlworld.com/carousel/pob07.html
J'accuse! (1898)
Context: The public was astounded; rumors flew of the most horrible acts, the most monstrous deceptions, lies that were an affront to our history. The public, naturally, was taken in. No punishment could be too harsh. The people clamored for the traitor to be publicly stripped of his rank and demanded to see him writhing with remorse on his rock of infamy. Could these things be true, these unspeakable acts, these deeds so dangerous that they must be carefully hidden behind closed doors to keep Europe from going up in flames? No! They were nothing but the demented fabrications of Major du Paty de Clam, a cover-up of the most preposterous fantasies imaginable. To be convinced of this one need only read carefully the accusation as it was presented before the court martial.
How flimsy it is! The fact that someone could have been convicted on this charge is the ultimate iniquity. I defy decent men to read it without a stir of indignation in their hearts and a cry of revulsion, at the thought of the undeserved punishment being meted out there on Devil's Island. He knew several languages: a crime! He carried no compromising papers: a crime! He would occasionally visit his country of origin: a crime! He was hard-working, and strove to be well informed: a crime! He did not become confused: a crime! He became confused: a crime! And how childish the language is, how groundless the accusation!
Under Fire (1916), Ch. 24 - The Dawn
Context: I tell them that fraternity is a dream, an obscure and uncertain sentiment; that while it is unnatural for a man to hate one whom he does not know, it is equally unnatural to love him. You can build nothing on fraternity. Nor on liberty, either; it is too relative a thing in a society where all the elements subdivide each other by force.
But equality is always the same. Liberty and fraternity are words while equality is a fact. Equality should be the great human formula — social equality, for while individuals have varying values, each must have an equal share in the social life; and that is only just, because the life of one human being is equal to the life of another. That formula is of prodigious importance. The principle of the equal rights of every living being and the sacred will of the majority is infallible and must be invincible; all progress will be brought about by it, all, with a force truly divine. It will bring first the smooth bed-rock of all progress — the settling of quarrels by that justice which is exactly the same thing as the general advantage.
Context: The fact that so many books still name the Beatles "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success: the Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worth of being saved.
1900s, Inaugural Address (1905)
Context: The conditions which have told for our marvelous material well-being, which have developed to a very high degree our energy, self-reliance, and individual initiative, have also brought the care and anxiety inseparable from the accumulation of great wealth in industrial centers. Upon the success of our experiment much depends, not only as regards our own welfare, but as regards the welfare of mankind. If we fail, the cause of free self-government throughout the world will rock to its foundations, and therefore our responsibility is heavy, to ourselves, to the world as it is to-day, and to the generations yet unborn.
“Adopt the character of the twisting octopus, which takes on the appearance of the nearby rock.”
Source: Elegies, Line 215.
Context: Adopt the character of the twisting octopus, which takes on the appearance of the nearby rock. Now follow in this direction, now turn a different hue.
As translated by Ejvind Haas
Siddhartha (1922)
Context: When you throw a rock into the water, it will speed on the fastest course to the bottom of the water. This is how it is when Siddhartha has a goal, a resolution. Siddhartha does nothing, he waits, he thinks, he fasts, but he passes through the things of the world like a rock through water, without doing anything, without stirring; he is drawn, he lets himself fall. His goal attracts him, because he doesn't let anything enter his soul which might oppose the goal. This is what Siddhartha has learned among the Samanas. This is what fools call magic and of which they think it would be effected by means of the daemons. Nothing is effected by daemons, there are no daemons. Everyone can perform magic, everyone can reach his goals, if he is able to think, if he is able to wait, if he is able to fast.
http://www.stopcryingyourheartout.co.uk/2015/11/chris-martin-on-oasis-and-working-with.html?m=1 source
Oui interview (1979)
from CD Now (September 1999) with Jason Gross
Myles Kennedy - Alter Bridge Frontman from an online Jamie Vendera interview (http://www.jaimevendera.com/myleskennedyi.html)
“I'm not picking up dog shit. I'm a rock star.”
The Osbournes television show
Source: Short fiction, The Iron Tactician (2016), p. 630
“Expectations are like hidden rocks in your path—all they do is trip you up.”
Source: The Palace of Illusions
“Safe upon the solid rock the ugly houses stand;
Come and see my shining palace built upon the sand!”
Source: "Second Fig" from A Few Figs from Thistles (1920)
“Okay, that so did me in. Mr. Rock being all emotional? Expressing his feelings?" p. 12”
Source: The Final Warning
“I survive all those battles," she growled, "and I get defeated by a stupid chunk of rock!”
Source: The Last Olympian
Source: The Art of Racing in the Rain
Source: The Darkest Kiss
“Jason felt humiliated and frustrated. Rejected by a rock.”
Source: The Dragon Heir
Source: Sweethearts
“Diplomacy is the same as saying "nice doggie" until you have a chance to pick up a rock.”
Attributed to Francis Rodman, in volume 64 of The Reader's digest (1954)
Other variants also attributed to Wynn Catlin in Kiss Me Hardy : Quotations Ancient and (Very) Modern (1982) by Roger Kilroy; and to Winston Churchill by Dick Applegate in a speech reprinted in Volume 75 of "The Carpenter" (1955)
Misattributed
“Here I am Rock You Like a Hurricane.”
Source: You Shall Know Our Velocity!
“Sex, drugs and rock 'n' roll is easy. True christianity…that's rebellion.”
Source: Froi of the Exiles
“The rock's easy, but the roll is another thing…”
Source: The Pill vs. the Springhill Mine Disaster