Quotes about play
page 38

“Sheriff Bart: Since I am your host and you are my guest what are your hobbies? What do you like to do in your free time?
Jim "The Waco Kid": Oh you know, play chess…screw.
Sheriff Bart: Well let's play chess!”

Mel Brooks (1926) American director, writer, actor, and producer

Blazing Saddles

Time

“Placebo effects (plural) are mostly reporting bias, regression to the mean, investment justification, researcher bias, and other sources of self-deception. They are transient, and significant only for subjective symptoms where reporting bias can play a major role. Studies have shown, in fact, that there is no significant "healing" that occurs due to placebo effects — no objective biological improvement.”

Steven Novella (1964) American neurologist, skepticist

NeuroLogica Blog, Can Thinking Change Reality Part II http://theness.com/neurologicablog/index.php/can-thinking-change-reality-part-ii/ (March 11, 2014)

Study

“The play is done; the curtain drops,
Slow falling to the prompter’s bell
A moment yet the actor stops
And looks around to say farewell.
It is an irksome word and task:
And when he’s laughed and said his say
He shows, as he removes the mask,
A face that’s anything but gay.”

William Makepeace Thackeray (1811–1863) novelist

The End of the Play, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Dialectics in many different forms has a surprisingly good press. Most people believe that struggle is very important and that it is important to be on the right side in a conflict…. Part of the difficulty is that the human race has an enormous and by no means unreasonable passion for the dramatic, and conflict is much more dramatic than production…. The awful truth about the universe - that it is not only rather a muddle, but also pretty dull - is wholly unacceptable to the human imagination. Nevertheless, it is the dull, nondialectical processes that hold the world together, that move it forward, and that provide the setting within which the dialectical processes take place. Evolution is the theatre, dialectics the play. It is a tragic error to mistake the play for the theatre, however, because that all too easily ends in the theatre burning down… Unless there is a reasonably widespread appreciation of the proper role of dialectical processes, these tend to get out of hand and become extremely destructive…. doing more harm than good.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 266 as cited in: " Ecodynamics and societal evolution http://kairos.laetusinpraesens.org/83deval8_8_h_13" at Kairos @ Laetus-in-Praesens.org. Accessed Feb 25, 2012

People, Truth, World, Error

“When I came back [from a temporary stay in Paris] and heard you play with Charles Mingus, and when you and Cecil Taylor [also a free Jazz musician] opened up the 'Five Spot' in the Fall of 1956, I felt better about being in New York. All the musicians who create from the gut as well as their intellect can change things. People will never understand what we are doing if they can't feel... All art is abstract. All music is abstract. But it's all real... When you improvise, I can see the seeds of a symphony you could write. When I first heard Charlie Parker in Chicago, I could see he was a symphony.... we were all trying to bring that spirit, that spontaneous energy, into our work.”

Joan Mitchell (1925–1992) American painter

talking to jazz-player David Anram in the jazz club the 'Five Spot', in 1956, she was visiting with Franz Kline
Quoted by David Anram in 'Introduction', in The Stamp of Impulse, Abstract expressionist prints, ed. David Acton, David Amram, David Lehman, Worcester Art Museum, 2001 p. 21
1950 - 1975

People, Art, Music, Feeling

“My family was all about education, and me being there was a combination of my parents instilling in my sister and I that this was the ticket to wherever you want to go in life—education. And that’s what I tell my children: You’ve got to work now, play later. You’ve got to get to the place where when you’re a senior in high school, you’ve got choices; you’ve got to put in the work.”

Courtney B. Vance (1960) American actor

Alumni Spotlight: Courtney B. Vance http://www.thecrimson.com/article/2016/10/18/alumni-spotlight-courtney-vance/, The Harvard Crimson (October 18, 2016)

Life, Children, Education, School

“Nobody thought Mel Gibson could play a Scot but look at him now! An Alcoholic racist!”

Frankie Boyle (1972) Scottish comedian

Frankie Boyle Live (2008)

Alcohol

“A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which. He simply pursues his vision of excellence through whatever he is doing, and leaves others to determine whether he is working or playing. To himself, he always appears to be doing both.”

L. P. Jacks (1860–1955) British educator, philosopher, and Unitarian minister

Misattributed to Chateaubriand on the internet and even some recently published books, this statement actually originated with L. P. Jacks in Education through Recreation (1932)
Misattributed

Education, Art, Appearance, Drawing

“From the very beginning, President Obama has relentlessly tried to play down and deny the nature of the terrorist threat we continue to face. […] Hence, Guantanamo will close, CIA interrogators will face a special prosecutor, and Khalid Sheik Mohammed will bask in a civilian trial in New York — a trifecta of political correctness and image management. And just to make sure even the dimmest understand, Obama banishes the term "war on terror." […] Obama may have declared the war over. Unfortunately, al-Qaeda has not. Which gives new meaning to the term "asymmetric warfare."”

Charles Krauthammer (1950–2018) American journalist

Column, January 1, 2010, "Obama’s dangerous denial" http://www.jewishworldreview.com/cols/krauthammer010110.php3#.U35UucJOWUk at jewishworldreview.com. 2010s, 2010

War, Understanding, Nature

“Pen-and-paper role-playing is live theater and computer games are television. People want the convenience and instant gratification of turning on the TV rather than getting dressed up and going out to see a live play. In the same way, the computer is a more immediately accessible way to play games.”

Gary Gygax (1938–2008) American writer and game designer

As quoted in "Dungeon Masters in Cyberspace" in The New York Times (27 February 2006) http://www.nytimes.com/2006/02/27/arts/27drag.html?_r=1&oref=slogin&pagewanted=all

People, Way, Game

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Books, Color, Communication, Idea

“A lot of musicians are going to have to retrain. It's nonsense to say that traditional classical music is more complex. Contemporary pieces by Harrison Birtwistle are much harder to play than Mozart or Wagner. I know a lot of people don't want to hear that.”

Joanna MacGregor (1959) British musician

The Mail on Sunday, 06/02/2000
On Classical Music

People, Music

“The world is the Lord's. He created it for His own play. We are mere pawns in His game. Wherever He keeps us and in whatever way He does so, we have to abide by it contentedly.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[Swami Saradeshananda, The Holy Mother's Reminiscences, Vedanta Kesari, 1976-1981]

World, Way, Game

“When I got married I thought I would have kids early, but the more I'm playing, the more I'm enjoying it. I really enjoy competing.”

Sania Mirza (1986) Indian tennis player

Source: Prajwal Hegde "I am enjoying my partnership with Cara Black: Sania Mirza"

“When we were first playing, even though it was derivative, playing music was the best, there was nothing better. And then by the second album (Freak Show) we were like, playing music makes me angry, and by the third album (Neon Ballroom) I was like, I need to play music cos life sucks. And now all of a sudden there's this really youthful enthusiasm in the band, everyone around us, there's this real positivity and everyone's vibing off the music.”

Daniel Johns (1979) Australian musician

Kerrang! magazine, April 2002
Interviews

Life, Youth, Music

“Let the children play
And sit like flowers upon thy grave
And crown with flowers,—that hardly have
A briefer blooming-tide than they.”

Francis Turner Palgrave (1824–1897) English poet and critic

"A Danish Barrow".

Children, Flowers

“Like I said, I grew up with punk, and the lyrics of the songs I liked were about reality, and young people were expressing themselves by playing music. It's always been more about attitude, for me. Expressing yourself within society.”

Mattin (1977) Spanish musician

Interview by Dan Warburton (July 2009)

People, Music, Reality

“I have thus played the sedulous ape to Hazlitt, to Lamb, to Wordsworth, to Sir Thomas Browne, to Defoe, to Hawthorne, to Montaigne, to Baudelaire and to Obermann. (…) That, like it or not, is the way to learn to write whether I have profited or not, that is the way.”

Robert Louis Stevenson book Memories and Portraits

Memories and Portraits, ch. IV. A College Magazine (1887).

Way, Learning

“Pa was forced to be a hobo
Because he played the oboe
And the oboe it is clearly understood
Is an ill wind that nobody blows good”

Sylvia Fine (1913–1991) American lyricist and songwriter

Song Anatole of Paris

“I don’t believe there will be a military solution to this conflict but I do believe there will be a military component to it. The vast majority of the fighting will be done by people from the region and by Syrians themselves, but that doesn’t mean that the UK shouldn’t play a role.”

Jo Cox (1974–2016) UK politician

Jo Cox: Syria is not Iraq – we must take action now http://www.yorkshirepost.co.uk/news/opinion/jo-cox-syria-is-not-iraq-we-must-take-action-now-1-7453039 (10 September 2015)

People, Fight

“Natural selection, the blind, unconscious, automatic process which Darwin discovered, and which we now know is the explanation for the existence and apparently purposeful form of all life, has no purpose in mind. It has no mind and no mind’s eye. It does not plan for the future. It has no vision, no foresight, no sight at all. If it can be said to play the role of watchmaker in nature, it is the blind watchmaker.”

Richard Dawkins book The Blind Watchmaker

Source: The Blind Watchmaker (1986), Chapter 1 “Explaining the Very Improbable” (p. 5)

Life, Nature, Future

“[A] revenue-neutral carbon tax would benefit all Americans by eliminating the need for costly energy subsidies while promoting a level playing field for energy producers.”

Gary S. Becker (1930–2014) American economist

Why We Support a Revenue-Neutral Carbon Tax: Coupled with the elimination of costly energy subsidies, it would encourage competition. http://www.wsj.com/articles/SB10001424127887323611604578396401965799658 "Commentary" article in the Wall Street Journal, co-authored with George P. Shultz, dated April 7, 2013.

“At an unknown hour, from a source that is still sealed to us, but inexorable, the Work comes into the world. Cold calculations, splashes leaping up without plan, mathematically accurate construction (laid bare or concealed) silent, screaming drawing, scrupulous finish, colour in fanfares or played pianissimo on the strings, large, serene, cradling, fragmented planes. Isn’t that a Form? Aren't those the means?
Suffering, seeking, tormented souls with a deep fissure, caused by the collision of the spiritual with the material... Shame on him who turns his soul's ear away from the mouth of art. A human being speaks to human beings about the superhuman – the language of art.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, from the catalog of the second exhibition of the 'Neue Künstlervereinigung', München, August, 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 95
1910 - 1915

World, Art, Soul, Mathematics

“I write plays because dialogue is the most respectable way of contradicting myself.”

Tom Stoppard (1937) British playwright

"Tom Stoppard," profile by Kenneth Tynan, The New Yorker (1977-12-19).
Interviews and profiles

Way

“I met Lindsey in high school in San Francisco. We had gone to some party and he was sitting in the middle of this gorgeous living room playing a song. I walked over and stood next to him, and the song was "California Dreaming," and I just started singing with him. And so I just threw in my Michelle Phillips harmony, and he was so beautiful. And then I didn't really see him again until two years later, when he called me and asked me if I wanted to be in his rock 'n' roll band, which I didn't even know existed. And within two or three months we were opening for Jimi Hendrix, Janis Joplin, all the San Francisco bands. Two years later, we packed up and moved to Los Angeles with about 12 demos.”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

"Blonde on Blonde", SPIN, Vol. 13, http://books.google.com/books?id=G-86CzNjg9cC No. 7 (October 1997), p. 92

School, Beauty, Dreams, Angels

“Hamlet's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

24 June 1827
Table Talk (1821–1834)

Courage, Nature, Thinking, Time

“In the rare event that the Supreme Court refuses to play along—there is always a perfectly legal, extra-constitutional, quasi-legislative, quasi-executive, quasi-judicial, 'independent' regulatory commission or executive agency to kill off or override constitutional protections.”

Ilana Mercer South African writer

"Quacking Over Ducksters As Freedoms Go Poof" http://www.wnd.com/2014/01/quacking-over-ducksters-as-freedoms-go-poof/, WorldNetDaily.com, January 3, 2014. 2010s, 2014

“So seeing that there is nothing further to say, I shall go right on talking about The Circle, thus proving that I am a born reviewer of plays. p. 256”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922

“A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. […] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" — that is, stripped of illusion — we can see that this is the author's fantasy of himself […] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor.”

Pauline Kael (1919–2001) American film critic

"The Iceman Cometh," pp. 353-354
5001 Nights at the Movies (1982)

Hate, Alcohol, Smile, Hope

“The more the individual receives free scope for the play of his faculties, the more rapidly will society as a whole advance.”

Leonard Trelawny Hobhouse (1864–1929) British sociologist

Source: Liberalism (1911), Chapter III, The Movement Of Theory, p. 34.

“I hope his back pretty sore for next week as well and he can't play.”

V. V. S. Laxman (1974) former Indian cricketer

w:Ricky Ponting worry on VVS batting against Team Australia. http://www.scrolldroll.com/quotes-about-vvs-laxman-that-show-he-is-truly-very-very-special/

Hope

“To say that corrupt means corrupt the ends is to believe in the immaculate conception of ends and principles. The real arena is corrupt and bloody. Life is a corrupting process from the time a child learns to play his mother off against his father in the politics of when to go to bed; he who fears corruption fears life.”

Saul D. Alinsky (1909–1972) American community organizer and writer

Source: Rules for Radicals: A Practical Primer for Realistic Radicals (1971), p. 24–25

Life, Fear, Learning, Time

“Daily life is a comprimised blend of posturing for the sake of role-playing and of varying degrees of self-revelation. Under stressful conditions even the "true" self cannot be precisely defined, as Erving Goffman observes. …Little wonder that the identity crisis is a major source of modern neuroticism, and that the urban middle class aches for a return to a simpler existence.”

Edward O. Wilson book On Human Nature

Wilson cites Goffman's Frame Analysis (1974) as a reference here.
On Human Nature (1978), Ch.4 Emergence

Life

“I was never drawn to experiment with language; I take note of such experiments, but avoid them in my own writing. The reason is that the substance of life claims me completely. To indulge in linguistic experiments is to ignore the greater part of this substance, leaving all but a tiny portion untouched and unused, as if a musician were to ceaselessly play an instrument with his little finger only.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 3
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Life, Parting

“I had just announced for the first time publicly on a radio show in San Francisco that I had done all the Keane paintings and not my ex-husband. And this, um, Bill Flang of the San Francisco Examiner thought that Walter and I should appear in Union Square and have a paint-off to decide who had done the paintings, since I was—said that I had done them. So, he arranged it, and LIFE magazine as there and all the different newspapers and t. v. stations and they, uh—some of them in the audience played "High Noon"—[laughs] And, of course, Walter didn't show up.”

Margaret Keane (1927) American artist

Interviewed https://www.youtube.com/watch?v=oMK6aBSX2QY on The Mike Douglas Show (1972). 1972

Life, Appearance, Time, Painting

“Whenever I get dumped, I nail the door shut so that no one can come inside, get a towel and clip it around my neck so it's like a Superman cape, take off my shoes so I can slide across the room, and…get a fake mic, like a celery stick or a pen, and I play any record that features the vocalist Ronnie James Dio. And you can just pretend you're Dio, because on every album he does, he has minimum one, usually three, *EVIL WOMAN LOOK OUT!*- songs. And if you wanna point like Dio, it's a three-finger point. (heavy metal voice) 'The exit is that way. Evil LURKS! Evil lurks in twilight! Dances in the DARK! Evil woman! Just WALK AWAY!”

Henry Rollins (1961) American singer-songwriter

Breaking Up Is Hard To Do

Shoe, Way, Evil, Dance

“You see us poor Englishmen searching hard for the solution of a problem when there isn't one. You may think that the Irish want certain definite reforms, and that they will be happy and contented the day they get them; but not at all. What amuses them is discussion itself, plotting in theory. They play with the idea of Home Rule; if we gave it them, the game would be finished and they would invent another, probably a more dangerous one.”

André Maurois (1885–1967) French writer

Les silences du colonel Bramble (The Silence of Colonel Bramble)

Happiness, Home, Search, Game

“Home is my sanctuary; once inside, anything that happened outside is already forgotten. To be able to play with my twins and read stories to them is always a pleasure, especially when they amaze me with their new found words or phrases. Kids are amazing spirit boosters!”

Francis Escudero (1969) Filipino politician

Pamsy Tioseco, "Fit and Fabulous", Woman Today 01 October 2010, p. 54.
2010

Pleasure, Home, Reading

“Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture — one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and — yes — consequences.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1235 of The Dark Knight (2008). Four star reviews

Life, Pain, Penalty, Way

“"From the singular appearance of this place I called it the gates of the rocky mountains," Captain Lewis said in his journals. Its singular appearance makes it a fitting backdrop for early and everlasting drama in which nature plays the leading role.”

Norman Maclean book Young Men and Fire

Young Men and Fire (1992)

Mountain, Nature, Appearance

“If no mistake you have made, yet losing you are… a different game you should play.”

Matthew Stover book Shatterpoint

Yoda, p. 150
Shatterpoint (2004)

Game

“For the government of the temporary magistrates of a democracy, or even the laws themselves may be as tyrannical as the maxims of the most despotic monarchy, and the administration of the government may be as destructive of private happiness. The only consolation that a democracy suggests in those circumstances is, that every member of the state has a chance of arriving at a share in the chief magistracy, and consequently of playing the tyrant in his turn; and as there is no government in the world so perfectly democratical, as that every member of the state, without exception, has a right of being admitted into the administration, great numbers will be in the same condition as if they had lived under the most absolute monarchy; and this is, in fact, almost universally the case with the poor, in all governments.”

Joseph Priestley book Essay on the First Principles of Government

Section III, "Of Civil Liberty"
Essay on the First Principles of Government, 2nd Edition (1771)

Happiness, World, Law, Democracy

“When soon I sail from here, I may again run into such a storm as the one in Kvasefjord. But this time I shall clearly understand that it is not a play in the theatre, but it is death. and it seems too that then, in the last moment before we go down, I can in in all truth be yours…”

Karen Blixen book Anecdotes of Destiny

"Tempests"
Anecdotes of Destiny (1953)

Death, Truth, Understanding, Time

“People think there's some real subversive thing playing against whoever it is; a lot of it is just people who want to go along and get along. And they also want to make money. And the bottom line is, they're going to put out as much stuff as they can — stupid, banal stuff that makes money.”

Lily Tomlin (1939) American actress, comedian, writer, and producer

The Advocate interview (2005)

Money, People, Stupidity, Thinking

“This is sad. I just think it’s a little ridiculous we are still only looking at the surface of one another. Red hair? Blue hair? Pink? Blonde? Short? Long? Whatever. We might as well shave our heads. Hair has nothing to do with the reason we playing music. It’s a style. Something that will never last as long as the songs we play and the words we sing. Listen up ladies in bands, I’m so proud to be one of you and I don’t care if we all look exactly alike or if we are all carbon copies of each other. We have things to say and it’s up to us to get people to not just look but to LISTEN!”

Hayley Williams (1988) American singer-songwriter and musician

Hayley on her Tumblr talking about Nikki Simmons (lead singer of the rock/metal upcoming band Morningside http://www.facebook.com/themorningside) who was being cyber-bullied because she looks like Hayley. http://yelyahwilliams.tumblr.com/post/8459667145

People, Sadness, Music, Thinking

“My goal is the same, work like last year, play hard all the time. Try and score goals.”

Alexander Ovechkin (1985) Russian ice hockey player

Turkish Daily News staff (October 4, 2006) "New season brings optimism and challenges for NHL", Turkish Daily News.

Time

“Oh, I'm staying in today. And watch the others play. Oh, wash my sins away. Like all good children I mean what I say.”

Ed Harcourt (1977) British musician

Visit From The Dead Dog

Children

“Should the enemy make any considerable detachments from New York, a larger covering party may be necessary for the State of Connecticut, as I should have more apprehensions of their committing depredations, if they detach, than if they do not; for then they will have nothing left but to play the small game.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (November 1779)

Game

“Waldo Butters: Screw up my life?
[He stared a me for a second and then said, deadpan]
Waldo Butters: I’m a five-foot-three, thirty-seven-year-old, single, Jewish medical examiner who needs to pick up his lederhosen from the dry cleaners so that he can play in a one-man polka band at Oktoberfest tomorrow.
[He pushed up his glasses with his forefinger, folded his arms, and said]
Waldo Butters: Do your worst.”

Jim Butcher The Dresden Files

Source: The Dresden Files, Dead Beat (2005), Chapter 5

Life

“As you serve others, you can inspire others. I’ve been inspired by the examples of many selfless servants. Winston Churchill, a leader of courage and resolve, inspired me during my Presidency—and, for that matter, in the post-presidency. Like Churchill, I now paint. Unlike Churchill, the painting isn’t worth much without the signature. In 1941, he gave a speech to the students of his old school during Britain’s most trying times in World War II. It wasn’t too long, and it is well-remembered. Prime Minister Churchill urged, 'Never give in… in nothing, great or small, large or petty. Never give in except to convictions of honor and good sense'. I hope you’ll remember this advice. But there’s a lesser-known passage from that speech that I also want to share with you. 'These are not dark days. These are great days. The greatest our country has ever lived; and we must all thank God that we have been allowed, each of us according to our stations, to play a part in making these days memorable in the history of our race'. When Churchill uttered these words, many had lost hope in Great Britain’s chance for survival against the Nazis. Many doubted the future of freedom. Today, some doubt America’s future, and they say our best days are behind us. I say, given our strengths—one of which is a bright new generation like you—these are not dark days. These are great days.”

George W. Bush (1946) 43rd President of the United States

2010s, 2015, Remarks at the SMU 100th Spring Commencement (May 2015)

God, War, World, School

“During his time working for me, Andy has carried out his role with complete professionalism. He has been a brilliant member of my team and has thrown himself at the job with skill and dedication. He can be extremely proud of the role he has played, including for the last eight months in Government.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2011

Time

“She was married for seven years
to a concrete castle king.
She said she wanted to learn to play the guitar
and to hear her children sing.
So I'd show up about once a week
in my faded tight-legged jeans
with a backlog full of hobo stories
and dilapidated dreams.”

Harry Chapin (1942–1981) American musician

I Wanna Learn a Love Song
Song lyrics, Verities & Balderdash (1974)

Children, Dreams, Learning, Singing

“We'll put an asterisk next to Barry Bonds' name, sure, as soon as we put one next to Babe Ruth's name. Getting to break records before black people were allowed to play? Excuse me, where is that asterisk? Why don't people talk about that?”

Daniel Tosh (1975) American stand-up comedian

Happy Thoughts (2011)

People

“It is not a snobbish rich-man's college, devoted to leisurely nonsense. It is the property of the people of the state, and what they want—or what they are told they want—is a mill to turn out men and women who will lead moral lives, play bridge, drive good cars, be enterprising in business, and occasionally mention books, though they are not expected to have time to read them. It is a Ford Motor Factory, and if its products rattle a little, they are beautifully standardized, with perfectly interchangeable parts.”

Sinclair Lewis book Arrowsmith

Arrowsmith (1925), Ch 2

Women, Men, People, Books

“An adventure is somebody else slogging through the mud and snow while suffering from trench foot, ringworm, dysentery and starvation, being chased by people with their hearts set on murder or more. I have been there. I have done that, playing both parts. I do not recommend it. Be content with a nice farm or shop. Make lots of babies and bring them up to be good people.”

Glen Cook book Soldiers Live

Source: Soldiers Live (2000), Chapter 6, “An Abode of Ravens: Suvrin’s News” (p. 384)

People, Suffering, Heart, Parting

“It is clear that women who are feminists must gradually and ultimately dominate public and social institutions—so as to ensure that they are not used against women. I say "dominate" because I don't think that "equality" or "individuality" will be possible for women who have never experienced supremacy in public institutions as men have. … The point is to have our entire social drama played out as fully by women as by men. And it is revolutionary by definition to have women "out of the biological home," both psychologically and actually. Whatever happens after that is then a matter for... everyone.”

Phyllis Chesler (1940) Psychotherapist, college professor, and author

Women and Madness (2005), p. 347 (emphases & latter ellipsis in original), and see Women and Madness (1972), pp. 298–299 (similar text).
Women and Madness (1972, 2005)

Women, Men, Home, Thinking

“Sure, folks have a First Amendment right of free speech and freedom of expression. But what happens when all of this is ill-conceived and misguided in its core? How racist can it be for multi-millionaire black athletes to have whites paying large sums of money to watch them play a game… and buy their jerseys?”

Allen West (politician) (1961) American politician; retired United States Army officer

2010s, Folks, you’re missing the point about the NFL protests (19 October 2017)

Money, Game, Freedom

“In the contemporary systems view man is not a sui generis phenomenon that can be studied without regard to other things. He is a natural entity, and an inhabitant of several interrelated worlds. By origin he is a biological organism. By work and play he is a social role carrier. And by conscious personality he is a Janus-faced link integrating and coordinating the biological and the social worlds. Man is, in the final analysis, a coordinating interface system in the multilevel hierarchy of nature.”

Ervin László (1932) Hungarian musician and philosopher

Source: Introduction to Systems Philosophy (1972), p. 79.

World, Nature, Study, Personality

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age, Dreams, Music, Search

“I have always been structured. What has changed is the proportions. Now it is eight hours of paperwork and one of painting. I go to the studio every day, but I don't paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things. Weeks go by, and I don't paint until finally I can't stand it any longer. I get fed up. I almost don't want to talk about it, because I don't want to become self-conscious about it, but perhaps I create these little crises as a kind of a secret strategy to push myself. It is a danger to wait around for an idea to occur to you. You have to find the idea.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Love, Life, Secret, Idea

“I actually don't like playing the piano or conducting the orchestra. There is always an exchange of energies, which is not even. It's one against 80.”

Joe Hisaishi (1950) Japanese composer and musician

Joe Hisaishi, who wrote music for Hayao Miyazaki's films https://www.scmp.com/lifestyle/arts-entertainment/article/1780283/studio-ghibli-composer-joe-hisaishi-talks-about-how,South China Morning Post

“Only a thoughtless observer can deny that correspondences come into play between the world of modern technology and the archaic symbol-world of mythology.”

Walter Benjamin book Arcades Project

Arcades Project (1927-1940)

World

“I myself represent the style of a Bach who was a human being with all his heights and depths, who knew life very well. My Bach is the experience of my playing the whole literature; and filling the different voices with their own life, vitality, vividness; it’s the independent speaking-until-singing of the different voices; and lastly it’s a balance between pianistic virtuosity and something chamber-music-like.”

Burkard Schliessmann classical pianist

Talkings on Bach

Life, Music, Literature, Singing

“When I left Nashville I went to Texas because that's where I came from, and because I was playing in Texas a lot in different places. And I saw hippies and rednecks drinking beer together and smoking dope together and having a good time together and I knew it was possible to get all groups of people together – long hair, short hair, no hair – and music would bring them together.”

Willie Nelson (1933) American country music singer-songwriter.

Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives', Michael, Hann, May 17, 2012, May 20, 2012, The Guardian, Guardian News and Media Ltd. http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson,

People, Music, Drink, Beer

“I came from a background of blues and rock based(music). I hadn’t listened to Jazz or even Classical Music until just recently. Listening to Stan Getz, you know, he is one of my favorite Saxophonists, so he’s influenced my sound and influences how I play this music. Right now.”

Ross Mintzer (1987) American musician and performer

NPR interview (2005)

Music

“I've earned repose to heal the ravages
Of these angelic-looking savages.
Oh, progeny playing by itself
Is a lonely little elf,
But progeny in roistering batches
Would drive St. francis from here to Natchez.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), Children's Party

Angels

“He is about as big as Clive Churchill was when he played and he owns an ugly dog.”

Jack Gibson (1929–2008) Australian rugby league player and coach

When asked about the weaknesses of his former Parramatta charge Paul Taylor.

Dogs

“What I absolutely don't understand is just at the moment when we finally have a UN-approved Iraqi-caretaker government made up of — I know a lot of these guys — reasonably decent people and more than reasonably decent people, everyone wants to declare it's over. I don't get it. It might be over in a week, it might be over in a month, it might be over in six months, but what's the rush? Can we let this play out, please?”

Thomas Friedman (1953) American journalist and author

Fresh Air, June 3, 2004
"The next … months" in Iraq

People, Guy, Understanding

“The critics are occasionally pleased to compliment a pianist by saying that he plays in the grand style. Exactly what do they mean by that phrase? In the broadest sense, they mean a style of playing which penetrates deeper than the physical conquering of the piano. It concerns itself with the release of music. The “grand style” moved listeners through interpretation.”

Benno Moiseiwitsch (1890–1963) British musician

Playing in the Grand Style (1950)

Music, Sense

“Gentle spook, if it is a warning you bring, state it true. If action you require, ask outright. If music you must make, play on- but by the wine-stained balls of Bacchus, speak your bloody business quick and clear and then be gone, before Time's iron tongue licks away my mercy bonk with second thoughts!”

Christopher Moore book Fool

Pocket (Black Fool)
Fool (2009)

Music, Business, Wine, Time

“Most of the time you're playing the crazy girl or the stripper - always the stripper! I mean, how many strippers can I play. I can do a lap dance phenomenally, and that's not a good sign, because I'm not a stripper.”

Diora Baird (1983) American actress and model

About her roles; in Stuff magazine, reprinted in October 23, 2006 New York Post, p. 6.

Girl, Time, Dance

“The folksong collectors Bartok (Hungary) and Plicka (Czechoslovakia) notated the perceived interval deviations with a plus or minus sign (+,-). Older folksong collectors had notated all the intervals in the system of semitones, not observing the finer modifications of intervals. This first gained currency from the phongraph and tape recordings of folk music from various lands…. From folksong I learned to perceive melodic intervals a little smaller or greater than those of the semitone-system…. In my youth it often happened that the folk singers, who during the intermissions of dance festivals sang songs of "their kind," deviating from the semitone system, demanded that the first violinist of the Wisowitzer Kapelle play "their" melody just as they sang it. Once a tempermental singer threatened to strike the double-bass player with a beer mug if he didn't "play along" with the song, exactly as he sang it.”

Alois Hába (1893–1973) Czech music educator and composer

Mein Weg zur Viertel- und Sechsteltonmusik (1971) Düsseldorf: Verlag der Gesellschaft zur Förderung der systematische Musikwissenschaft, 12, 14; translated by and printed in Modernism and Music: An Anthology of Sources(2004) by Daniel Albright ISBN 0226012670 .

Youth, Music, Beer, Learning

“There was a time when I said if I couldn't play in Pittsburgh, I wouldn't want to play anywhere. I don't feel that way now. If the Pirates traded me, I would accept it as a part of baseball and continue doing my best wherever I went.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Change of Pace"
Baseball-related, <big><big>1960s</big></big>, <big>1963</big>

Way, Feeling, Time, Parting

“Stephen Jay Gould is extremely bright, inventive. He thoroughly understands paleontology; he thoroughly understands evolutionary biology. He has performed an enormous service in getting people to think about punctuated equilibrium, because you see the process of stasis/sudden change, which is a puzzle. It's the cessation of change for long periods of time. Since you always have mutations, why don't things continue changing? You either have to say that the particular form is highly adapted, optimal, and exists in a stable environment, or you have to be very puzzled. Steve has been enormously important in that sense. Talking with Steve, or listening to him give a talk, is a bit like playing tennis with someone who's better than you are. It makes you play a better game than you can play. For years, Steve has wanted to find, in effect, what accounts for the order in biology, without having to appeal to selection to explain everything—that is, to the evolutionary "just-so stories." You can come up with some cockamamie account about why anything you look at was formed in evolution because it was useful for something. There is no way of checking such things. We're natural allies, because I'm trying to find sources of that natural order without appealing to selection, and yet we all know that selection is important.”

Stuart Kauffman (1939) American biophysicist

Kauffman in: John Brockman, ed. (1995) The Third Culture: Beyond the Scientific Revolution, p. 64-65. ( online http://www.edge.org/documents/ThirdCulture/i-Ch.2.html)

People, Way, Game, Optimism

“In an old Chronicle of Norway, we find it recorded of Olaf Tryggeson, a king of that country, that he was stronger and more nimble than any man in his dominions. He could climb up the rock Smalserhorn, and fix his shield upon the top of it; he could walk round the outside of a boat upon the oars, while the men were rowing; he could play with three darts, alternately throwing them in the air, and always kept two of them up, while he held the third in one of his hands; he was ambidexter, and could cast two darts at once; he excelled all the men of his time in shooting with the bow; and he had no equal in swimming.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. xix
The Sports and Pastimes of the People of England (1801), Olaf Tryggeson

Men, Time, Country

“Surprisingly, when I met Modi, he did not utter a single word about [R. B. ] Sreekumar. He asked me why my case is getting prolonged for so long. He said, "I understand that it has been more than 19 years." I told him that it was because of the games played by various political parties that it was still going on. I told him that it was a false case foisted by both the coalition fronts (the Left Democratic Front and the United Democratic Front) in Kerala, as was established by the CBI. Neither coalition wanted to admit the error in their judgment, as it was a matter of prestige for both.”

S. Nambi Narayanan (1941) scientist

Interview with S. Nambi Narayanan, 2014

Error, Game, Understanding, Falseness

“There are three things that they could conceivably do… They could replace me immediately and have somebody else play Dillon. I’m okay with that because I think Dillon needs a reboot. It would be interesting to see somebody else’s take on him. Two, they could kill him, which I would hope they wouldn’t do, just because I would like the opportunity to maybe come back. Depending how they did that, I’d have to go back and shoot that. It would give me a chance to say goodbye and the opportunity to try to pull it together and act well one last time. That would be really profound for me. Or three, they’d have Dillon leave town. I would be wholly and entirely complimented if the door stayed open. I know that’s a lot to ask of them and the door can’t stay open for long. That’s just the rules of the game.”

Scott Clifton (1984) American television actor, musician, internet personality.

Responding to the end of his contract with General Hospital and the fate of his role, Dillon Quartermaine, as quoted in "Going Going... Gone" by Rosemary A. Rossi, for ABC Soaps in Depth.

Hope, Game, Thinking, Chance

“Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but Star Wars and all the epic serials, especially the James Bond movies: Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/star-trek-ii-the-wrath-of-khan-1982 of Star Trek II: The Wrath of Khan (1 January 1982) Reviews, Three star reviews

War, Star, Strong, Help

“You need three or five hands to play Ligeti.”

Alfred Brendel (1931) Austrian pianist, poet, and author

Alfred Brendel, quoted in: " The Music of Ligeti – May 20, 2006 http://www.aventa.ca/the-music-of-ligeti-may-20-2006/," at aventa.ca, 2006.

“My dream has come true. I play with the great players and on a great team. I'm smiling and happy and enjoying the time of my life.”

Alexander Ovechkin (1985) Russian ice hockey player

Canadian Press (October 27, 2006) "More than just the next superstar - Ovechkin's zest for life contagious with Capitals", The Record (Kitchner, Ontario, Canada), p. D2.

Life, Happiness, Smile, Dreams

“I know what the power of silence is. When I used to play in clubs, everybody was loud; there was a lot of noise. So I would take my mute off the microphone, and I would play something so soft that you could hardly hear it… and you talk about listening. Roy Eldridge did that. He's one of my favorites.”

Miles Davis (1926–1991) American jazz musician

As quoted in Jazz-Rock Fusion: The People, The Music, p. 40
1970s

Silence

“In televisionland we are all sophisticated enough now to realize that every statistic has an equal and opposite statistic somewhere in the universe. It is not a candidate's favorite statistic per se that engages us, but the assurance with which he can use it.
We are testing the candidates for self-confidence, for "Presidentiality" in statistical bombardment. It doesn't really matter if their statistics be homemade. What settles the business is the cool with which they are dropped.
And so, as the second half hour treads the decimaled path toward the third hour, we become aware of being locked in a tacit conspiracy with the candidates. We know their statistics go to nothing of importance, and they know we know, and we know they know we know.
There is total but unspoken agreement that the "debate," the arguments which are being mustered here, are of only the slightest importance.
As in some primitive ritual, we all agree — candidates and onlookers — to pretend we are involved in a debate, although the real exercise is a test of style and manners. Which of the competitors can better execute the intricate maneuvers prescribed by a largely irrelevant ritual?
This accounts for the curious lack of passion in both performers. Even when Ford accuses Carter of inconsistency, it is done in a flat, emotionless, game-playing style. The delivery has the tuneless ring of an old press release from the Republican National Committee. Just so, when Carter has an opportunity to set pulses pounding by denouncing the Nixon pardon, he dances delicately around the invitation like a maiden skirting a bog.
We judge that both men judge us to be drained of desire for passion in public life, to be looking for Presidents who are cool and noninflammable. They present themselves as passionless technocrats using an English singularly devoid of poetry, metaphor and even coherent forthright declaration.
Caught up in the conspiracy, we watch their coolness with fine technical understanding and, in the final half hour, begin asking each other for technical judgments. How well is Carter exploiting the event to improve our image of him? Is Ford's television manner sufficiently self-confident to make us sense him as "Presidential"?
It is quite extraordinary. Here we are, fully aware that we are being manipulated by image projectionists, yet happily asking ourselves how obligingly we are submitting to the manipulation. It is as though a rat running a maze were more interested in the psychologist's charts on his behavior than in getting the cheese at the goal line.”

Russell Baker (1925–2019) writer and satirst from the United States

"And All of Us So Cool" (p.340)
There's a Country in My Cellar (1990)

Life, Men, Behavior, Exercises

“In [the early 1980s], making electronic music was a big job, particularly the way that I was doing it. To get the sounds I wanted, I might have 24 synthesizers playing one synth line, all programmed, all analogue and all drifting out of tune. It used to take hours and hours and hours. I don't know how we ever got through it.”

Martin Rushent (1948–2011) English record producer

The Telegraph, Martin Rushent, http://www.telegraph.co.uk/news/obituaries/technology-obituaries/8562220/Martin-Rushent.html, The Telegraph, 7 June 2011

Music, Way

“Letting I dare not wait upon I would is a mug's game, and those who play it usually get mugged.”

Robert Heller (1932–2012) British magician

Source: The Decision makers (1989), Ch. 3. The Truth About Decisions

Game, Waiting

“All animals feel Wonder, and many exhibit Curiosity. They sometimes suffer from this latter quality, as when the hunter plays antics and thus attracts them.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter II: "Comparison of the Mental Powers of Man and the Lower Animals", page 42 http://darwin-online.org.uk/content/frameset?pageseq=55&itemID=F937.1&viewtype=image The Descent of Man (1871)

Feeling, Suffering, Animals

“As Catherine learned later that night [her wedding night], Russia makes strange bedfellows. Peter got into bed with his boots on, played with his collection of dolls for an hour or so, and told the Grand Duchess about his new mistresses. [Footnote: He had no mistresses, really, but he thought he had. It was all in his head. ]”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part IV: A Few Greats, Catherine the Great

Wedding, Learning, Night

“We have grown up playing on Indian conditions, we know the crowd, what is a defendable score and what is a chaseable target, while playing in home conditions has its challenges especially the expectations of the people, at the same time it also lifts you up to perform bette”

Harbhajan Singh (1980) Indian cricketer

Singh on playing at home grounds in cricket, quoted on sports.ndtv, "Harbhajan Singh Says he Urged Mahendra Singh Dhoni to Bat up the Order in Asia Cup Final" http://sports.ndtv.com/asia-cup-2016/news/256271-harbhajan-singh-says-he-urged-mahendra-singh-dhoni-to-bat-up-the-order-in-asia-cup-final, March 8, 2016.

People, Home, Time

“The editorial page played streams of invective across the provincial political scene like a fire hose. Harangues, pitted with epithets. Gammy bird was a hard bite. Looked life right in its shifty, bloodshot eye. A tough little paper. Gave Quoyle an uneasy feeling, the feeling of standing on a playground watching others play games whose rules he didn't know.”

Annie Proulx book The Shipping News

Source: The Shipping News (1993), P. 63

Life, Feeling, Game, Bird

“New feet within my garden go,
New fingers stir the sod;
A troubadour upon the elm
Betrays the solitude.

New children play upon the green,
New weary sleep below;
And still the pensive spring returns,
And still the punctual snow!”

Emily Dickinson (1830–1886) American poet

Nature, p. 108
Collected Poems (1993)

Children, Spring, Solitude, Sleep

“I don’t know if there are any other examples in history of an actress that got to play a teenager, the mid-20s version of the character and then the mid-30s version of the character. Now when I look back on it, it’s the role of a lifetime. Nancy and I, especially in New Nightmare, often get conflated into being the same type of person and Wes must have seen something in me that was the good type of girl Nancy was. Very self sufficient, strong and loyal to her friends. She’s a genius in some ways and has a spunky “won’t give up” spirit. As a teen auditioning for him, he must have seen something that he liked which was very flattering.”

Heather Langenkamp (1964) actress

Heather Langenkamp On Playing Nancy Through The Years http://bloody-disgusting.com/news/3274986/interview-heather-langenkamp-on-playing-nancy-through-the-years/ (January 27, 2014)

Way, History, Girl, Strong

“Isn't it said, and should it not be believed, or at least affirmed, or at any rate not repudiated, that you should expect to suffer for this; that you should expect to be reviled; that you should be proud to be abused; that you will be told that what you believe is absurd; that you should be glad to hear it, for His sake; that those who despitefully use you is to be expected. And isn't that a rather dignified position, a rather honorable position for the Church to take? Something that even an atheist, and humanist, and Marxist like myself can understand and respect. But instead what do we get? An endless whine of self-pity, of "Well why are they picking on us. They wouldn't say that about the Jews!" And an endless play on the ethnic politics and identity politics card. An endless appeal to self-pity. Well you should be proud that you're in a fight for your politics and your Church. And you seem instead to be resentful about it, and perhaps, who knows, a little insecure. However, for the main part of it, you only have to open a paper to see the exaggerated deference paid to every utterance of his Holiness the Pope, wherever he goes, and the extraordinary deference shown to him whenever he visits these shores and decides to grace us with his presence.”

Christopher Hitchens (1949–2011) British American author and journalist

2000s, 2000, "Hostility Of America to Religion" (2000)

Understanding, Suffering, Fight, Parting

“In spite of such limitations, the New Institutional Economics research programme, given its willingness to acknowledge the central role played by information in the economic process, constitutes a marked advance over what is on offer from the neoclassical orthodoxy. There, information retains the status of the luminiferous ether of classical physics before Einstein: a ubiquitous medium that admitted of a mechanical account of action at a distance and kept the world conveniently Newtonian.
Institutional economics, however, needs a more explicit and dynamic theory of information flows if it is to make more than a dent in the neoclassical defences. Having established that there exists credible institutional alternatives to markets, it needs to show how information production and exchange underpins them all, shaping their internal evolution as well as how they collaborate and compete. In effect, what is needed is a theory of social learning that extends beyond the individual or the organization to encompass more complex institutional settings. Such as theory, I believe, is foreshadowed in Douglas North’s historical studies of institutions. It now needs further development.”

Max Boisot (1943–2011) British academic and educator

Source: Information Space, 1995, p. 290; As cited in: Ortiz et al. (2006)

World, Study, Learning

“Look!, We have two eyes, two legs, we are the same as them, the only difference is that they play in Europe.”

Cuauhtémoc Blanco (1973) Mexican footballer

To his team in The World Cup 1998.
Interview with BigSoccer.com

“Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Speech at the University of Kansas at Lawrence http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/RFK-Speeches/Remarks-of-Robert-F-Kennedy-at-the-University-of-Kansas-March-18-1968.aspx (18 March 1968)

Life, Wisdom, Marriage, Children

“It was one of those nights when the sky came down and wrapped itself around the world. The rain clawed at the windows of the bar like an angry cat and tried to sneak in every time some drunk lurched in the door. The place reeked of stale beer and soggy men with enough cheap perfume thrown in to make you sick.
Two drunks with a nickel between them were arguing over what to play on the juke box until a tomato in a dress that was too tight a year ago pushed the key that started off something noisy and hot. One of the drunks wanted to dance and she gave him a shove. So he danced with the other drunk.
She saw me sitting there with my stool tipped back against the cigarette machine and change of a fin on the bar, decided I could afford a wet evening for two and walked over with her hips waving hello.”

Mickey Spillane book The Big Kill

The Big Kill (1951)

Men, World, Cats, Beer

“Plants of great vigor will almost always struggle into blossom, despite impediments. But there should be encouragement, and a free genial atmosphere for those of more timid sort, fair play for each in its own kind.”

Margaret Fuller book Woman in the Nineteenth Century

Woman in the Nineteenth Century (1845)

“I've been talking only of some of the things Wagner did in the field. But he was a terror with that bat. The only other right-handed batter I could compare him with was Rogers Hornsby. Wagner could hit line drives into right field all day long. And when you started to shade him toward right field, he'd flip that bat, fake the third baseman into a bunt and hit it past him. And how he could run, too, even with his bowlegs. Honus had as much baseball instinct as I ever saw in a player. It was an education to play against him and a delight to watch him.”

Casey Stengel (1890–1975) American baseball player and coach

As quoted in "The Scoreboardː Stengelː 'Wagner Best I Ever Saw'" https://news.google.com/newspapers?id=_kYqAAAAIBAJ&sjid=9U4EAAAAIBAJ&pg=7207%2C1231475

Education, Past

“The people who come to watch us play, who love the team and regard it as part of their lives, would never appreciate Liverpool having a huge balance in the bank. They want every asset we possess to be wearing a red shirt.”

Kenny Dalglish (1951) Scottish association football player and manager

Source http://imdb.com/name/nm0197910/bio

Love, People, Parting

“The entire world has been upset. The entire world, it's a different place. During Barack Obama and Hillary Clinton's term, she's done a horrible job.
She has caused death. She has caused tremendous death with incompetent decisions. I was against the war in Iraq. I wasn't a politician, but I was against the war in Iraq. She voted for the war in Iraq.
Look at Libya. That was her baby. Look. I mean, I'm not even talking about the ambassador and the people with the ambassador. Young, wonderful people. With messages coming in by the hundreds, and she's not even responding. I'm not talking about that. I'm talking about all of the death that's been caused and not only our side.
There was nothing saved. If we would have never done anything in the Middle East, we would have a much safer world right now. … All of this has led to the migration. All of this has led to tremendous death and destruction. And she for the most part was in charge of it along with Obama.
She's constantly playing the woman card. It's the only way she may get elected. I mean frankly… Personally, I'm not sure that anybody else other than me is going to beat her. And I think she's a flawed candidate. And you see what's happened recently. And it hasn't been a very pretty picture for her or for Bill. Because I'm the only one that's willing to talk about his problems. I mean, what he did and what he has gone through I think is frankly terrible, especially if she wants to play the woman card.
I have more respect for women by far than Hillary Clinton has. And I will do more for women than Hillary Clinton will. I will do far more including the protection of our country. She caused a lot of the problems that we have right now.”

Donald J. Trump (1946) 45th President of the United States of America

CBS interview with John Dickerson (taped 1 January 2016) for Face the Nation — as quoted in "Trump: Clinton has ruined the world" http://www.politico.com/story/2016/01/trump-hillary-clinton-donald-217294 by Nick Gass, Politico (3 January 2016) 2010s, 2016, January

Death, Women, War, People

“Oh, Lord, if I must die today,
Please make it after Close of Play.
For this, I know, if nothing more,
I will not go, without the score...”

John Major (1943) Former Prime Minister of the United Kingdom

Excerpt of poem variously titled "Cricket Match" or "A Cricket Prayer" http://www.timesonline.co.uk/article/0,,23069-1768078,00.html http://www.timesonline.co.uk/article/0,,2-1768342,00.html 1990s, 1997

Quotes about play page 38

Quotes about play
page 38