“The critics are occasionally pleased to compliment a pianist by saying that he plays in the grand style. Exactly what do they mean by that phrase? In the broadest sense, they mean a style of playing which penetrates deeper than the physical conquering of the piano. It concerns itself with the release of music. The “grand style” moved listeners through interpretation.”

—  Benno Moiseiwitsch

Playing in the Grand Style (1950)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The critics are occasionally pleased to compliment a pianist by saying that he plays in the grand style. Exactly what d…" by Benno Moiseiwitsch?
Benno Moiseiwitsch photo
Benno Moiseiwitsch3
British musician 1890–1963

Related quotes

“The playing of Soviet pianists of the younger generation differed significantly from the composer’s performing style, as discussed above. (Here I am referring to the generation of Richter and Gilels or younger, as opposed to Prokofiev’s coevals such as Neuhaus and Samuil Feinberg, who also had Prokofiev’s works in their repertoires.) Since we know that Prokofiev appreciated their playing, does it mean that he accepted their approach? Should we regard the new generation’s playing as a distortion of the composer’s intentions or as a natural evolution of interpretive style?
I believe that Prokofiev, having been exposed to the new performing style of the Soviet pianists, accepted at least some of its qualities. We can mention assertive muscular playing, open expressivity, and a gripping commitment to the music among those traits that brought recognition to Soviet pianists and assured their success in the international arena. These characteristics were concordant with the evolving compositional style of Prokofiev, whose later works became both more virile (often heroic) and expressive in a warmer and more open way.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Louise Glück photo

“The poem will not survive on content but through voice. By voice I mean the style of thought, for which a style of speech never convincingly substitutes.”

Louise Glück (1943–2023) American poet

Source: As quoted in "Poet Laureate: Louise Glück and the Public Face of a Private Artist" https://www.nytimes.com/2003/11/04/opinion/editorial-observer-poet-laureate-louise-gluck-public-face-private-artist.html by Andrew Johnston, The New York Times (November 4, 2003)

Susan Sontag photo

“The old style of interpretation was insistent, but respectful; it erected another meaning on top of the literal one. The modern style of interpretation excavates, and as it excavates, destroys; it digs ‘behind’ the text, to find a sub-text which is the true one.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Source: Against Interpretation and Other Essays (1966), p. 6

Georg Brandes photo

“He maintains that culture shows itself above all else in a unity of artistic style running through every expression of a nation's life. On the other hand, the fact of having learnt much and knowing much is, as he points out, neither a necessary means to culture nor a sign of culture; it accords remarkably well with barbarism, that is to say, with want of style or a motley hotchpotch of styles.”

Georg Brandes (1842–1927) Danish literature critic and scholar

On Friedrich Nietzsche's views on culture, p. 6
An Essay on Aristocratic Radicalism (1889)

Burkard Schliessmann photo

“Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it’s the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Fred Astaire photo

“He has a remarkable ear for intonation, a great sense of rhythm and what is most important, he has great style - style in my way of thinking is a matter of delivery, phrasing, pace, emphasis, and most of all presence.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Bing Crosby in Crosby, Bing. Liner notes for Attitude Dancing, United Artists Records, UAS29888, 1975. (M).

Jean-Louis Guez de Balzac photo

“Nothing so closely approaches a grand style as turgid nonsense: the ridiculous is one of the extremes of the subtle.”

Jean-Louis Guez de Balzac (1597–1654) French author, best known for his epistolary essays

Rien n'est si voisin du haut style que le galimatias: le ridicule est une des extrémités du subtil.
Socrate Chrétien, Discours X.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 202.
Socrate Chrétien (1662)

Miles Davis photo

“"You can't play anything on a horn that Louis hasn't played." and "I love Pops" (Louis' nickname) … Louis has been through all kinds of styles. That's good tuba, by the way. You know you can't play anything on a horn that Louis hasn't played — I mean even modern. I love his approach to the trumpet; he never sounds bad. He plays on the beat — with feeling. That's another phrase for swing. I also love the way he sings.”

Miles Davis (1926–1991) American jazz musician

In the Jazz Review with Nat Hentoff (1958); also in , and in many other books https://www.google.com/search?tbm=bks&amp;hl=en&amp;q=%22play+anything+on+a+horn%22+miles+davis<br>On Louis Armstrong in a Playboy magazine interview. <br class="br">1950s

Vladimir Horowitz photo

“I was impressed mostly by Gieseking [Horowitz said in 1987]. He had a finished style, played with elegance, and had a fine musical mind.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

Matthew Arnold photo

“The grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject.”

Matthew Arnold On Translating Homer

On Translating Homer (1861)

Related topics