Quotes about pick

A collection of quotes on the topic of pick, doing, likeness, thing.

Quotes about pick

Johnny Depp photo

“If you love two people, pick the second, because if you truly loved the first, you wouldn't have fallen for the second.”

Johnny Depp (1963) American actor, film producer, and musician

Variant: if you love two people at the same time, choose the second. Because if you really loved the first one, you wouldn't have fallen for the second.

Marilyn Manson photo
Paul Watson photo

“It's dangerous & humiliating. The whalers killed whales while green peace watched. Now, you don't walk by a child that is being abused, you don't walk by a kitten that is being kicked to death and do nothing. So I find it abhorrent to sit there and watch a whale being slaughtered and do nothing but "bear witness" as they call it. I think it was best illustrated a few years ago, the contradictions that we have, when a ranger in Zimbabwe shot and killed a poacher that was about to kill a black rhinoceros and uh human rights groups around the world said "how dare you? Take a human life to protect an animal". I think the rangers' answer to that really illustrated a hypocrisy. He said "Ya know, if I lived in, If I was a police officer in Herrari and a man ran out of Bark Place Bank with a bag of money and I shot him in the head in front of everybody and killed him, you'd pin a medal on me and call me a national hero. Why is that bag of paper more valued than the future heritage of this nation?" This is our values. WE fight, WE kill, WE risk our lives for things we believe in… Imagine going into Mecca, walk up to the black stone and spit on it. See how far you get. You’re not going to get very far. You’re going to be torn to pieces. Walk into Jerusalem, walk up to that wailing wall with a pick axe, start whacking away. See how far you’re going to get, somebody is going to put a bullet in your back. And everybody will say you deserved it. Walk into the Vatican with a hammer, start smashing a few statues. See how far you’re going to get. Not very far. But each and every day, ya know, people go into the most beautiful, most profoundly sacred cathedrals of this planet, the rainforests of the Amazonia, the redwood forests of California, the rainforests of Indonesia, and totally desecrate & destroy these cathedrals with bulldozers, chainsaws and how do we respond to that? Oh, we write a few letters and protest; we dress up in animal costumes with picket signs and jump up and down; but if the rainforests of Amazonia and redwoods of California, were as, or had as much value to us as a chunk of old meteorite in Mecca, a decrepit old wall in Jerusalem or a piece of old marble in the Vatican, we would literally rip those pieces limb from limb for the act of blasphemy that we’re committing but we won’t do that because nature is an abstraction, wilderness is an abstraction. It has no value in our anthropocentric world where the only thing we value is that which is created by humans.”

Paul Watson (1950) Canadian environmental activist
Mwanandeke Kindembo photo
Margaret Fuller photo
Ed Sheeran photo

“I'm gonna pick up the pieces,
and build a Lego house.
When things go wrong we can knock it down.”

Ed Sheeran (1991) English singer-songwriter and producer

Song lyrics, + (2011)

Tove Jansson photo
Dr. Seuss photo

“You're never too old, too wacky, too wild, to pick up a book and read to a child.”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books
Theodore Roosevelt photo
Ernesto Che Guevara photo

“I don't care if I fall as long as someone else picks up my gun and keeps on shooting.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Variant: I don't care if I fall as long as someone else picks up my gun and keeps on shooting.

Oscar Wilde photo

“There are many things that we would throw away if we were not afraid that others might pick them up.”

Oscar Wilde (1854–1900) Irish writer and poet

Variant: There are many things that we would throw away if we were not afraid that others might pick them up.

Leonard Ravenhill photo
Mark Twain photo

“If you pick up a starving dog and make him prosperous he will not bite you. This is the principal difference between a dog and man.”

Mark Twain (1835–1910) American author and humorist

Variant: If you pick up a starving dog and make him prosperous, he will not bite you. This is the principal difference between a dog and a man.

John C. Maxwell photo
Vinko Vrbanić photo
Malcolm X photo
James Cameron photo
Sylvia Plath photo
Toni Morrison photo
Margaret Atwood photo
Tamora Pierce photo
Seth Godin photo

“Reject the tyranny of picked. Pick yourself.”

Seth Godin (1960) American entrepreneur, author and public speaker

Source: Poke the Box

Gordon Korman photo
Pierre Teilhard De Chardin photo
Stephen King photo
Joanna MacGregor photo
Pope Gregory I photo
Muhammad Ali photo

“I'm not the greatest; I'm the double greatest. Not only do I knock 'em out, I pick the round”

Muhammad Ali (1942–2016) African American boxer, philanthropist and activist

As quoted in "Ali's Quotes" at BBC Sport : Boxing (17 January 2007)

“Choose your corner, pick away at it carefully, intensely and to the best of your ability and that way you might change the world.”

Charles Eames (1907–1978) American designer, half of duo the Eames

Source: Charles and Ray Eames: Designers of the Twentieth Century. 1998, p. 90: Also cited in: AA Files: Annals of the Architectural Association School of Architecture, Nr. 31-32 (1996). p. 111

George Orwell photo
Sid Vicious photo

“You just pick a chord, go twang, and you've got music.”

Sid Vicious (1957–1979) English bassist and vocalist

Reported in Jon Savage, England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond (2001), p. 220.

George Orwell photo

“If you throw away your weapons, some less scrupulous person will pick them up. If you turn the other cheek, you will get a harder blow on it than you got on the first one. This does not always happen, but it is to be expected, and you ought not to complain if it does happen.”

George Orwell (1903–1950) English author and journalist

"Lear, Tolstoy and the Fool," Polemic (March 1947)
Context: Shakespeare starts by assuming that to make yourself powerless is to invite an attack. This does not mean that everyone will turn against you (Kent and the Fool stand by Lear from first to last), but in all probability someone will. If you throw away your weapons, some less scrupulous person will pick them up. If you turn the other cheek, you will get a harder blow on it than you got on the first one. This does not always happen, but it is to be expected, and you ought not to complain if it does happen. The second blow is, so to speak, part of the act of turning the other cheek. First of all, therefore, there is the vulgar, common-sense moral drawn by the Fool: "Don't relinquish power, don't give away your lands." But there is also another moral. Shakespeare never utters it in so many words, and it does not very much matter whether he was fully aware of it. It is contained in the story, which, after all, he made up, or altered to suit his purposes. It is: "Give away your lands if you want to, but don't expect to gain happiness by doing so. Probably you won't gain happiness. If you live for others, you must live for others, and not as a roundabout way of getting an advantage for yourself."

“You're always the hero when you can pick and choose your memories. You're always the villian when you remember everything.”

When you remember everything you not only remember what you did right, you also remember your mistakes great and small. Also others seldom like to be made aware of their own mistakes that you may remember as well. They tend to get upset when reminded of them.

Fernando Pessoa photo
Winston S. Churchill photo

“Occasionally he stumbled over the truth, but hastily picked himself up and hurried on as if nothing had happened.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

On Stanley Baldwin, as cited in Churchill by Himself (2008), Ed. Langworth, PublicAffairs, p. 322 ISBN 1586486381
Also quoted by Kay Halle in Irrepressible Churchill: A Treasury of Winston Churchill's Wit http://books.google.com/books?id=b0MTAQAAIAAJ&q=%22Occasionally+he+stumbled+over+the+truth+but+hastily+picked+himself+up+and+hurried+on+as+if+nothing+had+happened%22&pg=PA133#v=onepage (1966).
The 1930s
Variant: Men occasionally stumble over the truth, but most of them pick themselves up and hurry off as if nothing ever happened.

Lewis Carroll photo

“So she was considering in her own mind… whether the pleasure of making a daisy-chain would be worth the trouble of getting up & picking the daisies…”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Source: Alice's Adventures in Wonderland & Through the Looking-Glass

Joe Hill photo

“Pick a sin we can both live with, is what I ask.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

Source: Horns

Evelyn Underhill photo
Groucho Marx photo

“From the moment I picked your book up until I laid it down I was convulsed with laughter. Someday I intend on reading it.”

Groucho Marx (1890–1977) American comedian

To S J Perelman about his book Dawn Ginsbergh’s Revenge (1929), as quoted in LIFE (9 February 1962)

Henry Rollins photo
W.B. Yeats photo
Terry Pratchett photo

“The thing about stories is you have to pick the ones that last.”

Terry Pratchett (1948–2015) English author

Source: The Amazing Maurice and His Educated Rodents

Leo Tolstoy photo
Jack Welch photo
Sylvia Plath photo
Neil Young photo

“One of my favorite album covers is On the Beach. Of course that was the name of a movie and I stole it for my record, but that doesn't matter. The idea for that cover came like a bolt from the blue. Gary and I traveled around getting all the pieces to put it together. We went to a junkyard in Santa Ana to get the tail fin and fender from a 1959 Cadillac, complete with taillights, and watched them cut it off a Cadillac for us, then we went to a patio supply place to get the umbrella and table. We picke up the bad polyester yellow jacket and white pants at a sleazy men's shop, where we watched a shoplifter getting caught red-handed and busted. Gary and I were stoned on some dynamite weed and stood there dumbfounded watching the bust unfold. This girl was screaming and kicking! Finally we grabbed a local LA paper to use as a prop. It had this amazing headline: Sen. Buckley Calls For Nixon to Resign. Next we took the palm tree I had taken around the world on the Tonight's the Night tour. We then placed all of these pieces carefully in the sand at Santa Monica beach. Then we shot it. Bob Seidemann was the photographer, the same one who took the famous Blind Faith cover shot of the naked young girl holding the airplane. We used the crazy pattern from the umbrella insides for the inside of the sleeve that held the vinyl recording. That was the creative process at work. We lived for that, Gary and I, and we still do.”

Source: Waging Heavy Peace: A Hippie Dream

Julio Cortázar photo
William Shakespeare photo
Terry Pratchett photo
Dr. Seuss photo
Fulton J. Sheen photo
Françoise Sagan photo
Rich Mullins photo
Rich Mullins photo
Norah Jones photo

“How far you are I just don't know
The distance I'm willing to go
I pick up a stone that I cast to the sky
Hoping for some kind of sign”

Norah Jones (1979) American singer-songwriter and multi-instrumentalist

"Lonestar", Come Away with Me (2002)
Song lyrics

Tupac Shakur photo
Daniel Goleman photo
Wangari Maathai photo
Daniel Handler photo
Hunter S. Thompson photo
Claude Monet photo
Wang Wei photo

“Red beans come from Southern country,
Few blossoms on vines when Spring comes.
For my sake please pick many of them,
They are the best symbol of true love.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Red Beans" (相思), trans. Zi-chang Tang

Paul-Jean Toulet photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Sylvia Plath photo

“Frustrated? Yes. Why? Because it is impossible for me to be God — or the universal woman-and-man — or anything much. I am what I feel and think and do. I want to express my being as fully as I can because I somewhere picked up the idea that I could justify my being alive that way.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

1950 entry, quoted in Gayle Wurst, Voice and Vision: The Poetry of Sylvia Plath (1999), p. 158
The Unabridged Journals of Sylvia Plath (2000)

Bruce Lee photo

“The perfect way is only difficult for those who pick and choose. Do not like, do not dislike; all will then be clear. Make a hairbreadth difference and heaven and earth are set apart; if you want the truth to stand clear before you, never be for or against. The struggle between "for" and "against" is the mind's worst disease.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

In "The Tao of Jeet Kune Do" by Bruce Lee (1975, compiled and published posthumously) and also in Striking Thoughts: Bruce Lee's Wisdom for Daily Living (2000) edited by John Little, this is attributed to Lee, perhaps because it was found in his notes, but it is also quoted in precisely this form, from what appear to be translations of Taoist writings in The Religions of Man (1958) by Huston Smith. It is actually from Xinxin Ming, by the Third Chinese Chan [Zen] Patriarch Sengcan.
Misattributed

Tom Odell photo
John Green photo
Richard Long photo
Stanley Holloway photo

“Sam, Sam, pick oop tha' musket'
The Duke said as quiet as could be,
'Sam, Sam Sam Sam, pick oop tha' musket,
Coom on lad, just to please me”

Stanley Holloway (1890–1982) English stage and film actor, comedian, singer, poet and monologist

Sam, Sam, Pick Oop Tha' Musket

John Green photo
Klaus Kinski photo
Little Richard photo
Mae West photo

“Between two evils, I generally like to pick the one I never tried before.”

Mae West (1893–1980) American actress and sex symbol

Klondike Annie (1936) Sometimes quoted as: "When choosing between two evils, I always like to try the one I've never tried before."'

Friedrich Nietzsche photo
Jordan Peterson photo
John Dennis photo

“A man who could make so vile a pun would not scruple to pick a pocket.”

John Dennis (1658–1734) British dramatist

The Gentleman's Magazine (1781), Vol. li. p. 324.

James Baldwin photo
Ozzy Osbourne photo
Antonin Scalia photo
Lee Kuan Yew photo

“At the end of the day, if you are in Aljunied, ask yourself: Do you want one MP, one Non-Constituency MP, one celebrity who has been away 30 years, and two unknowns to look after you? Or would you prefer me and my hand-picked colleagues?”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

assessment on the alternative Workers' Party candidates contesting in the Aljunied GRC for General Elections 2011 (Yahoo News, April 30, 2011, http://sg.news.yahoo.com/aljunied-voters-will-regret-choosing-wp--mm-lee.html)
2010s

Gustave Courbet photo
Barack Obama photo
Jordan Peterson photo

“You can't have the conversation about rights without the conversation about responsibility, because your rights are my responsibility. That's what they are technically. So, you just can't have only half of that discussion. And we're only having half of that discussion. Then the questions is, 'well what are you leaving out if you're only having that half of the discussion.' And the answer is, 'well, you're leaving out responsibility.' And then the questions is, 'Well, what are you leaving out if you're leaving out responsibility.' And the answer might be: 'Well maybe you're leaving out the meaning of life.' Here you are, suffering away. What makes it worthwhile? Rights? It's almost impossible to describe how bad an idea that is. Responsibility. That's what gives life meaning. Lift a load. Then you can tolerate yourself. Look at yourself. You're useless. Easily hurt. Easily killed. Why should you have any self-respect? Pick something up and carry it. Make it heavy enough so that you can think, yah, well, useless as I am, at least I can move that from there to there. For men, there's nothing but responsibility. Women have their sets of responsibilities. They're not the same. Women have to take primary responsibility for having infants at least, then also for caring for them. They're structured differently than men for biological necessity. Women know what they have to do. Men have to figure out what they have to do. And if they have nothing worth living for, then they stay Peter Pan. And why the hell not? The alternative to valued responsibility is low class pleasure. Why lift a load if there's nothing in it for you? And that's what we're doing to men and boys that's a very bad idea. Basically we give them the message, 'you're pathological and oppressive.' They often respond, 'fine then, why the hell should I play? If I get no credit for bearing responsibility, then you can be sure I won't bear any.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Then your life is useless and meaningless, and you're full of self contempt and nihilism, and that's not good. And so that's what I think is going on at a deeper level with regard to men needing this direction. A man has to decide that he's going to do something. He has to decide that."
Concepts

Karl Marx photo

“Anyone wanting a new house picks one from among those built on speculation or still in process of construction. The builder no longer works for his customers but for the market.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Vol. II, Ch. XII, p. 237.
(Buch II) (1893)

Karl Marx photo
H.P. Lovecraft photo

“It's not a bad idea to call this Cthulhuism & Yog-Sothothery of mine "The Mythology of Hastur"—although it was really from Machen & Dunsany & others, rather than through the Bierce-Chambers line, that I picked up my gradually developing hash of theogony—or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do—though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story!”

H.P. Lovecraft (1890–1937) American author

Letter to August Derleth (16 May 1931), responding to Derleth's suggestion that he call the interconnected mythology of his stories (what would later be known as the Cthulhu Mythos) "The Mythology of Hastur", quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 505
Non-Fiction, Letters, to August Derleth

Suman Pokhrel photo

“Literary translation is not merely an act of picking words from one language and keeping it by dipping in the vessel of another language. Those words need to be rinsed, washed, carved and decorated as much as possible.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

Lea DeLaria photo

“Oh please…As a standup, I tried to change the world. As an entertainer, I try to entertain. And as a lesbian, I try to pick up the prettiest girl in the room. Not necessarily in that order.”

Lea DeLaria (1958) American actress and singer

ibid.
When asked if she thought of herself as a performer, or as a performer with an agenda.

Jordan Peterson photo
Barack Obama photo