Quotes about loading

A collection of quotes on the topic of load, loading, likeness, use.

Quotes about loading

José Baroja photo
J. Cole photo

“Fool me one time, shame on you. Fool me twice, can't put the blame on you. Fool me three times, fuck the peace sign. Load the chopper, let it rain on you.”

J. Cole (1985) American Song Writer, Rapper and former Pro Basketball Player, From Fayetteville, North Carolina

Source: Song No Role Modelz

Corrie ten Boom photo
Kurt Cobain photo

“Load up on guns, bring your friends.”

Kurt Cobain (1967–1994) American musician and artist

Song lyrics, Nevermind (1991)

Xenophon photo
Justin Bieber photo

“I don't like girls who wear lots of make-up and you can't see their face. Some girls are beautiful but insecure and look much better without the make-up, but decide to put loads on. I like girls with nice eyes and a nice smile.”

Justin Bieber (1994) Canadian singer-songwriter, record producer, and actor

Quoted in MTV Justin Bieber: "Girls Look Better Without Make-Up" http://www.mtv.co.uk/news/justin-bieber/202740-justin-bieber, April 2010

John Ruskin photo
Lou Holtz photo

“It's not the load that breaks you down, it's the way you carry it.”

Lou Holtz (1937) American college football coach, professional football coach, television sports announcer
Robin Williams photo
Jean Paul Sartre photo

“Words are loaded pistols.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …
John Newton photo
Terry Pratchett photo
Barack Obama photo
Leonardo Da Vinci photo
Barack Obama photo
C.G. Jung photo

“The overdevelopment of the maternal instinct is identical with that well-known image of the mother which has been glorified in all ages and all tongues. This is the motherlove which is one of the most moving and unforgettable memories of our lives, the mysterious root of all growth and change; the love that means homecoming, shelter, and the long silence from which everything begins and in which everything ends. Intimately known and yet strange like Nature, lovingly tender and yet cruel like fate, 'oyous and untiring giver of life-mater dolorosa and mute implacable portal that closes upon the dead. Mother is motherlove, my experience and my secret. Why risk saying too much, too much that is false and inadequate and beside the point, about that human being who was our mother, the accidental carrier of that great experience which includes herself and myself and all mankind, and indeed the whole of created nature, the experience of life whose children we are? The attempt to say these things has always been made, and probably always will be; but a sensitive person cannot in all fairness load that enormous burden of meaning, responsibility, duty, heaven and hell, on to the shoulders of one frail and fallible human being-so deserving of love, indulgence, understanding, and forgiveness-who was our mother. He knows that the mother carries for us that inborn image of the mater nature and mater spiritualis, of the totality of life of which we are a small and helpless part.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

"Psychological Aspects of the Mother Archetype" (1939) In CW 9, Part I: The Archetypes and the Collective Unconscious P.172

Stefan Zweig photo

“He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passion, he at least knows that he is himself to blame for his sufferings. But he who is loved without reciprocating that love is lost beyond redemption, for it is not in his power to set a limit to that other's passion, to keep it within bounds, and the strongest will is reduced to impotence in the face of another's desire. Perhaps only a man can realize to the full the tragedy of such an undesired relationships; for him alone the necessity to resist t is at once martyrdom and guilt. For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off! Only a moment ago you felt free, you belonged to yourself and were in debt to no one, and now suddenly you find yourself pursued, hemmed in, prey and object of the unwelcome desires of another. Shaken to the depths of your soul, you know that day and night someone is waiting for you, thinking of you, longing and sighing for you - a woman, a stranger. She wants, she demands, she desires you with every fibre of her being, with her body, with her blood. She wants your hands, your hair, your lips, your manhood, your night and your day, your emotions, your senses, and all your thought and dreams. She wants to share everything with you, to take everything from you, and to draw it in with her breath. Henceforth, day and night, whether you are awake or asleep, there is somewhere in the world a being who is feverish and wakeful and who waits for you, and you are the centre of her waking and her dreaming. It is in vain that you try not to think of her, of her who thinks always of you, in vain that you seek to escape, for you no longer dwell in yourself, but in her. Of a sudden a stranger bears your image within her as though she were a moving mirror - no, not a mirror, for that merely drinks in your image when you offer yourself willingly to it, whereas she, the woman, this stranger who loves you, she has absorbed you into her very blood. She carries you always within her, carries you about with her, no mater whither you may flee. Always you are imprisoned, held prisoner, somewhere else, in some other person, no longer yourself, no longer free and lighthearted and guiltless, but always hunted, always under an obligation, always conscious of this "thinking-of-you" as if it were a steady devouring flame. Full of hate, full of fear, you have to endure this yearning on the part of another, who suffers on your account; and I now know that it is the most senseless, the most inescapable, affliction that can befall a man to be loved against his will - torment of torments, and a burden of guilt where there is no guilt.”

Beware of Pity (1939)

Benjamin Disraeli photo

“He seems to think that posterity is a pack-horse, always ready to be loaded.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Speech in the House of Commons (3 June 1862)
1860s

Jordan Peterson photo
Abraham Lincoln photo
Ronald Reagan photo

“Americans don't go around carrying guns with the idea they're using them to influence other Americans. There's no reason why on the street today a citizen should be carrying loaded weapons.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

California Legislature Stunned By Invasion Of Armed "Black Panthers" https://news.google.com/newspapers?nid=2202&dat=19670503&id=ClcmAAAAIBAJ&sjid=ZP8FAAAAIBAJ&pg=1072,5010951&hl=en, Gettysburg Times (3 May 1967)
1960s

Theodor W. Adorno photo

“What is or is not the jargon is determined by whether the word is written in an intonation which places it transcendently in opposition to its own meaning; by whether the individual words are loaded at the expense of the sentence, its propositional force, and the thought content. In that sense the character of the jargon would be quite formal: it sees to it that what it wants is on the whole felt and accepted through its mere delivery, without regard to the content of the words used.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Was Jargon sei und was nicht, darüber entscheidet, ob das Wort in dem Tonfall geschrieben ist, in dem es sich als transzendent gegenüber der eigenen Bedeutung setzt; ob die einzelnen Worte aufgeladen werden auf Kosten von Satz, Urteil, Gedachtem. Demnach wäre der Charakter des Jargons überaus formal: er sorgt dafür, daß, was er möchte, in weitem Maß ohne Rücksicht auf den Inhalt der Worte gespürt und akzeptiert wird durch ihren Vortrag.
Source: Jargon der Eigentlichkeit [Jargon of Authenticity] (1964), p. 8

Jordan Peterson photo

“You can't have the conversation about rights without the conversation about responsibility, because your rights are my responsibility. That's what they are technically. So, you just can't have only half of that discussion. And we're only having half of that discussion. Then the questions is, 'well what are you leaving out if you're only having that half of the discussion.' And the answer is, 'well, you're leaving out responsibility.' And then the questions is, 'Well, what are you leaving out if you're leaving out responsibility.' And the answer might be: 'Well maybe you're leaving out the meaning of life.' Here you are, suffering away. What makes it worthwhile? Rights? It's almost impossible to describe how bad an idea that is. Responsibility. That's what gives life meaning. Lift a load. Then you can tolerate yourself. Look at yourself. You're useless. Easily hurt. Easily killed. Why should you have any self-respect? Pick something up and carry it. Make it heavy enough so that you can think, yah, well, useless as I am, at least I can move that from there to there. For men, there's nothing but responsibility. Women have their sets of responsibilities. They're not the same. Women have to take primary responsibility for having infants at least, then also for caring for them. They're structured differently than men for biological necessity. Women know what they have to do. Men have to figure out what they have to do. And if they have nothing worth living for, then they stay Peter Pan. And why the hell not? The alternative to valued responsibility is low class pleasure. Why lift a load if there's nothing in it for you? And that's what we're doing to men and boys that's a very bad idea. Basically we give them the message, 'you're pathological and oppressive.' They often respond, 'fine then, why the hell should I play? If I get no credit for bearing responsibility, then you can be sure I won't bear any.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Then your life is useless and meaningless, and you're full of self contempt and nihilism, and that's not good. And so that's what I think is going on at a deeper level with regard to men needing this direction. A man has to decide that he's going to do something. He has to decide that."
Concepts

Fernando Pessoa photo

“The supreme empire is that of the Emperor who renounces all normal life, that of other men, and in who the care of supremacy doesn't weigh like a load of jewels.”

Ibid., p. 121
The Book of Disquiet
Original: O império supremo é o do Imperador que abdica de toda a vida normal, dos outros homens, em quem o cuidado da supremacia não pesa como um fardo de jóias.

Ovid photo

“O mortals, from your fellows' blood abstain,
Nor taint your bodies with a food profane:
While corn, and pulse by Nature are bestow'd,
And planted orchards bend their willing load;
While labour'd gardens wholesom herbs produce,
And teeming vines afford their gen'rous juice;
Nor tardier fruits of cruder kind are lost,
But tam'd with fire, or mellow'd by the frost;
While kine to pails distended udders bring,
And bees their hony redolent of Spring;
While Earth not only can your needs supply,
But, lavish of her store, provides for luxury;
A guiltless feast administers with ease,
And without blood is prodigal to please.”

Parcite, mortales, dapibus temerare nefandis corpora! sunt fruges, sunt deducentia ramos pondere poma suo tumidaeque in vitibus uvae, sunt herbae dulces, sunt quae mitescere flamma mollirique queant; nec vobis lacteus umor eripitur, nec mella thymi redolentia florem: prodiga divitias alimentaque mitia tellus suggerit atque epulas sine caede et sanguine praebet.

Book XV, 75–82 (from Wikisource); on vegetarianism, as the following quote
Metamorphoses (Transformations)

José Saramago photo

“Age carries with it a double load of guilt”

Source: The Cave (2000), p. 69 (Vintage 2003)

Iggy Pop photo
José Saramago photo
George Washington photo

“In the last place, though first in importance I shall ask—is there any thing doing, or that can be done to restore the credit of our currency? The depreciation of it is got to so alarming a point—that a waggon load of money will scarcely purchase a waggon load of provision.”

George Washington (1732–1799) first President of the United States

Letter to John Jay, 23 April 1779 http://founders.archives.gov/documents/Washington/03-20-02-0157, Founders Online, National Archives. Source: The Papers of George Washington, Revolutionary War Series, vol. 20, 8 April–31 May 1779, ed. Edward G. Lengel. Charlottesville: University of Virginia Press, 2010, p. 177. Also found in The Life John Jay With Selections from His Correspondence and Miscellaneous Papers. by His Son, William Jay in Two Volumes, Vol. II., 1833
1770s

Marcel Proust photo
Theodore Roosevelt photo
Jon Bon Jovi photo

“You're a loaded gun”

Jon Bon Jovi (1962) American singer and musician

Music, Slippery When Wet (1986)

Matthew Bellamy photo
Robert A. Heinlein photo

“Remember, though, your best weapon is between your ears and under your scalp—provided it’s loaded.”

Source: Tunnel in the Sky (1955), Chapter 1, “The Marching Hordes” (p. 14)

Justin Cronin photo
Margaret Mitchell photo
Matt Haig photo
Margaret Atwood photo
Greg Behrendt photo
Rachel Caine photo
David Sedaris photo
George Carlin photo
Chinua Achebe photo
China Miéville photo
Tom Robbins photo
David Nicholls photo
Rick Riordan photo
Richard Dawkins photo

“American political opportunities are loaded against those who are simultaneously intelligent and honest.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Richard Dawkins on militant atheism http://www.ted.com/talks/lang/eng/richard_dawkins_on_militant_atheism.html, (February 2002)
Context: We've reached a truly remarkable situation: a grotesque mismatch between the American intelligencia and the American electorate. A philosophical opinion about the nature of the universe which is held by the vast majority of top American scientists, and probably the majority of the intelligencia generally, is so abhorrent to the American electorate that no candidate for popular election dare affirm it in public. If I'm right, this means that high office in the greatest country in the world is barred to the very people best qualified to hold it: the intelligencia, unless they are prepared to lie about their beliefs. To put it bluntly American political opportunities are heavily loaded against those who are simultaneously intelligent and honest.

Lena Horne photo

“It's not the load that breaks you down, it's the way you carry it.”

Lena Horne (1917–2010) American singer, actress, civil rights activist and dancer

Variant: It's not the load that breaks you down, it's the way you carry it.

George Harrison photo
Maureen Johnson photo
Ayn Rand photo
Ray Bradbury photo

“A book is a loaded gun.”

Part 1
Variant: A book is a loaded gun in the house next door.
Source: Fahrenheit 451 (1953)

William Faulkner photo
Sophie Kinsella photo
Eric Metaxas photo
Garrison Keillor photo
Nick Hornby photo
William Saroyan photo
Robert M. Pirsig photo
David Sedaris photo
Aurangzeb photo

“Darab Khan who had been sent with a strong force to punish the Rajputs of Khandela and to demolish the great temple of the place, attacked the place on the 8th March/5th Safar, and slew the three hundred and odd men who made a bold defence, not one of them escaping alive. [16 October 1678] The temples of Khandela and Sanula and all other temples in the neighbourhood were demolished…'On Sunday, the 25th May/24th Rabi. S., Khan Jahan Bahadur came from Jodhpur, after demolishing the temples and bringing with himself some cart-loads of idols, and had audience of the Emperor, who highly praised him and ordered that the idols, which were mostly jewelled, gold en, silver y, bronze, copper or stone, should be cast in the yard (jilaukhanah) of the Court and under the steps of the Jam'a mosque, to be trodden on. They remained so for some time and at last their very names were lost' [25 May 1679]…Ruhullah Khan and Ekkataz Khan went to demolish the great temple in front of the Rana's palace, which was one of the rarest buildings of the age and the chief cause of the destruction of life and property of the despised worshippers Twenty machator Rajputs who were sitting in the temple vowed to give up their lives; first one of them came out to fight, killed some and was then himself slain, then came out another and so on, until every one of the twenty perished, after killing a large number of the imperialists including the trusted slave, Ikhlas. The temple was found empty. The hewers broke the images…..”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 107-120, also quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. Different translation: “Darab Khan was sent with a strong force to punish the Rajputs of Khandela and demolish the great temple of that place.” (M.A. 171.) “He attacked the place on 8th March 1679, and pulled down the temples of Khandela and Sanula and all other temples in the neighbourhood.”(M.A. 173.) Sarkar, Jadunath (1972). History of Aurangzib: Volume III. App. V.
Quotes from late medieval histories, 1670s

Henry Temple, 3rd Viscount Palmerston photo
Charles Haughey photo

“I could instance a load of fuckers whose throats I'd cut and push over the nearest cliffs, but there's no percentage in that!”

Charles Haughey (1925–2006) Irish politician

The Flawed Chieftain http://commentisfree.guardian.co.uk/niall_stanage/2006/06/the_flawed_chieftain.html (The Guardian 'Comment is Free')
In an interview with Hot Press magazine

James Wilks photo
TotalBiscuit photo
Michael Swanwick photo
John Keats photo

“You might curb your magnanimity, and be more of an artist, and load every rift of your subject with ore.”

John Keats (1795–1821) English Romantic poet

Letter to Percy Bysshe Shelley (August 1820)
Letters (1817–1820)

John Clare photo

“And what's more wonderful, when big loads foil
One ant or two to carry, quickly then
A swarm flock round to help their fellow-men.”

John Clare (1793–1864) English poet

"The Ants"
Poems Chiefly from Manuscript

Johannes Grenzfurthner photo

“Contemporary art -- the field we are usually working in because there's money -- is mostly concerned with systems or systematic concepts. In the context of their work, artists adapt models of individual art-specific or economic or political systems like in a laboratory, to reveal the true nature of these systems by deconstructing them. So would it be fair to say that by their chameleon-like adaptation they are attempting to generate a similar system? Well… the corporate change in the art market has aged somewhat in the meantime and looks almost as old as the 'New Economy'. Now even the last snotty brat has realized that all the hogwash about the creative industries, sponsoring, fund-raising, the whole load of bullshit about the beautiful new art enterprises, was not much more than the awful veneer on the stupid, crass fanfare of neo-liberal liberation teleology. What is the truth behind the shifting spheres of activity between computer graphics, web design and the rest of all those frequency-orientated nerd pursuits? A lonely business with other lonely people at their terminals. And in the meantime the other part of the corporate identity has incidentally wasted whole countries like Argentina or Iceland. That's the real truth of the matter.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

Daniel Levitin photo
Charles Dickens photo
Cristoforo Colombo photo
Otto Lilienthal photo
John Dos Passos photo
Jodie Marsh photo
Mumia Abu-Jamal photo

“Once again, my family and I find ourselves being assaulted by the obscenity that is Mumia Abu-Jamal. On Sunday October 5th, my husband's killer will once again air his voice from what masquerades as a prison, and spew his thoughts and ideas at another college commencement. Mumia Abu-Jamal will be heard and honored as a victim and a hero by a pack of adolescent sycophants at Goddard College in Vermont. Despite the fact that 33 years ago, he loaded his gun with special high-velocity ammunition designed to kill in the most devastating fashion, then used that gun to rip my husband's freedom from him--today, Mumia Abu-Jamal will be lauded as a freedom fighter. Undoubtedly the administrators at Goddard who first accepted, then enthusiastically supported Abu-Jamal as their speaker will be moved by his "important message" when, if one distills that message to its basic meaning, it amounts to nothing more than the same worn out hatred for this country and everyone in law enforcement that Mumia Abu-Jamal has harbored his entire life. Many at Goddard College have said that this is a matter of Abu-Jamal's First Amendment right to speak and be heard. What a convenient way to dodge their responsibility to take a moral position on this situation. This is not a matter of First Amendment rights -- it's a matter of right and wrong. Across the country, people have been voicing their disgust with the wrong that the college is about to commit by allowing a convicted cop-killer to speak to them. Is this the message to be heard? How could they allow him to speak when Danny no longer has a voice? It is my opinion that all murderers should forfeit their right to free speech when they take the life of an innocent person. I have repeatedly seen college administrators deny conservative and religious speakers access to their campuses when even the tiniest minority feel their message is in some way offensive. What could be more offensive than having a person who violently took the life of another imparting his "unique perspective" on your students? Let's be honest. The instructors, administrators and graduates at Goddard College embrace having this killer as their commencement speaker not despite the fact that he brutally murdered a cop, but because he brutally murdered a cop. Otherwise, like so many other speakers that have been denied access to college campuses across the country, Goddard's administration would have lived up to their moral responsibility and pulled the plug on this travesty long ago. Shame on Goddard College and all associated with that school for choosing to honor an arrogant remorseless killer as their commencement speaker. Unfortunately, this is something that I am certain they will be proud of for the rest of their lives.”

Mumia Abu-Jamal (1954) Prisoner, Journalist, Broadcaster, Author, Activist

Statement http://6abc.com/news/mumia-abu-jamal-speech-met-with-vigil-for-slain-officer/337357/ by Maureen Faulkner, widow of Daniel Faulkner, upon Abu-Jamal's delivering the Commencement Address at Goddard College in 2014
About

Aurangzeb photo

“On Saturday, the 24th January, 1680/2nd Muharram, the Emperor went to view lake Udaisagar, constructed by the Rana, and ordered all the three temples on its banks to be demolished.'…On the 29th January [1680]/7th Muharram, Hasan 'Ali Khan brought to the Emperor twenty camel-loads of tents and other things captured from the Rana's palace and reported that one hundred and seventy-two other temples in the environs of Udaipur had been destroyed. The Khan received the title of Bahadur 'Alamgirshahi'…'Abu Turab, who had been sent to demolish the temples of Amber, returned to Court on Tuesday, the 10th August [1680]/24th Rajab, and reported that he had pulled down sixty-six temples.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 107-120, also quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. (Different translation : Abu Tarab, who had been commissioned to effect the destruction of the idol temples in Amber, reported in person on the 24th Rajab, that threescore and six of these edifices had been levelled with the ground.)
Quotes from late medieval histories, 1680s

Anne Brontë photo
Primo Levi photo

“For me chemistry represented an indefinite cloud of future potentialities which enveloped my life to come in black volutes torn by fiery flashes, like those which had hidden Mount Sinai. Like Moses, from that cloud I expected my law, the principle of order in me, around me, and in the world. I was fed up with books, which I still continued to gulp down with indiscreet voracity, and searched for a key to the highest truths; there must be a key, and I was certain that, owing to some monstrous conspiracy to my detriment and the world's, I would not get in school. In school they loaded with me with tons of notions that I diligently digested, but which did not warm the blood in my veins. I would watch the buds swell in spring, the mica glint in the granite, my own hands, and I would say to myself: "I will understand this, too, I will understand everything, but not the way they want me to. I will find a shortcut, I will make a lock-pick, I will push open the doors."
It was enervating, nauseating, to listen to lectures on the problem of being and knowing, when everything around us was a mystery pressing to be revealed: the old wood of the benches, the sun's sphere beyond the windowpanes and the roofs, the vain flight of the pappus down in the June air. Would all the philosophers and all the armies of the world be able to construct this little fly? No, nor even understand it: this was a shame and an abomination, another road must be found.”

"Hydrogen"
The Periodic Table (1975)

“Women overwhelmingly carry the load of the economic chaos and social misery caused by the present money system everywhere in the world.”

Margrit Kennedy (1939–2013) German architect

Source: Interest and Inflation Free Money (1995), Chapter Three, Who Would Profit From a New Monetary System?, p. 84

Antoni Tàpies photo
Vijay Govindarajan photo
Michael Savage photo

“It's a shell game… They "give" you "free" health-care, then enslave you with a tax burden so heavy you go into cardiac arrest from the load.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Source: The Enemy Within: Saving America from the Liberal Assault on Our Churches, Schools, and Military (2004), p. 55

Karl Pilkington photo

“I don't cry. Water doesn't leave my head. I've got loads of gob. That's how water leaves me, it's not out of my eyes.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

The Moaning of Life, General Quotes

“It was still the custom of the countryside to build with local materials produced as close to the selected site as possible, for transport was difficult, even the best of country roads being more fitted for horseback traffic rather than heavy loads.”

Flora Thompson (1876–1947) English author and poet

Source: Dashpers http://www.dashper.net.nz/dashpers.htm (unfinished, unpublished novel), Chapter Two - A House is built

Martin Farquhar Tupper photo

“Never give up! it is wiser and better
Always to hope, than once to despair.
Fling off the load of Doubt's cankering fetter,
And break the dark spell of tyrannical care.”

Martin Farquhar Tupper (1810–1889) English writer and poet

Never Give Up! http://www.lib.utexas.edu/epoetry/tupperma.q3c/tupperma.q3c-89.html, l. 1-2.
Ballads for the Times (1851)

Karl Pilkington photo

“You know how they say people have six senses? There's loads more than that. [The ability to feel someone looking at you], that's been around since man and dinosaur were knockin' about.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 1
On Biology

Luke the Evangelist photo
Daniel Dennett photo
Neil Young photo