Quotes about legging
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“We come crawling through these cracks, orphans, lobotomies; if you ask me what I want, I'll tell you. I want everything. Whole rotten world come down and break. Let me spread my legs.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Pussy, King of the Pirates (1996)

World

“When it was assumed that birds did not evolve from dinosaurs, it was correspondingly presumed that their flight evolved among climbers that first glided and then developed powered flight. This has the advantage that we know that arboreal animals can evolve powered flight with the aid of gravity, as per bats. When it was realized that birds descended from deinonychosaurs, many researchers switched to the hypothesis that running dinosaurs learned to fly from the ground up. This has the disadvantage that it is not certain whether it is practical for tetrapod flight to evolve among ground runners working against gravity.
The characteristics of birds indicate that they evolved from dinosaurs that had first evolved as bipedal runners, and then evolved into long armed climbers. If the ancestors of birds had been entirely arboreal, then they should be semiquadrupedal forms whose sprawling legs were integrated into the main airfoil, like bats. That birds are bipeds whose erect legs are separate from the wings indicates that their ancestors evolved to run.”

Gregory Scott Paul book The Princeton Field Guide to Dinosaurs

Gregory S. Paul (2010) The Princeton Field Guide to Dinosaurs, Princeton University Press, p. 52
The Princeton Field Guide to Dinosaurs

Bird, Learning, Animals, Flying

“He swore repeatedly, ever the more violently the unsteadier his legs became, but to steel his senses he kept his mind fixed persistently on the world-famous battles of the rhymes. He recited the most powerful passages one after another over and over again, dwelling especially on the devilish heroes, Grimur Ægir and Andri. It was Grimur he was fighting now, he thought... but now an end would be put to the deadly feud, for now the stage was set for the final struggle.”

Halldór Laxness (1902–1998) Icelandic author

Sjálfstætt fólk (Independent People) (1935), Book One, Part I: Icelandic Pioneers

World, Sense, Fight

“A myth has it that in the Texas League some years back, Billy Williams hit a line drive so hard it broke the leg of a rival first baseman. The myth is total nonsense. Williams actually hit a one-bounce ground shot that broke the leg of a rival second baseman. When Billy Williams sets the record straight, he laughs, and tiny white lights glitter in his black eyes, like the tips of icepicks. You know," he says, "nobody likes to hurt anybody. But you have to think I hit that ball pretty good." This is the Billy Williams laugh. It is not a friendly laugh. It is the laugh of an arrogant hitter. Stan Musial used to giggle that way, and no one would confuse it with a girlish giggle. Ted Williams used to grin that way when he talked about hitting. Not a friendly grin; a wicked grin. That is Billy Williams' laugh. It is probably the way the legendary Billy the Kid laughed before he killed a man. Cold as the tip of an icepick. Not that Billy Williams is not a friendly man. He is. Very. He is one of the nicest guys in baseball. But he knows how to separate the two—nice guy, big league hitter.”

Arnold Hano (1922) American writer

From "Billy Williams: Invisible Iron Man," in Baseball Stars of 1971 (March 1971), edited by Ray Robinson, p. 106
Sports-related

Way, Guy, Thinking, Light

“Valor is stability, not of legs and arms, but of courage and the soul.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

Soul, Courage

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Art, Silence, Time, Waiting

“There are, broadly speaking, two types of drinkers. There is the man whom we all know, stupid, unimaginative, whose brain is bitten numbly by numb maggots; who walks generously with wide-spread, tentative legs, falls frequently in the gutter, and who sees, in the extremity of his ecstasy, blue mice and pink elephants…. The other type of drinker has imagination, vision. Even when most pleasantly jingled he walks straight and naturally, never staggers nor falls, and knows just where he is and what he is doing. It is not his body but his brain that is drunken.”

Jack London book John Barleycorn

Source: John Barleycorn (1913), Ch. II

Stupidity, Imagination, Nature

“I saw the earth open like a huge mouth, then close again over the paved street. An old man was trapped by the foot. I ran to him, told him to be brave while I hacked the pavement with a fireman's axe. But I was too late. The vise tightened, bit his leg off at the knee. I carried him away. His knee is still there, a bloody souvenir sticking out of the earth.”

John Fante book Ask the Dust

Ask the Dust (1939)

“I went to see this picture [Raphael's painting 'Madonna della Sedia' which Renoir saw in Florence in 1882] just to have a good laugh – and I found myself in front of the most wonderfully free, solid, simple, alive painting it is possible to imagine – arms and legs of real flesh, and what a touching expression of maternal tenderness.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: 1880's, Renoir – his life and work, 1975, p. 161-162 : (1882), in a letter to Vollard

Imagination, Maternity, Painting

“I have called these animals destriers, borrowing an old word for war-horses. I've given them clawed feet instead of hoofs because I think the genetic engineers will give them claws too. The horse's hoofs seem to be an evolutionary mistake. To speak in Lamarckian terms, the horse has lengthened its legs by standing on its toes until it has ended up standing on one toenail. […] Cheetahs, wolves, and greyhounds all have nonretractile claws that serve them as their spikes serve runners and baseball players. Racehorses could not run as fast as they do if they did not wear aluminum or magnesium shoes.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"Cavalry in the Age of the Autarch", in Castle of the Otter (1982), Reprinted in Gene Wolfe, Castle of Days (1992)
Nonfiction

War, Shoe, Thinking, Animals

“Ronnie is the best player in the world at the moment, right-handed, left-handed, one-legged, one-armed, whatever you want!”

Stephen Hendry

On Ronnie O'Sullivan They said it: Sporting quotes of the week, 2008-04-02, 2008-04-02, Daily Mail http://www.dailymail.co.uk/pages/live/articles/sport/football.html?in_article_id=563414&in_page_id=1779&ct=5,

World

“Don't worry, I don't underrate the cops. But cops can't break a guy's arm to make him talk, and they can't shove his teeth in with the muzzle of a.45 to remind him that you aren't fooling. I do my own leg work, and there are a lot of guys who will tell me what I want to know because they know what I'll do to them if they don't. My staff is strictly ex officio, but very practical.”

Mickey Spillane book I, the Jury

I, the Jury (1947)

Fools, Guy

“I was in a bookstore, browsing through an old Life magazine, when I saw a picture of what the article called spontaneous human combustion. There were an old guy's legs and shoes, perfectly intact…then, right around his knee area, was just a pile of charred ashes. I was going through some turmoil in my life, both good and bad, and the image struck a chord, so…I wrote a song about it.”

Brandon Boyd (1976) American rock singer, writer and visual artist

On writing the song Pardon Me

Life, Shoe, Guy

“The universe has backed you into another corner—you can kill or die. There are no other choices. Doesn’t that make you angry? Doesn’t it make you want revenge? Or are you going to truckle to Dame Fate one more time, to be crushed and for all I know resurrected to run the maze of torment again and yet again? Stand up on your hind legs for once!”

Michael Swanwick book The Iron Dragon's Daughter

Source: The Iron Dragon's Daughter (1993), Chapter 22 (p. 407)

Fate, Revenge, Universe, Time

“All I saw was the dame standing there in the glare of the headlights waving her arms like a huge puppet and the curse I spit out filled the car and my own ears. I wrenched the wheel over, felt the rear end start to slide, brought it out with a splash of power and almost ran up the side of a cliff as the car fishtailed. The brakes bit in, gouging a furrow in the shoulder, then jumped to the pavement and held.
Somehow I had managed a sweeping curve around the babe. For a few seconds she had been living on stolen time because instead of getting out of the way she had tried to stay in the beam of the headlights. I sat there and let myself shake. The butt that had fallen out of my mouth had burned a hole in the leg of my pants and I flipped it out the window. The stink of burned rubber and brake lining hung in the air like smoke and I was thinking of every damn thing I ever wanted to say to a hairbrained woman so I could have it ready when I got my hands on her.
That was as far as I got. She was there in the car beside me, the door slammed shut and she said, "Thanks, mister."”

Mickey Spillane (1918–2006) American writer

Kiss Me Deadly (1952)

Cars, Way, Thinking, Time

“Butter not only wouldn’t melt in this mouth, it wouldn’t go in; one runs away, an urchin in the gutter and glad to be, murmuring: “The Queen of Spain has no legs.” … One’s eyes widen; one sits the poet down in the porch swing, starts to go off to get her a glass of lemonade, and sees her metamorphosed before one’s eyes into a new Critique of Practical Reason.., feminine gender…”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Her Shield”, p. 178
Poetry and the Age (1953)

“And I remembered the inside of that apartment, how it smelled of mice and dust, and the old women who sat in the lobby on hot afternoons, and the old woman with the pretty legs. Then there was the elevator man, a broken man from Milwaukee, who seemed to sneer every time you called your floor, as though you were such a fool for choosing that particular floor, the elevator man who always had a tray of sandwiches in the elevator, and a pulp magazine.”

John Fante book Ask the Dust

Ask the Dust (1939)

Women, Fools, Time

“Oh like you never did that before! Every man - every man has done this! Just tuck your weiner between your legs, run around your house, lookit at yourself in the mirror, and say, "Oh, hey there, I'm Roseanne!"”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

You know, like on the Rosie O'Fatass show.
Git-R-Done (album)

Housing

“I can never forget how June's present husband, Harry Evans, suddenly came clomping down the hall of her apartment in his Army boots, fresh from the German front, around September 1945, and he was appalled to see us, six fullgrown people, all high on Benny sprawled and sitting and cat-legged on that vast double-doublebed of 'skepticism' and 'decadence', discussing the nothingness of values, pale-faced, weak bodies, Gad the poor guy said: 'This is what I fought for?”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

His wife told him to come down from his 'character heights' or some such.
In Jack Kerouac's last work (The Vanity of Duluoz), he describes the scene in the 119th street apartment as "a year of low, evil decadence", beginning near the close of 1944:
About

People, Guy, Cats, Forgetting

“This is nothing against Sir Alex whatsoever. After the game on Wednesday we were together in my office and we spoke and drank wine. Unfortunately it was a very bad bottle of wine and he was complaining, so when we go to Old Trafford for the second leg, on my birthday, I will take a beautiful bottle of Portuguese wine.”

José Mourinho (1963) Portuguese association football player and manager

http://news.bbc.co.uk/sport1/hi/football/teams/c/chelsea/4175077.stm Chelsea FC

Beauty, Game, Birthday, Wine

“After Bill is exhausted at a baseball fantasy camp, walking crooked.
Woman: Do your legs hurt?
Bill: Nope, just crapped my pants. Here's your sign.”

Bill Engvall (1957) American comedian and actor

Here's Your Sign

Hurt

“One cannot escape from the effects of one's past karma. But if a person lives a prayerful life, he gets off with only the prick of a thorn in the leg where he was to suffer from a deep cut.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

Women Saints of East and West

Life, Suffering, Past, Personality

“I remember the first time I was sick. I had gone to play with a boy, Luis Léon, and on the patio he threw a wooden log at my foot, and this was the pretext they used at home when my leg began to grow thin. I remember they said that it was a white tumor or paralysis. I missed a lot of school [Frida spent nine months in bed, and and at seven she wore (polio) booties]. I do not remember a lot, but I continued jumping, only not with the right leg anymore. I developed a horrible complex, and I hide my leg. I wore thick wool socks onto the knee, with bandages underneath. This happened when I was seven years old, and my papa and my mama begun to spoil me a lot and to love me more. The foot leaned to the side, and I limped a little. This was during the period when I had my imaginary friend.”

Frida Kahlo (1907–1954) Mexican painter

9 September 1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My life', p. 65

Love, School, Home, Boy

“The trap I set for you seems to have caught my leg instead!”

Aaron Weiss

In a Sweater Poorly Knit.
Brother, Sister (2006)

“As a type for study, or a standard for education, Lodge was the more interesting of the two. Roosevelts are born and never can be taught; but Lodge was a creature of teaching — Boston incarnate — the child of his local parentage; and while his ambition led him to be more, the intent, though virtuous, was — as Adams admitted in his own case — restless. An excellent talker, a voracious reader, a ready wit, an accomplished orator, with a clear mind and a powerful memory, he could never feel perfectly at ease whatever leg he stood on, but shifted, sometimes with painful strain of temper, from one sensitive muscle to another, uncertain whether to pose as an uncompromising Yankee; or a pure American; or a patriot in the still purer atmosphere of Irish, Germans, or Jews; or a scholar and historian of Harvard College. English to the last fibre of his thought — saturated with English literature, English tradition, English taste — revolted by every vice and by most virtues of Frenchmen and Germans, or any other Continental standards, but at home and happy among the vices and extravagances of Shakespeare — standing first on the social, then on the political foot; now worshipping, now banning; shocked by the wanton display of immorality, but practicing the license of political usage; sometimes bitter, often genial, always intelligent — Lodge had the singular merit of interesting. The usual statesmen flocked in swarms like crows, black and monotonous. Lodge's plumage was varied, and, like his flight, harked back to race. He betrayed the consciousness that he and his people had a past, if they dared but avow it, and might have a future, if they could but divine it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Pain, Happiness, People, Education

“Old Peter Beswick was a coal merchant in Eccles, Lancashire. He had no business premises. All he had was a lorry, scales, and weights. He used to take the lorry to the yard of the National Coal Board, where he bagged coal and took it round to his customers in the neighbourhood. His nephew, John Joseph Beswick, helped him in his business. In March 1962, old Peter Beswick and his wife were both over 70. He had had his leg amputated and was not in good health. The nephew was anxious to get hold of the business before the old man died. So they went to a solicitor, Mr. Ashcroft, who drew up an agreement for them.”

Alfred Denning, Baron Denning (1899–1999) British judge

Beswick v. Beswick [1966] Ch 538.
Judgments

Health, Business, Help

“Yes. I came to Washington to lobby Senators and Congressmen to co-sponsor in support of the PAST Act and I'm hoping by making this public people will join me to help me get this bill passed. Links are available for them to contact their Congressman saying they support the PAST Act. That's all they have to do. You would think this is a no-brainer, that this would pass but there IS opposition. The law was passed in 1970 to stop soring but Horse Industry (HIOs) found loopholes and continued soring. USDA is charged with enforcement of the Horse Protection Act, but as the result of a 1976 amendment to the act, the USDA has for decades certified the horse industry organization to conduct the majority of inspections at horse shows. This self regulation scheme has failed miserably and has to be abolished. USDA inspectors are threatened by exhibitors at horse shows and must be frequently accompanied by security. If they had nothing to hide (like covering the scarred legs with paint or taking off other paraphernalia when USDA inspectors are around) why aren't they welcomed? That's why being their own inspectors is not working.”

Priscilla Presley (1945) actress and businesswoman from the United States and former wife of Elvis Presley

Priscilla Presley On The Cause She's So Passionate About And The First Time Elvis Took Her Breath Away http://www.huffingtonpost.com/pat-gallagher/priscilla-presley_b_4933783.html, 12 March, 2014.

People, Law, Hope, Support

“Now a willpower that I have polished with an artist's delight will sustain some shaky legs and some weary lungs. I will do it. Give a thought once in awhile to this little soldier of fortune of the twentieth century.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Last Letter to his Parents (1965)

“I have bought at Auverse thirty perches of land, all covered with beans, on which I shall plant some legs of mutton when you come to see me. They are building me a studio there, some eight by six meters, with several rooms around it, which will serve me, I hope, next Spring [of 1861]. Father Corot has found Auvers very fine, and has engaged me to fix myself there for a part of the year, wishing to make rustic landscapes with figures. I shall be truly well of there, in the midst of a good farming country, where the ploughs do not yet go by steam.”

Charles-François Daubigny (1817–1878) French painter

Quote in his letter to his friend Frédéric Henriet, https://commons.wikimedia.org/w/index.php?search=Fr%C3%A9d%C3%A9ric+Henriet&title=Special:Search&go=Go&searchToken=dt4h140y68u3oxynlcr55rftr#/media/File:Eaux-fortes._(Frontispiece)_(NYPL_b12616975-1690388).jpg, 1860; as cited in 'Charles-francois Daubigny', by Robert J. Wichenden, in The Century Illustrated Montly Magazine, Vol. XLIV, July 1892, p. 335 Daubigny bought property in Auvers-sur-Oise in 1860; four years later Corot would decorate there his Villa des Vallées, with beautiful murals. 1840s - 1850s

Hope, Spring, Parting, Country

“What for? What does a sixty-odd-year-old slavewoman who walks like a three-legged dog need freedom for? And when she stepped foot on free ground she could not believe that Halle knew what she didn’t; that Halle, who had never drawn one free breath, knew that there was nothing like it in this world. It scared her.”

Toni Morrison book Beloved

Beloved (1987)

World, Dogs, Freedom

“Shykh Nuruddin Mubarak Ghaznavi was the most important disciple of Shykh Shihabuddin Suhrawardi, founder of the second most important sufi silsila after the Chishtiyya, who died in Baghdad in 1235 AD. Ghaznavi had come and settled down in India where he passed away in 1234-35 AD. He served as Shykh-ul-Islam in the reign of Shamsuddin Iltutmish (AD 1210-1236), and propounded the doctrine of Din Panahi. Barani quotes the first principle of this doctrine as follows in his Tarikh-i-Firuzshahi. “The kings should protect the religion of Islam with sincere faith… And kings will not be able to perform the duty of protecting the Faith unless, for the sake of God and the Prophet’s creed, they overthrow and uproot kufr and kafiri (infidelity), shirk (setting partners to God) and the worship of idols. But if the total uprooting of idolatry is not possible owing to the firm roots of kufr and the large number of kafirs and mushriks (infidels and idolaters), the kings should at least strive to insult, disgrace, dishonour and defame the mushrik and idol-worshipping Hindus, who are the worst enemies of God and the Prophet. The symptom of the kings being the protectors of religion is this:- When they see a Hindu, their eyes grow red and they wish to bury him alive; they also desire to completely uproot the Brahmans, who are the leaders of kufr and shirk and owning to whom kufr and shirk are spread and the commandments of kufr are enforced… Owing to the fear and terror of the kings of Islam, not a single enemy of God and the Prophet can drink water that is sweet or stretch his legs on his bed and go to sleep in peace.””

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231
Tarikh-i-Firuz Shahi

God, Fear, Peace, Faith

“Some strong-willed children absolutely demand to be spanked, and their wishes should be granted... [T]wo or three stinging strokes on the legs or buttocks with a switch are usually sufficient to emphasize the point, 'You must obey me.”

James Dobson (1936) Evangelical Christian psychologist, author, and radio broadcaster.

From The Strong-Willed Child, pp. 53-4.
1970s

Children, Strong

“It will make a weak man mighty;
It will make a mighty man fall.
It will fill your heart and hands;
Or leave you with nothing at all.
It's the eyes for the blind
And legs for the lame.
It is love for hate,
And pride for shame.That's the power of the gospel.
That's the power of the gospel.
That's the power of the mighty power.
That's the power of the gospel.”

Ben Harper (1969) singer-songwriter and musician

Power of the Gospel.
Song lyrics, Fight for Your Mind (1995)

Love, Hate, Heart

“There’s more leg room in first class, to be sure, but there’s more poetry in second class—and more honesty in third.”

Michael Kurland book Ten Little Wizards

Source: Ten Little Wizards (1988), Chapter 7 (p. 62)

“In deduction the mind is under the dominion of a habit or association by virtue of which a general idea suggests in each case a corresponding reaction. This is the way the hind legs of a frog separated from the rest of the body, reason, when you pinch them. It is the lowest form of psychical manifestation.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

The Law of Mind (1892)

Way, Idea

“The Church's approach to an intelligent carpenter is usually confined to exhorting him not to be drunk and disorderly in his leisure hours, and to come to church on Sundays. What the Church should be telling him is this: that the very first demand that his religion makes upon him is that he should make good tables. Church by all means, and decent forms of amusement, certainly—but what use is all that if in the very center of his life and occupation he is insulting God with bad carpentry? No crooked table legs or ill-fitting drawers ever came out of the carpenter's shop at Nazareth. Nor, if they did, could anyone believe that they were made by the same hand that made Heaven and earth.”

Dorothy L. Sayers (1893–1957) English crime writer, playwright, essayist and Christian writer

Essays, Why Work? (1942)

Life, God, Religion, Intelligence

“I have always had severe problems with Austrians. … Musical, churchy, uptight… nice legs… hypocritical… authoritarian… always insist their dustbins are very clean.”

Peter Greenaway (1942) British film director

Philip
8 1/2 Women

Music, Problem

“Stow informs us, that the young Londoners, on holidays, after the evening prayer, were permitted to exercise themselves with their wasters and bucklers before their masters' doors…The bear-gardens were the usual places appropriated by the masters of defence for public trials of skill. These exhibitions were outrageous to humanity, and only fitted for the amusement of ferocious minds; it is therefore astonishing that they should have been frequented by females; for, who could imagine that the slicing of the flesh from a man's cheek, the scarifying of his arms, or laying the calves of his legs upon his heels, were spectacles calculated to delight the fair sex, or sufficiently attractive to command their presence.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 262
The Sports and Pastimes of the People of England (1801), Fencing

Sex, Exercises, Imagination, Holiday

“In the dreams of the villagers a huge bear, a mythical apparition from the fading past, restored like Phoenix, walked around powerfully. Standing on her hind legs, moving towards them proudly, roaring with rage, and the horrified villagers, who could not fire in their dreams and could not even find their own voices, would open their eyes, bathed in sweat and would listen, listen in terror for the nocturnal screeches of eagle-owls scratching the darkness of the Cherith gorge, like meteors, disturbing and trembling.”

Miho Mosulishvili book A Big She-Bear

Source: A Big She-Bear (2013), p. 11

Dreams, Rage, Past

“One night at the diner over eggs,
Over easy she showed me the length of her legs,
But that gold plated cross on her neck, it was real
And you don't get that kind of money from pushing a meal.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

Carolina Rain
29 (2005)

Money, Night

“From 'Windows Is Shutting Down'
:Windows is shutting down, and grammar are
:On their last leg. So what am we to do?
:A letter of complaint go just so far,
:Proving the only one in step are you.

:Better, perhaps, to simply let it goes.
:A sentence have to be screwed pretty bad
:Before they gets to where you doesn't knows
:The meaning what it must have meant to had.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Poems and song lyrics

“The legs aren't so beautiful, I just know what to do with them.”

Marlene Dietrich (1901–1992) German-American actress and singer

Source: Speaking with publicist Peter Rogers, circa 1969, as quoted in The Blackglama Story (1979) by Rogers, reproduced in "At Last! The story behind the legends... and the war of the minks; Marlene Dietrich" https://www.mediafire.com/view/shxgxgwhaj6fk9h by Ricki Fulman, New York Daily News (December 9, 1979), p. 179

Beauty

“I think Miss Moore was right to cut “The Steeple-Jack” — the poem seems plainer and clearer in its shortened state — but she has cut too much… The reader may feel like saying, “Let her do as she pleases with the poem; it’s hers, isn’t it?” No; it’s much too good a poem for that, it long ago became everybody’s, and we can protest just as we could if Donatello cut off David’s left leg.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Her Shield”, p. 177
Poetry and the Age (1953)

Feeling, Thinking

“There was no telling who this head, or this leg, or that arm, belonged to... So I scattered the limbs in my painting and realized that in this way I was getting much closer to the truth than Michelangelo did when he concentrated on every separate muscle.”

Fernand Léger (1881–1955) French painter

as quoted from the exhibition catalogue Fernand Legér, Paris, 1956
Quotes of Fernand Leger, 1950's

Truth, Way, Painting

“Imagine that for hundreds of years your most formative traumas, your daily suffering and pain, the abuse you live through, the terror you live with, are unspeakable — not the basis of literature. You grow up with your father holding you down and covering your mouth so another man can make a horrible searing pain between your legs.… You learn how to leave your body and create someone else who takes over when you cannot stand it any more. You develop a self who is ingratiating and obsequious and imitative and aggressively passive and silent — you learn, in a word, femininity.”

Catharine A. MacKinnon book Only Words

Source: Only Words (1993), pp. 3-7

Pain, Imagination, Literature, Suffering

“When we were growing up, the 45 single was the heart of rock-and-roll and in many regards still is. It's the hardest thing to pull off. The surest sign that a band is growing stale and running out of creative ideas is when it turns to prog. And I well remember the 1970s when prog almost destroyed rock music. It's the mold growing on a congealed band on its last legs. Indeed, it still lurks among us in new, insidious forms like indie. The few times U2 has attempted prog, we've tempered it with good songwriting.”

Bono (1960) Irish rock musician, singer of U2

Music, Idea, Time, Heart

“For me dancing is not just moving your arms and legs but basically it's a very spiritual experience. It's part of me and a second nature to me. You can say it is in my blood.”

Madhuri Dixit (1967) Indian actress

Quote, When personality comes first.....

Nature, Dance, Parting

“If it has four legs and is not a chair, has wings and is not an aeroplane, or swims and is not a submarine, the Cantonese will eat it.”

Prince Philip, Duke of Edinburgh (1921) member of the British Royal Family, consort to Queen Elizabeth II

1986 statement as quoted in "Long line of princely gaffes", BBC News (1 March 2002)
1980s

“The other major impression to emerge from Magick Without Tears is that -- as odd as it sounds -- one of Crowley's chief drawbacks was his sense of humour. This is a disability he shares with Bernard Shaw: both were driven by a strange compulsion to be flippant. But when he becomes absorbed in an idea, Shaw can remain serious for a sufficiently long time to convince the reader of his intellectual stature. In Crowley, the flippancy has the tone of a schoolmaster trying to be funny for the benefit of the sixth form, or a muscular Christian trying to convince you that he isn't really religious. 'How can a yogi ever feel worried?... That question I have been expecting for a very long time!' (Crowley has never learned that exclamation marks give the impression of a gushing schoolgirl.) 'And what you expect is to see my middle stump break the wicket-keeper's nose, with the balls smartly fielded by Third Man and Short Leg!' It makes us aware that there was something wrong with Crowley's 'self-image.”

Colin Wilson (1931–2013) author

He is one of those people who, no matter how hard they try, never feel quite grown up.
Source: Aleister Crowley: The Nature of the Beast (1987), p. 150

People, Feeling, Idea, Question

“The body is divided into three parts and nine sections. The three parts are the spine, the two arms and the two legs.1. Spine: the head, thorax and abdomen. These three sections make up the main trunk of the body.
2. Arms: the hands, elbows and shoulders. These three sections constitute the upper limbs.
3. Legs: the hips, knees and feet. These three sections constitute the body’s lower limbs.So the body is divided into upper, middle and lower vessels. The upper is from the chest and arms upwards, the middle constitutes waist and hips, and the lower vessel is from the thighs and knees downwards.”

Wu Kung-tsao (1902–1983) Chinese martial artist

Wu Family T'ai Chi Ch'uan (1980)

Parting

“It is surprising that modern textbooks teach the ridiculous idea that birds are the descendents of dinosaurs! What a silly idea! There are many thousands of anatomical differences between reptiles and birds. Reptiles have four perfectly good legs that function just fine. Birds have two legs and two wings which also work fine as they are. If a reptile were to try to evolve into a bird, at some point it would have halfleg and half-wing. Now, it can no longer walk or run; yet, it cannot fly. This creature is doomed to extinction.”

Kent Hovind (1953) American young Earth creationist

Source: Are you being brainwashed?: Propaganda in science textbooks (2007), p. 19

Idea, Bird, Flying

“The main difficulty in using either lazo or bolas, is to ride so well, as to be able at full speed, and while suddenly turning about, to whirl them so steadily round the head, as to take aim: on foot any person would soon learn the art. One day, as I was amusing myself by galloping and whirling the balls round my head, by accident the free one struck a bush; and its revolving motion being thus destroyed, it immediately fell to the ground, and like magic caught one hind leg of my horse; the other ball was then jerked out of my hand, and the horse fairly secured. Luckily he was an old practised animal, and knew what it meant; otherwise he would probably have kicked till he had thrown himself down. The Gauchos roared with laughter; they cried they had seen every sort of animal caught, but had never before seen a man caught by himself.”

Charles Darwin book The Voyage of the Beagle

Source: The Voyage of the Beagle (1839), chapter III: "Montevideo — Maldonado, etc.", page 51 http://darwin-online.org.uk/content/frameset?pageseq=70&itemID=F11&viewtype=image

Art, Jerk, Laughter, Learning

“I understand the power and the alarm of words –
Not those that they applaud from theatre-boxes,
but those which make coffins break from bearers
and on their four oak legs walk right away.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

Untitled last poem found after his death; translation from Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 4, p. 235

Understanding, Box

“Up to eight feet long and as heavy as a lioness, the adult Komodo dragon brandishes steak-knifelike teeth - sharp, recurved blades with serrated cutting edges. Showing the same sagacity found in veteran Nile crocodiles, fully adult dragons know their hunting territory from years of experience. They know where to lie along hilly game trails, awaiting the light footsteps of a deer. Attacks are instant successes or failures because the ora has no stamina, and if it misses on the first short rush, it has little sustained speed for a long pursuit. When an attack succeeds, the cruel rows of slashing teeth cut fearful wounds on the rump and thigh of ambushed animals and the stricken prey may die of massive infection days later even if it manages to break free from the dragon's mouth. Tethered livestock suffer truly terrible cuts across the legs when an ora slinks into the compound under cover of the warm Indonesian nights. Several humans, both native and European visitors, have died in savage daylight attacks. The victims simply had no warning sign that the ora was waiting patiently a few feet from the trail's edge.”

Robert T. Bakker book The Dinosaur Heresies

The Dinosaur Heresies: A Revolutionary View of Dinosaurs (1986), Longman Scientific & Technical, p. 62-63
The Dinosaur Heresies (1986)

Lie, Fear, Game, Failure

“When I first began working with baboons, my main problem was learning to keep up with them while remaining alert to poisonous snakes, irascible buffalo, aggressive bees, and leg-breaking pig holes. Fortunately, these challenges eased over time, mainly because I was traveling in the company of expert guides—baboons who could spot a predator a mile away and seemed to possess a sixth sense for the proximity of snakes. Abandoning myself to their far superior knowledge, I moved as a humble disciple, learning from masters about being an African anthropoid. Thus I became (or, rather, regained my ancestral right to be) an animal, moving instinctively through a world that felt (because it was) like my ancient home.”

Barbara Smuts (1950) American anthropologist

Source: Reflections (1999), p. 109

World, Travel, Home, Knowledge

“He just didn't quite get his leg over.”

Jonathan Agnew (1960) cricketer

Commentating on Ian Botham trying but failing to step over the stumps
[The Wit of Cricket, Barry, Johnston, http://books.google.co.uk/books?id=ygNa9iKqu2oC&printsec=frontcover&dq=%22jonathan+agnew%22+stewart+test&hl=en&redir_esc=y#v=onepage&q=He%20just%20didn't%20quite%20get%20his%20leg%20over!&f=false, Hodder & Stoughton, 9781444715026]

“She laughed and began undressing. She was brown underneath, but it was natural brown and not a tan. I was white and ghostlike. There was a blob of heaviness at my stomach. I pulled it in to hide it. She looked at the whiteness, at my loins and legs, and smiled. I was glad when she walked toward the water.”

John Fante book Ask the Dust

Ask the Dust (1939)

Smile, Nature, Water

“"It's wrong to profit from the misfortune of others." I ask my students whether they'd support a law against doing so. But I caution them with some examples. An orthopedist profits from your misfortune of having broken your leg skiing. When there's news of a pending ice storm, I doubt whether it saddens the hearts of those in the collision repair business. I also tell my students that I profit from their misfortune — their ignorance of economic theory.”

Walter E. Williams (1936) American economist, commentator, and academic

1970s, Economics for the Citizen (1978)

Law, Business, Support, Heart

“And when you wake, you will fly away, holding tight to the legs of all your angels. Goodbye, my love, into your blue, blue eyes.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Baby Blue
Big Whiskey and the GrooGrux King (2009)

Love, Angels, Flying

“I find myself frequently maintaining to any young passer-by upon whose attention I can force myself that a genuinely creative career must like a milking stool stand on three legs. There must be accident, there must be sweat, there must be dissatisfaction. That one must work hard is too obvious for comment here. That one must be endowed with native dissatisfaction is very nearly as obvious, for it is the engine that drives you: dissatisfaction with the world and the arts as you find them, dissatisfaction with your own best efforts to capture the uncapturable. What is not so obvious is the support which one must gain from accident, from those dispositions of wind and stars over which one has no control.”

Robert Ardrey book Plays of Three Decades

Plays of Three Decades: Thunder Rock / Jeb / Shadow of Heroes (1968)

World, Art, Star, Support

““Squatting on old bones and excrement and rusty iron, in a white blaze of heat, a panorama of naked idiots stretches to the horizon. Complete silence - their speech centres are destroyed - except for the crackle of sparks and the popping of singed flesh as they apply electrodes up and down the spine. White smoke of burning flesh hangs in the motionless air. A group of children have tied an idiot to a post with barbed wire and built a fire between his legs and stand watching with bestial curiosity as the flames lick his thighs. His flesh jerks in the fire with insect agony.”

William S. Burroughs book Naked Lunch

Benway
Naked Lunch (1959)

Children, Jerk, Silence, Singing

“"What's this? Am I falling? My legs are giving way under me," he thought, and fell on his back. He opened his eyes, hoping to see how the struggle of the French soldiers with the artilleryman was ending, and eager to know whether the red-haired gunner artilleryman was killed or not, whether the cannons had been taken or saved. But he saw nothing of all that. Above him there was nothing but the sky — the lofty sky, not clear, but still immeasurably lofty, with gray clouds creeping quietly over it.”

Leo Tolstoy book War and Peace

Bk. III, ch. 16
War and Peace (1865–1867; 1869)

Hope, Way

“It is costing much money here, a thing I regret. But you will get your money's worth. My legs curse you. But my heart says 'Thank you.”

Maynard Owen Williams (1888–1963) American journalist

from a letter to John Oliver la Gorce, the Geographic's assistant editor (1923)

Money, Heart

“What can be more curious than that the hand of a man, formed for grasping, that of a mole for digging, the leg of the horse, the paddle of the porpoise, and the wing of the bat, should all be constructed on the same pattern, and should include the same bones, in the same relative positions? … Hence the same names can be given to the homologous bones in widely different animals. We see the same great law in the construction of the mouths of insects: what can be more different than the immensely long spiral proboscis of a sphinx-moth, the curious folded one of a bee or bug, and the great jaws of a beetle?—yet all these organs, serving for such different purposes, are formed by infinitely numerous modifications of an upper lip, mandibles, and two pairs of maxillæ. Analogous laws govern the construction of the mouths and limbs of crustaceans. So it is with the flowers of plants. Nothing can be more hopeless than to attempt to explain this similarity of pattern in members of the same class, by utility or by the doctrine of final causes.”

Charles Darwin book On the Origin of Species (1859)

Source: On the Origin of Species (1859), chapter XIII: "Mutual Affinities of Organic Beings: Morphology: Embryology: Rudimentary Organs", pages 434-435 http://darwin-online.org.uk/content/frameset?pageseq=452&itemID=F373&viewtype=image

Law, Flowers, Bee, Animals

“You always expect a sheep to have five legs.”

Agnolo Firenzuola (1493–1543) Italian poet and litterateur

Act II., Scene V. — (M. Bovina).
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 259.
La Trinuzia (published 1549)

“It will serve to show how articulated language comes into being. I let the vowels fool around. I let the vowels quite simply occur, as a cat meows... Words emerge, shoulders of words, legs, arms, hands of words. Au, oi, uh. One shouldn't let too many words out. A line of poetry is a chance to get rid of all the filth that clings to this accursed language... Dada is the heart of words.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

1916, Dada Manifesto (1916)

Fools, Cats, Chance, Heart

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that: Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71). Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

Beauty, Exercises, Question, Evil

“I shook my head ruefully. Police departments all over the world were identical in two respects: they all have a fondness for breaking your head open for little or no provocation, and they can’t see the simple truth if it’s lying in front of them naked with its legs spread. The police don’t enforce laws; they don’t even get busy until after the laws are broken. They solve crimes at a pitifully low rate of success. What the police are, to be honest, is a kind of secretarial pool that records the names of the victims and the statements of the witnesses. After enough time passes, they can safely shove this information to the back of the filing system to make room for more.”

George Alec Effinger book When Gravity Fails

Source: When Gravity Fails (1986), Chapter 17 (pp. 235-236).

Truth, World, Law, Lying

“Naked she lay, clasped in my longing arms,
I filled with love, and she all over charms;
Both equally inspired with eager fire,
Melting through kindness, flaming in desire.
With arms, legs, lips close clinging to embrace.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

The Imperfect Enjoyment (published 1680).
Other

Love

“Dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.”

Charles Baudelaire book La Fanfarlo

La danse peut révéler tout ce que la musique recèle de mystérieux, et elle a de plus le mérite d'être humaine et palpable. La danse, c'est la poésie avec des bras et des jambs, ... "La Fanfarlo" (1847) http://fr.wikisource.org/wiki/La_Fanfarlo

Music, Dance

“Does a one-legged duck swim in circles?”

Rhodri Morgan (1939–2017) British politician

"This is the week that...", The Times, 5 December 1998, p. 8.
Reply to Jeremy Paxman on BBC Newsnight when asked whether he still wanted to lead the Labour Party in the National Assembly for Wales.
Morgan was awarded the "Foot in Mouth" award by the Plain English Campaign on 11 December 1998 for this quote.

“He [ Michelangelo ] did not know a single one of the feelings of man, not one of his passions. When he was making an arm or a leg, it seems as if he were thinking only of that arm or leg and was not giving the slightest consideration to the way it relates with the action of the figure to which it belongs, much less to the action of the picture as a whole... Therein lies his great merit; he brings a sense of the grand and the terrible into even an isolated limb.”

Eugène Delacroix (1798–1863) French painter

quote in 1854, on the Italian Renaissance artist [[w:Michelangelo|Michelangelo, as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 235
1831 - 1863

Way, Feeling, Thinking, Sense

“Every picture shop is filled with pictures of the Emperor; every photographer's with photos--all sizes and in all kinds of positions, in and out of uniform, in different uniforms, looking condescending, looking dignified, on horseback in uniform, on horseback in plain clothes, on donkeyback, head and shoulders without legs, legs without head and shoulders, helmet in hand, helmet on head, helmet on tail, flying in mid air etc. etc. All the statuary too turns on the Emperor. There are busts chiselled in all sizes and the number of different varieties to be seen in halls, houses, shop windows etc. is something quite unbearable. The toy shops are filled with toy Emperors; when he was young the boy Emperor; then the man Emperor; in fact Berlin is saturated with the blessed Emperor as man, woman, boy, girl, soldier, tinker, tailor. The end of it all will be that the people will go stark staring mad and the Emperor himself will go off with a bang the verdict being: "Death from explosion owing to his receiving more hero-worship than the human frame can bear!"”

Edward German (1862–1936) English musician and composer

In a letter to his sister, describing his observations from a trip to Germany of the cult-like status given the Kaiser.

Death, People, Photo, Girl

“I cannot anyhow continue to find people agreeable; I respect Mrs. Chamberlayne for doing her hair well, but cannot feel a more tender sentiment. Miss Langley is like any other short girl, with a broad nose and wide mouth, fashionable dress and exposed bosom. Adm. Stanhope is a gentleman-like man, but then his legs are too short and his tail too long.”

Jane Austen (1775–1817) English novelist

Letter to Cassandra (1801-05-12) [Letters of Jane Austen -- Brabourne Edition]
Letters

People, Feeling, Girl, Fashion

“Sir, a woman's preaching is like a dog's walking on his hinder legs. It is not done well; but you are surprised to find it done at all.”

Samuel Johnson (1709–1784) English writer

July 31, 1763, p. 132. [Several editions have the variant "hind legs".]
Life of Samuel Johnson (1791), Vol I

Dogs

“[Describes visiting a factory farm shed where she saw a large male boar, ] his huge head hanging low towards the barren floor. As I came level with him he raised his head and dragged himself slowly towards me on lame legs. With deliberation he looked straight at me, staring directly into my eyes. It seemed to me that I saw in those sad, intelligent, penetrating eyes a plea, a question to which I had no answer: "Why are you doing this to me?"”

Juliet Gellatley British activist

The Silent Ark, cited in Jeffrey Moussaieff Masson, The Pig Who Sang to the Moon: The Emotional World of Farm Animals (New York: Ballantine Books, 2004), ch. 1, p. 23 https://books.google.it/books?id=RbxeFLpNnxUC&pg=PA23.

Sadness, Intelligence, Question

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Men, People, Health, Truth

“After a certain age, any new friends we make in our attempt to replace the ones we've lost are like glass eyes, false teeth and wooden legs.”

Nicolas Chamfort (1741–1794) French writer

Les nouveaux amis que nous faisons après un certain âge, et par lesquels nous cherchons à remplacer ceux que nous avons perdus, sont à nos anciens amis ce que les yeux de verre, les dents postiches et les jambes de bois sont aux véritables yeux, aux dents naturelles et aux jambes de chair et d'os.
Maximes et Pensées (Van Bever, Paris :1923), #303
Reflections

Age, Falseness

“Prologues like compliments are loss of time;
’T is penning bows and making legs in rhyme.”

David Garrick (1717–1779) English actor, playwright, theatre manager and producer

Prologue to Crisp’s Tragedy of Virginia.

Loss, Time

“Cindy Sheehan is on a mission to figuratively urinate on her son's grave and make his death stand for nothing. She represents and symbolizes all those who would cut the legs out from the men and women who are fighting now as we speak, to defend us and to build a new country in Iraq. Cindy Sheehan's not interested in the memory of her son. She's only interested in using her son as a prop to advance her own hatred for the American troops.”

Mark Williams American conservative activist, radio talk show host and author

Fox News Live
2005-08-24, quoted in * "Truth Tour's" Williams: Sheehan "on a mission to figuratively urinate on her son's grave
2005-08-24
Media Matters for America
http://mediamatters.org/mmtv/200508240014
2011-02-28

Death, Women, Men, Memory

“Philip Kaufman's Twisted walks like a thriller and talks like a thriller, but it squawks like a turkey.
But back to deus ex machina. This is a phrase you will want to study and master, not merely to amaze friends during long bus journeys but because it so perfectly describes what otherwise might take you thousands of words. Imagine a play on a stage. The hero is in a fix. The dragon is breathing fire, his sword is broken, his leg is broken, his spirit is broken, and the playwright's imagination is broken. Suddenly there is the offstage noise of the grinding of gears, and invisible machinery lowers a god onto the stage, who slays the dragon, heals the hero, and fires the playwright. He is the "god from the machine."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/twisted-2004 of Twisted (27 February 2004) Reviews, Two star reviews

God, Imagination, Study

“I have closely studied the figured documents of all ages and of all the great masters, but I have never seen in them any representations of human beings walking on the extremity of the toes or raising the leg higher than the head. These ugly and false positions in no way express that state of unconscious Dionysiac delirium which is necessary to the dancer. Moreover movèments, just like harmonies in music, are not invented; they are discovered.”

Isadora Duncan (1877–1927) American dancer and choreographer

As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 106.

Age, Music, Way, Study

““They worship the goddess, Mistress. They think. But their heresies are revolting. They are worse than disbelief.”
Why was he incensed? A prolonged exchange failed to illuminate me. No godless person can comprehend those minute distinctions in doctrine that provide true believers excuse for mayhem. It is hard enough to accept the fact that they really believe the nonsense of their faiths. I always wonder if they are pulling my leg with a straight face.”

Glen Cook Dreams of Steel

Source: Dreams of Steel (1990), Chapter 58 (pp. 414-415)

Faith, Thinking, Personality

“"Stotting" is jumping upward with all four legs simultaneously. My advice: do not die until you've seen a large black poodle stotting in the snow.”

Douglas Adams book The Salmon of Doubt

The Salmon of Doubt (2002)

“Slowly he turned the pages, scanning the pictures and the text for a repetition of the combination B-O-Y. Presently he found it beneath a picture of another little ape and a strange animal which went upon four legs like the jackal and resembled him not a little. Beneath this picture the bugs appeared as: A BOY AND A DOG There they were, the three little bugs which always accompanied the little ape.
And so he progressed very, very slowly, for it was a hard and laborious task which he had set himself without knowing it — a task which might seem to you or me impossible — learning to read without having the slightest knowledge of letters or written language, or the faintest idea that such things existed.
He did not accomplish it in a day, or in a week, or in a month, or in a year; but slowly, very slowly, he learned after he had grasped the possibilities which lay in those little bugs, so that by the time he was fifteen he knew the various combinations of letters which stood for every pictured figure in the little primer and in one or two of the picture books.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 7 : The Light of Knowledge

Books, Dogs, Boy, Idea

“Because you play football with your head, and your legs are there to help you. If you don't use your head, using your feet won't be sufficient. Why does a player have to chase the ball? Because he started running too late. You have to pay attention, use your brain and find the right position. If you get to the ball late, it means you chose the wrong position. Bergkamp was never late.”

Johan Cruyff (1947–2016) Dutch association football player

reported in Dennis Bergkamp (2013). Stillness and Speed: My Story.

Help, Football

“I can't stand Willy wet-leg,
can't stand him at any price.
He's resigned, and when you hit him
he lets you hit him twice.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

Willy Wet Leg (1929)

“If life is a journey, time should pull over at a rest stop sometimes - we should all be given a chance to get off and stretch our legs, collect our thoughts and reorganize.”

Rob Payne (1973) Canadian writer

Source: Working Class Zero (2003), Chapter 24, p. 191

Life, Chance, Time

“The uglier a man's legs are, the better he plays golf. It's almost a law.”

H. G. Wells book Bealby

Bealby: A Holiday (1915)

Law

“I often think that there was nothing more exciting and erotic than getting a glimpse of a woman's leg at the top of her stockings. There's something about that white bulge and for anybody who grew up in my time, nothing replaces that, nothing. I remember I had a girlfriend when I was 16 and she had this bra – it used to open down the front – which I thought was absolutely wonderful. It was like opening a tabernacle.”

John Banville (1945) Irish writer

John Banville: Who cares whodunnit? (2013)

Thinking, Time

“We know that this animal [the giraffe], the tallest of mammals, dwells in the interior of Africa, in places where the soil, almost always arid and without herbage, obliges it to browse on trees and to strain itself continuously to reach them. This habit sustained for long, has had the result in all members of its race that the forelegs have grown longer than the hind legs and that its neck has become so stretched, that the giraffe, without standing on its hind legs, lifts its head to a height of six meters.”

Jean-Baptiste Lamarck book Philosophie Zoologique

On sait que cet animal, le plus grand des mammifères, habite l'intérieur de l'Afrique, et qu'il vit dans des lieux où la terre, presque toujours aride et sans herbage, l'oblige de brouter le feuillage des arbres, et de s'efforcer continuellement d'y atteindre. Il est résulté de cette habitude soutenue depuis longtemps, dans tous les individus de sa race, que ses jambes de devant sont devenues plus longues que celles de derrière, et que son col s'est tellement allongé, que la girafe, sans se dresser sur ses jambes de derrière, élève sa tête et atteint à six mètres de hauteur
Philosophie Zoologique, Vol. I (1809), pp. 256–257; translation taken from The Classics of Science: A Study of Twelve Enduring Scientific Works (1984) by Derek Gjertsen, p. 316.

Tree, Animals

“It may seem that the only way to make a necessary connexion between 'injury' and the things that are to be avoided, is to say that it is only used in an 'action-guiding sense' when applied to something the speaker intends to avoid. But we should look carefully at the crucial move in that argument, and query the suggestion that someone might happen not to want anything for which he would need the use of hands or eyes. Hands and eyes, like ears and legs, play a part in so many operations that a man could only be said not to need them if he had no wants at all.”

Philippa Foot (1920–2010) British philosopher

"Moral Beliefs"

Way, Sense, Parting

“First base is not for me. I think a man shortens his career there instead of prolonging it. I keep my legs in good shape by running back and forth from the outfield to the dugout.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Sidelight on Sports: Conversation Pieces" by Al Abrams, in The Pittsburgh Post-Gazette (Friday, September 29, 1972), p. 18
Baseball-related, <big><big>1970s</big></big>, <big>1972</big>

Thinking

“She was tall and pleasantly slender, without angularity anywhere. Her body was erect and high-breasted, her legs long, her hands and feet narrow. She wore two shades of blue that had been selected because of her eyes. The hair curling from under her blue hat was darkly red, her full lips more brightly red. White teeth glistened in the crescent her timid smile made.”

Dashiell Hammett book The Maltese Falcon

Description of Brigid O'Shaughnessy
The Maltese Falcon (1930)

Smile

“A long white dress that starts under the breast and travels on interminably down -- so their legs are entirely mysterious -- they could have one leg or two inside that dress… A Jane Austen woman could be incredibly passionate inside that dress.”

Peter Greenaway (1942) British film director

8 1/2 Women

Travel, Passion

“About one haff the pitty in this world iz not the result ov sorrow, but satisfackshun that it aint our hoss that haz had hiz leg broke.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

World

“You know, everything about these feathered dinosaurs has been proven baloney. But guess what, they're still teaching it. […] All this feathered dinosaur stuff is baloney. It's all baloney. […] they say, "Birds are descendants of dinosaurs." Well, kids, in case you don't know, there are a few differences between a dinosaur and a bird. You don't just put a few feathers on them and say, "Come on, man, give it a try. It won't hurt too bad." It's just not that easy. See, reptiles have four perfectly good legs. Birds have two legs and two wings. So if his front legs are going to change to wings, somewhere along the line, they're going to be half-leg and half-wing. Which means, on that particular day, he can't run anymore, and he still can't fly yet, so he's got a real problem. A serious problem.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Lies in the textbooks

Problem, Bird, Change, Hurt

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

Children, People, Color, Shoe

“Leg spin is an art. Not everybody has that art. Two or three people in the world can do what I do. Because of His help, His hand on me, I am going forward. That makes me down to earth and humble enough.”

Danish Kaneria (1980) Pakistani cricketer

Kaneria describing the role that his faith plays in his life and cricket, interview on Times Online http://www.timesonline.co.uk/tol/sport/cricket/article580943.ece (October 21 2005)

People, World, Art, Help

“Nobody is going to be his successor, no one can replace Kumble. He is one of the finest leg-spinners in the world. Over the years he had developed variety in his bowling by working hard. I rate him very high. I do not think it was because of any sort of pressure. Media is going to be with you every time. If you play well they will praise you and they will criticise you if you play badly. And I think Kumble has taken it well in his stride. At the end of the day he is a gentleman.”

Anil Kumble (1970) Former Indian cricketer

By Madan Lal.
Kumble Calls it a Day: Quotes... For and By Kumble...

World, Thinking, Time

Quotes about legging page 5

Quotes about legging
page 5