Quotes about legging
page 5

Gregory Scott Paul photo
Halldór Laxness photo
Michel De Montaigne photo

“Valor is stability, not of legs and arms, but of courage and the soul.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Jack London photo
John Fante photo
Pierre-Auguste Renoir photo
Gene Wolfe photo

“Ronnie is the best player in the world at the moment, right-handed, left-handed, one-legged, one-armed, whatever you want!”

On Ronnie O'Sullivan They said it: Sporting quotes of the week, 2008-04-02, 2008-04-02, Daily Mail http://www.dailymail.co.uk/pages/live/articles/sport/football.html?in_article_id=563414&in_page_id=1779&ct=5,

Mickey Spillane photo
Brandon Boyd photo
Michael Swanwick photo
Mickey Spillane photo
John Fante photo
Larry the Cable Guy photo

“Oh like you never did that before! Every man - every man has done this! Just tuck your weiner between your legs, run around your house, lookit at yourself in the mirror, and say, "Oh, hey there, I'm Roseanne!"”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

You know, like on the Rosie O'Fatass show.
Git-R-Done (album)

“I can never forget how June's present husband, Harry Evans, suddenly came clomping down the hall of her apartment in his Army boots, fresh from the German front, around September 1945, and he was appalled to see us, six fullgrown people, all high on Benny sprawled and sitting and cat-legged on that vast double-doublebed of 'skepticism' and 'decadence', discussing the nothingness of values, pale-faced, weak bodies, Gad the poor guy said: 'This is what I fought for?”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

His wife told him to come down from his 'character heights' or some such.
In Jack Kerouac's last work (The Vanity of Duluoz), he describes the scene in the 119th street apartment as "a year of low, evil decadence", beginning near the close of 1944:
About

José Mourinho photo
Bill Engvall photo
Sarada Devi photo
Frida Kahlo photo

“The trap I set for you seems to have caught my leg instead!”

In a Sweater Poorly Knit.
Brother, Sister (2006)

Henry Adams photo

“As a type for study, or a standard for education, Lodge was the more interesting of the two. Roosevelts are born and never can be taught; but Lodge was a creature of teaching — Boston incarnate — the child of his local parentage; and while his ambition led him to be more, the intent, though virtuous, was — as Adams admitted in his own case — restless. An excellent talker, a voracious reader, a ready wit, an accomplished orator, with a clear mind and a powerful memory, he could never feel perfectly at ease whatever leg he stood on, but shifted, sometimes with painful strain of temper, from one sensitive muscle to another, uncertain whether to pose as an uncompromising Yankee; or a pure American; or a patriot in the still purer atmosphere of Irish, Germans, or Jews; or a scholar and historian of Harvard College. English to the last fibre of his thought — saturated with English literature, English tradition, English taste — revolted by every vice and by most virtues of Frenchmen and Germans, or any other Continental standards, but at home and happy among the vices and extravagances of Shakespeare — standing first on the social, then on the political foot; now worshipping, now banning; shocked by the wanton display of immorality, but practicing the license of political usage; sometimes bitter, often genial, always intelligent — Lodge had the singular merit of interesting. The usual statesmen flocked in swarms like crows, black and monotonous. Lodge's plumage was varied, and, like his flight, harked back to race. He betrayed the consciousness that he and his people had a past, if they dared but avow it, and might have a future, if they could but divine it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Alfred Denning, Baron Denning photo
Priscilla Presley photo

“Yes. I came to Washington to lobby Senators and Congressmen to co-sponsor in support of the PAST Act and I'm hoping by making this public people will join me to help me get this bill passed. Links are available for them to contact their Congressman saying they support the PAST Act. That's all they have to do. You would think this is a no-brainer, that this would pass but there IS opposition. The law was passed in 1970 to stop soring but Horse Industry (HIOs) found loopholes and continued soring. USDA is charged with enforcement of the Horse Protection Act, but as the result of a 1976 amendment to the act, the USDA has for decades certified the horse industry organization to conduct the majority of inspections at horse shows. This self regulation scheme has failed miserably and has to be abolished. USDA inspectors are threatened by exhibitors at horse shows and must be frequently accompanied by security. If they had nothing to hide (like covering the scarred legs with paint or taking off other paraphernalia when USDA inspectors are around) why aren't they welcomed? That's why being their own inspectors is not working.”

Priscilla Presley (1945) actress and businesswoman from the United States and former wife of Elvis Presley

Priscilla Presley On The Cause She's So Passionate About And The First Time Elvis Took Her Breath Away http://www.huffingtonpost.com/pat-gallagher/priscilla-presley_b_4933783.html, 12 March, 2014.

Ernesto Che Guevara photo
Charles-François Daubigny photo

“I have bought at Auverse thirty perches of land, all covered with beans, on which I shall plant some legs of mutton when you come to see me. They are building me a studio there, some eight by six meters, with several rooms around it, which will serve me, I hope, next Spring [of 1861]. Father Corot has found Auvers very fine, and has engaged me to fix myself there for a part of the year, wishing to make rustic landscapes with figures. I shall be truly well of there, in the midst of a good farming country, where the ploughs do not yet go by steam.”

Charles-François Daubigny (1817–1878) French painter

Quote in his letter to his friend Frédéric Henriet, https://commons.wikimedia.org/w/index.php?search=Fr%C3%A9d%C3%A9ric+Henriet&title=Special:Search&go=Go&searchToken=dt4h140y68u3oxynlcr55rftr#/media/File:Eaux-fortes._(Frontispiece)_(NYPL_b12616975-1690388).jpg, 1860; as cited in 'Charles-francois Daubigny', by Robert J. Wichenden, in The Century Illustrated Montly Magazine, Vol. XLIV, July 1892, p. 335
Daubigny bought property in Auvers-sur-Oise in 1860; four years later Corot would decorate there his Villa des Vallées, with beautiful murals.
1840s - 1850s

Toni Morrison photo

“Shykh Nuruddin Mubarak Ghaznavi was the most important disciple of Shykh Shihabuddin Suhrawardi, founder of the second most important sufi silsila after the Chishtiyya, who died in Baghdad in 1235 AD. Ghaznavi had come and settled down in India where he passed away in 1234-35 AD. He served as Shykh-ul-Islam in the reign of Shamsuddin Iltutmish (AD 1210-1236), and propounded the doctrine of Din Panahi. Barani quotes the first principle of this doctrine as follows in his Tarikh-i-Firuzshahi. “The kings should protect the religion of Islam with sincere faith… And kings will not be able to perform the duty of protecting the Faith unless, for the sake of God and the Prophet’s creed, they overthrow and uproot kufr and kafiri (infidelity), shirk (setting partners to God) and the worship of idols. But if the total uprooting of idolatry is not possible owing to the firm roots of kufr and the large number of kafirs and mushriks (infidels and idolaters), the kings should at least strive to insult, disgrace, dishonour and defame the mushrik and idol-worshipping Hindus, who are the worst enemies of God and the Prophet. The symptom of the kings being the protectors of religion is this:- When they see a Hindu, their eyes grow red and they wish to bury him alive; they also desire to completely uproot the Brahmans, who are the leaders of kufr and shirk and owning to whom kufr and shirk are spread and the commandments of kufr are enforced… Owing to the fear and terror of the kings of Islam, not a single enemy of God and the Prophet can drink water that is sweet or stretch his legs on his bed and go to sleep in peace.””

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231
Tarikh-i-Firuz Shahi

James Dobson photo
Ben Harper photo
Charles Sanders Peirce photo
Dorothy L. Sayers photo
Peter Greenaway photo
Joseph Strutt photo
Miho Mosulishvili photo
Ryan Adams photo
Marlene Dietrich photo

“The legs aren't so beautiful, I just know what to do with them.”

Marlene Dietrich (1901–1992) German-American actress and singer

Source: Speaking with publicist Peter Rogers, circa 1969, as quoted in The Blackglama Story (1979) by Rogers, reproduced in "At Last! The story behind the legends... and the war of the minks; Marlene Dietrich" https://www.mediafire.com/view/shxgxgwhaj6fk9h by Ricki Fulman, New York Daily News (December 9, 1979), p. 179

Fernand Léger photo
Catharine A. MacKinnon photo
Bono photo
Madhuri Dixit photo
Prince Philip, Duke of Edinburgh photo

“If it has four legs and is not a chair, has wings and is not an aeroplane, or swims and is not a submarine, the Cantonese will eat it.”

Prince Philip, Duke of Edinburgh (1921) member of the British Royal Family, consort to Queen Elizabeth II

1986 statement as quoted in "Long line of princely gaffes", BBC News (1 March 2002)
1980s

Colin Wilson photo
Kent Hovind photo
Charles Darwin photo
Vladimir Mayakovsky photo

“I understand the power and the alarm of words –
Not those that they applaud from theatre-boxes,
but those which make coffins break from bearers
and on their four oak legs walk right away.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

Untitled last poem found after his death; translation from Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 4, p. 235

Robert T. Bakker photo
Jonathan Agnew photo

“He just didn't quite get his leg over.”

Jonathan Agnew (1960) cricketer

Commentating on Ian Botham trying but failing to step over the stumps
[The Wit of Cricket, Barry, Johnston, http://books.google.co.uk/books?id=ygNa9iKqu2oC&printsec=frontcover&dq=%22jonathan+agnew%22+stewart+test&hl=en&redir_esc=y#v=onepage&q=He%20just%20didn't%20quite%20get%20his%20leg%20over!&f=false, Hodder & Stoughton, 9781444715026]

John Fante photo
Dave Matthews photo

“And when you wake, you will fly away, holding tight to the legs of all your angels. Goodbye, my love, into your blue, blue eyes.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Baby Blue
Big Whiskey and the GrooGrux King (2009)

Robert Ardrey photo
William S. Burroughs photo
Leo Tolstoy photo

“It is costing much money here, a thing I regret. But you will get your money's worth. My legs curse you. But my heart says 'Thank you.”

Maynard Owen Williams (1888–1963) American journalist

from a letter to John Oliver la Gorce, the Geographic's assistant editor (1923)

Charles Darwin photo
Agnolo Firenzuola photo

“You always expect a sheep to have five legs.”

Agnolo Firenzuola (1493–1543) Italian poet and litterateur

Act II., Scene V. — (M. Bovina).
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 259.
La Trinuzia (published 1549)

Hugo Ball photo
William Burges photo

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that:
Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71).
Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

John Wilmot, 2nd Earl of Rochester photo
Charles Baudelaire photo

“Dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.”

La danse peut révéler tout ce que la musique recèle de mystérieux, et elle a de plus le mérite d'être humaine et palpable. La danse, c'est la poésie avec des bras et des jambs, ...
"La Fanfarlo" (1847) http://fr.wikisource.org/wiki/La_Fanfarlo

Rhodri Morgan photo

“Does a one-legged duck swim in circles?”

Rhodri Morgan (1939–2017) British politician

"This is the week that...", The Times, 5 December 1998, p. 8.
Reply to Jeremy Paxman on BBC Newsnight when asked whether he still wanted to lead the Labour Party in the National Assembly for Wales.
Morgan was awarded the "Foot in Mouth" award by the Plain English Campaign on 11 December 1998 for this quote.

Eugène Delacroix photo
Edward German photo
Jane Austen photo
Samuel Johnson photo

“Sir, a woman's preaching is like a dog's walking on his hinder legs. It is not done well; but you are surprised to find it done at all.”

Samuel Johnson (1709–1784) English writer

July 31, 1763, p. 132. [Several editions have the variant "hind legs".]
Life of Samuel Johnson (1791), Vol I

Auguste Rodin photo

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Nicolas Chamfort photo

“After a certain age, any new friends we make in our attempt to replace the ones we've lost are like glass eyes, false teeth and wooden legs.”

Nicolas Chamfort (1741–1794) French writer

Les nouveaux amis que nous faisons après un certain âge, et par lesquels nous cherchons à remplacer ceux que nous avons perdus, sont à nos anciens amis ce que les yeux de verre, les dents postiches et les jambes de bois sont aux véritables yeux, aux dents naturelles et aux jambes de chair et d'os.
Maximes et Pensées (Van Bever, Paris :1923), #303
Reflections

David Garrick photo

“Prologues like compliments are loss of time;
’T is penning bows and making legs in rhyme.”

David Garrick (1717–1779) English actor, playwright, theatre manager and producer

Prologue to Crisp’s Tragedy of Virginia.

Roger Ebert photo
Isadora Duncan photo
Glen Cook photo
Douglas Adams photo
Edgar Rice Burroughs photo
Johan Cruyff photo
D.H. Lawrence photo

“I can't stand Willy wet-leg,
can't stand him at any price.
He's resigned, and when you hit him
he lets you hit him twice.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

Willy Wet Leg (1929)

John Banville photo
Jean-Baptiste Lamarck photo

“We know that this animal [the giraffe], the tallest of mammals, dwells in the interior of Africa, in places where the soil, almost always arid and without herbage, obliges it to browse on trees and to strain itself continuously to reach them. This habit sustained for long, has had the result in all members of its race that the forelegs have grown longer than the hind legs and that its neck has become so stretched, that the giraffe, without standing on its hind legs, lifts its head to a height of six meters.”

On sait que cet animal, le plus grand des mammifères, habite l'intérieur de l'Afrique, et qu'il vit dans des lieux où la terre, presque toujours aride et sans herbage, l'oblige de brouter le feuillage des arbres, et de s'efforcer continuellement d'y atteindre. Il est résulté de cette habitude soutenue depuis longtemps, dans tous les individus de sa race, que ses jambes de devant sont devenues plus longues que celles de derrière, et que son col s'est tellement allongé, que la girafe, sans se dresser sur ses jambes de derrière, élève sa tête et atteint à six mètres de hauteur
Philosophie Zoologique, Vol. I (1809), pp. 256–257; translation taken from The Classics of Science: A Study of Twelve Enduring Scientific Works (1984) by Derek Gjertsen, p. 316.

Roberto Clemente photo

“First base is not for me. I think a man shortens his career there instead of prolonging it. I keep my legs in good shape by running back and forth from the outfield to the dugout.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Sidelight on Sports: Conversation Pieces" by Al Abrams, in The Pittsburgh Post-Gazette (Friday, September 29, 1972), p. 18
Baseball-related, <big><big>1970s</big></big>, <big>1972</big>

Dashiell Hammett photo
Peter Greenaway photo
Josh Billings photo

“About one haff the pitty in this world iz not the result ov sorrow, but satisfackshun that it aint our hoss that haz had hiz leg broke.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

Kent Hovind photo
Jopie Huisman photo

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

Danish Kaneria photo

“Leg spin is an art. Not everybody has that art. Two or three people in the world can do what I do. Because of His help, His hand on me, I am going forward. That makes me down to earth and humble enough.”

Danish Kaneria (1980) Pakistani cricketer

Kaneria describing the role that his faith plays in his life and cricket, interview on Times Online http://www.timesonline.co.uk/tol/sport/cricket/article580943.ece (October 21 2005)

Anil Kumble photo