Quotes from book
The Maltese Falcon

The Maltese Falcon

Dashiell Hammett

The Maltese Falcon is a 1930 detective novel by American writer Dashiell Hammett, originally serialized in the magazine Black Mask beginning with the September 1929 issue. The story is told entirely in external third-person narrative; there is no description whatever of any character's internal thoughts or feelings, only what they say and do, and how they look. The novel has been adapted several times for the cinema.

“The cheaper the crook, the gaudier the patter.”

Dashiell Hammett book The Maltese Falcon

Spade
Source: The Maltese Falcon (1930)

“I couldn't be fonder of you if you were my own son. But, well, if you lose a son, its possible to get another. There's only one Maltese Falcon. (Kasper Gutman)”

Dashiell Hammett book The Maltese Falcon

Source: The Maltese Falcon

“He felt like somebody had taken the lid off life and let him see the works.”

Dashiell Hammett book The Maltese Falcon

Source: The Maltese Falcon

“I distrust a man that says when. If he's got to be careful not to drink to much it's because he's not to be trusted when he does.”

Dashiell Hammett book The Maltese Falcon

Chap. 11, "The Fat Man"
Dialogue between the characters Kasper Gutman (the "fat man") and Sam Spade.
Source: The Maltese Falcon (1930)
Context: "We begin well, sir," the fat man purred … "I distrust a man that says when. If he's got to be careful not to drink too much it's because he's not to be trusted when he does. … Well, sir, here's to plain speaking and clear understanding. … You're a close-mouthed man?"
Spade shook his head. "I like to talk."
"Better and better!" the fat man exclaimed. "I distrust a close-mouthed man. He generally picks the wrong time to talk and says the wrong things. Talking's something you can't do judiciously unless you keep in practice."

“Brigid O'Shaughnessy: “I haven't lived a good life. I've been bad, worse than you could know.”
Sam Spade “You know, that's good, because if you actually were as innocent as you pretend to be, we'd never get anywhere”

Dashiell Hammett book The Maltese Falcon

Source: The Maltese Falcon

“Joel Cairo: You always have a very smooth explanation ready.
Sam Spade: What do you want me to do, learn to stutter?”

Dashiell Hammett book The Maltese Falcon

Source: The Maltese Falcon

“My way of learning is to heave a wild and unpredictable monkey-wrench into the machinery.”

Dashiell Hammett book The Maltese Falcon

Source: The Maltese Falcon

“He looked rather pleasantly, like a blonde satan.”

Dashiell Hammett book The Maltese Falcon

Source: The Maltese Falcon

“Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down-from high flat temples-in a point on his forehead. He looked rather pleasantly like a blonde Satan.”

Dashiell Hammett book The Maltese Falcon

The Maltese Falcon (1930)

“"You’re a damn good man, sister," he said and went out.”

Dashiell Hammett book The Maltese Falcon

Spade
The Maltese Falcon (1930)

“Our conversations have not been such that I am anxious to continue them in private.”

Dashiell Hammett book The Maltese Falcon

Cairo
The Maltese Falcon (1930)

“"I’ve thrown myself on your mercy, told you that without your help I’m utterly lost.What else is there?" She suddenly moved close to him on the settee and cried angrily: "Can I buy you with my body?"”

Dashiell Hammett book The Maltese Falcon

Bridgid
The Maltese Falcon (1930)

“Spade’s thick fingers made a cigarette with deliberate care, sifting a measured quantity of tan flakes down into curved paper, spreading the flakes so that they lay equal at the ends with a slight depression in the middle, thumbs rolling the paper’s inner edge down and up under the outer edge as forefingers pressed it over, thumbs and fingers sliding to the paper cylinder’s ends to hold it even while tongue licked the flap, left forefinger and thumb pinching their ends while right forefinger and thumb smoothed the damp seam, right forefinger and thumb twisting their end and lifting the other to Spade’s mouth.”

Dashiell Hammett book The Maltese Falcon

The Maltese Falcon (1930)

“Spade pulled his hand out of hers. He no longer either smiled or grimaced. His wet yellow face was set hard and deeply lined. His eyes burned madly. He said: "Listen. This isn't a damned bit of good. You'll never understand me, but I'll try once more and then we'll give it up. Listen. When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around – bad for that one organization, bad for every detective everywhere. Third, I'm a detective and expecting me to run criminals down and then let them go free is like asking a dog to catch a rabbit and let it go. It can be done, all right, and sometimes it is done, but it's not the natural thing. The only way I could have let you go was by letting Gutman and Cairo and the kid go. … Fourth, no matter what I wanted to do now it would be absolutely impossible for me to let you go without having myself dragged to the gallows with the others. Next, I've no reason in God's world to think I can trust you and if I did this and got away with it you'd have something on me that you could use whenever you happened to want to. That's five of them. The sixth would be that, since I've got something on you, I couldn't be sure you wouldn't decide to shoot a hole in *me* some day. Seventh, I don't even like the idea of thinking that there might be one chance in a hundred that you'd played me for a sucker. And eighth – but that's enough. All those on one side. Maybe some of them are unimportant. I won't argue about that. But look at the number of them. Now on the other side we've got what? All we've got is the fact that maybe you love me and maybe I love you." … "But suppose I do? What of it? Maybe next month I won't. I've been through it before – when it lasted that long. Then what? Then I'll think I played the sap. And if I did it and got sent over then I'd be sure I was the sap. Well, if I send you over I'll be sorry as hell – I'll have some rotten nights – but that'll pass. Listen." He took her by the shoulders and bent her back, leaning over her. "If that doesn't mean anything to you forget it and we'll make it this: I won't because all of me wants to – wants to say to hell with the consequences and do it -- and because – God damn you – you've counted on that with me the same as you counted on that with the others. … Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business – bringing in high-priced jobs and making it easier to deal with the enemy. … Well, a lot of money would have been at least one more item on the other side of the scales."”

Dashiell Hammett book The Maltese Falcon

… Spade set the edges of his teeth together and said through them: "I won't play the sap for you."
Chap. 20, "If They Hang You"
spoken by the character "Sam Spade" to "Brigid O'Shaughnessy."
The Maltese Falcon (1930)

“She was tall and pleasantly slender, without angularity anywhere. Her body was erect and high-breasted, her legs long, her hands and feet narrow. She wore two shades of blue that had been selected because of her eyes. The hair curling from under her blue hat was darkly red, her full lips more brightly red. White teeth glistened in the crescent her timid smile made.”

Dashiell Hammett book The Maltese Falcon

Description of Brigid O'Shaughnessy
The Maltese Falcon (1930)

“His features were small, in keeping with his stature, and regular. His skin was very fair. The whiteness of his cheeks was as little blurred by any considerable growth of beard as by the glow of blood. His clothing was neither new nor of more than ordinary quality, but it, and his manner of wearing it was marked by a hard masculine neatness.”

Dashiell Hammett book The Maltese Falcon

Description of Wilmer, the gunsel
The Maltese Falcon (1930)

“I’ve thrown myself on your mercy, told you that without your help I’m utterly lost.What else is there?”

Dashiell Hammett book The Maltese Falcon

She suddenly moved close to him on the settee and cried angrily: "Can I buy you with my body?"
Bridgid
The Maltese Falcon (1930)

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