Quotes about left
page 35

Nathanael Greene photo
Ursula K. Le Guin photo
Ilana Mercer photo

“Like left-liberals, "lite libertarians"—they're the kind that is afflicted with the same spineless conformity; a deformation of the personality euphemized as political correctness—are incapable of appreciating a script or book; a painting or symphony; a stand-up routine, if only because the material and its creator violates the received laws of political correctness.”

Ilana Mercer South African writer

ILANA MERCER, " "Cathy Reisenwitz Redux: Steigerwald, Oy Vey Gevalt!" https://thelibertarianalliance.com/2015/01/14/ilana-mercer-cathy-reisenwitz-redux-steigerwald-oy-gevalt/ The British Libertarian Alliance, January 14, 2015
2010s, 2015

Sarvajna photo
Edmund White photo
Philip James Bailey photo
Babe Ruth photo
Glenn Greenwald photo
Common (rapper) photo
Krist Novoselic photo

“I don't really like his [Ted Nugent's] reactionary politics. He's a lot like the people on the left, you know what I mean?”

Krist Novoselic (1965) Croatian-American rock musician

54:25–54:32
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w

Arthur James Balfour photo
Will Eisner photo

“International Jews.
In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.
Graves: This was written by Winston Churchill, a highly regarded M. P. in England…so, I need hardly remind you that it will take strong evidence to prove the “Protocols” ‘’’a fake!’’’
Raslovlev: At an old bookshop I got a copy of “The Dialogue in Hell between Machiavelli and Montesquieu,” by Maurice Joly, 1864.
I examined what I had. It was obvious that the “Protocols of Zion” was copied from it.
Graves: How did you get this?
Raslovlev: I bought this book from a friend, formerly of the Okhrana, our secret agents in France. They ordered the plagiarism!
When the Bolsheviks came in, we left with what we could take out with us.
How much is it worth to you, or your paper, Mr. Graves?
Graves: Hmm…can’t say yet! …Is Geneva really the place of publication??
Raslovlev: I do know that the “Protocols of Zion: was intended to prove to the Tsar that the Revolt in Russia was a Jewish Plot…it was written by an Okhrana agent…a plagiarist, Mathieu Golovinski!
When it was first published in Russia round 1902, its publisher, Dr. Nilus, claimed it to be notes stolen from an 1897 Zionist congress by French agents!
Graves: But that congress was convened by Theodore Herzl to promote a Jewish state. It was not a secret meeting…Dr. Nilus’s claim is a lie!
Raslovlev: Yes, it is indeed! Let me show you…we will compare the “Protocols” with Joly’s Book.
Raslovlev: Set them side by side Graves, and you will see obvious plagiarism of Joly’s “dialogue!”
Graves: I see…be patient while I go through it…yes! Yes! Yes!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73

Maxwell D. Taylor photo

“My family and I left Yokohoma in June, 1939, in time for me to enter the Army War College in what turned out to be the last class before the school closed for World War II. As we left Japan, I would have said that war between the two countries was certainly possible but I had no premonition that it was only two years away. On the opening day of the war college, a number of senior officers from the War Department attended to welcome the new class. The first man to speak I had never seen before, but he was just as impressive at first glance as he remained in my eyes in later life- George Marshall, the new Army Chief of Staff. What he said that day I do not remember, but the way he said it, I do. General Marshall never spoke anywhere without receiving the undivided attention of every listener to the words of a man who obviously knew what he was talking about. One could never imagine questioning the accuracy of his facts or challenging the soundness of his conclusions on any subject he undertook to discuss. He did not give the impression of great brilliance of mind, as General MacArthur did, but of calm strength and unshakeable will. I was to owe much to him- my service on his staff at the outbreak of the war, later the command of a division in Europe, and assignment as the Superintendent of West Point following the war. Bu my greatest privilege was the opportunity to see General Marshall in action at close range at the outbreak of World War II.”

Maxwell D. Taylor (1901–1987) United States general

Source: Swords and Plowshares (1972), p. 37

Halldór Laxness photo
Judith Krug photo
Jay Leno photo

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Paul Bourget photo
Ruhollah Khomeini photo
Reinhard Heydrich photo
N. Gregory Mankiw photo
William Stukeley photo
William Gibson photo
Billy Connolly photo
Marc Maron photo

“I don't want to offend people right out of the gate. I know that some of you believe and I certainly don’t want to mock the myths that define some of you, but um. I choose not to believe in god. That's ok still, i can do that, right? It's my choice to go through life filled with dread, panic and fear... because I think that's a more objective and real way to live. Just be like…"Aaaaahh' what's gonna happen?!" I think that's needed, honestly. And again I don't want to make fun of what you believe in. I think the reason Jesus is so popular, just on a celebrity level, is that he died at the peak of his career, ok. He was…hear me out…. he was young, he was hot. He was well spoken from all accounts. I really think it would have been different had he lived longer, alright. Say had he gotten old enough to get bitter. Alright, just hear me out. Picture there's a third testament to the bible' alright. This point Jesus is in his 50's. He's got one apostle left. And the book opens with him knee deep in water saying, "I used to be able to do this!" The apostle's saying, "Come on…don't yell at the water, Jesus. Come on in. It's not your day, buddy. Come on. People are gathering for the wrong reason. Can we just go, please. Let's go to the deli…we'll have a sandwich. We'll try again tomorrow. Come on, yes you are god, come on. And again, you know, if you're a religious person, I understand why you believe. It makes you feel better, you know. But a lot of us do not have the patience or disposition to have faith or belief. Thank god there's medication for those people because if you're properly medicated, it will provide roughly the same effect as religion, you know. If you're on the right combination of anti-depressants, it will alleviate your ability to see the truth clearly and provide a false sense of hope.”

Marc Maron (1963) Comedian

http://www.cc.com/video-clips/zt2b7c/comedy-central-presents-faith-medication
Comedy Central Presents (2007)

Dennis Prager photo

“[T]he further left one goes, the more negative the assessment of today's America and the America of the past.”

Dennis Prager (1948) American writer, speaker, radio and TV commentator, theologian

Source: 2010s, Why the Left Hates America (2015)

James Russell Lowell photo

“It is curious how tyrannical the habit of reading is, and what shifts we make to escape thinking. There is no bore we dread being left alone with so much as our own minds.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

A Moosehead Journal.
Literary Essays, vol. I (1864-1890)

Linda McQuaig photo
Mickey Spillane photo
Arundhati Roy photo
Serzh Sargsyan photo

“Azerbaijan has exhausted the resources of trust in terms of autonomous status for minorities within its boundaries. It was not and is not capable of providing guarantees of even internal security to such autonomies. There was once another Armenian autonomy in Azerbaijan: Nakhijevan. What happened to it? Not a single Armenian is left in Nakhijevan.”

Serzh Sargsyan (1954) Armenian politician, 3rd President of Armenia

Speech by President Serzh Sargsyan in the Chatham House British Royal Institute of International Affairs http://www.president.am/events/news/eng/?search=Chatham+House&id=898 (February 10, 2010)

Kurt Schuschnigg photo
William S. Burroughs photo
Donald Barthelme photo
Martin Luther King, Jr. photo
Lawrence M. Krauss photo
Chester Bowles photo

“Government is too big and important to be left to the politicians.”

Chester Bowles (1901–1986) American politician

Quoted in in Forbes Magazine, vol. 68, 1951.

Ravi Zacharias photo

“Humor aside, I think the reason we sometimes have the false sense that God is so far away is because that is where we have put him. We have kept him at a distance, and then when we are in need and call on him in prayer, we wonder where he is. He is exactly where we left him.”

Ravi Zacharias (1946) Indian philosopher

[Has Christianity Failed You?, 2010, Zondervan, 9780310269557, 23963023M, http://books.google.com/books?id=Wr7-r3Vz2x4C&pg=PA157&dq=%22I+think+the+reason+we+sometimes+have+the+false+sense%22, 157]
2010s

Gerald James Whitrow photo
Theodor Herzl photo
Stig Dagerman photo
Jack Buck photo

“Off the stretch, Orosco, here's the pitch…swing and a long one into left field! Way back in the corner…GRAND SLAMMMMMAAHHH! A grand slam home run by Herr! And that's a winner! Twelve to eight!”

Jack Buck (1924–2002) American sportscaster

Calling Tom Herr's game-winning grand slam home run on Seat Cushion Night against the New York Mets in April 1987.
1980s

Thomas Jefferson photo

“We are not afraid to follow truth wherever it may lead, nor to tolerate any error so long as reason is left free to combat it.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter https://founders.archives.gov/documents/Jefferson/98-01-02-1712 to William Roscoe (27 December 1820)
1820s

Luboš Motl photo

“Your humble correspondent realizes that many readers are left-wing, anti-string-theory fighters. So they probably smoke marijuana and this is my modest attempt to help them.”

Luboš Motl (1973) Czech physicist and translator

http://motls.blogspot.com/2007/06/marijuana-creates-holes-in-lungs.html
The Reference Frame http://motls.blogspot.com/

Margrethe II of Denmark photo
Elie Wiesel photo
Colum McCann photo
Arthur Jensen photo
Nastassja Kinski photo
Filippo Tommaso Marinetti photo
Walter Scott photo

“When Prussia hurried to the field,
And snatch'd the spear, but left the shield.”

Canto III, introduction.
Marmion (1808)

Winston S. Churchill photo
Dan Fogelberg photo
Marc Randazza photo
Umberto Boccioni photo

“Let us explain again by examples. In painting a person on a balcony, seen from inside the room do not limit the scene to what the square of the window renders visible; we try to render the sum total of visual sensations which the person on the balcony has experienced; the sun-baked throng in the street, the double row of houses which stretch to right and left, the beflowered balconies etc. This implies the simultaneity of the ambient, and, therefore, the dislocation and the dislocation and dismemberment of objects, the scattering and fusion of details, freed from accepted logic and independent from one another. In order to make the spectator live in the center of the picture, as we express it in our manifesto the picture must be the synthesis of what one remembers and what one sees. You must render the invisible which stirs lives beyond intervening obstacles, what we have on the right, or the left, or behind us, and not merely the small square of life artificially compressed, as it were, by the wings of a stage set. We have declared in our manifesto that what must be rendered is the dynamic sensation, that is to say, the particular rhythm of each object, its inclination, its movement, or more exactly, its interior force.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912

Alauddin Khalji photo
Lucy Stone photo
Mel Brooks photo

“[On Churchill's Accent] "Ve must conquer da Narjies!" Now, we were fighting and killing Nazis. We all left and went looking for Narjies!”

Mel Brooks (1926) American director, writer, actor, and producer

The 2,000 Year Old Man (and sequels)

Jean Paul Sartre photo
Tsunetomo Yamamoto photo
Ken Ham photo

“We at Answers in Genesis have been saddened by recent news of a devastating earthquake that rocked Nepal on April 25. This earthquake and its aftershocks have killed thousands, levelled buildings, and left countless thousands homeless and hungry. It even triggered an avalanche on Mount Everest that resulted in fatalities. Now, the headline of an article in the New York Times declares, “Ancient Collision Made Nepal Earthquake Inevitable.” The author writes, “More than 25 million years ago, India, once a separate island on a quickly sliding piece of the Earth’s crust, crashed into Asia. The two land masses are still colliding, pushed together at a speed of 1.5 to 2 inches a year. The forces have pushed up the highest mountains in the world, in the Himalayas, and have set off devastating earthquakes.” But starting from the history recorded in God’s Word we know that this earthquake is not the result of a crash 25 million years ago and slow and gradual processes ever since. Instead, when we start with the history recorded in God’s Word, we know that this earthquake is one of the tragic consequences of the Fall and the global Flood of Noah’s day… Please be in prayer for Nepal and especially for our brothers and sisters in that country who are reaching out to victims with the love of Christ. Also, as they watch the news, many people will be asking how God could allow such a tragedy. I encourage you to equip yourself with the biblical answer to why there is death and suffering—because of Adam and Eve’s rebellion—so that you can answer their questions and point them toward the hope that we can have even in the midst of tragedy because of the sacrifice of Jesus and the salvation that He offers. It’s important to know that such tragedy is not God’s fault—it’s our fault because of our sin in Adam. God stepped into history in the person of His Son to rescue us from the problem we caused and the resulting separation from our God.”

Ken Ham (1951) Australian young Earth creationist

"Nepal Suffering After Major Earthquake" https://answersingenesis.org/blogs/ken-ham/2015/04/30/nepal-suffering-after-major-earthquake/, Around the World with Ken Ham (April 30, 2015)
Around the World with Ken Ham (May 2005 - Ongoing)

Francis Thompson photo

“Summer set lip to earth's bosom bare;
And left the flushed print in a poppy there:
Like a yawn of fire from the grass it came,
And the fanning wind puffed it to flapping flame.”

Francis Thompson (1859–1907) British poet

The Poppy http://books.google.com/books?id=qM8VAAAAYAAJ&q="Summer+set+lip+to+earth's+bosom+bare+And+left+the+flushed+print+in+a+poppy+there+Like+a+yawn+of+fire+from+the+grass+it+came+And+the+fanning+wind+puffed+it+to+flapping+flame"&pg=PA6#v=onepage.

Will Cuppy photo

“[Footnote] The Phoenicians employed an alphabet of twenty-one consonants. They left no literature. You can't be literary without a few vowels.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Hannibal

Hugh Laurie photo

“It's as if you're playing left-handed. Or like everyone else is playing with a tennis racket and you have a salmon.(On performing with an American accent)”

Hugh Laurie (1959) British actor, comedian, writer, musician and director

Source: [2006-08-21, http://news.yahoo.com/s/ap/20060821/ap_en_tv/people_hugh_laurie, Hugh Laurie plays U.S. doctor on `House', Associated Press (via Yahoo! News), 2006-08-21]

Edmond Rostand photo
Joan Robinson photo

“It seems that neither the Keynesian nor the Marxian prognosis of the future of capitalism is being fulfilled and we are left without any particular theory as to what will happen next.”

Joan Robinson (1903–1983) English economist

Source: Contributions to Modern Economics (1978), Chapter 20, Has Capitalism Changed?, p. 227

Lois McMaster Bujold photo

“Right or wrong, what I also saw was that you made an enemy, and left him alive behind you. Great charity. Bad tactics.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

Source: World of the Five Gods series, The Curse of Chalion (2000), p. 60

Harry Reid photo
John Derbyshire photo
Daniel Levitin photo
P. D. Ouspensky photo
Christopher Hitchens photo
Nathalie Kosciusko-Morizet photo
Haruki Murakami photo
Ernest Bevin photo
Don DeLillo photo

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

Muhammad of Ghor photo

“Artist should be left alone to paint or not to paint, write or not to write.”

A.R. Ammons (1926–2001) American poet

Paris Review interview (1996)

Edmund White photo
Phil Brooks photo

“Pete and Repeat are in a boat, Pete jumps out who's left in the boat?”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ghost Hunters. October 31, 2006.
The children's joke Pete and Repeat.
Ghost Hunters

Elfriede Jelinek photo
Gerhard Richter photo
Amir Khusrow photo

“The mutation of bacteria and viruses are merely hereditary fluctuations around a median position; a swing to the right, a swing to the left, but no final evolutionary effect.”

Pierre-Paul Grassé (1895–1985) French zoologist

Pierre Paul Grassé¨(1973). L'évolution du vivant: matériaux pour une nouvelle théorie transformiste. A. Michel,. p. 151
Evolution of living organisms: evidence for a new theory of transformation (1977)
Original: En somme, les mutations des Bactéries et des virus ne sont que des fluctuations héréditaires, autour d'une position moyenne, oscillation à droite, oscillation à gauche: effet évolutif final nul.

John Scalzi photo
Ta-Nehisi Coates photo
Marsha Norman photo