Quotes about leave
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Rainer Maria Rilke photo
Malcolm X photo
Joseph Addison photo

“Books are the legacies that a great genius leaves to mankind”

Joseph Addison (1672–1719) politician, writer and playwright

No. 166 (10 September 1711).
The Spectator (1711–1714)
Context: Books are the legacies that a great genius leaves to mankind, which are delivered down from generation to generation, as presents to the posterity of those who are yet unborn.

C.G. Jung photo
Julio Cortázar photo
Katherine Paterson photo
Rainer Maria Rilke photo
Rose Wilder Lane photo
Alessandro Baricco photo
Rabindranath Tagore photo
Rick Riordan photo
Oscar Wilde photo
Mo Willems photo

“If you ever find yourself in the wrong story, leave.”

Mo Willems (1968) American children's illustrator and writer

Source: Goldilocks and the Three Dinosaurs

Louisa May Alcott photo
Ludwig Van Beethoven photo
Yunus Emre photo
Victor Hugo photo

“What makes night within us may leave stars.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Variant: Whatever causes night in our souls may leave stars.
Source: Ninety-Three

Jodi Picoult photo
Ludwig Boltzmann photo

“If you are out to describe the truth, leave elegance to the tailor.”

Ludwig Boltzmann (1844–1906) Austrian physicist

Misattributed

Abraham Lincoln photo
Virginia Woolf photo
Tamora Pierce photo
Arthur Miller photo

“Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!”

Source: The Crucible (1953)
Context: Danforth: Do you mean to deny this confession when you are free?
Proctor: I mean to deny nothing!
Danforth: Then explain to me, Mr. Proctor, why you will not let —
Proctor: [With the cry of his whole soul] Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!

John Lennon photo
Michel Foucault photo
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Henry Wadsworth Longfellow photo
Douglas Adams photo
Kathleen E. Woodiwiss photo
Sylvia Plath photo

“If the moon smiled, she would resemble you.
You leave the same impression
Of something beautiful, but annihilating.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: Ariel: The Restored Edition

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Anne Frank photo

“leave me in peace, let me sleep one night at least without my pillow being wet with tears, my eyes burning and my head throbbing”

Anne Frank (1929–1945) victim of the Holocaust and author of a diary

Source: The Diary of a Young Girl

Lorrie Moore photo
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Clarice Lispector photo
Alan Alda photo
Francois Mauriac photo
Jean Paul Sartre photo
William Shakespeare photo
Anne Bradstreet photo

“Leave not thy nest, thy dam and sire,
Fly back and sing amidst this choir.”

Anne Bradstreet (1612–1672) Anglo-American poet

In Reference to her Children, 23 June 1659.

Paula Modersohn-Becker photo
Jesse Owens photo
Fernando Pessoa photo

“There is no happiness without knowledge. But knowledge of happiness is unhappy; for knowing ourselves happy is knowing ourselves passing through happiness, and having to, immediatly at once, leave it behind. To know is to kill, in happiness as in everything. Not to know, though, is not to exist.”

Ibid., p. 328
The Book of Disquiet
Original: Não há felicidade senão com conhecimento. Mas o conhecimento da felicidade é infeliz; porque conhecer-se feliz é conhecer-se passando pela felicidade, e tendo, logo já, que deixá-la atrás. Saber é matar, na felicidade como em tudo. Não saber, porém, é não existir.

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Barack Obama photo
Julius Malema photo

“A racist country like Australia says: ‘The white farmers are being killed in South Africa.’ We are not killing them. … If they want to go, they must go. They must leave the keys to their tractors because we want to work the land, they must leave the keys to their houses because we want to stay in those houses. They must leave everything they did not come here with in South Africa and go to Australia. … White farmers are the architect of their own misfortune. … Don’t make noise, because you will irritate us. Go to Australia. It is only racists who went to Australia when Mandela got out of prison. It is only racists who went to Australia when 1994 came. It is the racists again who are going back to Australia. … They are rich here because they are exploiting black people. There is no black person to be exploited in Australia, they are going to be poor. … They will come back here with their tail between their legs. We will hire them because we will be the owners of their farms when they come back to South Africa. As to what we are going to do with the land, it’s our business, it’s none of your business.”

Julius Malema (1981) South African political activist

On 21 March 2018 at a Human Rights Day rally in Mpumalanga Stadium, South African politician says Australia is a ‘racist country’, farmers should ‘leave the keys’ when they go http://www.news.com.au/finance/economy/world-economy/south-african-politician-says-australia-is-a-racist-country-farmers-should-leave-the-keys-when-they-go/news-story/e98607c4fa66d30d9b2731aa30e2a956, Frank Chung, news.com.au (22 March 2018)

W.B. Yeats photo

“Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free.”

I, st. 4
The Tower (1928), Nineteen Hundred And Nineteen http://poetry.poetryx.com/poems/1547/

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Socrates photo
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Johnny Depp photo

“I just don’t quite understand it [the press], really. I don’t understand the animal. It’s a strange, roundabout way of selling something; it leaves a foul taste… The thing that fascinates me is: who cares what an actor thinks?”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Steven Daly, "The Maverick King," http://www.deppimpact.com/mags/transcripts/vanityfair_nov04.html Vanity Fair (November 2004)

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Nisargadatta Maharaj photo
Adele (singer) photo
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Theodore Roosevelt photo
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Volodymyr Melnykov photo
Marcus Garvey photo

“When the war started in Abyssinia all Negro nationalists looked with hope to Haile Selassie. They spoke for him, they prayed for him, they sung for him, they did everything to hold up his hands, as Aaron did for Moses; but whilst the Negro peoples of the world were praying for the success of Abyssinia this little Emperor was undermining the fabric of his own kingdom by playing the fool with white men, having them advising him[, ] having them telling him what to do, how to surrender, how to call off the successful thrusts of his [Race] against the Italian invaders. Yes, they were telling him how to prepare his flight, and like an imbecilic child he followed every advice and then ultimately ran away from his country to England, leaving his people to be massacred by the Italians, and leaving the serious white world to laugh at every Negro and repeat the charge and snare - "he is incompetent," "we told you so." Indeed Haile Selassie has proved the incompetence of the Negro for political authority, but thank God there are Negroes who realise that Haile Selassie did not represent the truest qualities of the Negro race. How could he, when he wanted to play white? How could he, when he surrounded himself with white influence? How could he, when in a modern world, and in a progressive civilization, he preferred a slave State of black men than a free democratic country where the black citizens could rise to the same opportunities as white citizens in their democracies?”

Marcus Garvey (1887–1940) Jamaica-born British political activist, Pan-Africanist, orator, and entrepreneur

The Failure of Haile Selassie as Emperor in The Blackman, April, 1937.

Theodore Roosevelt photo
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Mark Twain photo
Titian photo
Wangari Maathai photo
Thomas Edison photo
Claude Monet photo
Blaise Pascal photo

“Rules necessary for definitions. Not to leave any terms at all obscure or ambiguous without definition; Not to employ in definitions any but terms perfectly known or already explained.”

Blaise Pascal (1623–1662) French mathematician, physicist, inventor, writer, and Christian philosopher

The Art of Persuasion

Omar Khayyám photo
Ulysses S. Grant photo

“I. The Jews, as a class, violating every regulation of trade established by the Treasury Department, and also Department orders, are hereby expelled from the Department.
II. Within twenty-four hours from the receipt of this order by Post Commanders, they will see that all of this class of people are furnished with passes and required to leave, and any one returning after such notification, will be arrested and held in confinement until an opportunity occurs of sending them out as prisoners unless furnished with permits from these Head Quarters.
III. No permits will be given these people to visit Head Quarters for the purpose of making personal application for trade permits.”

Ulysses S. Grant (1822–1885) 18th President of the United States

General Order Number 11 (17 December 1862); Abraham Lincoln on learning of this order drafted a note to his General-in-Chief of the Army, Henry Wager Halleck instructing him to rescind it. Halleck wrote to Grant:
It may be proper to give you some explanation of the revocation of your order expelling all Jews from your Dept. The President has no objection to your expelling traders & Jew pedlars, which I suppose was the object of your order, but as it in terms prescribed an entire religious class, some of whom are fighting in our ranks, the President deemed it necessary to revoke it.
1860s

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Richard Henry Dana Jr. photo
Leonardo Da Vinci photo

“I ask at what part of its curved motion the moving cause will leave the thing moved and moveable.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XXI Letters. Personal Records. Dated Notes.

Michael Moorcock photo
John of the Cross photo
Wilhelm Liebknecht photo
Brigitte Bardot photo

“I am leaving the town to the invaders: increasingly numerous, mediocre, dirty, badly behaved, shameless tourists.”

Brigitte Bardot (1934) French model, actor, singer and animal rights activist

Unsourced

Barack Obama photo
Abraham Lincoln photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174