Quotes about horror

A collection of quotes on the topic of horror, life, use, doing.

Quotes about horror

Sophie Scholl photo

“Isn't it bewildering … that everything is so beautiful, despite all the horrors that exist?”

Sophie Scholl (1921–1943) White Rose member

As quoted in O<sub>2</sub> : Breathing New Life Into Faith (2008) by Richard Dahlstrom, p. 223; this source is disputed as it does not cite an original document for the quote.
Disputed
Context: Isn't it bewildering … that everything is so beautiful, despite all the horrors that exist? Lately I've noticed something grand and mysterious peering into my sheer joy in all that is lovely — the sense of a Creator whom innocent creation worships with its beauty. Only man can be hateful or ugly, because he possesses a free will to cut himself off from the chorus of praise. It often seems that he will succeed in drowning out this chorus with his cannon thunder, curses, and blasphemy. But it has become clear to me this spring that he cannot. And so I must try to throw myself on the side of the victor.

H.P. Lovecraft photo
José Baroja photo
Arthur Conan Doyle photo
H.P. Lovecraft photo

“For those who relish speculation regarding the future, the tale of supernatural horror provides an interesting field.”

H.P. Lovecraft (1890–1937) American author

Source: The Annotated Supernatural Horror in Literature: Revised and Enlarged

H.P. Lovecraft photo
Fernando Pessoa photo
William Shakespeare photo

“I have supped full with horrors.”

Source: Macbeth

H.P. Lovecraft photo

“From even the greatest of horrors irony is seldom absent.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Shunned House (1924)
Source: Tales of H.P. Lovecraft

Osamu Dazai photo
H.P. Lovecraft photo
H.P. Lovecraft photo
Erich Maria Remarque photo
George Orwell photo

“…there is a striking similarity in the surrealist and abstract painters attitude to the object; both have a horror of it in its proper context.”

John Piper (artist) (1903–1992) English painter and printmaker (1903-1992)

Lost, A valuable object, in Myfanwy Piper's anthology-"The Painters Object" 1937

George Orwell photo

“People talk about the horrors of war, but what weapon has man invented that even approaches in cruelty to some of the commoner diseases? "Natural" death, almost by definition, means something slow, smelly and painful.”

George Orwell (1903–1950) English author and journalist

"How the Poor Die" http://orwell.ru/library/articles/Poor_Die/english/e_pdie, Now (November 1946)

Wolfgang Amadeus Mozart photo

“The passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.”

Wolfgang Amadeus Mozart (1756–1791) Austrian Romantic composer

Letter by Mozart, as quoted in a journal entry (12 December 1856) The Journal of Eugene Delacroix as translated by Walter Pach (1937), p. 521. The quote is not found in any authentic letter by Mozart.

Peter Wessel Zapffe photo
George Orwell photo
George Orwell photo

“As time goes on and the horrors pile up, the mind seems to secrete a sort of self-protecting ignorance which needs a harder and harder shock to pierce it, just as the body will become immunised to a drug and require bigger and bigger doses.”

George Orwell (1903–1950) English author and journalist

"As I Please," The Tribune (17 January 1947)
"As I Please" (1943–1947)
Context: This business of making people conscious of what is happening outside their own small circle is one of the major problems of our time, and a new literary technique will have to be evolved to meet it. Considering that the people of this country are not having a very comfortable time, you can't perhaps, blame them for being somewhat callous about suffering elsewhere, but the remarkable thing is the extent to which they manage to be unaware of it. Tales of starvation, ruined cities, concentration camps, mass deportations, homeless refugees, persecuted Jews — all this is received with a sort of incurious surprise, as though such things had never been heard of but at the same time were not particularly interesting. The now-familiar photographs of skeleton-like children make very little impression. As time goes on and the horrors pile up, the mind seems to secrete a sort of self-protecting ignorance which needs a harder and harder shock to pierce it, just as the body will become immunised to a drug and require bigger and bigger doses.

Aleksandr Solzhenitsyn photo

“Our Twentieth Century has proved to be more cruel than preceding centuries, and the first fifty years have not erased all its horrors.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Nobel lecture (1970)
Context: Our Twentieth Century has proved to be more cruel than preceding centuries, and the first fifty years have not erased all its horrors. Our world is rent asunder by those same old cave-age emotions of greed, envy, lack of control, mutual hostility which have picked up in passing respectable pseudonyms like class struggle, racial conflict, struggle of the masses, trade-union disputes. The primeval refusal to accept a compromise has been turned into a theoretical principle and is considered the virtue of orthodoxy. It demands millions of sacrifices in ceaseless civil wars, it drums into our souls that there is no such thing as unchanging, universal concepts of goodness and justice, that they are all fluctuating and inconstant. Therefore the rule — always do what's most profitable to your party. Any professional group no sooner sees a convenient opportunity to BREAK OFF A PIECE, even if it be unearned, even if it be superfluous, than it breaks it off there and then and no matter if the whole of society comes tumbling down.

Oskar Schindler photo

“The persecution of Jews in occupied Poland meant that we could see horror emerging gradually in many ways.”

Oskar Schindler (1908–1974) German industrialist and Holocaust rescuer

Interview at Am Hauptbahn No. 4 in Frankfurt Am Main, West Germany (1964), quoted in The Oscar Schindler Story (2012) http://www.auschwitz.dk/id2.htm.
Context: The persecution of Jews in occupied Poland meant that we could see horror emerging gradually in many ways. In 1939, they were forced to wear Jewish stars, and people were herded and shut up into ghettos. Then, in the years '41 and '42 there was plenty of public evidence of pure sadism. With people behaving like pigs, I felt the Jews were being destroyed. I had to help them. There was no choice.

Maya Angelou photo
H.P. Lovecraft photo
Barry Lyga photo
Rick Riordan photo
Stephen King photo

“And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity.”

Source: Pet Sematary (1983)
Context: It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls - as little as one may like to support the idea that when the nightmare grows black enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor begins to reassert itself.

Graham Greene photo
Nikola Tesla photo

“I wanted to do things to Richard that would make the sun grow cold with horror.”

Thomas Ligotti (1953) American horror author

Source: My Work is Not Yet Done: Three Tales of Corporate Horror

Terry Pratchett photo

“But the purpose of the book is not the horror, it is horror's defeat.”

Terry Pratchett (1948–2015) English author

Source: Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

Terry Pratchett photo
Charles Baudelaire photo
Theodore Roosevelt photo

“I have a perfect horror of words that are not backed up by deeds.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Oyster Bay, NY http://www.trsite.org/content/pages/speaking-loudly (7 July 1915)
1910s

Stephen King photo
H.P. Lovecraft photo
Arundhati Roy photo
H.P. Lovecraft photo
Mary Wollstonecraft Shelley photo
H.P. Lovecraft photo
Christopher Lee photo

“That is real horror and blood. When the Second World War finished I was 23 and already I had seen enough horror to last me a lifetime. I’d seen dreadful, dreadful things, without saying a word. So seeing horror depicted on film doesn't affect me much.”

Christopher Lee (1922–2015) British actor and singer

Sir Christopher Lee interview: 'I’m softer than people think' http://www.telegraph.co.uk/culture/film/8316999/Interview-Christopher-Lee.html (2011)

Bertrand Russell photo
Irenaeus photo
Fernando Pessoa photo

“To have defined and sure opinions, fixed and known instincts, passions and character — all that is the horror of turning our soul into a fact, materialize it and make it external.”

Ibid., p. 413<ǃ--Assírio & Alvim, 2008-->
As quoted in Os Grandes Trechos, Richard Zenith Edition, Lisbon, 2006, p. 413
The Book of Disquiet
Original: Ter opiniões definidas e certas, instintos, paixões e carácter fixo e conhecido — tudo isto monta ao horror de tornar a nossa alma num facto, de a materializar e tornar exterior.

Ronald Reagan photo

“We must all educate ourselves to the reality of the horrors taking place. Doctors today know that unborn children can feel a touch within the womb and that they respond to pain.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

1980s, First term of office (1981–1985), Abortion and the Conscience of the Nation (1983)

Josiah Royce photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Mark Twain photo

“Why, it was like reading about France and the French, before the ever memorable and blessed Revolution, which swept a thousand years of such villany away in one swift tidal-wave of blood -- one: a settlement of that hoary debt in the proportion of half a drop of blood for each hogshead of it that had been pressed by slow tortures out of that people in the weary stretch of ten centuries of wrong and shame and misery the like of which was not to be mated but in hell. There were two "Reigns of Terror," if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the "horrors" of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break? What is swift death by lightning compared with death by slow fire at the stake? A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror -- that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves.”

Ch. 13 http://www.literature.org/authors/twain-mark/connecticut/chapter-13.html
A Connecticut Yankee in King Arthur's Court (1889)

Oscar Wilde photo

“It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest.”

Oscar Wilde (1854–1900) Irish writer and poet

The Critic as Artist (1891), Part I

Thomas Jefferson photo
Marquis de Sade photo

“I am a libertine, but I am not a criminal nor a murderer, and since I am compelled to set my apology alongside my vindication, I shall therefore say that it might well be possible that those who condemn me as unjustly as I have been might themselves be unable to offset the infamies by good works as clearly established as those I can contrast to my errors. I am a libertine, but three families residing in your area have for five years lived off my charity, and I have saved them from the farthest depths of poverty. I am a libertine, but I have saved a deserter from death, a deserter abandoned by his entire regiment and by his colonel. I am a libertine, but at Evry, with your whole family looking on, I saved a child—at the risk of my life—who was on the verge of being crushed beneath the wheels of a runaway horse-drawn cart, by snatching the child from beneath it. I am a libertine, but I have never compromised my wife’s health. Nor have I been guilty of the other kinds of libertinage so often fatal to children’s fortunes: have I ruined them by gambling or by other expenses that might have deprived them of, or even by one day foreshortened, their inheritance? Have I managed my own fortune badly, as long as I have had a say in the matter? In a word, did I in my youth herald a heart capable of the atrocities of which I today stand accused?… How therefore do you presume that, from so innocent a childhood and youth, I have suddenly arrived at the ultimate of premeditated horror? No, you do not believe it. And yet you who today tyrannize me so cruelly, you do not believe it either: your vengeance has beguiled your mind, you have proceeded blindly to tyrannize, but your heart knows mine, it judges it more fairly, and it knows full well it is innocent.”

Marquis de Sade (1740–1814) French novelist and philosopher

This passage comes from a letter addressed to his wife. It was written during his imprisonment at the Bastille.
"L’Aigle, Mademoiselle…"

Joseph Conrad photo

“Above all, we must forgive the unhappy souls who have elected to make the pilgrimage on foot, who skirt the shore and look uncomprehendingly upon the horror of the struggle, the joy of victory, the profound hopelessness of the vanquished.”

Joseph Conrad (1857–1924) Polish-British writer

Letter (March 1890), published in The Collected Letters of Joseph Conrad, edited by Frederick R. Karl and Laurence Davies, Vol. 1, p. 43 ISBN 0521242169

Henri Barbusse photo
Friedrich Nietzsche photo
Ali Khamenei photo

“To the Youth in Europe and North America,
The recent events in France and similar ones in some other Western countries have convinced me to directly talk to you about them. I am addressing you, [the youth], not because I overlook your parents, rather it is because the future of your nations and countries will be in your hands; and also I find that the sense of quest for truth is more vigorous and attentive in your hearts.
I don’t address your politicians and statesmen either in this writing because I believe that they have consciously separated the route of politics from the path of righteousness and truth.
I would like to talk to you about Islam, particularly the image that is presented to you as Islam. Many attempts have been made over the past two decades, almost since the disintegration of the Soviet Union, to place this great religion in the seat of a horrifying enemy. The provocation of a feeling of horror and hatred and its utilization has unfortunately a long record in the political history of the West.
Here, I don’t want to deal with the different phobias with which the Western nations have thus far been indoctrinated. A cursory review of recent critical studies of history would bring home to you the fact that the Western governments’ insincere and hypocritical treatment of other nations and cultures has been censured in new historiographies.
The histories of the United States and Europe are ashamed of slavery, embarrassed by the colonial period and chagrined at the oppression of people of color and non-Christians. Your researchers and historians are deeply ashamed of the bloodsheds wrought in the name of religion between the Catholics and Protestants or in the name of nationality and ethnicity during the First and Second World Wars. This approach is admirable.
By mentioning a fraction of this long list, I don’t want to reproach history; rather I would like you to ask your intellectuals as to why the public conscience in the West awakens and comes to its senses after a delay of several decades or centuries. Why should the revision of collective conscience apply to the distant past and not to the current problems? Why is it that attempts are made to prevent public awareness regarding an important issue such as the treatment of Islamic culture and thought?
You know well that humiliation and spreading hatred and illusionary fear of the “other” have been the common base of all those oppressive profiteers. Now, I would like you to ask yourself why the old policy of spreading “phobia” and hatred has targeted Islam and Muslims with an unprecedented intensity. Why does the power structure in the world want Islamic thought to be marginalized and remain latent? What concepts and values in Islam disturb the programs of the super powers and what interests are safeguarded in the shadow of distorting the image of Islam? Hence, my first request is: Study and research the incentives behind this widespread tarnishing of the image of Islam.
My second request is that in reaction to the flood of prejudgments and disinformation campaigns, try to gain a direct and firsthand knowledge of this religion. The right logic requires that you understand the nature and essence of what they are frightening you about and want you to keep away from.”

Ali Khamenei (1939) Iranian Shiite faqih, Marja' and official independent islamic leader

Message of Ayatollah Seyyed Ali Khamenei To the Youth in Europe and North America http://english.khamenei.ir//index.php?option=com_content&task=view&id=2001, Khamenei.ir (January 21, 2015)
2015

Aleksandr Pushkin photo
Albert Schweitzer photo
H.P. Lovecraft photo
H.P. Lovecraft photo
Henri Barbusse photo
H.P. Lovecraft photo
Antonin Scalia photo
Saul Bellow photo
Leonardo Da Vinci photo
Oscar Wilde photo
Voltaire photo

“Every sensible man, every honorable man, must hold the Christian sect in horror.”

Voltaire (1694–1778) French writer, historian, and philosopher

Tout homme sensé, tout homme de bien, doit avoir la secte chrétienne en horreur.
Examen important de milord Bolingbroke http://www.worldcat.org/title/examen-important-de-milord-bolingbroke-ecrit-sur-la-fin-de-1736-accompagne-des-notes-de-mr-m-editeur-de-ses-ouvrages/oclc/11007337 (1736): Conclusion
Citas

Sri Aurobindo photo
Ransom Riggs photo
James Wan photo

“I think for me anyway, the most successful horror movies that work are the ones that can create characters who you care about and that have characteristics that resonate with you and I think that is highly important, because if you can create characters that are likeable and people you can relate to, to me it makes the scares that much more scarier.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

James Wan interview: The Conjuring 2, Fast 7, Statham http://www.denofgeek.com/uk/movies/james-wan/41373/james-wan-interview-the-conjuring-2-fast-7-statham (Jun 13, 2016)

Jules Verne photo

“Man is so constituted that health is a purely negative state. Hunger once satisfied, it is difficult for a man to imagine the horrors of starvation; they cannot be understood without being felt.”

L’homme est ainsi fait, que sa santé est un effet purement négatif; une fois le besoin de manger satisfait, on se figure difficilement les horreurs de la faim; il faut les éprouver, pour les comprendre.
Source: Journey to the Center of the Earth (1864), Ch. XLII: Headlong speed upward through the horrors of darkness

H.P. Lovecraft photo
H.P. Lovecraft photo
Jordan Peterson photo
Georg Trakl photo
Kurt Vonnegut photo
Brigitte Bardot photo
Richard Wagner photo

“Recently, while I was in the street, my eye was caught by a poulterer's shop; I stared unthinkingly at his piled-up wares, neatly and appetizingly laid out, when I became aware of a man at the side busily plucking a hen, while another man was just putting his hand in a cage, where he seized a live hen and tore its head off. The hideous scream of the animal, and the pitiful, weaker sounds of complaint that it made while being overpowered transfixed my soul with horror. Ever since then I have been unable to rid myself of this impression, although I had experienced it often before. It is dreadful to see how our lives—which, on the whole, remain addicted to pleasure—rest upon such a bottomless pit of the cruellest misery! This has been so self-evident to me from the very beginning, and has become even more central to my thinking as my sensibility has increased … I have observed the way in which I am drawn in the [direction of empathy for misery] with a force that inspires me with sympathy, and that everything touches me deeply only insofar as it arouses fellow-feeling in me, i. e. fellow-suffering. I see in this fellow-suffering the most salient feature of my moral being, and presumably it is this that is the well-spring of my art.”

Richard Wagner (1813–1883) German composer, conductor

Selected Letters of Richard Wagner, translated by Stewart Spencer and Barry Millington (New York: W. W. Norton & Company, 1987), pp. 422-424 http://www.animal-rights-library.com/texts-c/wagner02.htm

Theodore Roosevelt photo
Albert Schweitzer photo
Albert Schweitzer photo
H.P. Lovecraft photo
George Washington photo

“What astonishing changes a few years are capable of producing! I am told that even respectable characters speak of a monarchical form of government without horror.”

George Washington (1732–1799) first President of the United States

Letter to John Jay (15 August 1786) http://gwpapers.virginia.edu/documents/constitution/1784/jay2.html
1780s
Context: If you tell the Legislatures they have violated the treaty of peace and invaded the prerogatives of the confederacy they will laugh in your face. What then is to be done? Things cannot go on in the same train forever. It is much to be feared, as you observe, that the better kind of people being disgusted with the circumstances will have their minds prepared for any revolution whatever. We are apt to run from one extreme into another. To anticipate & prevent disasterous contingencies would be the part of wisdom & patriotism.
What astonishing changes a few years are capable of producing! I am told that even respectable characters speak of a monarchical form of government without horror. From thinking proceeds speaking, thence to acting is often but a single step. But how irrevocable & tremendous! What a triumph for the advocates of despotism to find that we are incapable of governing ourselves, and that systems founded on the basis of equal liberty are merely ideal & falacious! Would to God that wise measures may be taken in time to avert the consequences we have but too much reason to apprehend.
Retired as I am from the world, I frankly acknowledge I cannot feel myself an unconcerned spectator. Yet having happily assisted in bringing the ship into port & having been fairly discharged; it is not my business to embark again on a sea of troubles. Nor could it be expected that my sentiments and opinions would have much weight on the minds of my Countrymen — they have been neglected, tho' given as a last legacy in the most solemn manner. I had then perhaps some claims to public attention. I consider myself as having none at present.

George Washington photo

“On these occasions I consider how mankind may be connected like one great family in fraternal ties—I endulge a fond, perhaps an enthusiastic idea, that as the world is evidently much less barbarous than it has been, its melioration must still be progressive—that nations are becoming more humanized in their policy—that the subjects of ambition & causes for hostility are daily diminishing—and in fine, that the period is not very remote when the benefits of a liberal & free commerce will, pretty generally, succeed to the devastations & horrors of war.”

George Washington (1732–1799) first President of the United States

“From George Washington to Lafayette, 15 August 1786,” Founders Online, National Archives http://founders.archives.gov/documents/Washington/04-04-02-0200 Source: The Papers of George Washington, Confederation Series, vol. 4, 2 April 1786 – 31 January 1787, ed. W. W. Abbot. Charlottesville: University Press of Virginia, 1995, pp. 214–216. Page scan http://memory.loc.gov/cgi-bin/ampage?collId=mgw2&fileName=gwpage013.db&recNum=157&tempFile=./temp/~ammem_fmyS&filecode=mgw&next_filecode=mgw&itemnum=1&ndocs=100 at American Memory (Library of Congress)
1780s
Context: Altho’ I pretend to no peculiar information respecting commercial affairs, nor any foresight into the scenes of futurity; yet as the member of an infant-empire, as a Philanthropist by character, and (if I may be allowed the expression) as a Citizen of the great republic of humanity at large; I cannot help turning my attention sometimes to this subject. I would be understood to mean, I cannot avoid reflecting with pleasure on the probable influence that commerce may here after have on human manners & society in general. On these occasions I consider how mankind may be connected like one great family in fraternal ties—I endulge a fond, perhaps an enthusiastic idea, that as the world is evidently much less barbarous than it has been, its melioration must still be progressive—that nations are becoming more humanized in their policy—that the subjects of ambition & causes for hostility are daily diminishing—and in fine, that the period is not very remote when the benefits of a liberal & free commerce will, pretty generally, succeed to the devastations & horrors of war.

Thucydides photo
H.P. Lovecraft photo

“There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Crawling Chaos (1921)
Context: There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child's head. Then in a tone of silver it addressed me: "It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe." As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, "Come, child, you have heard the voices, and all is well...."

H.P. Lovecraft photo

“Of the pleasures and pains of opium much has been written. The ecstasies and horrors of De Quincey and the paradis artificiels of Baudelaire are preserved and interpreted with an art which makes them immortal, and the world knows well the beauty, the terror and the mystery of those obscure realms into which the inspired dreamer is transported.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Crawling Chaos (1921)
Context: Of the pleasures and pains of opium much has been written. The ecstasies and horrors of De Quincey and the paradis artificiels of Baudelaire are preserved and interpreted with an art which makes them immortal, and the world knows well the beauty, the terror and the mystery of those obscure realms into which the inspired dreamer is transported. But much as has been told, no man has yet dared intimate the nature of the phantasms thus unfolded to the mind, or hint at the direction of the unheard-of roads along whose ornate and exotic course the partaker of the drug is so irresistibly borne.

Mikhail Bakunin photo

“There is no horror, no cruelty, sacrilege, or perjury, no imposture, no infamous transaction, no cynical robbery, no bold plunder or shabby betrayal that has not been or is not daily being perpetrated by the representatives of the states, under no other pretext than those elastic words, so convenient and yet so terrible: "for reasons of state."”

Mikhail Bakunin (1814–1876) Russian revolutionary, philosopher, and theorist of collectivist anarchism

Source: Rousseau's Theory of the State (1873)
Context: We … have humanity divided into an indefinite number of foreign states, all hostile and threatened by each other. There is no common right, no social contract of any kind between them; otherwise they would cease to be independent states and become the federated members of one great state. But unless this great state were to embrace all of humanity, it would be confronted with other great states, each federated within, each maintaining the same posture of inevitable hostility. War would still remain the supreme law, an unavoidable condition of human survival.
Every state, federated or not, would therefore seek to become the most powerful. It must devour lest it be devoured, conquer lest it be conquered, enslave lest it be enslaved, since two powers, similar and yet alien to each other, could not coexist without mutual destruction.
The State, therefore, is the most flagrant, the most cynical, and the most complete negation of humanity. It shatters the universal solidarity of all men on the earth, and brings some of them into association only for the purpose of destroying, conquering, and enslaving all the rest. It protects its own citizens only; it recognises human rights, humanity, civilisation within its own confines alone. Since it recognises no rights outside itself, it logically arrogates to itself the right to exercise the most ferocious inhumanity toward all foreign populations, which it can plunder, exterminate, or enslave at will. If it does show itself generous and humane toward them, it is never through a sense of duty, for it has no duties except to itself in the first place, and then to those of its members who have freely formed it, who freely continue to constitute it or even, as always happens in the long run, those who have become its subjects. As there is no international law in existence, and as it could never exist in a meaningful and realistic way without undermining to its foundations the very principle of the absolute sovereignty of the State, the State can have no duties toward foreign populations. Hence, if it treats a conquered people in a humane fashion, if it plunders or exterminates it halfway only, if it does not reduce it to the lowest degree of slavery, this may be a political act inspired by prudence, or even by pure magnanimity, but it is never done from a sense of duty, for the State has an absolute right to dispose of a conquered people at will.
This flagrant negation of humanity which constitutes the very essence of the State is, from the standpoint of the State, its supreme duty and its greatest virtue. It bears the name patriotism, and it constitutes the entire transcendent morality of the State. We call it transcendent morality because it usually goes beyond the level of human morality and justice, either of the community or of the private individual, and by that same token often finds itself in contradiction with these. Thus, to offend, to oppress, to despoil, to plunder, to assassinate or enslave one's fellowman is ordinarily regarded as a crime. In public life, on the other hand, from the standpoint of patriotism, when these things are done for the greater glory of the State, for the preservation or the extension of its power, it is all transformed into duty and virtue. And this virtue, this duty, are obligatory for each patriotic citizen; everyone is supposed to exercise them not against foreigners only but against one's own fellow citizens, members or subjects of the State like himself, whenever the welfare of the State demands it.
This explains why, since the birth of the State, the world of politics has always been and continues to be the stage for unlimited rascality and brigandage, brigandage and rascality which, by the way, are held in high esteem, since they are sanctified by patriotism, by the transcendent morality and the supreme interest of the State. This explains why the entire history of ancient and modern states is merely a series of revolting crimes; why kings and ministers, past and present, of all times and all countries — statesmen, diplomats, bureaucrats, and warriors — if judged from the standpoint of simple morality and human justice, have a hundred, a thousand times over earned their sentence to hard labour or to the gallows. There is no horror, no cruelty, sacrilege, or perjury, no imposture, no infamous transaction, no cynical robbery, no bold plunder or shabby betrayal that has not been or is not daily being perpetrated by the representatives of the states, under no other pretext than those elastic words, so convenient and yet so terrible: "for reasons of state."

Henri Barbusse photo

“All these battles spring from themselves and necessitate each other to infinity! One single battle is not enough, it is not complete, there is no satisfaction. Nothing is finished, nothing is ever finished. Ah, it is only men who die! No one understands the greatness of things, and I know well that I do not understand all the horror in which I am.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XV - An Apparition
Context: Hidden behind the horizons, living men unite with machines and fall furiously on space. They do not see their shots. They do not know what they are doing. "You shall not know; you shall not know."
But since the cannonade is returning, they will be fighting here again. All these battles spring from themselves and necessitate each other to infinity! One single battle is not enough, it is not complete, there is no satisfaction. Nothing is finished, nothing is ever finished. Ah, it is only men who die! No one understands the greatness of things, and I know well that I do not understand all the horror in which I am.

Arthur Miller photo

“It is always and forever the same struggle: to perceive somehow our own complicity with evil is a horror not to be borne. … much more reassuring to see the world in terms of totally innocent victims and totally evil instigators of the monstrous violence we see all about us. At all costs, never disturb our innocence.”

Arthur Miller (1915–2005) playwright from the United States

"With respect for Her Agony — but with Love" in LIFE magazine (7 February 1964)
Context: It is always and forever the same struggle: to perceive somehow our own complicity with evil is a horror not to be borne. … much more reassuring to see the world in terms of totally innocent victims and totally evil instigators of the monstrous violence we see all about us. At all costs, never disturb our innocence. But what is the most innocent place in any country? Is it not the insane asylum? These people drift through life truly innocent, unable to see into themselves at all. The perfection of innocence, indeed, is madness.

Richard Wagner photo

“At last one crowning horror gives the tortured wretch the needful strength: he wakes, and what he held most real was but a figment of the dæmon of distraught mankind.”

Richard Wagner (1813–1883) German composer, conductor

Know Thyself (1881)
Context: What "Conservatives," "Liberals" and "Conservative-liberals," and finally "Democrats," "Socialists," or even "Social-democrats" etc., have lately uttered on the Jewish Question, must seem to us a trifle foolish; for none of these parties would think of testing that "Know thyself" upon themselves, not even the most indefinite and therefore the only one that styles itself in German, the "Progress"-party. There we see nothing but a clash of interests, whose object is common to all the disputants, common and ignoble: plainly the side most strongly organised, i. e. the most unscrupulous, will bear away the prize. With all our comprehensive State- and National-Economy, it would seem that we are victims to a dream now flattering, now terrifying, and finally asphyxiating: all are panting to awake therefrom; but it is the dream's peculiarity that, so long as it enmeshes us, we take it for real life, and fight against our wakening as though we fought with death. At last one crowning horror gives the tortured wretch the needful strength: he wakes, and what he held most real was but a figment of the dæmon of distraught mankind.
We who belong to none of all those parties, but seek our welfare solely in man's wakening to his simple hallowed dignity; we who are excluded from these parties as useless persons, and yet are sympathetically troubled for them, — we can only stand and watch the spasms of the dreamer, since no cry of ours can pierce to him. So let us save and tend and brace our best of forces, to bear a noble cordial to the sleeper when he wakes, as of himself he must at last.

Virginia Woolf photo

“A State of Mind. Woke up perhaps at 3. Oh its beginning it coming – the horror – physically like a painful wave swelling about the heart – tossing me up. I'm unhappy unhappy! Down – God, I wish I were dead.”

Virginia Woolf (1882–1941) English writer

Wednesday 15 September, 1926
A Moment's Liberty (1990)
Context: A State of Mind. Woke up perhaps at 3. Oh its beginning it coming – the horror – physically like a painful wave swelling about the heart – tossing me up. I'm unhappy unhappy! Down – God, I wish I were dead. Pause. But why am I feeling like this? Let me watch the wave rise. I watch. Vanessa. Children. Failure. Yes, I detect that. Failure failure. (The wave rises). Oh they laughed at my taste in green paint. Wave crashes. I wish I were dead! I've only a few years to live I hope. I can't face this horror any more – (this is the wave spreading out over me). This goes on; several times, with varieties of horror. Then, at the crisis, instead of the pain remaining intense, it becomes rather vague. I doze. I wake with a start. The wave again! The irrational pain: the sense of failure; generally some specific incident, as for example my taste in green paint, or buying a new dress, or asking Dadie for the week-end, tacked on. At last I say, watching as dispassionately as I can, Now take a pull of yourself. No more of this. I shove to throw to batter down. I begin to march blindly forward. I feel obstacles go down. I say it doesn't matter. Nothing matters. I become rigid and straight, and sleep again, and half wake and feel the wave beginning and watch the light whitening and wonder how, this time, breakfast and daylight will overcome it; and then hear L. in the passage and simulate, for myself as well as for him, great cheerfulness; and generally am cheerful, by the time breakfast is over. Does everyone go through this state? Why have I so little control? It is the case of much waste and pain in my life.

Marlene Dietrich photo
Toussaint Louverture photo
David Cronenberg photo

“We've all got the disease - the disease of being finite. Death is the basis of all horror.”

David Cronenberg (1943) Canadian film director, screenwriter and actor

on mortality