Quotes about giant
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David Klass photo
James Patterson photo

“No matter how puny your frontal equipment, don't wear the kind with the giant pads inside. If a guy squeezes them, he will wonder why they feel like Nerf balls instead of boobs.”

E. Lockhart (1967) American writer of novels as E. Lockhart (mainly for teenage girls) and of picture books under real name Emily J…

Source: The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them

Augusten Burroughs photo
Suzanne Collins photo
Rick Riordan photo
Elizabeth Gilbert photo
Rutger Bregman photo
Kent Hovind photo
Pat Condell photo

“My name is Patrick, and I'm a biped carbon-based life form. In my spare time I enjoy walking upright and being warm-blooded, and I'm a Scorpio.* I live here … on planet Earth, a piece of rock orbiting a giant fireball in the middle of nowhere. I feel I belong here.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"About Me" https://web.archive.org/web/20160106103115/http://www.patcondell.net/about-me/; footnote:
I like to think I'm a Scorpio, though actually I'm on the cusp of Scorpio and Sagittarius. However, I pledged my allegiance to Scorpio years ago, like you do when you live in a city with two football teams; you've got to pick one, and I picked Scorpio because it sounded better. In truth I have no idea what birth sign I am, and I don't care. But I do have a Scorpio t-shirt because I think it's important to have an identity, however false and pointless.

Ross Perot photo
Ogden Nash photo

“The giant was hairy, the giant was horrid,
He had one eye in the middle of his forehead.”

Ogden Nash (1902–1971) American poet

"Adventures of Isabel" http://www.poemhunter.com/poem/adventures-of-isabel/

Ahad Ha'am photo
Andreas Schelfhout photo

“Cheerfully and cheerily, I started working once more in giant steps to the second painting by Mr Twent. [of the, who wanted his estate immortalized in two large paintings] (translation from original Dutch: Fons Heijnsbroek)”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

(original Dutch, citaat van Schelfhout, uit zijn brief:) Vrolijk en opgeruimt, ben ik weder met reuze schreden begonen aan het tweede schilderij van de Heer Twent. [van het Wassenaarse landgoed Raaphorst, toen in bezit van Abraham Jacob Twent, die het landgoed in twee grote schilderijen wilde laten vereeuwigen]
Quote from Schelfhout, in a letter (with sketched figures) to an unknown friend, 21 Feb. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 74

Francis Turner Palgrave photo

“Time's corrosive dewdrop eats
The giant warrior to a crust
Of earth in earth and rust in rust.”

Francis Turner Palgrave (1824–1897) English poet and critic

"A Danish Barrow".

Mitt Romney photo
George Holyoake photo
Natacha Rambova photo

“Fame is like a giant X-Ray. Once you are exposed beneath it, the very beatings of your heart are shown to a gaping world.”

Natacha Rambova (1897–1966) American film personality and fashion designer

On celebrity, p. 117
Photoplay: "Wedded and Parted" (December 1922)

“I can remember being young enough, long ago, to believe that in Tennessee Williams the giant themes of Greek tragedy had returned, all hung about with Magnolias. Ignorance of Greek tragedy helped in this view.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Over the tarp'
Essays and reviews, The Crystal Bucket (1982)

Rudy Rucker photo
George Raymond Richard Martin photo

“I'm not an "American First" (and maybe because I read science fiction) I'm a "Terran First". I'm a human being first. And I have this sympathy for other human beings no matter what side of the giant ice wall they happen to be born on.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

At Tuscon 43 http://dndjourneyofthefifthedition.podbean.com/e/tuscon-43-an-hour-with-george-r-r-martin/ (2016)

Ron Paul photo

“Tax revenues are up 59 percent since 1980. Because of our economic growth? No. During Carter's four years, we had growth of 37.2 percent; Reagan's five years have given us 30.7 percent. The new revenues are due to four giant Republican tax increases since 1981. All republicans rightly chastised Carter for his $38 billion deficit. But they ignore or even defend deficits of $220 billion, as government spending has grown 10.4 percent per year since Reagan took office, while the federal payroll has zoomed by a quarter of a million bureaucrats… big government has been legitimized in a way the Democrats never could have accomplished. It was tragic to listen to Ronald Reagan on the 1986 campaign trail bragging about his high spending on farm subsidies, welfare, warfare, etc… the IRS has grown bigger, richer, more powerful, and more arrogant. In the words of the founders of our country, our government has "sent hither swarms" of tax gatherers "to harass our people and eat out their substance." His officers jailed the innocent George Hansen, with the President refusing to pardon a great American whose only crime was to defend the Constitution. Reagan's new tax "reform" gives even more power to the IRS. Far from making taxes fairer or simpler, it deceitfully raises more revenue for the government to waste… I want to totally disassociate myself from the policies that have given us unprecedented deficits, massive monetary inflation, indiscriminate military spending, an irrational and unconstitutional foreign policy, zooming foreign aid, the exaltation of international banking, and the attack on our personal liberties and privacy.”

Ron Paul (1935) American politician and physician

Letter to chairman of the RNC http://www.textfiles.com/politics/ron_paul.txt Frank Fahrenkopf (March 1987).
1980s

David Ogilvy photo
Camille Paglia photo
Robert E. Howard photo
Albert Einstein photo
Steven Wright photo

“New York is a giant place and no matter how big you get, there's still going to be a ton of people who haven't heard of you.”

Brandon Stanton (1984) American photographer

The Observer, 2013; [Brandon Stanton's New York stories, The Observer, http://www.theguardian.com/artanddesign/2013/nov/03/brandon-stanton-humans-of-new-york-pictures, Corinne Jones, 3 November 2013, 2013-11-09]

Andrew Paterson photo
C. Wright Mills photo
Pat Sajak photo

“A celebrity has just as much right to speak out as people who hold real jobs. This is America, after all, and you should not be precluded from voicing your opinions just because you sing songs, mouth other peoples' words on a sitcom or, for that matter, spin a giant multi-colored wheel on a game show.”

Pat Sajak (1946) American television host

2005 column about celebrities and politics, cited in: " Sajak says... http://ex-donkey.new.mu.nu/?page=111," at ;;ex-donkey.new. posted by: Gary at 04:33 PM.
2000s

Will Arnett photo
Lee Child photo

“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Source: Running Blind (2000), Ch. 1.

Alan Moore photo
Hans Arp photo
Walter Cronkite photo
Angelique Rockas photo
Robert T. Bakker photo
Glenn Beck photo

“We have the State Department working together with Google, MTV, MSNBC, Facebook, all of these— all of these giant corporations. Google now has two executives that we know of that were charged to help this revolution.”

Glenn Beck (1964) U.S. talk radio and television host

The Glenn Beck Program
Premiere Radio Networks
2011-02-15
Beck Isn't Sure If His Theory About Google, Egypt, State Department, And MTV Is "Sinking In"
Media Matters for America
2011-02-15
http://mediamatters.org/mmtv/201102150011
2011-02-15
on protests in Egypt against president Hosni Mubarak
2010s, 2011

Margaret Cho photo
Anthony Watts photo

“So what's easier to believe as the cause of climate change? That a trace gas called CO2 that has increased on earth from about 280 PPM to 380 PPM in the last 100 years is the cause, or that the giant nuclear fireball a thousand times bigger than earth a mere 8 light-minutes away has been getting more active during the same period is the reason?”

Anthony Watts (1958) American television meteorologist

The Missing GW Link http://wattsupwiththat.com/2007/03/25/the-missing-gw-link-new-images-shock-scientists-with-view-of-suns-magnetic-field-power/, wattsupwiththat.com, March 25, 2007.
2007

Zia Haider Rahman photo
János Esterházy photo

“We Hungarians accept principle that in time when Germany and Italy fight their giant struggle to guarantee better future of Europe and for fair and permanent peace, small and middle-sized states in the central Europe can only have the obligation to guard and secure in every way peace and understanding in their countries.”

János Esterházy (1901–1957) Czechoslovak member of Czechoslovak national parliament, russian nation politician and hungary nation polit…

About international relationships. Parliamentary speech on November 26, 1940.
International relationships

“Hierarchical institutions are like giant bulldozers — obedient to the whim of any fool who takes the controls.”

Edward Abbey (1927–1989) American author and essayist

A Voice Crying in the Wilderness (Vox Clamantis in Deserto) (1990)

Samuel Taylor Coleridge photo

“The Dwarf sees farther than the Giant, when he has the Giant's shoulders to mount on.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

The Friend; A Series of Essays (1812), No. 15 (30 November 1809), p. 228
Cf. Isaac Newton, letter to Robert Hooke (15 February 1676): "If I have seen further it is only by standing on the shoulders of giants".

Jeremiah Denton photo
Kent Hovind photo
Patrick Buchanan photo
David Bowie photo
Ervin László photo
William Collins photo
Frits Bolkestein photo

“The USA will remain the only superpower. China is becoming an economic giant. Europe is being Islamicized.”

Frits Bolkestein (1933) Dutch politician

Address at the opening of courses at the University of Leiden (2004), as quoted in "Islamic Europe?" http://web.archive.org/web/20041010004408/http://www.theweeklystandard.com:80/Content/Public/Articles/000/000/004/685ozxcq.asp (4 October 2004), by Christopher Caldwell, The Weekly Standard
2000s

Rachel Marsden photo

“I don't really pay much attention to it anymore. It's pretty ridiculous. I view it as a giant graffiti board for people with axes to grind — or for guys named Jimbo Wales who want to dump their girlfriends.”

Rachel Marsden (1974) journalist

On Wikipedia
Canadian pundit, Wikipedia founder in messy breakup http://web.archive.org/web/20080304021035/http://www.cbc.ca/canada/british-columbia/story/2008/03/02/marsden-breakup.html

Tina Fey photo
Charles Fort photo
Letitia Elizabeth Landon photo
Anne Lamott photo
Miguel de Cervantes photo

“Take care, your worship, those things over there are not giants but windmills.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Don Quixote de la Mancha (1605–1615), Unplaced as yet by chapter

Jane Roberts photo
Ai Weiwei photo
Robert Crumb photo

“The giant female bodybuilder proves unthinking people wrong who believe feminine beauty can never be harmonious with well developed musculature.”

Robert Crumb (1943) American cartoonist

As qtd. in the Picturing The Modern Amazon exhibition https://mnaves.wordpress.com/2000/06/19/picturing-the-modern-amazon-at-the-new-museum
Attributed

Pat Conroy photo

“Here is how my father appeared to me as a boy. He came from a race of giants and demi-gods from a mythical land known as Chicago. He married the most beautiful girl ever to come crawling out of the poor and lowborn south, and there were times when I thought we were being raised by Zeus and Athena. After Happy Hour my father would drive his car home at a hundred miles an hour to see his wife and seven children. He would get out of his car, a strapping flight jacketed matinee idol, and walk toward his house, his knuckles dragging along the ground, his shoes stepping on and killing small animals in his slouching amble toward the home place. My sister, Carol, stationed at the door, would call out, "Godzilla's home!" and we seven children would scamper toward the door to watch his entry. The door would be flung open and the strongest Marine aviator on earth would shout, "Stand by for a fighter pilot!" He would then line his seven kids up against the wall and say, "Who's the greatest of them all?" "You are, O Great Santini, you are." "Who knows all, sees all, and hears all?" "You do, O Great Santini, you do."”

Pat Conroy (1945–2016) American novelist

We were not in the middle of a normal childhood, yet none of us were sure since it was the only childhood we would ever have. For all we knew other men were coming home and shouting to their families, "Stand by for a pharmacist," or "Stand by for a chiropractor".
Eulogy for a Fighter Pilot (1998)

Herbert A. Simon photo
Aneurin Bevan photo
Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Daniel Handler photo
Andrew Sega photo
John Fante photo
Sten Nadolny photo
Amir Taheri photo
Buckminster Fuller photo
Alexander Mackenzie photo

“Possibly steel is so beautiful because of all the movement associated with it, its strength and functions... Yet it is also brutal: the rapist, the murderer and death-dealing giants are also its offspring.”

David Smith (1906–1965) American visual artist (1906-1965)

quote, early 1950's
Source: 1950s, from 'Abstract Expressionism' (1990), p. 40

Winston S. Churchill photo
Ogden Nash photo

“Fear not the thunder, little one.
It's weather, simply weather;
It's friendly giants full of fun
Clapping their hands together.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), A Watched Example Never Boils

“Langlands and Grothendieck are both (at least) Giants by any measure, and both were consciously successors of Galois.”

Michael Harris (1954) American mathematician

Source: Mathematics without Apologies: Portrait of a Problematic Vocation, 2015, p. 24

Robert E. Howard photo
Herman Kahn photo
Mark Eyskens photo

“Europe is an economic giant, a political dwarf, and a military worm.”

Mark Eyskens (1933) Belgian politician

As quoted by Craig R. Whitney in WAR IN THE GULF: EUROPE; Gulf Fighting Shatters Europeans' Fragile Unity, The New York Times, January 25th, 1991. http://www.nytimes.com/1991/01/25/world/war-in-the-gulf-europe-gulf-fighting-shatters-europeans-fragile-unity.html?pagewanted=1
This phrase was pronounced in January 1991, a few days before the beginning of Desert Storm, while Eyskens was the Foreign Minister of Belgium.

Martin Luther King, Jr. photo
William Moulton Marston photo

“The talkies are the only art that would attract Leonardo da Vinci were he alive to-day. This art is a baby giant, as clumsy as all babies are…we don't know what the baby will be doing and saying when it grows up. But we are sure it will make its mark in the world.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Martson, Pitkin, The Art of Sound Pictures (1929), p. vi; Jill Lepore, The Secret History of Wonder Woman (2014), p. 140.

Heinrich Heine photo

“Oh, wow, what a scene that place was - that heavenly drug down sexual perversion get their rocks off health spa. I was already so bombed I don't know how I got there. I got down to the pool, where all the freaks were. I met Paul America at the pool and I told him we were probably in danger if we stayed, but we were so blasted we forgot what was good for us and what wasn't, and the whole place turned into a giant orgy... every kind of sex freak, from homosexuals to nymphomaniacs... oh, everybody eating each other on the raft, and drinking, guzzling tequila and vodka and Scotch and bourbon and shooting up every other second... losing syringes down the pool drains, the needles of the mainline scene, blocking the water infiltration system with broken syringes. Oh, it was really some night just going on an incredible sexual tailspin. Gobble, gobble, gobble. Couldn't get enough of it. It was one of the wildest scenes I've ever been in or ever hope to be in. I should be ashamed of myself. I'm not, but I should be. Sex and speed, wow! Like, oh God. A twenty-four-hour climax that can go on for days. And there's no way to explain it unless you've been through it; there's no way to tell anyone who hasn't tasted it. I'd like to turn on the whole world for just a moment... just for a moment. I'm greedy; I'd like to keep most of it for myself and a few others, a few of my friends... to keep that superlative high, just on the cusp of each day... so that I'd radiate sunshine.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Ciao! Manhattan tapes, recalling its pool spa orgy scene
Edie : American Girl (1982)

“Mr. Richard Corben… a genuine giant of his chosen medium.|Alan Moore”

Richard Corben (1940) American illustrator

[Hodgson, William, The House on the Borderland, Vertigo / DC Comics, 2000, 978-1-56389-545-6]</ref>}}

Aron Ra photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

John Bunyan photo
Francisco De Goya photo

“But now? well now, now I have no fear of Witches, goblins, ghosts, thugs, Giants, ghouls, scallywags, etc, nor any sort of body.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Don Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, Feb. 1784; as quoted in Goya, A life in Letters, edited and introduced by Sarah Simmons; translations by Philip Troutman, London, Pimlico, 2004
The reference to the occult and the world of demons, which then will populate the art of Goya during the 1800's, takes form in a couple of occasions Goya wrote to his friend Martín that he is a painter-demon. http://letteraturaartistica.blogspot.nl/2015/09/goya-life-in-letters-edited-and.html
1780s