Quotes about form
page 6

Leon Trotsky photo
Theodore Roosevelt photo

“Among the wise and high-minded people who in self-respecting and genuine fashion strive earnestly for peace, there are the foolish fanatics always to be found in such a movement and always discrediting it — the men who form the lunatic fringe in all reform movements.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Source: 1910s, Theodore Roosevelt — An Autobiography (1913), Ch. VII : The War of American and the Unready.

Norman Foster, Baron Foster of Thames Bank photo
Hermann Grassmann photo
Sathya Sai Baba photo

“I will be in this mortal body form for 59 years more and I shall certainly achieve the purpose of this Avatar, do not doubt it.”

Sathya Sai Baba (1926–2011) Indian guru

29 September 1960 Sathya Sai Speaks v.1
Sathya Sai Geetha (Volume 1), Page 4/4 http://www.sathyasai.org/discour/sathyasaispeaks/volume01/sss01-31.pdf

Malcolm X photo
Isaac Newton photo
Barack Obama photo

“So, first of all, you’ve got to try to get people involved. And a lot of people are busy in their own lives or they don’t think it’s going to make a difference or they’re scared if they’re speaking out against authority. And many of the problems that we’re facing, like trying to create jobs or better opportunity or dealing with poverty or dealing with the environment, these are problems that have been going on for decades. And so, to think that somehow you’re going to change it in a day or a week, and then if it doesn’t happen you just give up, well, then you definitely won’t succeed. So the most important thing that I learned as a young person trying to bring about change is you have to be persistent, and you have to get more people involved, and you have to form relationships with different groups and different organizations. And you have to listen to people about what they’re feeling and what they’re concerned about, and build trust. And then, you have to try to find a small part of the problem and get success on that first, so that maybe from there you can start something else and make it bigger and make it bigger, until over time you are really making a difference in your community and in that problem. But you can’t be impatient. And the great thing about young people is they’re impatient. The biggest problem with young people is they’re impatient. It’s a strength, because it’s what makes you want to change things. But sometimes, you can be disappointed if change doesn’t happen right away and then you just give up. And you just have to stay with it and learn from your failures, as well as your successes.”

Barack Obama (1961) 44th President of the United States of America

2014, Young Southeast Asian Leaders Initiative Town Hall (April 2014)

Hippocrates photo
Nikola Tesla photo

“Nature may reach the same result in many ways. Like a wave in the physical world, in the infinite ocean of the medium which pervades all, so in the world of organisms, in life, an impulse started proceeds onward, at times, may be, with the speed of light, at times, again, so slowly that for ages and ages it seems to stay, passing through processes of a complexity inconceivable to men, but in all its forms, in all its stages, its energy ever and ever integrally present. A single ray of light from a distant star falling upon the eye of a tyrant in bygone times may have altered the course of his life, may have changed the destiny of nations, may have transformed the surface of the globe, so intricate, so inconceivably complex are the processes in Nature. In no way can we get such an overwhelming idea of the grandeur of Nature than when we consider, that in accordance with the law of the conservation of energy, throughout the Infinite, the forces are in a perfect balance, and hence the energy of a single thought may determine the motion of a universe.”

Nikola Tesla (1856–1943) Serbian American inventor

"On Light And Other High Frequency Phenomena" A lecture delivered before the Franklin Institute, Philadelphia (24 February 1893), and before the National Electric Light Association, St. Louis (1 March 1893), published in The Electrical review (9 June 1893), p. Page 683; also in The Inventions, Researches And Writings of Nikola Tesla (1894)

Ramana Maharshi photo
Paul Dirac photo

“Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead.”

Gene Fowler (1890–1960) American journalist

Attributed without citation in Janice R. Matthews et al. (2000) Successful Scientific Writing. p. 53
Sometimes attributed to Douglas Adams.

Jean Jacques Rousseau photo

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Leonardo Da Vinci photo

“O mighty and once living instrument of formative nature. Incapable of availing thyself of thy vast strength thou hast to abandon a life of stillness and to obey the law which God and time gave to procreative nature.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Of the lightning in clouds.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Nikola Tesla photo
Nikola Tesla photo

“What has the future in store for this strange being, born of a breath, of perishable tissue, yet Immortal, with his powers fearful and Divine? What magic will be wrought by him in the end? What is to be his greatest deed, his crowning achievement?
Long ago he recognized that all perceptible matter comes from a primary substance, or a tenuity beyond conception, filling all space, the Akasha or luminiferous ether, which is acted upon by the life-giving Prana or Creative Force, calling into existence, in never ending cycles, all things and phenomena. The primary substance, thrown into infinitesimal whirls of prodigious velocity, becomes gross matter; the force subsiding, the motion ceases and matter disappears, reverting to the primary substance.
Can man control this grandest, most awe-inspiring of all processes in nature? Can he harness her inexhaustible energies to perform all their functions at his bidding? more still cause them to operate simply by the force of his will?
If he could do this, he would have powers almost unlimited and supernatural. At his command, with but a slight effort on his part, old worlds would disappear and new ones of his planning would spring into being. He could fix, solidify and preserve the ethereal shapes of his imagining, the fleeting visions of his dreams. He could express all the creations of his mind on any scale, in forms concrete and imperishable. He could alter the size of this planet, control its seasons, guide it along any path he might choose through the depths of the Universe. He could cause planets to collide and produce his suns and stars, his heat and light. He could originate and develop life in all its infinite forms.”

Nikola Tesla (1856–1943) Serbian American inventor

Man's Greatest Achievement (1908; 1930)

Ansel Adams photo

“For me the future of the image is going to be in electronic form. … You will see perfectly beautiful images on an electronic screen. And I'd say that would be very handsome. They would be almost as close as the best reproductions.”

Ansel Adams (1902–1984) American photographer and environmentalist

Interview with Paul Hill (March 1975), published in P. Hill & T.J. Cooper (1979), Dialogue with Photography

Ozzy Osbourne photo
Kurt Vonnegut photo

“Eliza and I composed a precocious critique of the Constitution of the United States of America … We argued that is was as good a scheme for misery as any, since its success in keeping the common people reasonably happy and proud depended on the strength of the people themselves — and yet it prescribed no practical machinery which would tend to make the people, as opposed to their elected representatives, strong.
We said it was possible that the framers of the Constitution were blind to the beauty of persons who were without great wealth or powerful friends or public office, but who were nonetheless genuinely strong.
We thought it was more likely, though, that their framers had not noticed that it was natural, and therefore almost inevitable, that human beings in extraordinary and enduring situations should think of themselves of composing new families. Eliza and I pointed out that this happened no less in democracies than in tyrannies, since human beings were the same the wide world over, and civilized only yesterday.
Elected representatives, hence, could be expected to become members of the famous and powerful family of elected representatives — which would, perfectly naturally, make them wary and squeamish and stingy with respect to all the other sorts of families which, again, perfectly naturally, subdivided mankind.
Eliza and I … proposed that the Constitution be amended so as to guarantee that every citizen, no matter how humble, or crazy or incompetent or deformed, somehow be given membership in some family as covertly xenophobic and crafty as the one their public servants formed.”

Source: Slapstick (1976), Ch. 6

Joseph Stalin photo
Reinhold Niebuhr photo
Auguste Comte photo
Ramana Maharshi photo
Bill Mollison photo
Pablo Picasso photo
Bertrand Russell photo

“A great deal of work is sedentary, and most manual work exercises only a few specialized muscles. When crowds assemble in Trafalgar Square to cheer to the echo an announcement that the government has decided to have them killed, they would not do so if they had all walked twenty-five miles that day. This cure for bellicosity is, however, impracticable, and if the human race is to survive – a thing which is, perhaps, undesirable – other means must be found for securing an innocent outlet for the unused physical energy that produces love of excitement. This is a matter which has been too little considered, both by moralists and by social reformers. The social reformers are of the opinion that they have more serious things to consider. The moralists, on the other hand, are immensely impressed with the seriousness of all the permitted outlets of the love of excitement; the seriousness, however, in their minds, is that of Sin. Dance halls, cinemas, this age of jazz, are all, if we may believe our ears, gateways to Hell, and we should be better employed sitting at home contemplating our sins. I find myself unable to be in entire agreement with the grave men who utter these warnings. The devil has many forms, some designed to deceive the young, some designed to deceive the old and serious. If it is the devil that tempts the young to enjoy themselves, is it not, perhaps, the same personage that persuades the old to condemn their enjoyment? And is not condemnation perhaps merely a form of excitement appropriate to old age? And is it not, perhaps, a drug which – like opium – has to be taken in continually stronger doses to produce the desired effect? Is it not to be feared that, beginning with the wickedness of the cinema, we should be led step by step to condemn the opposite political party, dagoes, wops, Asiatics, and, in short, everybody except the fellow members of our club? And it is from just such condemnations, when widespread, that wars proceed. I have never heard of a war that proceeded from dance halls.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1950s, What Desires Are Politically Important? (1950)

Thomas Paine photo
Max Scheler photo

“One cannot love anybody without turning away from oneself. However, the crucial question is whether this movement is prompted by the desire to turn toward a positive value, or whether the intention is a radical escape from oneself. “Love” of the second variety is inspired by self-hatred, by hatred of one’s own weakness and misery. The mind is always on the point of departing for distant places. Afraid of seeing itself and its inferiority, it is driven to give itself to the other—not because of his worth, but merely for the sake of his “otherness.” Modern philosophical jargon has found a revealing term for this phenomenon, one of the many modern substitutes for love: “altruism.” This love is not directed at a previously discovered positive value, nor does any such value flash up in the act of loving: there is nothing but the urge to turn away from oneself and to lose oneself in other people’s business. We all know a certain type of man frequently found among socialists, suffragettes, and all people with an ever-ready “social conscience”— the kind of person whose social activity is quite clearly prompted by inability to keep his attention focused on himself, on his own tasks and problems. Looking away from oneself is here mistaken for love! Isn’t it abundantly clear that “altruism,” the interest in “others” and their lives, has nothing at all to do with love? The malicious or envious person also forgets his own interest, even his “preservation.” He only thinks about the other man’s feelings, about the harm and the suffering he inflicts on him. Conversely, there is a form of genuine “self-love” which has nothing at all to do with “egoism.” It is precisely the essential feature of egoism that it does not apprehend the full value of the isolated self. The egoist sees himself only with regard to the others, as a member of society who wishes to possess and acquire more than the others. Selfdirectedness or other-directedness have no essential bearing on the specific quality of love or hatred. These acts are different in themselves, quite independently of their direction.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Pope Francis photo
José Saramago photo

“…I'm not able to fear death… We will all turn skeletons and everything shall end. The skeleton becomes, therefore, the most radical form of nudity.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

ÉPOCA Interview (in Portuguese) http://revistaepoca.globo.com/Epoca/0,6993,EPT1061569-1666-1,00.html, São Paulo, 2005.

Bertrand Russell photo
John of the Cross photo
Peter Ustinov photo
Kathleen Hanna photo
Rāmabhadrācārya photo
William Hazlitt photo

“Every man, in his own opinion, forms an exception to the ordinary rules of morality.”

William Hazlitt (1778–1830) English writer

No. 305
Characteristics, in the manner of Rochefoucauld's Maxims (1823)

Walter Gropius photo
Karl Marx photo

“Nor is it the irrationality of the form which is taken as characteristic. On the contrary, one overlooks the irrational.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Vol. II, Ch. I, p. 30.
(Buch II) (1893)

Catherine of Genoa photo
R. Venkataraman photo
Novalis photo

“The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "Eclectic Philosophers" without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)

Michael Faraday photo

“I am no poet, but if you think for yourselves, as I proceed, the facts will form a poem in your minds.”

Michael Faraday (1791–1867) English scientist

Lecture notes of 1858, quoted in The Life and Letters of Faraday (1870) by Bence Jones, Vol. 2, p. 403

Jordan Peterson photo

“"What's common across all human experience across all time? That's what Jung essentially meant by an archetype. We tend to think that what we see with our senses is real. And of course that's true, but what we see with our senses is what's real that works in the time frame that we exist in. So we see things that we can touch and pick up - we see tools, essentially, that are useful for our moment to moment activities. We don't see the structures of eternity, and we especially don't see the abstract structures of eternity. We have to imagine those with our imagination. Well that's partly what those stories are doing. They're saying that there are forms of stability that transcend our capacity to observe, which is hardly surprising. We know that if we are scientists, because we are always abstracting out things that we can't immediately observe. But there are moral, or metaphysical, or phenomenological realities that have the same nature. You can't see them in your life by observing them with your senses, but you can imagine them with your imagination, and sometimes the things that you imagine with your imagination are more real than the things that you see. Numbers are like that, for example. There are endless things like that. Same with fiction. A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened." If it's a pattern that repeats in many many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true."”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Oswald Spengler photo

“If by "democracy" we mean the form which the Third Estate as such wishes to impart to public life as a whole, it must be concluded that democracy and plutocracy are the same thing under the two aspects of wish and actuality, theory and practice, knowing and doing. It is the tragic comedy of the world‑ improvers' and freedom‑ teachers' desperate fight against money that they are ipso facto assisting money to be effective. Respect for the big number—expressed in the principles of equality for all, natural rights, and universal suffrage—is just as much a class‑ ideal of the unclassed as freedom of public opinion (and more particularly freedom of the press) is so. These are ideals, but in actuality the freedom of public opinion involves the preparation of public opinion, which costs money; and the freedom of the press brings with it the question of possession of the press, which again is a matter of money; and with the franchise comes electioneering, in which he who pays the piper calls the tune. The representatives of the ideas look at one side only, while the representatives of money operate with the other. The concepts of Liberalism and Socialism are set in effective motion only by money. … There is no proletarian, not even a Communist movement, that has not operated in the interests of money, and for the time being permitted by money—and that without the idealists among its leaders having the slightest suspicion of the fact.”

Source: Vol. II, Alfred A. Knopf, 1928, pp. 401–02 https://archive.org/details/in.ernet.dli.2015.49906/page/n893/mode/2up
Der Untergang des Abendlandes, Welthistorische Perspektiven (1922)
The Decline of the West (1918, 1923)

Ludwig Wittgenstein photo

“What has to be accepted, the given, is — so one could say — forms of life.”

Pt II, p. 226 of the 1968 English edition
Philosophical Investigations (1953)

Oliver Herford photo

“Darling: the popular form of address used in speaking to a person of the opposite sex whose name you cannot at the moment recall.”

Oliver Herford (1863–1935) American writer

Speaker's Handbook of Epigrams and Witticisms (1955), p. 69.
Attributed

Leonardo Da Vinci photo
Brian W. Aldiss photo
Jordan Peterson photo
Thomas Mann photo
Benjamin Disraeli photo
Ronald Reagan photo
Oscar Wilde photo
H.P. Lovecraft photo

“I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous—that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn't. It makes no difference how well they mean or how cordial they are—they simply get on my nerves unless they chance to represent a peculiarly similar combination of tastes, experiences, and heritages; as, for instance, Belknap chances to do... Therefore it may be taken as axiomatic that the people of a place matter absolutely nothing to me except as components of the general landscape and scenery. Let me have normal American faces in the streets to give the aspect of home and a white man's country, and I ask no more of featherless bipeds. My life lies not among people but among scenes—my local affections are not personal, but topographical and architectural. No one in Providence—family aside—has any especial bond of interest with me, but for that matter no one in Cambridge or anywhere else has, either. The question is that of which roofs and chimneys and doorways and trees and street vistas I love the best; which hills and woods, which roads and meadows, which farmhouses and views of distant white steeples in green valleys. I am always an outsider—to all scenes and all people—but outsiders have their sentimental preferences in visual environment. I will be dogmatic only to the extent of saying that it is New England I must have—in some form or other. Providence is part of me—I am Providence—but as I review the new impressions which have impinged upon me since birth, I think the greatest single emotion—and the most permanent one as concerns consequences to my inner life and imagination—I have ever experienced was my first sight of Marblehead in the golden glamour of late afternoon under the snow on December 17, 1922. That thrill has lasted as nothing else has—a visible climax and symbol of the lifelong mysterious tie which binds my soul to ancient things and ancient places.”

H.P. Lovecraft (1890–1937) American author

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

Françoise Sagan photo

“Jazz music is a form of accelerated unconcern.”

Un certain sourire (1955, A Certain Smile, translated 1956)

Anthony de Mello photo

“Charity is really self-interest masquerading under the form of altruism.”

Anthony de Mello (1931–1987) Indian writer

"The masquerade of charity," p. 19
Awareness (1992)

John Ronald Reuel Tolkien photo
Woody Allen photo

“I heard that Commentary and Dissent had merged and formed Dysentery.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Annie Hall (1977)

Thomas Mann photo
Pope Francis photo
Christian Dior photo

“I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.”

Christian Dior (1905–1957) French fashion designer

Source: Gokhan Bu, in The Master Of The Haute Couture’s Museum http://hearttoexplain.com/2011/06/06/balenciaga-museum/, Balenciaga Museum, 6 June 2011

Leonardo Da Vinci photo

“No small hole can so modify the convergence of rays of light as to prevent, at a long distance, the transmission of the true form of the luminous body causing them.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

Pope Francis photo
Pope Francis photo
Jeremy Bentham photo
Karl Marx photo

“Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression…”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

About Beauty
(1857/58)

Barack Obama photo
Friedrich Schiller photo
Cristoforo Colombo photo

“As I saw that they were very friendly to us, and perceived that they could be much more easily converted to our holy faith by gentle means than by force, I presented them with some red caps, and strings of beads to wear upon the neck, and many other trifles of small value, wherewith they were much delighted, and became wonderfully attached to us. Afterwards they came swimming to the boats, bringing parrots, balls of cotton thread, javelins, and many other things which they exchanged for articles we gave them, such as glass beads, and hawk's bells; which trade was carried on with the utmost good will. But they seemed on the whole to me, to be a very poor people. They all go completely naked, even the women, though I saw but one girl. All whom I saw were young, not above thirty years of age, well made, with fine shapes and faces; their hair short, and coarse like that of a horse's tail, combed toward the forehead, except a small portion which they suffer to hang down behind, and never cut. Some paint themselves with black, which makes them appear like those of the Canaries, neither black nor white; others with white, others with red, and others with such colors as they can find. Some paint the face, and some the whole body; others only the eyes, and others the nose. Weapons they have none, nor are acquainted with them, for I showed them swords which they grasped by the blades, and cut themselves through ignorance. They have no iron, their javelins being without it, and nothing more than sticks, though some have fish-bones or other things at the ends. They are all of a good size and stature, and handsomely formed. I saw some with scars of wounds upon their bodies, and demanded by signs the of them; they answered me in the same way, that there came people from the other islands in the neighborhood who endeavored to make prisoners of them, and they defended themselves. I thought then, and still believe, that these were from the continent. It appears to me, that the people are ingenious, and would be good servants and I am of opinion that they would very readily become Christians, as they appear to have no religion. They very quickly learn such words as are spoken to them. If it please our Lord, I intend at my return to carry home six of them to your Highnesses, that they may learn our language. I saw no beasts in the island, nor any sort of animals except parrots.”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

12 October 1492; This entire passage is directly quoted from Columbus in the summary by Bartolomé de Las Casas
Journal of the First Voyage

Rabindranath Tagore photo

“That which transcends country, which is greater than country, can only reveal itself through one’s country. God has manifested his one eternal nature in just such a variety of forms… I can assure you that through the open sky of India you will be able to see the sun therefore there is no need to cross the ocean and sit at the window of a Christian church. … “I have nothing more to say,” answered Gora, “only this much I would add. You must understand that the Hindu religion takes in its lap, like a mother, people of different ideas and opinions, in other words, the Hindu religion looks upon man as man and does not count him as belonging to a particular party. It honours not only the wise but the foolish also and it shows respect not merely to one form of wisdom but to wisdom in all its aspects. Christians do not want to acknowledge diversity; they say that on one side is Christian religion and on the other eternal destruction, and between these two there is no middle path. And because we have studied under these Christians we have become ashamed of the variety that is there in Hinduism. We fail to see that through this diversity Hinduism is coming to realise the oneness of all. Unless we can free ourselves from this whirlpool of Christian teaching we shall not become fit for the glorious truths of Hindu religion.””

Rabindranath Tagore, Gora, translated into English, Calcutta, 1961. Quoted from Goel, S. R. (2016). History of Hindu-Christian encounters, AD 304 to 1996. Chapter 13 ISBN 9788185990354 https://web.archive.org/web/20120501043412/http://voiceofdharma.org/books/hhce/

Jerry Goldsmith photo
C.G. Jung photo
Alvar Aalto photo

“Building art is a synthesis of life in materialised form. We should try to bring in under the same hat not a splintered way of thinking, but all in harmony together.”

Alvar Aalto (1898–1976) Finnish architect and designer

Alvar Aalto, quoted in: Bruce Newlands The Art of Building http://www.cicstart.org/userfiles/file/IR9_28-38.pdf, cicstart.org

Eckhart Tolle photo
Rabindranath Tagore photo
Plato photo
H.P. Lovecraft photo
Leonardo Da Vinci photo
C.G. Jung photo
Leonardo Da Vinci photo

“Experience, the interpreter between formative nature and the human race, teaches how that nature acts among mortals; and being constrained by necessity cannot act otherwise than as reason, which is its helm, requires her to act.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Pablo Picasso photo
Georges Braque photo

“It is the limitation of means that determine style, gives rise to new forms and makes creativity possible.”

Georges Braque (1882–1963) French painter and sculptor

1921 - 1945

Eddie Vedder photo

“JG: Can I ask what your feelings are about God?
EV: Sure. I think it's like a movie that was way too popular. It's a story that's been told too many times and just doesn't mean anything. Man lived on the planet -- [placing his fingers an inch apart], this is 5000 years of semi-recorded history. And God and the Bible, that came in somewhere around the middle, maybe 2000. This is the last 2000, this is what we're about to celebrate [indicating about an 1/8th of an inch with his fingers]. Now, humans, in some shape or form, have been on the earth for three million years [pointing across the room to indicate the distance]. So, all this time, from there [gesturing toward the other side of the room], to here [indicating the 1/8th of an inch], there was no God, there was no story, there was no myth and people lived on this planet and they wandered and they gathered and they did all these things. The planet was never threatened. How did they survive for all this time without this belief in God? I'd like to ask this to someone who knows about Christianity and maybe you do. That just seems funny to me… (sic) Funny strange. Funny bad. Funny frown. Not good. That laws are made and wars occur because of this story that was written, again, in this small part of time.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

March 23, 1998, Janeane Garofalo interviewing Eddie Vedder for CMJ New Music Report at Brendan's, on the Lower East Side.

Leonardo Da Vinci photo
Saul Bellow photo
Leonardo DiCaprio photo

“There's no other art form in the world that affects me more.”

Leonardo DiCaprio (1974) American actor and film producer

On acting http://news.bbc.co.uk/1/hi/entertainment/6286519.stm (22 January 2007)

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Albert Camus photo
H.P. Lovecraft photo

“Now the trickiest catch in the negro problem is the fact that it is really twofold. The black is vastly inferior. There can be no question of this among contemporary and unsentimental biologists—eminent Europeans for whom the prejudice-problem does not exist. But, it is also a fact that there would be a very grave and very legitimate problem even if the negro were the white man's equal. For the simple fact is, that two widely dissimilar races, whether equal or not, cannot peaceably coexist in the same territory until they are either uniformly mongrelised or cast in folkways of permanent and traditional personal aloofness. No normal being feels at ease amidst a population having vast elements radically different from himself in physical aspect and emotional responses. A normal Yankee feels like a fish out of water in a crowd of cultivated Japanese, even though they may be his mental and aesthetic superiors; and the normal Jap feels the same way in a crowd of Yankees. This, of course, implies permanent association. We can all visit exotic scenes and like it—and when we are young and unsophisticated we usually think we might continue to like it as a regular thing. But as years pass, the need of old things and usual influences—home faces and home voices—grows stronger and stronger; and we come to see that mongrelism won't work. We require the environing influence of a set of ways and physical types like our own, and will sacrifice anything to get them. Nothing means anything, in the end, except with reference to that continuous immediate fabric of appearances and experiences of which one was originally part; and if we find ourselves ingulphed by alien and clashing influences, we instinctively fight against them in pursuit of the dominant freeman's average quota of legitimate contentment.... All that any living man normally wants—and all that any man worth calling such will stand for—is as stable and pure a perpetuation as possible of the set of forms and appearances to which his value-perceptions are, from the circumstances of moulding, instinctively attuned. That is all there is to life—the preservation of a framework which will render the experience of the individual apparently relevant and significant, and therefore reasonably satisfying. Here we have the normal phenomenon of race-prejudice in a nutshell—the legitimate fight of every virile personality to live in a world where life shall seem to mean something.... Just how the black and his tan penumbra can ultimately be adjusted to the American fabric, yet remains to be seen. It is possible that the economic dictatorship of the future can work out a diplomatic plan of separate allocation whereby the blacks may follow a self-contained life of their own, avoiding the keenest hardships of inferiority through a reduced number of points of contact with the whites... No one wishes them any intrinsic harm, and all would rejoice if a way were found to ameliorate such difficulties as they have without imperilling the structure of the dominant fabric. It is a fact, however, that sentimentalists exaggerate the woes of the average negro. Millions of them would be perfectly content with servile status if good physical treatment and amusement could be assured them, and they may yet form a well-managed agricultural peasantry. The real problem is the quadroon and octoroon—and still lighter shades. Theirs is a sorry tragedy, but they will have to find a special place. What we can do is to discourage the increase of their numbers by placing the highest possible penalties on miscegenation, and arousing as much public sentiment as possible against lax customs and attitudes—especially in the inland South—at present favouring the melancholy and disgusting phenomenon. All told, I think the modern American is pretty well on his guard, at last, against racial and cultural mongrelism. There will be much deterioration, but the Nordic has a fighting chance of coming out on top in the end.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (January 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 253
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

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Jean Jacques Rousseau photo

“At first our pupil had merely sensations, now he has ideas; he could only feel, now he reasons. For from the comparison of many successive or simultaneous sensations and the judgment arrived at with regard to them, there springs a sort of mixed or complex sensation which I call an idea. The way in which ideas are formed gives a character to the human mind. The mind which derives its ideas from real relations is thorough; the mind which relies on apparent relations is superficial. He who sees relations as they are has an exact mind; he who fails to estimate them aright has an inaccurate mind; he who concocts imaginary relations, which have no real existence, is a madman; he who does not perceive any relation at all is an imbecile. Clever men are distinguished from others by their greater or less aptitude for the comparison of ideas and the discovery of relations between them. Simple ideas consist merely of sensations compared one with another. Simple sensations involve judgments, as do the complex sensations which I call simple ideas. In the sensation the judgment is purely passive; it affirms that I feel what I feel. In the percept or idea the judgment is active; it connects, compares, it discriminates between relations not perceived by the senses. That is the whole difference; but it is a great difference. Nature never deceives us; we deceive ourselves.”

Emile, or On Education (1762), Book III

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