Quotes about form
page 5

John Locke photo
Eva Mendes photo
Juan Donoso Cortés photo
Tom Wills photo
Iannis Xenakis photo
Kurt Lewin photo
Paul Krugman photo
Edvard Munch photo

“I thought I should make something – I felt it would be so easy – it would take form under my hands like magic.
Then people would see!
A strong naked arm – a tanned powerful neck a young woman rests her head on the arching chest.
She closes her eyes and listens with open and quivering lips to the words he whispers into her long flowing hair.
I should paint that image just as I saw it – but in the blue haze.
Those two at that moment, no longer merely themselves, but simply a link in the chain binding generation to generation.
People should understand the significance, the power of it. They should remove their hats like they do in church.
There should be no more pictures of interiors, of people reading and women knitting.
There would be pictures of real people who breathed, suffered, felt, loved.
I felt impelled – it would be easy. The flesh would have volume – the colours would be alive.
There was an interval. The music stopped. I was a little sad. I remembered how many times I had had similar thoughts – and that once I had finished the painting – they had simply shaken their heads and smiled.
Once again I found myself out on the Boulevard des Italiens.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

written in Saint Cloud, 1889
Quotes from his text: 'Saint Cloud Manifesto', Munch (1889): as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121
1880 - 1895

Chris Hedges photo
Catherine of Genoa photo
Ronald Reagan photo

“Every country and every people has a stake in the Afghan resistance, for the freedom fighters of Afghanistan are defending principles of independence and freedom that form the basis of global security and stability.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

Referring to groups who who were resisting Soviet rule of Afghanistan, with U.S. support, in Proclamation 4908 — Afghanistan Day (10 March 1982) http://www.reagan.utexas.edu/archives/speeches/1982/31082c.htm
1980s, First term of office (1981–1985)

Dadabhai Naoroji photo

“More than 20 years earlier a small band of Hindu students and thoughtful gentlemen used to meet secretly to discuss the effects of British rule in India. The home charges and the transfer of capital from India to England in various shapes, and the exclusion of the children of the country from any share or voice in the administration of their own country, formed the chief burden of their complaint.”

Dadabhai Naoroji (1825–1917) Indian politician

As the theoretician of the "Drain Theory", he explained in his lecture delivered at the East Indian Association, London on 2 May 1867 in Forerunners of Dadabhai Naoroji’s Drain Theory, 3 December 2013, Jstor Organization http://www.jstor.org/discover/10.2307/4411389?uid=3738256&uid=2129&uid=2&uid=70&uid=4&sid=21103047963541,
Drain Theory

Viktor Schauberger photo
Pablo Picasso photo

“Their forms had no more influence on me than they did on Matisse. Or Derain. But for them, the masks were sculptures like all others. When Matisse showed me his first African head, he spoke to me of Egyptian art.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Andre Malraux cites Picasso in: Anatoliĭ Podoksik, ‎Marina Aleksandrovna Bessonova, ‎Pablo Picasso (1989), Picasso: The Artists Work in Soviet Museums. p. 13.
Picasso talking about his discovery of African art.
Attributed from posthumous publications

Karl Marx photo

“We cannot always choose the vocation to which we believe we are called. Our social relations, to some extent, have already begun to form before we are in a position to determine them.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Writings of the Young Marx on Philosophy and Society, L. Easton, trans. (1967), p. 37
Reflections of a Youth on Choosing an Occupation (1835)

Leonardo Da Vinci photo
Antoine Lavoisier photo
Barack Obama photo

“How does America find its way in this new, global economy? What will our place in history be? Like so much of the American story, once again, we face a choice. Once again, there are those who believe that there isn’t much we can do about this as a nation. That the best idea is to give everyone one big refund on their government—divvy it up by individual portions, in the form of tax breaks, hand it out, and encourage everyone to use their share to go buy their own health care, their own retirement plan, their own child care, their own education, and so on. In Washington, they call this the Ownership Society. But in our past there has been another term for it—Social Darwinism—every man or woman for him or herself. It’s a tempting idea, because it doesn’t require much thought or ingenuity. It allows us to say that those whose health care or tuition may rise faster than they can afford—tough luck. It allows us to say to the Maytag workers who have lost their job—life isn’t fair. It let’s us say to the child who was born into poverty—pull yourself up by your bootstraps. And it is especially tempting because each of us believes we will always be the winner in life’s lottery, that we’re the one who will be the next Donald Trump, or at least we won’t be the chump who Donald Trump says: “You’re fired!” But there is a problem. It won’t work. It ignores our history. It ignores the fact that it’s been government research and investment that made the railways possible and the internet possible. It’s been the creation of a massive middle class, through decent wages and benefits and public schools that allowed us all to prosper. Our economic dependence depended on individual initiative. It depended on a belief in the free market; but it has also depended on our sense of mutual regard for each other, the idea that everybody has a stake in the country, that we’re all in it together and everybody’s got a shot at opportunity. That’s what’s produced our unrivaled political stability.”

Barack Obama (1961) 44th President of the United States of America

Knox College Commencement Address (4 June 2005)
2005

Socrates photo
Kurt Vonnegut photo
Cesare Lombroso photo

“Genius is one of the many forms of insanity.”

Cesare Lombroso (1835–1909) Italian criminologist

As quoted in Born under Saturn: the character and conduct of artists : a documented history from antiquity to the French Revolution (1963) by Margot Wittkower.

Claude Joseph Rouget de Lisle photo

“Arise, children of the Fatherland,
The day of glory has arrived!
Against us tyranny's
Bloody banner is raised …
Do you hear, in the countryside,
The roar of those ferocious soldiers?
They're coming right into your arms
To slaughter your sons, your companions!! To arms, citizens,
Form your battalions,
Let's march, let's march!
Let an impure blood
Soak our fields!”

Claude Joseph Rouget de Lisle (1760–1836) French army officer

Allons enfants de la Patrie,
Le jour de gloire est arrivé!
Contre nous de la tyrannie,
L'étendard sanglant est levé, (bis)
Entendez-vous dans les campagnes
Mugir ces féroces soldats?
Ils viennent jusque dans vos bras
Égorger vos fils, vos compagnes!</p> <p> Aux armes, citoyens,
Formez vos bataillons,
Marchons, marchons!
Qu'un sang impur
Abreuve nos sillons!


Variant translations:

Ye sons of France, awake to glory!
Hark! hark! what myriads bid you rise!
Your children, wives, and grandsires hoary,
Behold their tears and hear their cries!
La Marseillaise (1792)

Theodore Roosevelt photo
Leonardo Da Vinci photo
Karl Marx photo

“Although usury is itself a form of credit in its bourgeoisified form, the form adapted to capital, in its pre-bourgeois form it is rather the expression of the lack of credit.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Grundrisse (1857-1858)
Source: Notebook V, The Chapter on Capital, p. 455.

Nanak photo
Paul Dirac photo

“My research work was based in pictures. I needed to visualise things and projective geometry was often most useful e. g. in figuring out how a particular quantity transforms under Lorentz transf[ormation]. When I came to publish the results I suppressed the projective geometry as the results could be expressed more concisely in analytic form.”

Paul Dirac (1902–1984) theoretical physicist

"Recollections of an Exciting Era," three lectures given at Varenna, 5 August 1972, quoted in Peter Galison, "The Suppressed Drawing: Paul Dirac's Hidden Geometry", Representations, No. 72 (Autumn, 2000)

Joseph Goebbels photo

“I feel how inside of me word follows word and thought follows thought, growing to the last act of creation. Holy hour of bringing forth, you are pain and pleasure, and a longing for form, image and essence. I am only the instrument that God uses to sing his song. I am only the vessel that nature smilingly fills with new wine.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Ich fühle, wie in mir sich wachsend Wort an Wort, Gedanke an Gedanke reiht zum letzten Akt der Schöpfung. Heilige Stunde des Gebärens, Schmerz bist du und Lust und eine Sehnsucht nach Form, Gestalt und Wesen. Ich bin nur Instrument, darauf der alte Gott sein Lied singt. Ich bin nur harrendes Gefäß, in das Natur den neuen Wein mit Lächeln füllt.
Michael: a German fate in diary notes (1926)

Theodore Roosevelt photo
Abraham Lincoln photo
Leonardo Da Vinci photo
Ronald Fisher photo
Bertrand Russell photo
Sally Ride photo
Leon Trotsky photo
Paul Valéry photo

“What grace of light, what pure toil goes to form
The manifold diamond of the elusive foam!
What peace I feel begotten at that source!
When sunlight rests upon a profound sea,
Time's air is sparkling, dream is certainty —
Pure artifice both of an eternal Cause.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Quel pur travail de fins éclairs consume
Maint diamant d'imperceptible écume,
Et quelle paix semble se concevoir!
Quand sur l'abîme un soleil se repose,
Ouvrages purs d'une éternelle cause,
Le temps scintille et le songe est savoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

Barack Obama photo

“Prosperity without freedom is just another form of poverty. Because there are aspirations that human beings share -- the liberty of knowing that your leader is accountable to you, and that you won’t be locked up for disagreeing with them; the opportunity to get an education and to be able to work with dignity; the freedom to practice your faith without fear or restriction. Those are universal values that must be observed everywhere.”

Barack Obama (1961) 44th President of the United States of America

Remarks by the President at the University of Indonesia in Jakarta, Indonesia November 10, 2010 http://www.whitehouse.gov/the-press-office/2010/11/10/remarks-president-university-indonesia-jakarta-indonesia
The line "Prosperity without freedom is just another form of poverty. Because there are aspirations that human beings share - the liberty of knowing that your leader is accountable to you - and that you won't get locked up for disagreeing with them" was according to the BBC's Guy Delauney in Jakarta a thinly-veiled swipe at China, in particular its treatment of political dissidents. See Obama hails Indonesia as example for world, BBC News Asia-Pacific, 10 November 2010 http://www.bbc.co.uk/news/world-asia-pacific-11723650.
The line "Prosperity without freedom is just another form of poverty" was later repeated by Obama in his remarks to the Australian Parliament on November 17, 2011 http://usrsaustralia.state.gov/us-oz/2011/11/17/wh1.html where Obama stated: "As we grow our economies, we’ll also remember the link between growth and good governance -- the rule of law, transparent institutions, the equal administration of justice. Because history shows that, over the long run, democracy and economic growth go hand in hand. And prosperity without freedom is just another form of poverty."
2010

Benjamin Disraeli photo
Max Scheler photo
Nikola Tesla photo
Auguste Comte photo
Aurelius Augustinus photo
Eckhart Tolle photo
Malcolm X photo
Anthony Giddens photo
Karl Marx photo

“But take a brief glance at real life. In present-day economic life you will find, not only competition and monopoly, but also their synthesis, which is not a formula but a movement. Monopoly produces competition, competition produces monopoly. That equation, however, far from alleviating the difficulties of the present situation, as bourgeois economists suppose, gives rise to a situation even more difficult and involved. Thus, by changing the basis upon which the present economic relations rest, by abolishing the present mode of production, you abolish not only competition, monopoly and their antagonism, but also their unity, their synthesis, the movement whereby a true balance is maintained between competition and monopoly.

Let me now give you an example of Mr Proudhon's dialectics. Freedom and slavery constitute an antagonism. There is no need for me to speak either of the good or of the bad aspects of freedom. As for slavery, there is no need for me to speak of its bad aspects. The only thing requiring explanation is the good side of slavery. I do not mean indirect slavery, the slavery of proletariat; I mean direct slavery, the slavery of the Blacks in Surinam, in Brazil, in the southern regions of North America. Direct slavery is as much the pivot upon which our present-day industrialism turns as are machinery, credit, etc. Without slavery there would be no cotton, without cotton there would be no modern industry. It is slavery which has given value to the colonies, it is the colonies which have created world trade, and world trade is the necessary condition for large-scale machine industry. Consequently, prior to the slave trade, the colonies sent very few products to the Old World, and did not noticeably change the face of the world. Slavery is therefore an economic category of paramount importance. Without slavery, North America, the most progressive nation, would he transformed into a patriarchal country. Only wipe North America off the map and you will get anarchy, the complete decay of trade and modern civilisation. But to do away with slavery would be to wipe America off the map. Being an economic category, slavery has existed in all nations since the beginning of the world. All that modern nations have achieved is to disguise slavery at home and import it openly into the New World. After these reflections on slavery, what will the good Mr Proudhon do? He will seek the synthesis of liberty and slavery, the true golden mean, in other words the balance between slavery and liberty. Mr Proudhon understands perfectly well that men manufacture worsted, linens and silks; and whatever credit is due for understanding such a trifle! What Mr Proudhon does not understand is that, according to their faculties, men also produce the social relations in which they produce worsted and linens. Still less does Mr Proudhon understand that those who produce social relations in conformity with their material productivity also produce the ideas, categories, i. e. the ideal abstract expressions of those same social relations. Indeed, the categories are no more eternal than the relations they express. They are historical and transitory products. To Mr Proudhon, on the contrary, the prime cause consists in abstractions and categories. According to him it is these and not men which make history. The abstraction, the category regarded as such, i. e. as distinct from man and his material activity, is, of course, immortal, immutable, impassive. It is nothing but an entity of pure reason, which is only another way of saying that an abstraction, regarded as such, is abstract. An admirable tautology! Hence, to Mr Proudhon, economic relations, seen in the form of categories, are eternal formulas without origin or progress. To put it another way: Mr Proudhon does not directly assert that to him bourgeois life is an eternal truth; he says so indirectly, by deifying the categories which express bourgeois relations in the form of thought. He regards the products of bourgeois society as spontaneous entities, endowed with a life of their own, eternal, the moment these present themselves to him in the shape of categories, of thought. Thus he fails to rise above the bourgeois horizon. Because he operates with bourgeois thoughts and assumes them to be eternally true, he looks for the synthesis of those thoughts, their balance, and fails to see that their present manner of maintaining a balance is the only possible one.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Letter to Pavel Vasilyevich Annenkov, (28 December 1846), Rue d'Orleans, 42, Faubourg Namur, Marx Engels Collected Works Vol. 38, p. 95; International Publishers (1975). First Published: in full in the French original in M.M. Stasyulevich i yego sovremenniki v ikh perepiske, Vol. III, 1912

Theodore Roosevelt photo
Ali al-Hadi photo
Gottlob Frege photo
Mark Twain photo

“The highest perfection of politeness is only a beautiful edifice, built, from the base to the dome, of ungraceful and gilded forms of charitable and unselfish lying.”

Mark Twain (1835–1910) American author and humorist

On the Decay of the Art of Lying, published in The Stolen White Elephant: Etc, Pages 220-221 http://books.google.com/books?id=rTv19WvJto4C&q=%22The+highest%22+%22perfection+of+politeness+is+only+a+beautiful+edifice+built+from+the+base+to+the+dome+of+graceful+and+gilded+forms+of+charitable+and+unselfish+lying%22&pg=PA221#v=onepage (1882)

Pablo Picasso photo

“And from the point of view of art there are no concrete or abstract forms, but only forms which are more or less convincing lies. That those lies are necessary to our mental selves is beyond any doubt, as it is through them that we form our aesthetic point of view of life.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
Quotes, 1920's, "Picasso Speaks," 1923

Terry Pratchett photo
Antonin Artaud photo

“When we speak the word “life,” it must be understood we are not referring to life as we know it from its surface of fact, but to that fragile, fluctuating center which forms never reach.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Preface: The Theater and Culture
The Theatre and Its Double (1938, translated 1958)

Virginia Woolf photo
Abraham Lincoln photo
Bernhard Riemann photo
Julian Huxley photo
Joseph Stalin photo

“We are in favour of the withering away of the state, and at the same time we stand for the strengthening of the dictatorship of the proletariat, which represents the most powerful and mighty of all forms of the state which have existed up to the present day. The highest development of the power of the state, with the object of preparing the conditions of the withering away of the state: that is the Marxist formula. Is it "contradictory"? Yes, it is "contradictory."”

Joseph Stalin (1879–1953) General secretary of the Communist Party of the Soviet Union

But this contradiction is a living thing and wholly reflects the Marxist dialectic.
Address to the 16th Congress of the Russian Communist Party (1930) Quoted in: Alfred B. Evans, Soviet Marxism-Leninism: The Decline of an Ideology pg. 39 https://books.google.com/books?id=ezGGPIze4ZYC&pg=PA39&dq=withering+away+of+the+state+stalin&hl=en&sa=X&ved=0CCAQ6AEwAWoVChMIz_WZ46adxwIVR5YeCh1g7AKD#v=onepage&q=withering%20away%20of%20the%20state%20stalin&f=false
Stalin's speeches, writings and authorised interviews

Karl Marx photo
Isaac Newton photo
Plato photo

“Music is a moral law. It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything. It is the essence of order, and leads to all that is good, just, and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form.”

Plato (-427–-347 BC) Classical Greek philosopher

This quotation is not known to exist in Plato's writings. It apparently first appeared as a quotation attributed to Plato in The Pleasures of Life, Part II by Sir John Lubbock (Macmillan and Company, London and New York), published in 1889.
Misattributed

Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Eckhart Tolle photo
Jacque Fresco photo
G. K. Chesterton photo
H.P. Lovecraft photo

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

H.P. Lovecraft photo
Benjamin Disraeli photo
Oswald Spengler photo

“p>To the new International that is now in the irreversible process of preparation we can contribute the ideas of worldwide organization and the world state; the English can suggest the idea of worldwide exploitation and trusts; the French can offer nothing….
Thus we find two great economic principles opposed to each other in the modern world. The Viking has become a free-tradesman; the Teutonic knight is now an administrative official. There can be no reconciliation. Each of these principles is proclaimed by a German people, Faustian men par excellence. Neither can accept a restriction of its will, and neither can be satisfied until the whole world has succumbed to its particular idea. This being the case, war will be waged until one side gains final victory. Is world economy to be worldwide exploitation, or worldwide organization? Are the Caesars of the coming empire to be billionaires or universal administrators? Shall the population of the earth, so long as this empire of Faustian civilization holds together, be subjected to cartels and trusts, or to men such as those envisioned in the closing pages of Goethe’s Faust, Part II? Truly, the destiny of the world is at stake….
This brings us to the political aspects of the English-Prussian antithesis. Politics is the highest and most powerful dimension of all historical existence. World history is the history of states; the history of states is the history of wars. Ideas, when they press for decisions, assume the form of political units: countries, peoples, or parties. They must be fought over not with words but with weapons. Economic warfare becomes military warfare between countries or within countries. Religious associations such as Jewry and Islam, Huguenots and Mormons, constitute themselves as countries when it becomes a matter of their continued existence or their success. Everything that proceeds from the innermost soul to become flesh or fleshly creation demands a sacrifice of flesh in return. Ideas that have become blood demand blood. War is the eternal pattern of higher human existence, and countries exist for war’s sake; they are signs of readiness for war. And even if a tired and blood-drained humanity desired to do away with war, like the citizens of the Classical world during its final centuries, like the Indians and Chinese of today, it would merely exchange its role of war-wager for that of the object about and with which others would wage war. Even if a Faustian universal harmony could be attained, masterful types on the order of late Roman, late Chinese, or late Egyptian Caesars would battle each other for this Empire—for the possession of it, if its final form were capitalistic; or for the highest rank in it, if it should become socialistic.”

Oswald Spengler (1880–1936) German historian and philosopher

Prussianism and Socialism (1919)

Robert Penn Warren photo

“Storytelling and copulation are the two chief forms of amusement in the South. They’re inexpensive and easy to procure.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Newsweek (25 August 1980)

Benjamin Disraeli photo
Hermann Minkowski photo
Karl Marx photo

“An organised system of machines, to which motion is communicated by the transmitting mechanism from a central automation, is the most developed form of production by machinery.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Vol. I, Ch. 15, Section 1, pg. 416.
(Buch I) (1867)

Bruce Lee photo

“Jeet Kune Do favors formlessness so that it can assume all forms and since Jeet Kune Do has no style, it can fit in with all styles.”

Source: Tao of Jeet Kune Do (1975), p. 12 <!-- Ohara Publications (July 1993) -->
Context: Jeet Kune Do favors formlessness so that it can assume all forms and since Jeet Kune Do has no style, it can fit in with all styles. As a result, Jeet Kune Do utilizes all ways and is bound by none and, likewise, uses any techniques which serve its end.

Ovid photo

“No species remains constant: that great renovator of matter
Nature, endlessly fashions new forms from old: there’s nothing
in the whole universe that perishes, believe me; rather
it renews and varies its substance. What we describe as birth
is no more than incipient change from a prior state, while dying
is merely to quit it. Though the parts may be transported
hither and thither, the sum of all matter is constant.”

Nec species sua cuique manet, rerumque novatrix ex aliis alias reparat natura figuras: nec perit in toto quicquam, mihi credite, mundo, sed variat faciemque novat, nascique vocatur incipere esse aliud, quam quod fuit ante, morique desinere illud idem. cum sint huc forsitan illa, haec translata illuc, summa tamen omnia constant.

Nec species sua cuique manet, rerumque novatrix
ex aliis alias reparat natura figuras:
nec perit in toto quicquam, mihi credite, mundo,
sed variat faciemque novat, nascique vocatur
incipere esse aliud, quam quod fuit ante, morique
desinere illud idem. cum sint huc forsitan illa,
haec translata illuc, summa tamen omnia constant.
Book XV, 252–258 (as translated by Peter Green)
Metamorphoses (Transformations)

Richard Arkwright photo
Adolf A. Berle photo
Leon Trotsky photo

“War is most often a form of tyranny. It is best described by paraphrasing Trotsky's aphorism about the dialectic: "You may not be interested in war, but war is interested in you."”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Misattributed
Context: : In a later work, Just and Unjust Wars: A Moral Argument with Historical Illustrations (2000) by Michael Walzer, the author states: War is most often a form of tyranny. It is best described by paraphrasing Trotsky's aphorism about the dialectic: "You may not be interested in war, but war is interested in you." This statement on dialectic itself seems to be a paraphrase, with the original in In Defense of Marxism Part VII : "Petty-Bourgeois Moralists and the Proletarian Party" (1942) https://www.marxists.org/archive/trotsky/idom/dm/32-goldman2.htm — where Trotsky publishes a letter to Albert Goldman (5 June 1940) has been translated as "Burnham doesn't recognize dialectics but dialectics does not permit him to escape from its net." More discussion on the origins of this quotation can be found at The Semi-Daily Journal of Economist Brad DeLong: Fair and Balanced Almost Every Day http://econ161.berkeley.edu/movable_type/2003_archives/002422.html.

Billy Graham photo

“I don't want to see religious bigotry in any form. It would disturb me if there was a wedding between the religious fundamentalists and the political right. The hard right has no interest in religion except to manipulate it.”

Billy Graham (1918–2018) American Christian evangelist

Parade (1 February 1981); cited in Thy Kingdom Come : How the Religious Right Distorts Faith and Threatens America (2007)

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Benjamin Disraeli photo

“What I see in the amendment is not an assertion of great principles, which no man honours more than myself. What is at the bottom of it is rather that principle of peace at any price which a certain party in this country upholds. It is that dangerous dogma which I believe animates the ranks before me at this moment, although many of them may be unconscious of it. That deleterious doctrine haunts the people of this country in every form. Sometimes it is a committee; sometimes it is a letter; sometimes it is an amendment to the Address; sometimes it is a proposition to stop the supplies. That doctrine has done more mischief than any I can well recall that have been afloat this century. It has occasioned more wars than the most ruthless conquerors. It has disturbed and nearly destroyed that political equilibrium so necessary to the liberties of nations and the welfare of the world. It has dimmed occasionally for a moment even the majesty of England. And, my lords, to-night you have an opportunity, which I trust you will not lose, of branding these opinions, these deleterious dogmas, with the reprobation of the Peers of England.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Speech in the House of Lords (10 December 1876), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume II. 1860&ndash;1881 (London: John Murray, 1929), p. 1273.

Khalil Gibran photo

“My Soul gave me good counsel, teaching me to touch what has never taken corporeal form or crystallized.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

The Vision: Reflections on the Way of the Soul (1994)
Context: My Soul gave me good counsel, teaching me to touch what has never taken corporeal form or crystallized. It made me understand that touching something is half the task of comprehending it, and that what we grasp therein is part of what we desire from it.

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Quintilian photo

“Let the orator whom I propose to form, then, be such a one as is characterized by the definition of Marcus Cato, a good man skilled in speaking. But the requisite which Cato has placed first in this definition—that an orator should be a good man—is naturally of more estimation and importance than the other.”
Sit ergo nobis orator quem constituimus is qui a M. Catone finitur vir bonus dicendi peritus, verum, id quod et ille posuit prius et ipsa natura potius ac maius est, utique vir bonus.

Quintilian (35–96) ancient Roman rhetor

Book XII, Chapter I, 1; translation by Rev. John Selby Watson
De Institutione Oratoria (c. 95 AD)

MS Dhoni photo

“Nobody seen form. It's state of mind where you are confident and you think very positively.”

MS Dhoni (1981) Indian cricket player

Half the battle is in your head.What dhoni think about form. https://www.scoopwhoop.com/sports/ms-dhoni/

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Francis of Assisi photo

“No brother should preach contrary to the form and regulation of the holy Church nor unless he has been permitted by his minister. The minister should take care not to grant this permission to anyone indiscriminately. All the Friars, however, should preach by their deeds.”

Francis of Assisi (1182–1226) Catholic saint and founder of the Franciscan Order

Orthodox Order of Friars Minor http://www.apostle1.com/oofm-rule-of-life.htm/, Rule XII
Disputed, Preach the gospel, and if necessary, use words.

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