Quotes about forest
page 2

Isabel Allende photo
E.E. Cummings photo
Chuck Klosterman photo
Holly Black photo
Juliet Marillier photo
Nathaniel Hawthorne photo
Li Bai photo
Kelley Armstrong photo

“the fallen leaves in the forest seemed to make even the ground glow and burn with light”

Malcolm Lowry (1909–1957) British writer

Source: October Ferry To Gabriola

Jenny Han photo

“Barring love I'll take my life in large doses alone--rivers, forests, fish, grouse, mountains. Dogs.”

Jim Harrison (1937–2016) American novelist, poet, essayist

Source: Wolf False Memoir

Patti Smith photo
Bill Bryson photo

“I would have offered you a forest of truth, but you wish to speak of a single leaf”

David Gemmell (1948–2006) British author of heroic fantasy

Source: Fall of Kings

Haruki Murakami photo
Ralph Waldo Emerson photo

“Every book is a quotation; and every house is a quotation out of all forests and mines and stone-quarries; and every man is a quotation from all his ancestors.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1870s, Society and Solitude (1870), Quotation and Originality
Source: Prose and Poetry

A.A. Milne photo
Carl Sagan photo

“And after we returned to the savannahs and abandoned the trees, did we long for those great graceful leaps and ecstatic moments of weightlessness in the shafts of sunlight of the forest roof?”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Source: Dragons of Eden: Speculations on the Evolution of Human Intelligence

Barbara Kingsolver photo

“This Forest eats itself and lives forever.”

Source: The Poisonwood Bible

Napoleon Hill photo
Chuck Palahniuk photo

“To set a forest on fire, you light a match. To set a character on fire, you put him in conflict.”

James N. Frey (1943) American writer

Source: How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling

Paulo Coelho photo
Anne Michaels photo
Dr. Seuss photo
A.A. Milne photo
Henry David Thoreau photo
Barbara Kingsolver photo
A.A. Milne photo

“Wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the forest, a little boy and his Bear will always be playing.”

Source: The House at Pooh Corner (1928)
Context: Then Christopher Robin and Winnie the Pooh walked hand in hand down the forest path and they said goodbye. So they went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the forest a little boy and his bear will always be playing.

A.A. Milne photo
Ágota Kristóf photo
Joseph Campbell photo
Mel Brooks photo

“Sheriff of Rotingham King illegal forest to pig wild kill in it a is!”

Mel Brooks (1926) American director, writer, actor, and producer

Robin Hood: Men in Tights

Annie Finch photo

“All the things we hide in water
Hoping we won't see them go.
Forests growing under water
Press against the ones we know.”

Annie Finch (1956) American poet

From Landing Under Water, I See Roots, from Calendars (2003)

W. H. Auden photo
Will Cuppy photo

“Whenever he [Charlemagne] decided to help somebody's morals, people would bury their small change and hide in the swamps and forests.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part III: Strange Bedfellows, Charlemagne

John Muir photo
Paul Cézanne photo
Khalil Gibran photo
Conrad Aiken photo
John Muir photo

“The forests of America, however slighted by man, must have been a great delight to God; for they were the best he ever planted.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1900s, Our National Parks (1901), chapter 10: The American Forests

Wang Wei photo

“I sit alone in the secluded bamboo grove
and play the zither and whistle along.
In the deep forest no one knows,
the bright moon comes to shine on me.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Bamboo Grove" (竹里馆), as translated by Arthur Sze in The Silk Dragon: Translations from the Chinese (2013), p. 19
Variant translation:
Lying alone in this dark bamboo grove,
Playing on a flute, continually whistling,
In this dark wood where no one comes,
The bright moon comes to shine on me.
"In a Bamboo Grove" in The White Pony, ed. Robert Payne, p. 151

Jacoba van Heemskerck photo

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

George Jean Nathan photo

“The path of sound credence is through the thick forest of skepticism.”

George Jean Nathan (1882–1958) American drama critic and magazine editor

Materia Critica (1924)

Daniel Handler photo
Denis Diderot photo
Edgar Rice Burroughs photo
Jeremy Rifkin photo
Hans Frank photo
Alfred Russel Wallace photo

“I thought of the long ages of the past, during which the successive generations of this little creature had run their course — year by year being born, and living and dying amid these dark and gloomy woods, with no intelligent eye to gaze upon their loveliness; to all appearance such a wanton waste of beauty. Such ideas excite a feeling of melancholy. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions, doomed for ages yet to come to hopeless barbarism; while, on the other hand, should civilized man ever reach these distant lands, and bring moral, intellectual, and physical light into the recesses of these virgin forests, we may be sure that he will so disturb the nicely-balanced relations of organic and inorganic nature as to cause the disappearance, and finally the extinction, of these very beings whose wonderful structure and beauty he alone is fitted to appreciate and enjoy. This consideration must surely tell us that all living things were not made for man. Many of them have no relation to him. The cycle of their existence has gone on independently of his, and is disturbed or broken by every advance in man’s intellectual development; and their happiness and enjoyments, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone, limited only by the equal well-being and perpetuation of the numberless other organisms with which each is more or less intimately connected.”

The Malay Archipelago (1869)

Nicholas Sparks photo
Viktor Schauberger photo

“Wherever we look the dreadful disintegration of the bridges of life, the capillaries and the bodies they have created, is evident, which has been caused by the mechanical and mindless work of man, who has torn away the soul from the Earth's blood - water. The more the engineer endeavors to channel water, of whose spirit and nature he is today still ignorant, by the shortest and straightest route to the sea, the more the flow of water weighs into the bends, the longer its path and the worse the water will become. The spreading of the most terrible disease of all, of cancer, is the necessary consequence of such unnatural regulatory works. These mistaken activities - our work - must legitimately lead to increasingly widespread unemployment, because our present methods of working, which have a purely mechanical basis, are already destroying not only all of wise Nature's formative processes, but first and foremost the growth of the vegetation itself, which is being destroyed even as it grows. The drying up of mountain springs, the change in the whole pattern of motion of the groundwater, and the disturbance in the blood circulation of the organism - Earth - is the direct result of modern forestry practices. The pulse-beat of the Earth was factually arrested by the modern timber production industry. Every economic death of a people is always preceded by the death of its forests. The forest is the habitat of water and as such the habitat of life processes too, whose quality declines as the organic development of the forest is disturbed. Ultimately, due to a law which functions with awesome constancy, it will slowly but surely come around to our turn. Our accustomed way of thinking in many ways, and perhaps even without exception, is opposed to the true workings of Nature. Our work is the embodiment of our will. The spiritual manifestation of this work is its effect. When such work is carried out correctly, it brings happiness, but when carried out incorrectly, it assuredly brings misery.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Forest Whitaker photo

“[About why he named his daughter True and son Ocean] I want those names to be their destiny, for my daughter to be honest and my son to be expansive. I try to be like a forest, revitalizing and constantly growing. … being called Forest helped me find my identity.”

Forest Whitaker (1961) American actor

To Webster Hall curator Baird Jones, reported in the New York Post (11 December 1999); quoted in “Forest Whitaker,” in Hollywood.com http://www.hollywood.com/celebrities/forest-whitaker-57300206/.

William H. Seward photo
Michael Faraday photo
Calvin Coolidge photo
Adam Mickiewicz photo

“Herod, God! - all young Poland 's given into Herod's hands. What do I see? Long white roads like stations of the cross, long roads unseen through ancient forests, through the snow, all roads leading North. There, there, to the far country, they float like rivers.”

Herod - Panie cała Polska młoda wydana w ręce Heroda. Co widzę? Długie białe dróg krzyżowych biegi, Drogi długie - nie dojrzeć - przez puszcze - przez śniegi, Wszystkie na północ! Tam, tam, w kraj daleki, płyną jak rzeki
Part three, scene 5.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm

Henry Wadsworth Longfellow photo

“Overmature trees: In timber company and Forest Service lingo, trees which may live in splendor for another 500 years, but which would make damned fine boards today.”

Edward S. Herman (1925–2017) American journalist

Source: Beyond Hypocrisy, 1992, Doublespeak Dictionary (within Beyond Hypocrisy), p. 161.

Rachel Carson photo
Berthe Morisot photo

“.. the glimpse of the dome of St. Paul's through the forest of yellow masts, the whole thing bathed in a golden haze.”

Berthe Morisot (1841–1895) painter from France

In a letter to her sister Edma, August 1875; as quoted in The Correspondence of Berthe Morisot, with her family and friends Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 198, p. 105
Berthe is describing the embankment of river Thames
1871 - 1880

Edgar Rice Burroughs photo
George Horne photo
Paul Glover photo
Thomas Carlyle photo
Brian W. Aldiss photo

“The Badlands were extensive. Ancient bomb craters and soil erosion joined hands here; man’s talent for war, coupled with his inability to manage forested land, had produced thousands of square miles of temperate purgatory, where nothing moved but dust.”

Brian W. Aldiss (1925–2017) British science fiction author

“Who Can Replace a Man?” p. 19 (originally published in Infinity Science Fiction, June 1958)
Short fiction, Who Can Replace a Man? (1965)

Vanna Bonta photo

“Sex is communication and creation. In my novel, "Flight", two lovers have sex by becoming a forest and rain.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

Maneka Gandhi photo

“Let me clarify at the outset that this decision to permit hunting of wild boars and blue bull in the wild is not taken for the sake of farmers, but to benefit those private forest lodge operators who have clients from Middle East and other countries.”

Maneka Gandhi (1956) Indian politician and activist

Criticising Madhya Pradesh government's move to simply hunting rules, as quoted in "Maneka miffed with MP govt's move to simplify hunting rules" http://www.firstpost.com/india/maneka-miffed-with-mp-govts-move-to-simplify-hunting-rules-188695.html, First Post (20 January 2012)
2011-present

Joanna Newsom photo

“Now the towns and forests, highways and plains,
fall back in circles like an emptying drain.
And I won't come round this way again,
where the lonely wind abides,
and you will not take my heart, alive.”

Joanna Newsom (1982) American musician

You Will Not Take My Heart Alive
Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

Edgar Rice Burroughs photo
Sarah Chang photo
Mariano Guadalupe Vallejo photo

“I have spared no effort to establish upon a solid and enduring basis those sentiments of union and concord which are so indispensible for the progress and advancement of all those who dwell in my native land, and, so long as I live, I propose to use all the means at my command to see to it that both races cast a stigma upon the disagreeable events that took place on the Sonoma frontier in 1846. If before I pass on to render an account of my acts to the Supreme Creator, I succeed in being a witness to a reconciliation between victor and vanquished, conquerors and conquered, I shall die with the conviction of not having striven in vain. In bringing this chapter to a close, I will remark that, if the men who hoisted the “Bear Flag” had raised the flag that Washington sanctified by his abnegation and patriotism, there would have been no war on the Sonoma frontier, for all our minds were prepared to give a brotherly embrace to the sons of the Great Republic, whose enterprising spirit had filled us with admiration. Ill-advisedly, however, as some say, or dominated by a desire to rule without let or hindrance, as others say, they placed themselves under the shelter of a flag that pictured a bear, an animal that we took as the emblem of rapine and force. This mistake was the cause of all the trouble, for when the Californians saw parties of men running over their plains and forests under the “Bear Flag,” they thought that they were dealing with robbers and took the steps they thought most effective for the protection of their lives and property.”

Mariano Guadalupe Vallejo (1807–1890) Californian military commander, politician, and rancher

As quoted by George Mason University's History Matters: “More Like A Pig Than a Bear”: Mariano Guadalupe Vallejo Is Taken Prisoner During the Bear Flag Revolt, 1846
Historical and Personal Memoirs Relating to Alta California (1875)

Harold L. Ickes photo
Florbela Espanca photo

“My love! My lover! Beloved Friend!
Grab this wondrous, fleeting moment,
Drink it inside me,
Let’s drink it together to the end!
[…]
And upon returning, love…
Taking mysterious paths along the meadows
On grassy carpets on the forest floor,
We will make a star of our two shadows.”

Florbela Espanca (1894–1930) Portuguese poet

Meu amor! Meu amante! Meu amigo!
Colhe a hora que passa, hora divina,
Bebe-a dentro de mim, bebe-a comigo!
Sinto-me alegre e forte! Sou menina!
[...]
E à volta, Amor... tornemos, nas alfombras
Dos caminhos selvagens e escuros,
Num astro só as nossas duas sombras!...
Quoted in Florbela Espanca (1995), p. 81
Translated by John D. Godinho
The Flowering Heath (1931), "Passeio ao Campo"

Jim Morrison photo

“Let's reinvent the gods, all the myths of the ages
Celebrate symbols from deep elder forests”

Jim Morrison (1943–1971) lead singer of The Doors

An American Prayer (1978)

Bernard Cornwell photo
Oliver Wendell Holmes photo

“Then the white man hates him [the Native American], and hunts him down like the wild beasts of the forest, and so the red-crayon sketch is rubbed out, and the canvas is ready for a picture of manhood a little more like God's own image.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

"The Pilgrims of Plymouth" http://www.unz.org/Pub/BrainerdCephas-1901v02-00267 (Oration, December 22, 1855), in Cephas Brainerd and Eveline Warner Brainerd (eds), The New England Society Orations: Volume II. New York: The Century Co., 1901, p. 298.

“Goul or ghul, in Arabic, signifies any terrifying object which deprives people of the use of their senses; hence it became the appellative of that species of monster which was supposed to haunt forests, cemeteries, and other lonely places, and believed not only to tear in pieces the living, but to dig up and devour the dead.”

Brian McNaughton (1935–2004) US author

Attributed to McNaughton online, this actually is a quote from an English edition of The History of the Caliph Vathek (1786) by William Thomas Beckford, as translated by Samuel Henley.
Misattributed

Anton Mauve photo

“I ordered Major [transport company] tomorrow afternoon 2 o'clock to pack the paintings, I am still completely in all the paintings - as nightmares they are flying around me, now you know as of old how that is, but tomorrow afternoon at 2 o'clock I am free. I believe there are nice things among them, the drawing has become a little too fat, but there is much good in it, and it is very well-finished. I send to Peacock. The forest with wood hackers, which was hanging above the door of my studio, then the sheep [small composition-sketch of a sheep herd with shepherd] and... I believe you know them all, 7 pieces together, afterwards I have to start working for Arnold & Tripp [art-sellers in Paris], I let those guys wait and that's not right to do..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Morgen middag 2 uur heb ik Majoor [transportbedrijf] besteld om de schilderijen in te pakken ik ben nu nog geheel in alle die schilderijen als nacht merries zijn ze om me heen nu je weet wel van ouds, hoe of dat is maar morgen om 2 uur ben ik vrij. Ik geloof dat er aardige dingen bij zijn, de teekening is wel wat dik geworden, doch veel goeds er in, en erg af ik verzend aan Peacock Het bosch met hout hakkers, dat boven de deur van mijn atelier hing dan de schapen [klein compositieschetsje schaapskudde met herder] en [klein compositieschetsje schapen op bospad] en [klein compositieschetsje met schaapskudde] en [klein compositieschetsje koe?] en [klein compositieschetsje schaapskudde met vliegdennen] en de teekening (schapen uit het bosch komende) ik geloof dat je ze allen kent, 7 stuks te zamen, ik moet daarna ook voor Arnold & Tripp [kunsthandelaars in Parijs] aan de gang, die luitjes laat ik maar wachten en dat mag niet..
In a letter of Mauve from Laren, 27 June 1887 original text of the letter in RKD Archive https://rkd.nl/explore/excerpts/10, The Hague
1880's

Robert Burns photo

“When chill November's surly blast
Made fields and forests bare.”

Robert Burns (1759–1796) Scottish poet and lyricist

Man was made to Mourn.
Bartlett's Familiar Quotations, 10th ed. (1919)

Ursula K. Le Guin photo
Vālmīki photo
Revilo P. Oliver photo

“In 1945 I really believed that by the year 1952 no American could hear the name of Roosevelt without a shudder or utter it without a curse. You see; I was wrong. I was right about the inevitability of exposure. Like the bodies of the Polish officers who were butchered in Katyn Forest by the Bolsheviks (as we knew at the time), many of the Roosevelt regime's secret crimes were exposed to the light of day. The exposures were neither so rapid or so complete as I anticipated, but their aggregate is far more than should have been needed for the anticipated reaction. Only about 80 per cent of the secret of Pearl Harbor has thus far become known, but that 80 per cent should in itself be enough to nauseate a healthy man. Of course I do not know, and I may not even suspect, the full extent of the treason of that incredible administration. But I should guess that at least half of it has been disclosed in print somewhere: not necessarily in well-known sources, but in books and articles in various languages, including publications that the international conspiracy tries to keep from the public, and not necessarily in the form of direct testimony, but at least in the form of evidence from which any thinking man can draw the proper and inescapable deductions. The information is there for those who will seek it, and enough of it is fairly well known, fairly widely known, especially the Pearl Harbor story, to suggest to anyone seriously interested in the preservation of his country that he should learn more. But the reaction never occurred. And even today the commonly used six-cent postage stamp bears the bloated and sneering visage of the Great War Criminal, and one hears little protest from the public.”

Revilo P. Oliver (1908–1994) American philologist

"What We Owe Our Parasites", speech (June 1968); Free Speech magazine (October and November 1995)
1960s

David Attenborough photo
Czeslaw Milosz photo
Nisargadatta Maharaj photo
Mary Wortley Montagu photo
Eugène Delacroix photo

“.. The movement and the rustle of the branches [in the forest, while losing his attention for chasing] delights me. The clouds float past and I lift my head to follow their flight, or think about some madrigal, when a slight sound, which has been going on for a little while, rouses me slowly from my dream.; at least I turn my head and see, to my grief, a little white scut just disappearing into the thicket…”

Eugène Delacroix (1798–1863) French painter

Quote in a letter to Delacroix' friend Achille Peron - 16 September 1819, Paris; as quoted in Eugene Delacroix – selected letters 1813 – 1863, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 51
1815 - 1830

Simone de Beauvoir photo