Quotes about fantasy
page 4

Warren Farrell photo
Camille Paglia photo

“Academic Marxism is a fantasy world, and unctuous compassion-sweepstakes, into which real workers or peasants never penetrate.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 246

Joey Comeau photo
Ben Jonson photo
Fausto Cercignani photo

“Do not confuse fantasy with imagination: the former consumes itself in daydreaming, the latter stimulates creativity in the arts and in the sciences.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

David C. McClelland photo
Scott Ritter photo
Garth Brooks photo
Mary Eberstadt photo
Peter Greenaway photo
China Miéville photo
Aron Ra photo
Rod Serling photo
Raheem Kassam photo
Clive Barker photo
Jacob Bronowski photo
Shahrukh Khan photo

“It takes a lot of intellect to be able to convince people to believe in fantasy – but people don't seem to be able to recognize that.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Anshul Chaturvedi

Camille Paglia photo
Fred Astaire photo

“Mr. Astaire is the nearest approach we are ever likely to have to a human Mickey Mouse; he might have been drawn by Mr. Walt Disney, with his quick physical wit, his incredible agility. He belongs to a fantasy world almost as free as Mickey's from the law of Gravity.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Graham Greene reviewing Follow the Fleet in The Spectator 1936 and quoted in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld & Nicolson, London, 1985. ISBN 0297784021 , p. 81.

Alan Charles Kors photo

“The cognitive behavior of Western intellectuals faced with the accomplishments of their own society, on the one hand, and with the socialist ideal and then the socialist reality, on the other, takes one's breath away. In the midst of unparalleled social mobility in the West, they cry "caste." In a society of munificent goods and services, they cry either "poverty" or "consumerism." In a society of ever richer, more varied, more productive, more self-defined, and more satisfying lives, they cry "alienation." In a society that has liberated women, racial minorities, religious minorities, and gays and lesbians to an extent that no one could have dreamed possible just fifty years ago, they cry "oppression." In a society of boundless private charity, they cry "avarice." In a society in which hundreds of millions have been free riders upon the risk, knowledge, and capital of others, they decry the "exploitation" of the free riders. In a society that broke, on behalf of merit, the seemingly eternal chains of station by birth, they cry "injustice." In the names of fantasy worlds and mystical perfections, they have closed themselves to the Western, liberal miracle of individual rights, individual responsibility, merit, and human satisfaction. Like Marx, they put words like "liberty" in quotation marks when these refer to the West.”

Alan Charles Kors (1943) American academic

2000s, Can There Be an "After Socialism"? (2003)

John Gray photo
David C. McClelland photo
Roger Ebert photo
Edmund White photo
Jack Vance photo
Michael Crichton photo
Laura Antoniou photo

“Fantasies aren't reality, I know, I know, I know. Except when they are. Except when you make them into reality.”

Laura Antoniou (1963) American novelist

Source: "Unsafe at Any Speed or: Safe, Sane and Consensual, My Fanny", p. 12

Karen Lord photo

“Women fell into that category of fantasies and dreams that worked well when unfulfilled but presented all kinds of problems when brought out into the real world of trial and failure.”

Karen Lord (1968) Barbadian novelist and sociologist of religion

Source: Redemption in Indigo (2010), Chapter 10 “Paama Among the Sisters, and Alton the Poet Finds His Muse” (p. 82)

Theodore Dalrymple photo
Margaret Atwood photo
Fred Polak photo
Christopher Hitchens photo
John Ralston Saul photo
Camille Paglia photo
Florbela Espanca photo

“Kiss my hands, Love, make them feel caressed
Kiss them as if we two were only siblings,
Two birds singing in the sun and in the same nest.Kiss them, Love!… The wildest fantasy is at my fingertips
To hold those kisses locked within my hands
The kisses that I dreamed were for my lips!”

Florbela Espanca (1894–1930) Portuguese poet

Beija-me as mãos, Amor, devagarinho...
Como se os dois nascessemos irmãos,
Aves cantando, ao sol, no mesmo ninho...<p>Beija-mas bem!... Que fantasia louca
Guardar assim, fechados, nestas mãos,
Os beijos que sonhei pra minha boca!
Quoted in Presença literária (2001), p. 70
Translated by John D. Godinho
Book of Sorrows (1919), "Amiga"

“In the intimacy of Ebbets Field it was a short trip from the grandstand to the fantasy you were in the game.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Lines On The Transpontine Madness, p. xii

J. Gordon Melton photo
Michael Moore photo

“Maybe it's a sick fantasy of mine, but I am really looking forward to a debate between a general and a deserter. Plus, I really want to hear President Bush have to say, "Yes, General, No, General."”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

On prospects of a debate between Wesley Clark and George W. Bush, as quoted at Treason Online (29 October 2003) http://treasononline.blogspot.com/2003_10_26_archive.html
2003

Paulo Coelho photo
Roy Jenkins photo
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Ursula K. Le Guin photo
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Robert Crumb photo
Thomas Frank photo

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

David Allen photo

“What do you want to have true? Pick something between total fantasy & 51% believable, get going, & readjust as you learn.”

David Allen (1945) American productivity consultant and author

17 January 2011 https://twitter.com/gtdguy/status/26824930679062528
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Michael Rosen photo

“The competition between chunks of capital is getting fiercer, there is the same old same old desperate need to keep wages down, desperate need to substitute machines for labour (but that costs trillions of investment) and no matter how hard you exploit workers, you still need to sell stuff to them, and if their wages are low, they can't buy the stuff. You can force the poorly paid into borrowing money (credit cards, wonga etc) but there comes a point when that causes a credit crisis: someone somewhere says they want some dosh and a bank somewhere says they haven't got the dosh (Northern Rock, last time). Let's remember, none of this is caused by migrants or left social democrats. This is a crisis entirely born from a system that is locked into competition for markets. So, these fervid rows between squadrons of extremely unpleasant individuals are rows between people who deep down know that they can't control this system of running the making and distribution of the things we need. They are just coming up with fantasies on how to stay in power while the next phase veers from crisis to crisis. It is terrible for millions of people in awful insecure, low paid jobs and/or in insecure, lousy housing, or if they are disabled, or for millions trying to migrate their way out of poverty and despair. We should be alarmed when members of the ruling class start pleading with us to take sides with them against the 'elite': one section of the elite calling for us to oppose the elite.”

Michael Rosen (1946) British children's writer

'Neither Brussels or the City - for the many not the few'. http://michaelrosenblog.blogspot.com/2018/07/neither-brussels-or-city-for-many-not.html (6 July 2018)

Pietro Badoglio photo

“I can't let myself fly with my fantasy because it is against my nature.”

Pietro Badoglio (1871–1956) Italian general during both World Wars and a Prime Minister of Italy

Non posso abbandonarmi a voli di fantasia perché ciò è contrario alla mia natura.
Quoted in "Badoglio Risponde‎" - Page 225 - by Vanna Vailati - Italy - 1958

Samuel R. Delany photo
Thomas Frank photo

“Thanks to its chokehold on the nation’s culture, liberalism is thus in power whether its politicians are elected or not; it rules over us even though Republicans have prevailed in six out of the nine presidential elections since 1968; even though Republicans presently control all three branches of government; even though the last of the big-name, forthright liberals of the old school (Humphrey, McGovern, Church, Bayhm, Culver, etc.) either died or went down to defeat in the seventies; and even though no Democratic presidential nominee has called himself a "liberal" since Walter Mondale. Liberalism is beyond politics, a tyrant that dominates our lives in countless ways great and small, and which is virtually incapable of being overthrown.Conservatism, on the other hand, is the doctrine of the oppressed majority. Conservatism does not defend some established order of things: It accuses; its rants; it points out hypocrisies and gleefully pounces on contradictions. While liberals use their control of the airwaves, newspapers, and schools to persecute average Americans — to ridicule the pious, flatter the shiftless, and indoctrinate the kids with all sorts of permissive nonsense — the Republicans are the party of the disrespected, the downtrodden, the forgotten. They are always the underdog, always in rebellion against a haughty establishment, always rising up from below.All claims of the right, in other words, advance from victimhood. This is another trick the backlash has picked up from the left. Even though republicans legislate in the interests of society’s most powerful, and even though conservative social critics typically enjoy cushy sinecures at places like the American Enterprise Institute and the Wall Street Journal, they rarely claim to speak on behalf of the wealthy of the winners in the social Darwinist struggle. Just like the leftists of the early twentieth century, they see themselves in revolt against a genteel tradition, rising up against a bankrupt establishment that will tolerate no backtalk.Conservatism, on the other hand, can never be powerful or successful, and backlashers revel in fantasies of their own marginality and persecution.”

Ibid.(pp. 119-120).
What's the Matter with Kansas? (2004)

Warren Farrell photo
GG Allin photo

“Jane Whitney: What's your ultimate idea of performance, of a fantasy performance?”

GG Allin (1956–1993) American singer-songwriter

On The Jane Whitney Show

Bill Engvall photo
Michael Chabon photo
Ang Lee photo
Courtney Love photo

“The latest firing had put him at a crossroads: he could continue with the fantasy of being a writer, or he could actually make the commitment.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 3, The Dark Thumb Of Fate, p. 47

John Aubrey photo

“His insatiable passion for singular odds and ends had a meaning in it; he was groping towards a scientific ordering of phenomena; but the twilight of his age was too confusing, and he could rarely distinguish between a fact and a fantasy.”

John Aubrey (1626–1697) English writer and antiquarian

Lytton Strachey Portraits in Miniature and Other Essays (London: Chatto & Windus, 1931) p. 24.
Criticism

Brian K. Vaughan photo

“I've always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

DC Comics interview http://www.dccomics.com/features/vertigox/vaughan.html

John Gray photo
Suze Robertson photo

“No, absolutely not, I have never been what one calls a gifted child, never a dreamer. I didn't think of making fantasies with the pencil on the paper, although at school we learned to draw and play music of course. But in those days the piano was actually what I preferred most... But until my eighteenth year I have been hesitating long between both [painting and playing piano]..”

Suze Robertson (1855–1922) Dutch painter

version in original Dutch / origineel citaat van Suze Robertson: Nee, ik ben volstrekt nooit wat men noemt een begaafd kind geweest, nooit een droomster. Aan fantasie met 't potlood op 't papier dacht ik niet, al leerden we op school natuurlijk ook teekenen en muziek. Maar in dien tijd was de piano eigenlijk meer mijn fort.. .Toch heb ik tot mijn achttiende jaar tussen die beide lang gewankeld.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 30

Camille Paglia photo
Aldous Huxley photo
Michael A. Stackpole photo
Blu photo

“Hell is a fallacy, and heaven is a fantasy created by man.”

Blu (1983) American rapper and music producer

The World Is (Below the Heavens)
Below the Heavens (2007)

Warren Farrell photo

“He and she become selective at different points; she can be selective when he wants his primary fantasy — sex; he can be selective when she wants her primary fantasy — commitment.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 105.

Charlie Brooker photo

“Don't accuse anyone with the temerity to question your sad supernatural fantasies of having a 'closed mind' or being 'blind to possibilities'. A closed mind asks no questions, unthinkingly accepting that which it wants to believe. The blindness is all yours.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

http://www.guardian.co.uk/commentisfree/story/0,,1963337,00.html
The Guardian, 4 December 2006, When it comes to psychics, my stance is hardcore: they must die alone in windowless cells http://www.guardian.co.uk/commentisfree/story/0,,1963337,00.html
Guardian columns

George Raymond Richard Martin photo
Arthur C. Clarke photo

“CNN is one of the participants in the war. I have a fantasy where Ted Turner is elected president but refuses because he doesn't want to give up power.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

Quoted in And I Quote: The Definitive Collection of Quotes, Sayings, and Jokes for the Contemporary Speechmaker (1992) by Ashton Applewhite, Tripp Evans and Andrew Frothingham, p. 279
1990s

Stanisław Lem photo
Robert Crumb photo
Amir Taheri photo

“Ever since its emergence a few months ago, the declared ambition of the startup caliphate of the Islamic State has been to “wipe out every trace of Infidel influence” in areas under its control. Yet, with each passing day, it becomes more clear that, its deadly fantasies notwithstanding, the IS can’t escape from a world created and dominated by the Infidel. Start with the name that the IS, or Daesh in Arabic, has chosen for itself: ad-dawlat al-Islamiyah, or “Islamic Government.” The concepts of “state” and “government” are entirely Western, not adopted by Muslim peoples until the 19th century. The very words “state” and “government” are never mentioned in the Quran. Daesh’s “caliph” has also appointed a number of vizirs. This, too, is un-Islamic. Of Persian origin, the word vizir designated high officials of the pre-Islamic Sasanian Empire overthrown by Arab Muslim warriors in the 7th century. Mohammad had no vizirs, nor did any of his four immediate successors, the so-called “Well Guided caliphs…” The Islamic State’s most noteworthy embrace of the works of the “Infidel,” however, is surely its use of the satanic Internet. Its personnel, including converts from Europe and North America, regularly display across the Web what seems to be the main, if not the only, thing they’ve learned from Islam: cutting the throats of defenseless captives.”

Amir Taheri (1942) Iranian journalist

"The not-so-Islamic State: ISIS’ huge debt to the infidel" http://nypost.com/2014/11/20/the-not-so-islamic-state-isis-huge-debt-to-the-infidel/, New York Post (November 20, 2014).
New York Post

China Miéville photo
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Robert E. Howard photo
Warren Farrell photo

“Commitment often means that a woman achieves her primary fantasy, while a man gives his up. In exchange for forfeiting his primary fantasy, what does he hope to fulfill? His primary need: intimacy.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 150.

Michael Chabon photo
Enoch Powell photo

“Have you ever wondered, perhaps, why opinions which the majority of people quite naturally hold are, if anyone dares express them publicly, denounced as 'controversial, 'extremist', 'explosive', 'disgraceful', and overwhelmed with a violence and venom quite unknown to debate on mere political issues? It is because the whole power of the aggressor depends upon preventing people from seeing what is happening and from saying what they see.

The most perfect, and the most dangerous, example of this process is the subject miscalled, and deliberately miscalled, 'race'. The people of this country are told that they must feel neither alarm nor objection to a West Indian, African and Asian population which will rise to several millions being introduced into this country. If they do, they are 'prejudiced', 'racialist'... A current situation, and a future prospect, which only a few years ago would have appeared to everyone not merely intolerable but frankly incredible, has to be represented as if welcomed by all rational and right-thinking people. The public are literally made to say that black is white. Newspapers like the Sunday Times denounce it as 'spouting the fantasies of racial purity' to say that a child born of English parents in Peking is not Chinese but English, or that a child born of Indian parents in Birmingham is not English but Indian. It is even heresy to assert the plain fact that the English are a white nation. Whether those who take part know it or not, this process of brainwashing by repetition of manifest absurdities is a sinister and deadly weapon. In the end, it renders the majority, who are marked down to be the victims of violence or revolution or tyranny, incapable of self-defence by depriving them of their wits and convincing them that what they thought was right is wrong. The process has already gone perilously far, when political parties at a general election dare not discuss a subject which results from and depends on political action and which for millions of electors transcends all others in importance; or when party leaders can be mesmerised into accepting from the enemy the slogans of 'racialist' and 'unChristian' and applying them to lifelong political colleagues...

In the universities, we are told that education and the discipline ought to be determined by the students, and that the representatives of the students ought effectively to manage the institutions. This is nonsense—manifest, arrant nonsense; but it is nonsense which it is already obligatory for academics and journalists, politicians and parties, to accept and mouth upon pain of verbal denunciation and physical duress.

We are told that the economic achievement of the Western countries has been at the expense of the rest of the world and has impoverished them, so that what are called the 'developed' countries owe a duty to hand over tax-produced 'aid' to the governments of the undeveloped countries. It is nonsense—manifest, arrant nonsense; but it is nonsense with which the people of the Western countries, clergy and laity, but clergy especially—have been so deluged and saturated that in the end they feel ashamed of what the brains and energy of Western mankind have done, and sink on their knees to apologise for being civilised and ask to be insulted and humiliated.

Then there is the 'civil rights' nonsense. In Ulster we are told that the deliberate destruction by fire and riot of areas of ordinary property is due to the dissatisfaction over allocation of council houses and opportunities for employment. It is nonsense—manifest, arrant nonsense; but that has not prevented the Parliament and government of the United Kingdom from undermining the morale of civil government in Northern Ireland by imputing to it the blame for anarchy and violence.

Most cynically of all, we are told, and told by bishops forsooth, that communist countries are the upholders of human rights and guardians of individual liberty, but that large numbers of people in this country would be outraged by the spectacle of cricket matches being played here against South Africans. It is nonsense—manifest, arrant nonsense; but that did not prevent a British Prime Minister and a British Home Secretary from adopting it as acknowledged fact.”

Enoch Powell (1912–1998) British politician

The "enemy within" speech during the 1970 general election campaign; speech to the Turves Green Girls School, Northfield, Birmingham (13 June 1970), from Still to Decide (Eliot Right Way Books, 1972), pp. 36-37.
1970s

Lysander Spooner photo

“If justice be not a natural principle, it is no principle at all. If it be not a natural principle, there is no such thing as justice. If it be not a natural principle, all that men have ever said or written about it, from time immemorial, has been said and written about that which had no existence. If it be not a natural principle, all the appeals for justice that have ever been heard, and all the struggles for justice that have ever been witnessed, have been appeals and struggles for a mere fantasy, a vagary of the imagination, and not for a reality.

If justice be not a natural principle, then there is no such thing as injustice; and all the crimes of which the world has been the scene, have been no crimes at all; but only simple events, like the falling of the rain, or the setting of the sun; events of which the victims had no more reason to complain than they had to complain of the running of the streams, or the growth of vegetation.

If justice be not a natural principle, governments (so-called) have no more right or reason to take cognizance of it, or to pretend or profess to take cognizance of it, than they have to take cognizance, or to pretend or profess to take cognizance, of any other nonentity; and all their professions of establishing justice, or of maintaining justice, or of rewarding justice, are simply the mere gibberish of fools, or the frauds of imposters.

But if justice be a natural principle, then it is necessarily an immutable one; and can no more be changed—by any power inferior to that which established it—than can the law of gravitation, the laws of light, the principles of mathematics, or any other natural law or principle whatever; and all attempts or assumptions, on the part of any man or body of men—whether calling themselves governments, or by any other name—to set up their own commands, wills, pleasure, or discretion, in the place of justice, as a rule of conduct for any human being, are as much an absurdity, an usurpation, and a tyranny, as would be their attempts to set up their own commands, wills, pleasure, or discretion in the place of any and all the physical, mental, and moral laws of the universe.

If there be any such principle as justice, it is, of necessity, a natural principle; and, as such, it is a matter of science, to be learned and applied like any other science. And to talk of either adding to, or taking from, it, by legislation, is just as false, absurd, and ridiculous as it would be to talk of adding to, or taking from, mathematics, chemistry, or any other science, by legislation.”

Lysander Spooner (1808–1887) Anarchist, Entrepreneur, Abolitionist

Sections I&#8211;II, p. 11&#8211;12
Natural Law; or The Science of Justice (1882), Chapter II. The Science of Justice (Continued)

Ray Harryhausen photo

“I am often asked if I would have liked to have been involved with Jurassic Park. The plain answer is no. Although excellent, it is not with all its dollars what I would have wished to do with my career. I was always a loner and worked best that way. Since the very beginning I fought and struggled under constant pressure to keep the design and final result within my hands. As time moved on this became more difficult, until I was forced to bow to the fact that my method of working, in the financial sense, was no longer practical. Model animation has been relegated to a reflection, or a starting point for creature computer effects that has reached a high few could have anticipated. However, for all the wonderful achievements of the computer, the process creates creatures that are too realistic and for me that makes them unreal because they have lost one vital element - a dream quality. Fantasy, for me, is realizing strange beings that are so removed from the 21st century. These beings would include not only dinosaurs, because no matter what the scientists say, we still don't know how dinosaurs looked or moved, but also creatures of the mind. Fantastical creatures where the unreal quality becomes even more vital. Stop-motion supplies the perfect breath of life for them, offering a look of pure fantasy because their movements are beyond anything we know.”

Ray Harryhausen (1920–2013) American animator

Ray Harryhausen & Tony Dalton (2003), An Animated Life, Aurum Press, p. 8

Leszek Kolakowski photo
Courtney Love photo

“Does that make you happy, Mr. Rock & Roll Fantasy? You know what? Eddie Vedder’s gonna live to be 98. How’s that make you feel, huh? I love you, come back. You come back! You love us. You love me, don’t you? You love Frances. Where are you? Are you happier now?”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

April 10, 1994 at Kurt Cobain's public memorial at Seattle Center's Flag Pavilion, Entertainment Weekly (April 22, 1994) http://ew.com/article/1994/04/22/remembering-kurt-cobain/
1991–1995

Clive Staples Lewis photo
Peter Cushing photo
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Michael Shea photo
Marshall McLuhan photo

“The discarnate TV user lives in a world between fantasy and dream, and is in a typically hypnotic state, which is the ultimate form and level of participation.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

"A Last Look at the Tube." New York Magazine, 17 March 1978, p. 45-48
1970s

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