Quotes about fantasy
page 5

“For an exercise, then, imagine for a while that the subjective world of your thoughts, feelings, inner images and fantasies represent the 'rockbed reality' from which individual physical events emerge. Look at the world for a change from the inside out, so to speak. Imagine that physical experience is somehow the materialization of your own subjective reality. Forget what you have learned about reactions and stimuli. Ignore for a time everything you have believed and see your thoughts as the real events. Try to view normal physical occurrences as the concrete physical reactions in space and time to your own feelings and beliefs. For indeed your subjective world causes your physical experience.”

Jane Roberts (1929–1984) American Writer

Session 830, Page 148
The Individual and the Nature of Mass Events, (1981)

World, Feeling, Exercises, Imagination

“There are some who question the relevance of space activities in a developing nation. To us, there is no ambiguity of purpose. We do not have the fantasy of competing with the economically advanced nations in the exploration of the moon or the planets or manned space-flight.”

Vikram Sarabhai (1919–1971) (1919-1971), Indian physicist

Quoted in

Question

“All fantasy should have a solid base in reality.”

Max Beerbohm (1872–1956) English writer

Note to the 1946 edition Zuleika Dobson http://www.gutenberg.org/dirs/etext99/zdbsn11.txt (1911)

Reality

“This London, of course, with its hollow, drum-like name, is neither England nor abroad but something on its own, a walled fantasy of remembered tales.”

Laurie Lee (1914–1997) British writer

Eight-Year-Old World, p. 26.
I Can't Stay Long (1975)

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Color, Teachers, Universe, Parting

“Painters and sculptors under the Nazis often depicted the nude, but they were forbidden to show any bodily imperfections. Their nudes look like pictures in physique magazines: pinups which are both sanctimoniously asexual and (in a technical sense) pornographic, for they have the perfection of a fantasy.”

Susan Sontag book Under the Sign of Saturn

Fascism" http://www.history.ucsb.edu/faculty/marcuse/classes/33d/33dTexts/SontagFascinFascism75.htm"Fascinating (1974), published in The New York Review of Books (6 February 1975) and reprinted in Sontag's Under the Sign of Saturn (1980), p. 92, ISBN 0312420080

Sense, Perfection

“We strive to eradicate the commercial borders and obstacles between Arab countries so that we may achieve the dream of economic unity because political unity amongst Arabs has become a distant fantasy.”

Mohammed bin Rashid al-Maktoum (1949) Emirati politician

Leadership & Success quotes, http://www.sheikhmohammed.co.ae/vgn-ext-templating/v/index.jsp?vgnextoid=d2778960a5a11310VgnVCM1000004d64a8c0RCRD&appInstanceName=default, sheikhmohammed.ae.

Dreams, Distant, Country

“The final key to the way I promote is bravado. I play to people's fantasies. People may not always think big themselves, but they can still get very excited by those who do. That's why a little hyperbole never hurts. People want to believe that something is the biggest and the greatest and the most spectacular. I call it truthful hyperbole. It's an innocent form of exaggeration—and a very effective form of promotion.”

Donald J. Trump (1946) 45th President of the United States of America

Source: 1980s, Trump: The Art of the Deal (1987), p. 58

People, Truth, Way, Thinking

“The most sensible thing seems to be to forget our negativity, to discard it as a fantasy of youth. And yet the world gets worse, the inequalities become more strident, the self-destruction of humanity seems to come closer. So perhaps we should not abandon our negativity but, on the contrary, try to theorise the world from the perspective of the scream.”

John Holloway book Change the World Without Taking Power

Change the World Without Taking Power (2002)

Youth, World, Forgetting

“A fantasy of mine is to have an orgy with about six young college guys ranging from 18 to 22 in age.”

Ted Haggard (1956) American minister

Reported by Mike Jones, " Haggard Admits Buying Meth: Evangelical Leader Denies Accusation of Paying Former Gay Prostitute for Sex http://abcnews.go.com/GMA/story?id=2626067&page=2", ABC News, accessed November 6, 2006. Attributed

Age, Guy

“Men everywhere yearn for the collapse of this current mode of civilization that, as an inevitable consequence of its design, must devalue and emasculate them. Apocalyptic fantasies are a particularly male preoccupation. More and more men are focusing on survivalism and preparedness to give themselves a sense of purpose in a world that doesn't need or want them to be strong, courageous or prepared for anything.”

Jack Donovan (1974) American activist, editor and writer

Pg 71
Becoming A Barbarian (2016)

Men, World, Courage, Sense

“Not everything in religion is precious or deserving of reverence. There is an inheritance of anthropocentrism, the ugly fantasy that the Earth exists to serve humans, which most secular humanists share. There is the claim of religious authorities, also made by atheist regimes, to decide how people can express their sexuality, control their fertility and end their lives, which should be rejected categorically. Nobody should be allowed to curtail freedom in these ways, and no religion has the right to break the peace.”

John Gray (1948) British philosopher

The Atheist Delusion (2008)

People, Peace, Religion, Way

“I made virtual animals in the computer, life-forms subject to an artificial evolution. I also went walking a lot on the beach and in the streets of Scheveningen for inspiration for my columns. Since 1986 I have been writing pieces for de Volkskrant national daily on matters that interest me. Often these are technical things, fantasies or musings.”

Theo Jansen (1948) artist

Source: The Great Pretender. (2007), p. 9

Life, Animals

“By the end of World War II, the specter of an imminent working class uprising that had so haunted the ruling classes of Europe and North America for the previous century had largely disappeared. This was because class war was suspended by a tacit settlement. To put it crudely: the white working class of the North Atlantic countries, from the United States to West Germany, were offered a deal. If they agreed to set aside any fantasies of fundamentally changing the nature of the system, then they would be allowed to keep their unions, enjoy a wide variety of social benefits (pensions, vacations, health care …), and, perhaps most important, through generously funded and ever-expanding public educational institutions, know that their children had a reasonable chance of leaving the working class entirely. One key element in all this was a tacit guarantee that increases in workers' productivity would be met by increases in wages: a guarantee that held good until the late 1970s. Largely as a result, the period saw both rapidly rising productivity and rapidly rising incomes, laying the basis for the consumer economy of today.”

David Graeber (1961) American anthropologist and anarchist

Source: Debt: The First 5,000 Years (2011), Chapter Twelve, "1971–The Beginning…", p. 373

War, Children, Health, World

“I believe that I have now experienced the lifetime maximum exposure to bottom spanking in fantasy novels.”

James Nicoll (1961) Canadian fiction reviewer

[diu2g2$dc1$1@reader2.panix.com, 2005]
2000s

“President Barack Obama. President Barack Obama. Nope, still can't get used to it. It's literally too good to be true. I must've died in my sleep and am now having an insane fantasy pumped into my head by the Matrix. Any minute now Salma Hayek is going to float through the door with a tray of biscuits and I'll know the game's up.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian, 10 November 2008 http://www.guardian.co.uk/commentisfree/2008/nov/10/barack-obama-zombies-running Guardian columns

Game, Sleep

“Nothing that I've said makes social and political freedom any less valuable: having a gun to your head is still a problem worth rectifying, wherever intentions come from. So the freedom to do what one wants is still precious. But the idea that we as conscious beings are deeply responsible for what we want I think needs to be revised: it just can't be mapped onto reality, neither objective nor subjective. And if we're going to be guided by reality, rather than by the fantasy lives of our antecessors, I think our view of ourselves needs to change.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris at Sydney Opera House Festival of Dangerous Ideas 2012, Discussion on Free Will http://www.youtube.com/watch?v=JM3raA1EwrI. 2010s

Idea, Problem, Thinking, Reality

“She knew that her feelings toward Bean were completely different. No such dreams and fantasies. Just a sense of complete acceptance. She belonged with Bean, not the way that a wife belonged with a husband or, God forbid, a girlfriend with a boyfriend, but rather way the left hand belonged to the right. They simply fit. Nothing exciting about it, nothing to write home about. But it could be counted on.”

Orson Scott Card Ender's Game hexalogy

Petra
Ender's Game series, Shadow of the Hegemon (2001)

God, Dreams, Way, Feeling

“When I started writing I was a great rationalist and believed I was absolutely in control. But the older one gets, the more confused, and for an artist I think that is quite a good thing: you allow in more of your instinctual self; your dreams, fantasies and memories. It's richer, in a way.”

John Banville (1945) Irish writer

14th time lucky (2005)

Dreams, Way, Thinking, Memory

“While I am sure there are a number of women who secretly wonder whether they are lesbian, most simply have, somewhere, a fantasy about having sex, in a non-defining, non-exclusive way, with other women.”

Nigella Lawson (1960) British food writer, journalist and broadcaster

As written in "Sapphism is more than designer-dykery" by Nigella Lawson in The Guardian http://observer.guardian.co.uk/comment/story/0,6903,416467,00.html (31 December 2000)

Women, Sex, Way

“My fantasies have never been safe ones.”

Laura Antoniou (1963) American novelist

Source: "Unsafe at Any Speed or: Safe, Sane and Consensual, My Fanny", p. 12

“If we took away women's right to vote, we'd never have to worry about another Democrat president. It's kind of a pipe dream, it's a personal fantasy of mine, but I don't think it's going to happen. And it is a good way of making the point that women are voting so stupidly, at least single women.”

Ann Coulter (1961) author, political commentator

interview with New York Observer 2007-10-02, quoted in * Coulter: "If we took away women's right to vote, we'd never have to worry about another Democrat president"
Media Matters for America
2007-10-04
http://mediamatters.org/research/200710040011
2007

Women, Dreams, Way, Thinking

“So long as we were in a room in a brothel, we belonged to our fantasies, but once having exposed them, we're now tied up with human beings, tied to you and forced to go on with this adventure according to the laws of visibility.”

Jean Genet The Balcony

The Balcony (1956)

Law

“Shocked disbelief greets suggestions that many women may take pleasure in rape fantasies, established long ago by Nancy Friday in her pioneering 1973 study, My Secret Garden, and dramatized today by the staggering mass-market popularity of Harlequin Romances, where heroines are overwhelmed by passionate, impetuous men.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 37

Women, Men, Pleasure, Secret

“What I wanted to get at is the value difference between pornographic playing-cards when you're a kid, and pornographic playing-cards when you're older. It's that when you're a kid you use the cards as a substitute for a real experience, and when you're older you use real experience as a substitute for the fantasy.”

Edward Albee The Zoo Story

The Zoo Story (1959)

“The world is full of signals that we don't perceive. Tiny creatures live in a different world of unfamiliar forces. Many animals of our scale greatly exceed our range of perception for sensations familiar to us. […] What an imperceptive lot we are. Surrounded by so much, so fascinating and so real, that we do not see (hear, smell, touch, taste) in nature, yet so gullible and so seduced by claims for novel power that we mistake the tricks of mediocre magicians for glimpses of a psychic world beyond our ken. The paranormal may be a fantasy; it is certainly a haven for charlatans. But “parahuman” powers of perception lie all about us in birds, bees, and bacteria.”

Stephen Jay Gould book The Panda's Thumb

"Natural Attraction: Bacteria, the Birds, and the Bees", p. 313
The Panda's Thumb (1980)

Lie, World, Nature, Bird

“What I love about Celine, what I felt really proud about that script, is that she's really a fully dimensional woman. It's very rare in movies that you don't see a male projection of a fantasy woman. I mean, Julie deserves 90% of the credit, 100% of the credit, but I feel proud of the collaboration that created that character. Her work in that movie is my favorite thing about it.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/film/2005/oct/08/features.fiction (2005-10-08) On Before Sunset (2004) 2005&ndash;2009

Love, Feeling

“We depend on the guarantee in our children's faces that we will not die. Children whose defining quality annihilates that fantasy of immortality are a particular insult; we must love them for themselves, and not for the best of ourselves in them, and that is a great deal harder to do. Loving our own children is an exercise for the imagination.”

Andrew Solomon (1963) American journalist

Far from the Tree

Love, Children, Exercises, Imagination

“Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.”

Susan Sontag book On Photography

"The Image-World", p. 154
On Photography (1977)

Painting

“The poet is in command of his fantasy, while it is exactly the mark of the neurotic that he is possessed by his fantasy.”

Lionel Trilling book The Liberal Imagination

Freud and Literature
The Liberal Imagination (1950)

“Religious fundamentalists see themselves as having remedies for the maladies of the modern world. In reality they are symptoms of the disease they pretend to cure. They hope to recover the unreflective faith of traditional cultures, but this is a peculiarly modern fantasy. We cannot believe as we please; our beliefs are traces left by our unchosen lives. A view of the world is not something that can be conjured up as and when we please.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

The Human: Against fundamentalism ― religious and scientific (p. 18)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

World, Disease, Faith, Hope

“In the summer of 1864, pessimists warned that the North could not win the Civil War. President Abraham Lincoln faced opposition for the Republican-party nomination, and even if he won it, he was considered likely to lose the November election to Union general George McClellan. General Grant’s Army of the Potomac was being bled white in Virginia in vain attempts to dislodge Robert E. Lee’s defenders from their entrenchments around the Confederate capital of Richmond. Gruesome encounters such as the Battle of Cold Harbor and the Battle of the Wilderness had given the depressed Northern public nightmares. Then, suddenly, fantasy became reality. The maverick General William Tecumseh Sherman unexpectedly took Atlanta on September 2, 1864. Euphoria swept the North. McClellan’s sure-thing candidacy crashed. The mercurial Sherman then headed off with his huge army on the famous “March to the Sea” through Georgia. He next plowed through the Carolinas to the rear of Lee’s army in Virginia. In less than nine months the entire Confederate cause collapsed. The supposedly endless Civil War ended with a sudden and absolute Union victory that no one had foreseen.”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, The American Art of Renewal (2018)

War, Reality, Victory, Summer

“Imagination is a very precise thing, you know — it is not fantasy. Remember, the other day I gave you the example of what I mean, what the difference between fantasy and imagination is. I gave you the example of the man who invented the of the man who invented the wheel while he was observing another man walking.”

Jacques Lipchitz (1891–1973) American and French sculptor

Source: Jacques Lipchitz: The Artist at Work, 1966, p. 60

Imagination

“It makes no sense to regard the right of suffrage as a utopian product of fantasy, cut loose from social reality. And it is for this reason that it is not a serious instrument of the proletarian dictatorship. It is an anachronism, an anticipation of the juridical situation which is proper on the basis of an already completed socialist economy, but is not in the transition period of the proletarian dictatorship.”

Rosa Luxemburg (1871–1919) Polish Marxist theorist, socialist philosopher, and revolutionary

Source: The Russian Revolution (1918), Chapter Five, "The Question of Suffrage"

Reality, Sense

“It is nothing special to see women, it is a matter of being accustomed, it does not excite the fantasies of a man.”

Regina Jonas (1902–1944) rabbi

Can a Woman Be a Rabbi According to Halachic Sources?

Women

“All the years he’d spent fooling himself into thinking that what he did was correct was simply time wasted from his life, on delusions and fantasies that kept him from seeing what he was and where he was inevitably headed with genuine clarity.”

Robert Lynn Asprin (1946–2008) American science fiction and fantasy author

Source: Wagers of Sin (1996), Chapter 21 (p. 428)

Life, Fools, Thinking, Time

“A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. […] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" — that is, stripped of illusion — we can see that this is the author's fantasy of himself […] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor.”

Pauline Kael (1919–2001) American film critic

"The Iceman Cometh," pp. 353-354
5001 Nights at the Movies (1982)

Hate, Alcohol, Smile, Hope

““I came," she said, "hoping you could talk me out of a fantasy. "Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by it's little tentacle, don't let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be.””

Thomas Pynchon book The Crying of Lot 49

Source: The Crying of Lot 49 (1966), Chapter 5

Hope

“Unless we are willing to escape into sentimentality or fantasy, often the best we can do with catastrophes, even our own, is to find out exactly what happened and restore some of the missing parts — hopefully, even the arch to the sky.”

Norman Maclean book Young Men and Fire

Young Men and Fire (1992)

Parting

“A deepened, high-energy democracy does not seek to replace the real world of interests and of interest-bearing individuals with the selfless citizen and with the all-consuming theater of public life. It is not a flight into republican purism and fantasy. It wants to enhance our ordinary powers, enlarge the scope of our ordinary sympathies and ambitions, and render more intense our ordinary experience. It seeks to do so by diminishing the distance between the ordinary moves we may within institutional and ideological contexts take for granted and the extraordinary initiatives by which we challenge and change pieces of those contexts. Its agent and its beneficiary are one and the same: the real thing—the frail, self-interested, longing individual in the flesh, the victim of circumstance whom no circumstance can ever completely or definitively confine.”

Roberto Mangabeira Unger book The Left Alternative

Source: The Left Alternative (2009), p. 30-1

Life, World, Democracy, Change

“Every age has its peculiar folly: Some scheme, project, or fantasy into which it plunges, spurred on by the love of gain, the necessity of excitement, or the force of imitation.”

Charles Mackay book Extraordinary Popular Delusions and the Madness of Crowds

Extraordinary Popular Delusions and the Madness of Crowds (1841)

Love, Age

“Stop the fantasy we need to be defending freedom, because we don't have freedom in our own country yet.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, WAR

Freedom, Country

“We face a probable future of nuclear-armed states warring over a scarcity of resources; and that scarcity is largely the consequence of capitalism itself. For the first time in history, our prevailing form of life has the power not simply to breed racism and spread cultural cretinism, drive us into war or herd us into labour camps, but to wipe us from the planet. Capitalism will behave antisocially if it is profitable for it to do so, and that can now mean human devastation on an unimaginable scale. What used to be apocalyptic fantasy is today no more than sober realism. The traditional leftist slogan ‘‘Socialism or barbarism’’ was never more grimly apposite.”

Terry Eagleton (1943) British writer, academic and educator

Source: 2010s, Why Marx Was Right (2011), Chapter 1, p. 8

Life, War, History, Time

“Love, as it exists in society, is nothing but the exchange of two fantasies and the contact of two skins.”

Nicolas Chamfort (1741–1794) French writer

L'amour, tel qu'il existe dans la société, n'est que l'échange de deux fantaisies et le contact de deux épidermes.
Maximes et pensées (1805), nr. 359

Love

“Surrealism in its early period offered specific methods to bring images closer to concrete irrationality. These methods, based on the exclusive passive and receptive role of the 'surrealist subject', are bankrupt and are giving way to new surrealist methods for the systematic exploration of the irrational... The new delirious images of concrete irrationality suggest their physical, real 'possibility'; they go beyond the domain of psycho-analysable fantasies and 'virtual' representations... Against the dream memory and impossible, virtual images of purely receptive states that one can only recount, the physical facts of 'objective' irrationality with which one can already hurt oneself.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 23 - on new Surrealism techniques and methods.

Dreams, Way, Memory, Hurt

“When a child… discovers his own imagination, he suddenly walks into a new life. …seeing situations that do not exist. …in part as fantasy, and in part as a quite rational exploration of future experiences. …play …frolics in the fantasy world, and it experiments in the rational world… They project themselves into all worlds, possible and impossible, and discover for themselves the knife-edge boundary between them.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Imaginative Mind in Art" (1978)

Life, World, Imagination, Future

“When the film premiered at Cannes 2003, Lars von Trier was accused of not portraying Americans accurately, but how many movies do? Anything by David Spade come to mind? Von Trier could justifiably make a fantasy about America, even an anti-American fantasy, and produce a good film, but here he approaches the ideological subtlety of a raving prophet on a street corner.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/dogville-2004 of Dogville (9 April 2004) Reviews, Two star reviews

“It's like the 'normalisation' discussion because in both cases we dream of a 'true message' that, in the NLG case, we generate from, and in the normalisation and analysis cases, we normalise/analyse to. Of course the 'true message' is a fantasy, and what we think it should be will depend on our particular goals in our particular context.”

Adam Kilgarriff (1960–2015) linguist from England

in Discussion on Corpora-list (5 March 2015) http://mailman.uib.no/public/corpora/2015-March/022161.html

Dreams, Thinking, Dependency

“We foreign journalists in Moscow used to amuse ourselves, as a matter of fact, by competing with one another as to who could wish upon one of these intelligentsia visitors to the USSR the most outrageous fantasy…One story I floated myself, for which I received considerable acclaim, was that the huge queues outside food shops came about because the Soviet workers were so ardent in building Socialism that they just wouldn't rest, and the only way the government could get them to rest for even two or three hours was organizing a queue for them to stand in. I laugh at it all now, but at the time you can imagine what a shock it was to someone like myself, who had been brought up to regard liberal intellectuals as the samurai, the absolute elite, of the human race, to find that they could be taken in by deceptions which a half-witted boy would see through in an instant…I could never henceforth regard the intelligentsia as other than credulous fools who nonetheless became the media's prophetic voices, their heirs and successors remaining so still.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

The Great Liberal Death Wish, lecture at Hillsdale College, Hillsdale, Michigan, USA, March 1979. Transcript in Imprimis http://imprimisarchives.hillsdale.edu/file/archives/pdf/1979_05_Imprimis.pdf May 1979 (pdf).

Food, Fools, Way, Imagination

““And then along came Satan’s Eye Itself. Television.” He laughed, as at some fatal irony. “Don’t you hear the evil hum of the word, the knell of Satan? Television! It’s the ruling character of your lives, like the moon must have been for Indians. An oracle, a companion, a signal of the changing seasons. But rather than divine illumination, each night it spews forth Satan’s imagery. Murders, car crashes, mad policemen, perverted strangers! And you lie there decomposing in its flickering, blue-gray light, absorbing His horrid fantasies!””

Lucius Shepard book Green Eyes

Source: Green Eyes (1984), Chapter 10, p. 115

Lie, Cars, Light, Evil

“Most people want to be actors because they want unconditional love and power and money and to be able to act out a character fantasy that involves themselves. So if one is truly honest about themselves in that way, then you're on the right path. If not, the process becomes convoluted. You have to go out grab it, and demand it.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

AOL Interview

Love, Money, People, Way

“You plunge into that underworld space, and that's also where you begin to nurse feelings of resentment and aggrievement and murder and homicide, and even worse. If people are betrayed enough, they become obsessed with the futility of being itself, and they go to places where perhaps no one would ever want to go if they were in their right mind. And they begin to nurse fantasies of the ultimate revenge, and that's a horrible place to be. And that's hell. That's why hell has always been a suburb of the underworld, because if you get plunged into a situation that you don't understand, and things are not good for you anymore, it's only one step from being completely confused, to being completely outraged and resentful, and then it's only one step from there to really looking for revenge. And that can take you places – well, that merely to imagine properly can be traumatic. And I've seen that with people many times. And I think that anybody who uses their imagination on themselves can see how that happens, because I can't imagine that there isn't a single person in the room who hasn't nursed fairly intense fantasies of revenge, at least at one point in their life – and usually for what appear to be good reasons. It can shake your faith in being to be betrayed, but if it shakes it so badly that you turn against being itself, that's certainly no solution. All it does is make everything that's bad, even worse.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Life, People, Faith, Feeling

“The best-selling magazines to men are Playboy and Penthouse. These represent men’s primary fantasy: access to as many beautiful women as desired without risk of rejection. The best-selling magazines to women are Better Homes and Gardens and Family Circle, representing the female primary fantasy: better homes and gardens and a family circle.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 18.

Women, Men, Family, Beauty

“. The central theme of contemporary autonomist Marxism is a shift from giant organizations and insurrectional seizure to gradualism and Exodus. The rapid transformation of the working class, the blurring of the lines between work and the rest of life, and the shift in meeting a growing share of our needs into the informal and social economy, mean that the Old Left’s workerism (and like Harry Cleaver, I include syndicalism and council communism in the Old Left), its focus on the production process as the center of society, and its treatment of the industrial proletariat as the subject of history, have become obsolete. In this regard, read Toni Negri’s contrast of the Multitude to previous Old Left ideas of the proletariat. Mostly, I call it a heroic fantasy because any model that envisions a post-capitalist transition based on the universal adoption of any monolithic, schematized social model is as ridiculous as Socrates and Glaucon discussing what musical instruments and poetic metres will be permitted in the perfect state. The real world version of the post-capitalist transition — just as with the transition to capitalism five centuries earlier — isn’t a matter of any single cohesive social class, as the subject of history, systematically remaking the world guided by some single, comprehensive ideology, and organized around a uniform institutional model. It’s a matter of a wide variety of prefigurative institutions and technological building blocks that already exist in the present society, continuing to grow and coalesce together until they reach sufficient critical mass for a phase transition — a phase transition whose outlines can only be guessed at in the most general terms. This is the model advocated by Michel Bauwens, by Paul Mason, by John Holloway, by Peter Frase, and by a lot of other people who can hardly be fitted into any American individualist ghetto.”

Kevin Carson (1963) American academic

'In Which the Anarcho-Syndicalists Discover C4SS' (2016)
Other Writing

Life, People, World, Music

“The muse in charge of fantasy wears good, sensible shoes.”

Lloyd Alexander (1924–2007) American children's writer

"The Flat-Heeled Muse" http://www.hbook.com/1965/04/choosing-books/horn-book-magazine/flat-heeled-muse/, Horn Book Magazine (1 April 1965)

Shoe

“Ch. III: Mind - Its Functions and Its Fantasies”

Baba Hari Dass (1923–2018) master yogi, author, builder, commentator of Indian spiritual tradition

Fire without Fuel - The Aphorisms of Baba Hari Dass, 1986

“Only by discarding a diet based on rotting corpses could men become sane. The fantasy of needing a blood-diet, a corpse-diet, was inseparable from the distorted relation to the parents I had been trying to clarify in myself and which one way or another existed in everyone. The corpse-eater was still in fantasy feeding on the parents. We discussed these ideas and decided to eat no more meat, no more animal products of any kind (such as milk, cheese, eggs) and to discard mineral salt. Apart from a few extreme applications of our position, when I tried to eat such nauseous things as raw potatoes, we found that we felt very much better in health.”

Jack Lindsay (1900–1990) Australian writer in the United Kingdom

Fanfrolico and After (London: Bodley Head, 1962), pp. 217-218.

Men, Health, Way, Idea

“It's not a fantasy performance, Jane. Come on. Everything I do is real. It comes out of my head. I live this life every day. When I'm onstage it's my therapy. It's not a performance. It's a ritual. And the ultimate performance would be when I've reached my peak and I'm not there yet so don't you all clap when I say this I'll commit suicide and I'll take your kids with me.”

GG Allin (1956–1993) American singer-songwriter

GG Allin on The Jane Whitney Show July 16. 1993.
On The Jane Whitney Show

Life, Suicide

“Hitler … was a hero, the hero-as-monster, embodying what had become the monstrous fantasy of a people, but the horror upon which the radical mind and liberal temperament foundered was that he gave outlet to the energies of the Germans and so presented the twentieth century with an index of how horrible had become the secret heart of its desire.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

People, Secret, Heart

“At heart, the issues raised in a work of fantasy are those we face in real life. In whatever guise—our own daily nightmares of war, intolerance, inhumanity; or the struggles of an Assistant Pig-Keeper against the Lord of Death—the problems are agonizingly familiar. And an openness to compassion, love and mercy, is as essential to us here and now as it is to any inhabitant of an imaginary kingdom.”

Lloyd Alexander (1924–2007) American children's writer

Newbery Award acceptance speech (1969)

Love, Life, Death, War

“One of the impressive things about paranoid literature is the contrast between its fantasied conclusions and the almost touching concern with factuality it invariably shows. It produces heroic strivings for evidence to prove that the unbelievable is the only thing that can be believed.”

Richard Hofstadter The Paranoid Style in American Politics

The Paranoid Style in American Politics (1964)

Literature

“Standing before this building, I learn something about fear. I learn that it is not the idle fantasies of someone who maybe wants something important to happen to him, even if the important thing is horrible. It is not the disgust of seeing a dead stranger, and not the breathlessness of hearing a shotgun pumped outside of Becca Arrington's house. This cannot be addressed by breathing exercises. This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl out onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.”

John Green book Paper Towns

Quentin "Q" Jacobsen, pp. 140-141
Paper Towns (2008)

Fear, Feeling, Exercises, Fish

“It is generally assumed that men are damaged in their capacity for closeness and intimacy. If intimacy is defined as a loving closeness with another person, then it is usually true that the early conditioning of men to be performers and competitors in the impersonal competitive world limits their intimacy capacity. Women are assumed to have a greater capacity for intimacy than men because they express caring emotions and allow themselves to be dependent and close in relationships more easily. Yet, a closer look will provide a different perspective.

True intimacy is love and closeness based on knowledge of the inner reality and inner experience of the other. However, in romantic relationships, closeness ends or is put into crisis when men describe honestly their inner experiences to women. Women assail the relationship behavior of men and men acknowledge what they are told. Rarely is the opposite true. Men accept the reality of women more than women accept the reality of men.

The fact that a woman's priority is placed on personal needs bears no relationship to a genuine capacity for intimacy. To be loved and known, and to be fully comfortable expressing one's personal self, are two major components of intimacy. There are few men who have received that from a woman. The opposite holds true. A woman's love for a man is contingent on his participating in her romantic fantasy of what he and the relationship should be. Few men risk challenging or undermining that fantasy. Instead, they play by the rules of romance even when it feels uncomfortable, knowing that being loved by her is fragile and easily broken once he reveals his resistances and unromantic feelings.”

Herb Goldberg (1937–2019) American psychologist

Why Women Are Also Incapable of Intimacy, pp. 120–121
What Men Still Don't Know About Women, Relationships, and Love (2007)

Love, Women, Men, World

“When you get to my age, and I'm 66 now, you realize that the world is a madhouse and that most people are operating in fantasy anyway. So once you realise that, it doesn't bother you much.”

John Cleese (1939) actor from England

From Channel 4 documentary The Secret Life of Brian (2007)

People, Age, World

“One knows that later Giacometti broke this domination surrealist influence of Breton, and he became completely interested again in the figure, he became figurative – he did nothing in the end but portraits of his brother and so on, and all very.... not realistic, but interested in life, in nature, and not so much in the dream or in the fantasy.”

Henry Moore (1898–1986) English artist

Quote in 'Henry Moore in Spain' / 'Henry Moore interview', c. 1981, HMF Library; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 152
1970 and later

Life, Dreams, Nature

“In their last ditch, the royalists object that this all too bloodless and practical; that people need and want the element of magic and fantasy. Nobody wants life to be charmless. But the element of fantasy and magic is as primitive as it is authentic, and there are good reasons why it should not come from the state. When orchestrated and distributed in that way, it leads to disappointment and rancour, and can lead to the enthronement of sillier or nastier idols.”

Christopher Hitchens (1949–2011) British American author and journalist

1990s, The Monarchy: A Critique of Britain's Favourite Fetish

Life, People, Disappointment, Way

“The common purpose of pornography is to enhance sexual pleasure or sexual fantasy. It is meant to be free of things like guilt, insecurity, anger or responsibility. It can also be detached from the struggles of intimacy. I chose to use imagery common in pornography but placed these images in the emotional context which included intense guilt, anger, regret, anguish, and confusion. In this context, it is difficult for the images to enhance sexual pleasure or sexual fantasy. Instead, the graphic images work better to enhance the discomfort of intimacy.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Another Man Essay

Pleasure, Anger

“I am often asked is [my work] science fiction or fantasy and my answer is usually ‘Yes’.”

China Miéville (1972) English writer

In a panel about his work in Comic Con 2010. Quoted in China Miéville Takes Comic Con http://www.tor.com/blogs/2010/08/china-mieville-takes-comic-con.

Science

“Perhaps it is possible for humans to change directions, to look at animals not as competitors or as yet another race to colonize, but as models for achieving something that has eluded humans for their entire evolutionary history. If animals can learn to live with other species in peace, and sometimes even in friendship, is it not possible that observing this extraordinary ability may yet act as a catalyst for us? Is it not possible that harmony among nations need be not a mere fantasy, but something we can learn from observing the achievements of these so-called lesser species? All that is lacking are the will and the humility.”

Jeffrey Moussaieff Masson (1941) American writer and activist

Epilogue
Raising the Peaceable Kingdom (2005)

Friendship, Peace, History, Learning

“Fantasy, by its power to move us so deeply, to dramatize, even melo-dramatize, morality, can be one of the most effective means of establishing a capacity for adult values.”

Lloyd Alexander (1924–2007) American children's writer

"Wishful Thinking – Or Hopeful Dreaming?" (1968)

“Myth was the mystery plus the fantasy — gods, anthropomorphized animals and birds, chimera, phantasmagorical creatures — that posits out of the imagination some sort of explanation for the mystery. Humans and their fellow creatures were the materiality of the story, but as Nikos Kazantzakis once wrote, 'Art is the representation not of the body but of the forces which created the body.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

God, Art, Imagination, Bird

“Creationists contend that they don’t believe in magic. But “speaking” anything into existence is an incantation, and the Bible is full of spells of one sort or another. Animating golems, or conjuring interdependent systems, and causing complex organisms to appear out of thin air -are each logically implausible and physically impossible according to everything we know about anything at all, yet this is exactly what religiously-motivated pseudoscientists actually promote! How do we test these ideas? How can we tell them apart from any of the thousands of fables men have concocted for the ghosts and gods of other religions? How can we tell whether any of this is even real, and not something someone just made up? Because despite anyone’s assertions of personal conviction, it is impossible to distinguish miracles from subjective impressions imagined out of nothing. In the realm of fantasy, it’s easy to demonstrate psionic talents, astral entities, and magical manifestations. Until they do that in reality too, then science has nothing but nature to work with.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008) Youtube, Foundational Falsehoods of Creationism

Men, God, Religion, Imagination

“I went to the movies — it was Kanye, myself and John Mayer, and we went to see "Ray." We were watching it, and I was just inspired by the movie, just as a musician and as an artist, I felt inspired. We left there and went straight to the studio. Kanye started cooking up this beat and started doing this chant, like, "Go, go, go," and while we were sitting there thinking what to write, John Mayer said, "You could write about your fantasy." And I was like, "Am I going to let John Mayer come up with the concept for this joint? This is hip-hop." But John Mayer is a very talented brother and you don't know where your blessings are going to come from. He was singing, and we made him a sample on it, going 'Go.'”

Common (rapper) (1972) American rapper, actor and author from Illinois

So it all came together and now we have the song 'Go!,' which is about going to my fantasy. On working with Kanye West and John Mayer on the track "Go." (2004) ( From MTV.com http://www.mtv.com/bands/c/common/common_q_and_a_050620/) Interviews

Thinking, Singing, Cooking

“I knew something was up when he couldn't go to his right. He said he was living his fantasy, and I said it was my fantasy to get his [rear] off the field.”

Tommy Lasorda (1927) American baseball player and coach

Obituary http://www.latimes.com/news/obituaries/la-me-barry-bremen-20110707,0,2935425.story, LA Times, 2011-07-07 Describing how he caught "Great Imposter" Barry Bremen in a Mets uniform shagging balls in the outfield before the 1986 All-Star Game at the Houston Astrodome.

“"Found the short story collection, PIGEONS FROM HELL by Robert E. Howard the creator of Conan the Barbarian when I was thirteen, or fourteen. It was the first dark fantasy and heroic fantasy I’d ever read. In that moment I knew not only did I want to be a writer, but this is what I wanted to write." ~ Laurel K. Hamilton, About Laurel K. Hamilton,”

Robert E. Howard (1906–1936) American author

http://www.laurellkhamilton.org/Laurell.html LaurelKHamilton.com
About

Hell, Reading

“The House of Fantasy is built of stone and wood and furnished in High Medieval. Its people travel by horse and galley, fight with sword and spell and battle-axe, communicate by palantir or raven, and break bread with elves and dragons.
The House of Science Fiction is built of duralloy and plastic and furnished in Faux Future. Its people travel by starship and aircar, fight with nukes and tailored germs, communicate by ansible and laser, and break protein bars with aliens.
The House of Horror is built of bone and cobwebs and furnished in Ghastly Gothick. Its people travel only by night, fight with anything that will kill messily, communicate in screams and shrieks and gibbers, and sip blood with vampires and werewolves.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

"The Furniture Rule", explaining the differences and similarities between the fields of weird fiction in Dreamsongs

People, Travel, Communication, Science

“.. to challenge the objective nature of being. The notion of being is presented here as relative rather than irrefutable: it is merely a projection of our minds, a whim of our thinking. The mind has the right to establish being wherever it cares to and for as long as it likes. There is no intrinsic difference between being and fantasy.”

Jean Dubuffet (1901–1985) sculptor from France

Quote in a letter of Dubuffet to Arnold Glimcher, as cited by Valery Oisteanu, Jean Dubuffet: The Last Two Years http://brooklynrail.org/2012/03/artseen/jean-dubuffet-the-last-two-years. The Brooklyn Rail, March 2012. posthumous

Nature, Thinking

“You meet the unknown with fantasy. That's what dreams do.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Dreams

“Two meanings have our lightest fantasies, —
One of the flesh, and of the spirit one.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Sonnet XXXIV
Sonnets (1844)

“The rationalism of the creative minds was tempered by abundant fantasies, and the supreme beauty of the monuments was probably spoiled by the circumambient vanities and ugliness; in a few cases the Greeks came as close to perfection as it was possible to do, yet they were human and imperfect.”

George Sarton (1884–1956) American historian of science

Preface.
A History of Science Vol.1 Ancient Science Through the Golden Age of Greece (1952)

Beauty, Perfection

“It is a kind of vehicle, you know. It's a kind of making, spreading out ideas, that is what I think. It spreads out the idea. You must care for information and I personally try to make information available not only in a written way... I try also to work with images, with fantasy, with jokes, with humor. It accelerates the discussion of the problem of a new society.... so I work coming from the idea of art as the most important means to transform the society.”

Joseph Beuys (1921–1986) German visual artist

Quote from 'I put me on this train', interview with Art Papier, 1979; as cited in: Joseph Beuys in America: Energy Plan for the Western Man, Carin Kuoni; New York, 1993, p. 44
1970's

Art, Way, Idea, Problem

“Privacy is a bourgeois fantasy.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

from a talk given at Arse Elektronika http://monochrom.at/arse-elektronika/ 2010

“I have grown accustomed to the disrespect expressed by some of the participants for their colleagues in the other disciplines. "Why, Dan," ask the people in artificial intelligence, "do you waste your time conferring with those neuroscientists? They wave their hands about 'information processing' and worry about where it happens, and which neurotransmitters are involved, but they haven't a clue about the computational requirements of higher cognitive functions." "Why," ask the neuroscientists, "do you waste your time on the fantasies of artificial intelligence? They just invent whatever machinery they want, and say unpardonably ignorant things about the brain." The cognitive psychologists, meanwhile, are accused of concocting models with neither biological plausibility nor proven computational powers; the anthropologists wouldn't know a model if they saw one, and the philosophers, as we all know, just take in each other's laundry, warning about confusions they themselves have created, in an arena bereft of both data and empirically testable theories. With so many idiots working on the problem, no wonder consciousness is still a mystery. All these charges are true, and more besides, but I have yet to encounter any idiots. Mostly the theorists I have drawn from strike me as very smart people – even brilliant people, with the arrogance and impatience that often comes with brilliance – but with limited perspectives and agendas, trying to make progress on the hard problems by taking whatever shortcuts they can see, while deploring other people's shortcuts. No one can keep all the problems and details clear, including me, and everyone has to mumble, guess and handwave about large parts of the problem.”

Daniel Dennett book Consciousness Explained

Consciousness Explained (1991)

People, Intelligence, Problem, Time

“The music I desire must be supple enough to adapt itself to the lyrical effusions of the soul and the fantasy of dreams.”

Claude Debussy (1862–1918) French composer

As quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 194

Dreams, Music, Soul

“It didn't matter what we did or where we did it as long as we were together. We knew we'd found what most people either pursue in years of futile search or dismiss as a fantasy at the outset: the missing half of ourselves. The real thing.”

John Perry Barlow (1947–2018) American poet and essayist

The Death of Cynthia Horner (1994)

People, Search

“Facts are more mundane than fantasies, but a better basis for conclusions.”

Amory B. Lovins (1947) American physicist

Salon.com, 05/26/05

“On 8 June 632, according to the tradional biography, the Prophet died after a short illness. He had achieved a great deal. To the pagan peoples of western Arabia he had brought a new religion which, with its monotheism and its ethical doctrines, stood on an incomparably higher level than the paganism it replaced. He had provided that religion with a revelation which was to become in the centuries to follow the guide to thought and count of countless millions of Believers. But he had done more than that; he had established a community and a well organized and armed state, the power and prestige of which made it a dominant factor in Arabia. What then is the final significance of the career of the Arabian Prophet? For the traditional Muslims the question scarcely arises. Muhammad was the last and greatest of the Apostles of God, sent as the Seal of Prophecy to bring the final revelation of god's word to mankind. His career and success were fore-ordained and inevitable and needed no the pious fantasy of later generations of believers clothed the dim figure of the Prophet with a rich and multi-coloured fabric of fable, legend, and miracle, not realizing that by diminishing his essential historic humanity they were robbing him of one of his most attractive qualities.”

Bernard Lewis (1916–2018) British-American historian

Source: Books, The Arabs in History (1950), p. 45-46

God, People, Religion, Communication

“The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.”

E. B. White (1899–1985) American writer

"Here Is New York," Holiday (1948); reprinted in Here is New York (1949)
Context: The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.
All dwellers in cities must dwell with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer who might loose the lightning, New York must hold a steady, irresistible charm.

People, History, Change, Time

“Environmentalism needs to be absolutely based in objective and verifiable science, it needs to be rational, and it needs to be flexible. And it needs to be apolitical. To mix environmental concerns with the frantic fantasies that people have about one political party or another is to miss the cold truth — that there is very little difference between the parties, except a difference in pandering rhetoric.”

Michael Crichton (1942–2008) American author, screenwriter, film producer

Environmentalism as a Religion (2003)
Context: Environmentalism needs to be absolutely based in objective and verifiable science, it needs to be rational, and it needs to be flexible. And it needs to be apolitical. To mix environmental concerns with the frantic fantasies that people have about one political party or another is to miss the cold truth — that there is very little difference between the parties, except a difference in pandering rhetoric. The effort to promote effective legislation for the environment is not helped by thinking that the Democrats will save us and the Republicans won't. Political history is more complicated than that.

People, Truth, Science

“To imagine that trauma casts out fantasy is a dangerous mistake.”

Ellen Willis (1941–2006) writer, activist

"Dreaming of War," The Nation (15 October 2001)
Context: For a decade Americans have been steeped in the rhetoric of "zero tolerance" and the faith that virtually all problems from drug addiction to lousy teaching can be solved by pouring on the punishment. Even without a Commander in Chief who pledges to rid the world of evildoers, smoke them out of their holes and the like, we would be vulnerable to the temptation to brush aside frustrating complexities and relieve intolerable fear (at least for the moment) by settling on one or more scapegoats to crush. To imagine that trauma casts out fantasy is a dangerous mistake.

Imagination

“Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it — I do actually like it because it says certain things. It's about expanding how you see the world.”

Terry Gilliam (1940) American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe

As quoted in "Salman Rushdie talks with Terry Gilliam", in The Believer (March 2003) http://www.believermag.com/issues/200303/?read=interview_gilliam Context: Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it — I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying "That's the world." And it's not the world. The world is a million possible things.

Love, World

“I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms.”

Philip Pullman (1946) English author

Interview at Achuka Children's Books http://www.achuka.co.uk/archive/interviews/ppint.php Context: I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story — the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake.

Thinking

“The "poetic avant-garde" relies on fantasy and dream reality as much as the Theatre of the Absurd does; it also disregards such traditional axioms as that of the basic unity and consistency of each character or the need for a plot.”

Martin Esslin (1918–2002) Playwright, theatre critic, scholar

Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The "poetic avant-garde" relies on fantasy and dream reality as much as the Theatre of the Absurd does; it also disregards such traditional axioms as that of the basic unity and consistency of each character or the need for a plot. Yet basically the "poetic avant-garde" represents a different mood; it is more lyrical, and far less violent and grotesque. Even more important is its different attitude toward language: the "poetic avant-garde" relies to a far greater extent on consciously "poetic" speech; it aspires to plays that are in effect poems, images composed of a rich web of verbal associations.
The Theatre of the Absurd, on the other hand, tends toward a radical devaluation of language, toward a poetry that is to emerge from the concrete and objectified images of the stage itself. The element of language still plays an important part in this conception, but what happens on the stage transcends, and often contradicts, the words spoken by the characters. In Ionesco's The Chairs, for example, the poetic content of a powerfully poetic play does not lie in the banal words that are uttered but in the fact that they are spoken to an ever-growing number of empty chairs.

Dreams, Reality

“So much fantasy relies on the author's having read Fraser's The Golden Bough or Robert Graves' The White Goddess and nothing else.”

Elizabeth Hand (1957) American writer

"Intense Ornate" interview with Amazon.co.uk (1999) http://www.elizabethhand.com/interview99.shtml Context: So much fantasy relies on the author's having read Fraser's The Golden Bough or Robert Graves' The White Goddess and nothing else. The White Goddess is a crank book, a crank book of genius of course, but all the same... Mind you, I found Waking the Moon cited in an article in a pagan magazine as an authority for the idea that there was a patriarchal brotherhood, the Benandanti, that have been running things since antiquity, with no mention of the fact that it is a novel, and a fantasy at that. People want to believe something, and so they swallow anything.

Reading

“It doesn't seem to matter what gods you pray to. We all die, in the real world and in fantasy worlds, and if there was some religion where you did not die I suspect that would be, that god would become very popular.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Discussing the influence of real-life faiths on his work and its religious systems, Authors@Google (August 2011)
Context: I think worship of death is an interesting basis for religion, because after all death is the one universal. It doesn't seem to matter what gods you pray to. We all die, in the real world and in fantasy worlds, and if there was some religion where you did not die I suspect that would be, that god would become very popular. They all promise us eternal life, but whatever.

God, World, Religion

“The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

infinity plus interview (2001)
Context: The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart. Too many contemporary Fantasies take the easy way out by externalizing the struggle, so the heroic protagonists need only smite the evil minions of the dark power to win the day. And you can tell the evil minions, because they're inevitably ugly and they all wear black.
I wanted to stand much of that on its head.
In real life, the hardest aspect of the battle between good and evil is determining which is which.

Life, Evil, Heart

“As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go.”

Patrick Rothfuss (1973) American fantasy writer

On the progress of The Wise Man's Fear in "Concerning the Release of Book Two" (26 February 2009) http://blog.patrickrothfuss.com/2009/02/concerning-the-release-of-book-two/ Official site Context: My book is different. In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance. So what *is* the structure then? Fuck if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other. I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy. But if I fuck it up, I'll end up with a confusing tangled mess of a story. Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff. Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit. It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.

Age, Parting

“From the intellectual point of view, he mingles his own fantasies with accepted opinions, whence arise pseudo lies (or sincere lies), syncretism, and all the features of child thought.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 1 : The Rules of the Game, § 8 : Conclusions : Motor Rules and the Two Kinds of Respect
Context: Every observer has noted that the younger the child, the less sense he has of his own ego. From the intellectual point of view, he does not distinguish between external and internal, subjective and objective. From the point of view of action, he yields to every suggestion, and if he does oppose to other people's wills — a certain negativism which has been called "the spirit of contradiction" — this only points to his real defenselessness against his surroundings. A strong personality can maintain itself without the help of this particular weapon. The adult and the older child have complete power over him. They impose their opinions and their wishes, and the child accepts them without knowing that he does so. Only — and this is the other side of the picture — as the child does not dissociate his ego from the environment, whether physical or social, he mixes into all his thoughts and all his actions, ideas and practices that are due to the intervention of his ego and which, just because he fails to recognize them as subjective, exercise a check upon his complete socialization. From the intellectual point of view, he mingles his own fantasies with accepted opinions, whence arise pseudo lies (or sincere lies), syncretism, and all the features of child thought. From the point of view of action, he interprets in his own fashion the examples he has adopted, whence the egocentric form of play we were examining above. The only way of avoiding these individual refractions would lie in true cooperation, such that both child and senior would each make allowance for his own individuality and for the realities that were held in common.

Sincerity

“I have often been called a Nazi, and, although it is unfair, I don't let it bother me. I don't let it bother me for one simple reason. No one has ever had a fantasy about being tied to a bed and sexually ravished by someone dressed as a liberal.”

P. J. O'Rourke book Give War a Chance

Give War a Chance (1992)

“True ideology has vanished, replaced by fear and fantasy. The right wing wants corporate control and a return to a past that never existed. The left wing wants government control and a future that will never exist.”

John Twelve Hawks book Spark

Spark (2014)
Context: True ideology has vanished, replaced by fear and fantasy. The right wing wants corporate control and a return to a past that never existed. The left wing wants government control and a future that will never exist. Both groups lose sight of the essential questions: how can the individual speak and think and create freely? New ideas are the only evolutionary force that will save us from destruction.

Fear, Past, Future

Quotes about fantasy page 5

Quotes about fantasy
page 5