Quotes about fantasy
page 3

Harry Chapin photo

“We've more important studies than your fantasies and fears
You know that rock's been perched up there for a hundred thousand years.”

Harry Chapin (1942–1981) American musician

The Rock
Song lyrics, Portrait Gallery (1975)

Quentin Crisp photo
Lisa Wilcox photo
Lenny Bruce photo

“Let me tell you the truth. The truth is what is, and what should be is a fantasy. A terrible, terrible lie that someone gave to the people long ago.”

Lenny Bruce (1925–1966) comedian and social critic

as quoted by Paul Krassner in Lenny Bruce: Swear to tell the truth 1998 http://www.imdb.com/title/tt0175844/

“Even in a fantasy realm, growing up is accomplished not without cost.”

Author's Note
The Chronicles of Prydain (1964–1968), Book II: The Black Cauldron (1965)

Edward Albee photo

“What people really want in the theater is fantasy involvement and not reality involvement.”

Edward Albee (1928–2016) American playwright

Quote (4 June 1967)

Jane Roberts photo
Joachim von Ribbentrop photo

“Secondly, the student is trained to accept historical mis-statements on the authority of the book. If education is a pre- paration for adult life, he learns first to accept without question, and later to make his own contribution to the creation of historical fallacies, and still later to perpetuate what he has learnt. In this way, ignorant authors are leading innocent students to hysterical conclusions. The process of the writers' mind provides excellent material for a manual on logical fallacies. Thirdly, the student is told nothing about the relationship between evidence and truth. The truth is what the book ordains and the teacher repeats. No source is cited. No proof is offered. No argument is presented. The authors play a dangerous game of winks and nods and faints and gestures with evidence. The art is taught well through precept and example. The student grows into a young man eager to deal in assumptions but inapt in handling inquiries. Those who become historians produce narratives patterned on the textbooks on which they were brought up. Fourthly, the student is compelled to face a galling situation in his later years when he comes to realize that what he had learnt at school and college was not the truth. Imagine a graduate of one of our best colleges at the start of his studies in history in a university in Europe. Every lecture he attends and every book he reads drive him mad with exasperation, anger and frustration. He makes several grim discoveries. Most of the "facts", interpretations and theories on which he had been fostered in Pakistan now turn out to have been a fata morgana, an extravaganza of fantasies and reveries, myths and visions, whims and utopias, chimeras and fantasies.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

Roberto Mangabeira Unger photo

“Here, then, is another way to understand the intentions of the social theoretical project that this critical analysis of the contemporary situation of social thought prepares and suggests. Philosophical disputes about the social ideal have increasingly come to turn on an unresolved ambivalence toward the naturalistic premise, an incomplete rebellion against it. The visionary imagination of our age has been both liberated and disoriented. It has been liberated by its discovery that social worlds are contingent in a more radical sense than people had supposed; liberated to disengage the ideas of community and objectivity from any fixed structure of dependence and dominion or even from any determinate shape of social life. It has also, however, been disoriented by a demoralizing oscillation between a trumped-up sanctification of existing society and would-be utopian flight that finds in the land of its fantasies the inverted image of the circumstance it had wanted to escape; disoriented by the failure to spell out what the rejection of the naturalistic view means for the vision of a regenerate society. The social theory we need must vindicate a modernist—that is to say, a nonnaturalistic—view of community and objectivity, and it must do so by connecting the imagination of the ideal with the insight into transformation.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Social Theoryː Its Situation and Its Task (1987), p. 47

Salvador Dalí photo

“From the moment I arrived in Cadaqués [Summer of 1929] I was assailed by a resurgence of my childhood period. The six years of secondary school, the three years in Madrid and the trip I had just made to Paris, all totally faded into the background, while all the fantasies and representations of my childhood period came back to take victorious possession of my mind.”

Salvador Dalí (1904–1989) Spanish artist

Quote from Secret Life; as quoted in La vida secreta de Salvador Dalí, S. Dali. In: Complete Works, Autobiographical Articles 1. Ediciones Destino / Gala-Salvador Dalí Foundation, Barcelona / Figueres, 2003, p. 597
Quotes of Salvador Dali, 1941 - 1950

David Brin photo

“Anyone who loves nature, as I do, cries out at the havoc being spread by humans, all over the globe. The pressures of city life can be appalling, as are the moral ambiguities that plague us, both at home and via yammering media. The temptation to seek uncomplicated certainty sends some rushing off to ashrams and crystal therapy, while many dive into the shelter of fundamentalism, and other folk yearn for better, “simpler” times. Certain popular writers urgently prescribe returning to ancient, nobler ways.
Ancient, nobler ways. It is a lovely image... and pretty much a lie. John Perlin, in his book A Forest Journey, tells how each prior culture, from tribal to pastoral to urban, wreaked calamities upon its own people and environment. I have been to Easter Island and seen the desert its native peoples wrought there. The greater harm we do today is due to our vast power and numbers, not something intrinsically vile about modern humankind.
Technology produces more food and comfort and lets fewer babies die. “Returning to older ways” would restore some balance all right, but entail a holocaust of untold proportion, followed by resumption of a kind of grinding misery never experienced by those who now wistfully toss off medieval fantasies and neolithic romances. A way of life that was nasty, brutish, and nearly always catastrophic for women.
That is not to say the pastoral image doesn’t offer hope. By extolling nature and a lifestyle closer to the Earth, some writers may be helping to create the very sort of wisdom they imagine to have existed in the past. Someday, truly idyllic pastoral cultures may be deliberately designed with the goal of providing placid and just happiness for all, while retaining enough technology to keep existence decent.
But to get there the path lies forward, not by diving into a dark, dank, miserable past. There is but one path to the gracious, ecologically sound, serene pastoralism sought by so many. That route passes, ironically, through successful consummation of this, our first and last chance, our scientific age.”

Afterword (p. 563)
Glory Season (1993)

Gary Gygax photo
Oscar Niemeyer photo

“I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978)

Mohammed VI of Morocco photo

“Criticism is constructive not tattling. Freedom of the press, is not anybody writing anything about anybody. One must write while respecting the facts, even when they are less exciting than the fantasy of those who chose to criticize just to criticize.”

Mohammed VI of Morocco (1963) King of Morocco

Original French: La critique est constructive, pas la délation. La liberté de la presse, ce n’est pas que n’importe qui écrive n’importe quoi sur n’importe qui. Il faut écrire en respectant les faits même quand ils sont moins excitants que le fantasme de ceux qui ont choisi de critiquer pour critiquer.
Interview with Le Figaro–September 2001 http://www.maroc.ma/fr/discours-royaux/interview-accord%C3%A9e-par-sa-majest%C3%A9-le-roi-mohammed-vi-au-quotidien-fran%C3%A7ais-%C2%AB-le

Gary Gygax photo
Matthew Stover photo
Gary Gygax photo
Thomas Friedman photo
John Gray photo
Steven M. Greer photo

“The conventional world of science thinks what I'm doing is nonsense, yet I'm one of the biggest skeptics in the UFO community because 90 percent of what I hear about this subject is nonsense. A lot of the information (about aliens) presented to the public is some kind of fantasy, but at its core there's always a little truth.”

Steven M. Greer (1955) American ufologist

Undated
Source: [Pearson, Mike, Is The Proof Out There, Too?, Rocky Mountain News, June 6, 1999, http://nl.newsbank.com/nl-search/we/Archives?p_product=RM&p_theme=rm&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EB4EDDE3547235C&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM, 2007-05-12, http://nbgoku23.googlepages.com/ISTHEPROOFOUTTHERETOO.htm, 2007-05-12]

Fritz Leiber photo
Anna Sui photo

“With the way that the times are, we're all looking for a little fantasy… Fantasy is such an important part of my fashion…”

Anna Sui (1964) American fashion designer

via Now Smell This. Anna Sui Secret Wish, Summer by Kenzo, Z Zegna & more new fragrances. Pennsylvania (March 29, 2005). http://www.nstperfume.com/2005/03/29/anna-sui-secret-wish-summer-by-kenzo-z-zegna-more-new-fragrances/

Clifford D. Simak photo
Fritz Leiber photo
Samuel R. Delany photo

“She simply has no concept of what’s real and what’s fantasy—did I say? She’s in the theater.”

Source: Triton (1976), Chapter 7 “Tiresias Descending, or Trouble on Triton” (p. 322)

Andrew Sega photo
John Bradford photo
Brian K. Vaughan photo
Patrick Rothfuss photo
Lana Turner photo
Paul Weller (singer) photo
Martin Scorsese photo

“I don't think there is any difference between fantasy and reality in the way these should be approached in a film. Of course if you live that way you are clinically insane.”

Martin Scorsese (1942) American film director, screenwriter, producer and actor

Scorcese on Scorsese, "Mean Streets—Alice Doesn't Live here Anymore—Taxi Driver".

Orson Scott Card photo

“A rustic setting always suggests fantasy; to suggest science fiction, you need sheet metal and plastic. You need rivets.”

Orson Scott Card (1951) American science fiction novelist

Quoted by Mary Robinette Kowal in " Precogs and Ray Guns Have No Place In True SciFi http://blogs.amctv.com/scifi-scanner/2009/09/science-fantasy.php".
Attributed

Walt Disney photo

“When we do fantasy, we must not lose sight of reality.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in Be Our Guest: Perfecting the Art of Customer Service (Disney Editions, 2001) p. 102

Michael Swanwick photo
Robert Anton Wilson photo
Neil Peart photo
Isaac Asimov photo
Marsden Hartley photo

“Blake would not laugh at my fantasies if he saw them [in contrary to the public in New York, as Hartley realized well, before]”

Marsden Hartley (1877–1943) American artist

Hartley to Kuntz, April 4, 1932; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 99
in this quote Hartly is referring to his mythical paintings like 'Tollan, Aztec Legend' (1933)
1931 - 1943

George Raymond Richard Martin photo

“Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys. It is certainly a genuine, legitimate topic as the core of fantasy, but I think the battle between Good and Evil is waged within the individual human hearts. We all have good in us and we all have evil in us, and we may do a wonderful good act on Tuesday and a horrible, selfish, bad act on Wednesday, and to me, that’s the great human drama of fiction. I believe in gray characters, as I’ve said before. We all have good and evil in us and there are very few pure paragons and there are very few orcs. A villain is a hero of the other side, as someone said once, and I think there’s a great deal of truth to that, and that’s the interesting thing. In the case of war, that kind of situation, so I think some of that is definitely what I’m aiming at.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

AssignmentX interview (June 2011) http://www.assignmentx.com/2011/interview-game-of-thrones-creator-george-r-r-martin-on-the-future-of-the-franchise-part-2/

Jane Roberts photo
Fran Lebowitz photo

“If your sexual fantasies were truly of interest to others, they would no longer be fantasies.”

"Letters" (p. 143).
Metropolitan Life (1978)

Jean Piaget photo

“I found that I simply couldn't take fantasy seriously, so it became humourous, and continued from there. I turned my home state of Florida into the Land of Xanth.”

Piers Anthony (1934) English-American writer in the science fiction and fantasy genres

As quoted in 100 Most Popular Genre Fiction Authors (2005) by Bernard Alger Drew, p. 11

Warren Farrell photo
Philippe Starck photo
Gail Dines photo
Toby Young photo

“It was as if all the meritocratic fantasies of every 1960s educationalist had come true and all Harold Wilson’s children had been let in at the gate … Small, vaguely deformed undergraduates would scuttle across the quad as if carrying mobile homes on their backs. Replete with acne and anoraks, they would peer up through thick pebble-glasses, pausing only to blow their noses.”

Toby Young (1963) British journalist

The Oxford Myth (1988)
Source: Toby Young quotes on breasts, eugenics and working-class people, Belam, Martin, 2018-01-03, The Guardian, 2018-01-03, en-GB, 0261-3077 http://www.theguardian.com/media/2018/jan/03/toby-young-quotes-on-breasts-eugenics-and-working-class-people,

Slavoj Žižek photo
Billy Joel photo

“It's just a fantasy
It's not the real thing
It's just a fantasy
It's not the real thing.
But sometimes a fantasy
Is all you need.”

Billy Joel (1949) American singer-songwriter and pianist

Sometimes a Fantasy.
Song lyrics, Glass Houses (1980)

Paul Karl Feyerabend photo
Andy Partridge photo
Salvador Dalí photo

“It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:, br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 15-16

John Gray photo
Robert E. Howard photo
Letitia Elizabeth Landon photo

“Doctors and “consumers” are becoming locked within a fantasy that everyone has something wrong with them, everyone and everything can be cured.”

Roy Porter (1946–2002) British historian

Source: The Greatest Benefit to Mankind: A Medical History of Humanity (1997), p. 14

John Varley photo
George Raymond Richard Martin photo
Lauren Duca photo

“It occurred to me how very tired I sometimes feel as an outspoken feminist. … Trolls are trying to silence women, and I've installed a fiery declaration within myself to never give in, but it's incredibly hard, and gets harder as my platform as a writer grows. What didn’t occur to me initially is that West has spent years in the trenches fighting this endless, thankless fight, and maybe she needs a goddamn break. I had this revelation again, much more profoundly and emotionally, about my own mother while watching Greta Gerwig’s new film, Lady Bird. … Often, my mother and I clashed when she denied me freedom, but only because she had been harmed by the dangers she knew lay ahead for her daughter. I did so many risky, awful things, and then lied to her about them, because I never felt I could be honest with her. I should have known she wasn’t judging me. I should have known that she had done it all before, that even though she wouldn’t have used the word "feminist" to describe herself at the time, mostly she just didn’t want me to have to be so very tired. … Walking home from Lady Bird on the kind of night that New York fall fantasies are made of, I resisted the urge to call my mother, because I thought I might cry until the universe ripped apart at the seams. But then I called her anyway. I sobbed as I told her I had no idea how impossibly hard she had been trying.”

Lauren Duca (1991) American journalist

Sexism, Remembered and Forgotten (November 17, 2017)

John Gray photo
Clive Barker photo

“Schumann's humor is rarely either witty or light: the unrealizable musical structure, the musical motto hidden and partly inaudible, must have stirred his musical fantasy.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Camille Paglia photo
Ray Comfort photo
Ray Bradbury photo
Werner Erhard photo
Naomi Wolf photo

“In the algebra of fantasy, A times B doesn't have to equal B times A. But, once established, the equation must hold throughout the story.”

Lloyd Alexander (1924–2007) American children's writer

"The Flat-Heeled Muse", Horn Book Magazine (1 April 1965)

Camille Paglia photo
Whittaker Chambers photo
Hillary Clinton photo

“There are times when the emotions are so clamorous and the rational working of the mind so perfunctory that there is no telling where the actual leaves off and the images of fantasy begin.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 35 (p. 577)

Marie-Louise von Franz photo
Revilo P. Oliver photo
Ray Bradbury photo

“Science-fiction balances you on the cliff. Fantasy shoves you off.”

Ray Bradbury (1920–2012) American writer

The Circus of Dr. Lao Introduction (1956)

Danny Tidwell photo

“Jumps and turns aren't hard; artistry is. To create a whole new world for the audience, that's the fantasy of ballet.”

Danny Tidwell (1984) American dancer

Rubin, Hanna (January 2005), "On the verge in 2005, DM's 25 to Watch", Dance Magazine 79 (1):40-69

Mao Zedong photo

“New things always have to experience difficulties and setbacks as they grow. It is sheer fantasy to imagine that the cause of socialism is all plain sailing and easy success, without difficulties and setbacks or the exertion of tremendous efforts.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On the Correct Handling of Contradictions Among the People
Source: (zh-CN) 任何新生事物的成长都是要经过艰难曲折的。在社会主义事业中,要想不经过艰难曲折,不付出极大努力,总是一帆风顺,容易得到成功,这种想法,只是幻想。

Robert Penn Warren photo
Camille Paglia photo
Mike Oldfield photo