Quotes about fantasy
page 3

“You can imagine that it is not easy to describe this modern vision of the nature of things in any manner intelligible to those who have not our advantages. There is much in this vision which will remind you of your mystics; yet between them and us there is far more difference than similarity, in respect both of the matter and the manner of our thought. For while they are confident that the cosmos is perfect, we are sure only that it is very beautiful. While they pass to their conclusion without the aid of intellect, we have used that staff every step of the way. Thus, even when in respect of conclusions we agree with your mystics rather than your plodding intellectuals, in respect of method we applaud most your intellectuals; for they scorned to deceive themselves with comfortable fantasies.”

Olaf Stapledon book Last and First Men

Source: Last and First Men (1930), Chapter XV: The Last Men; Section 3, “A Racial Awakening” (pp. 228-229)

Beauty, Way, Confidence, Imagination

“We've more important studies than your fantasies and fears
You know that rock's been perched up there for a hundred thousand years.”

Harry Chapin (1942–1981) American musician

The Rock
Song lyrics, Portrait Gallery (1975)

Fear, Study

“It would be impossible to get through the kind of life that I have known without accumulating a vast unused stockpile of rage. Retaliation, though, was a luxury I could never afford. On the physical level I was too feeble. On any other I was not rich enough. I never dared to be rude to anyone. I never knew that I might not need him later. Long after fantasies of sexual excess had ceased to torment me, my imagination was inflamed by lurid day-dreams of having my revenge on the world.”

Quentin Crisp book The Naked Civil Servant

Source: The Naked Civil Servant (1968), Ch. 29

Life, World, Dreams, Imagination

“I feel like the script to Nightmare 4 is so tender hearted and thought out. I completely related to that character. That’s me in grade school, junior high, etc. Daydreamer, all I did was read books all summer long, looking out the window at the cute guy playing soccer in the backyard. Literally I was Alice. That was my life, so I completely related to the character and I think a lot of us can relate to the character at times in our life when we just want to be part of the wall. We just want to be wallpaper and not bring attention to ourselves and disappear into fantasy worlds. I believe a lot of people, at least a lot of people have told me that they really related to that character. But at one point in life, you have to make a decision to stand up for yourself and stand up for those that you love.”

Lisa Wilcox (1964) American actress

Lisa Wilcox Interview: Clinger, Nightmare on Elm Street and Star Trek: The Next Generation http://www.nerdreport.com/2015/10/22/lisa-wilcox-interview-clinger-nightmare-on-elm-street-and-star-trek-the-next-generation/ (October 22, 2015)

Love, Life, People, Books

“Let me tell you the truth. The truth is what is, and what should be is a fantasy. A terrible, terrible lie that someone gave to the people long ago.”

Lenny Bruce (1925–1966) comedian and social critic

as quoted by Paul Krassner in Lenny Bruce: Swear to tell the truth 1998 http://www.imdb.com/title/tt0175844/

People, Truth, Lie

“Even in a fantasy realm, growing up is accomplished not without cost.”

Lloyd Alexander The Chronicles of Prydain

Author's Note
The Chronicles of Prydain (1964–1968), Book II: The Black Cauldron (1965)

“What people really want in the theater is fantasy involvement and not reality involvement.”

Edward Albee (1928–2016) American playwright

Quote (4 June 1967)

People, Reality

“As to the origin of life, any life, I thought, we remain ignorant. Our science theorizes about the beginning of the cosmos or the birth of life. Our religions postulate endless versions of a man-God, hardly more rational than we are, as the Creator. In the past I have sometimes thought that maybe life is meaningless after all. Then I'd think that maybe the Seth material is a kind of cosmic poppycock -- the chemical composition of my mind somehow intelligent enough to understand the irony of its own meaninglessness, then spinning desperate yarns, as many psychologists would say; futile fantasies leading nowhere. But then I'd think that a brain that could conceive or order somehow had to emerge from a greater order. Besides that, earlier I hadn't realized (I thought, feeling better) that science and religion had spun some pretty weird yarns themselves, and if poppycock was being measured on a scale of one to ten, in my book anyhow they'd each get a twelve and a gold star.”

Jane Roberts (1929–1984) American Writer

Source: The God of Jane: A Psychic Manifesto (1981), p. 51

Life, God, Books, Religion

“I know for a fact that this idea of the Jews causing the war and the Jews being so all important is nonsense. But that was Hitler's idea, and…was pure fantasy. As I say, Hitler is a riddle to me and will always remain so.”

Joachim von Ribbentrop (1893–1946) German general

To Leon Goldensohn. From "The Nuremberg Interviews" by Leon Goldensohn - Page 190

War, Idea

“"Some fool has put the head of this nail on the wrong end." "You idiot, it's for the opposite wall!" To be sure, if the space of physical objects allowed motions of translation only, and not also rotations. That space has such geometry is a fantasy; experience shows otherwise. It is only experience that makes this complaint and the rejoinder a dialogue of madmen.”

Abraham Kaplan (1918–1993) American philosopher

Source: "The Conduct of Inquiry", p. 35.

Fools

“Secondly, the student is trained to accept historical mis-statements on the authority of the book. If education is a pre- paration for adult life, he learns first to accept without question, and later to make his own contribution to the creation of historical fallacies, and still later to perpetuate what he has learnt. In this way, ignorant authors are leading innocent students to hysterical conclusions. The process of the writers' mind provides excellent material for a manual on logical fallacies. Thirdly, the student is told nothing about the relationship between evidence and truth. The truth is what the book ordains and the teacher repeats. No source is cited. No proof is offered. No argument is presented. The authors play a dangerous game of winks and nods and faints and gestures with evidence. The art is taught well through precept and example. The student grows into a young man eager to deal in assumptions but inapt in handling inquiries. Those who become historians produce narratives patterned on the textbooks on which they were brought up. Fourthly, the student is compelled to face a galling situation in his later years when he comes to realize that what he had learnt at school and college was not the truth. Imagine a graduate of one of our best colleges at the start of his studies in history in a university in Europe. Every lecture he attends and every book he reads drive him mad with exasperation, anger and frustration. He makes several grim discoveries. Most of the "facts", interpretations and theories on which he had been fostered in Pakistan now turn out to have been a fata morgana, an extravaganza of fantasies and reveries, myths and visions, whims and utopias, chimeras and fantasies.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

Life, Truth, Books, Education

“Here, then, is another way to understand the intentions of the social theoretical project that this critical analysis of the contemporary situation of social thought prepares and suggests. Philosophical disputes about the social ideal have increasingly come to turn on an unresolved ambivalence toward the naturalistic premise, an incomplete rebellion against it. The visionary imagination of our age has been both liberated and disoriented. It has been liberated by its discovery that social worlds are contingent in a more radical sense than people had supposed; liberated to disengage the ideas of community and objectivity from any fixed structure of dependence and dominion or even from any determinate shape of social life. It has also, however, been disoriented by a demoralizing oscillation between a trumped-up sanctification of existing society and would-be utopian flight that finds in the land of its fantasies the inverted image of the circumstance it had wanted to escape; disoriented by the failure to spell out what the rejection of the naturalistic view means for the vision of a regenerate society. The social theory we need must vindicate a modernist—that is to say, a nonnaturalistic—view of community and objectivity, and it must do so by connecting the imagination of the ideal with the insight into transformation.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Social Theoryː Its Situation and Its Task (1987), p. 47

Life, People, Age, World

“An imagined threat might be an extremely powerful motivation to action; and an aspiration, even if built on fantasy, is not nothing, provided it really moves people to action. … Even illusions can have effects. The realist must take powerful illusions seriously as factors in the world that have whatever motivational power they in fact have for the population in question, that is, as something to be understood. This is compatible with seeing through them, and refusing steadfastly to make them part of the cognitive apparatus one employs oneself to try to make sense of the world.”

Raymond Geuss book Philosophy and Real Politics

Source: Philosophy and Real Politics (2008), p. 11.

People, World, Imagination, Motivation

“From the moment I arrived in Cadaqués [Summer of 1929] I was assailed by a resurgence of my childhood period. The six years of secondary school, the three years in Madrid and the trip I had just made to Paris, all totally faded into the background, while all the fantasies and representations of my childhood period came back to take victorious possession of my mind.”

Salvador Dalí (1904–1989) Spanish artist

Quote from Secret Life; as quoted in La vida secreta de Salvador Dalí, S. Dali. In: Complete Works, Autobiographical Articles 1. Ediciones Destino / Gala-Salvador Dalí Foundation, Barcelona / Figueres, 2003, p. 597
Quotes of Salvador Dali, 1941 - 1950

School, Victory, Summer, Childhood

“Anyone who loves nature, as I do, cries out at the havoc being spread by humans, all over the globe. The pressures of city life can be appalling, as are the moral ambiguities that plague us, both at home and via yammering media. The temptation to seek uncomplicated certainty sends some rushing off to ashrams and crystal therapy, while many dive into the shelter of fundamentalism, and other folk yearn for better, “simpler” times. Certain popular writers urgently prescribe returning to ancient, nobler ways.
Ancient, nobler ways. It is a lovely image... and pretty much a lie. John Perlin, in his book A Forest Journey, tells how each prior culture, from tribal to pastoral to urban, wreaked calamities upon its own people and environment. I have been to Easter Island and seen the desert its native peoples wrought there. The greater harm we do today is due to our vast power and numbers, not something intrinsically vile about modern humankind.
Technology produces more food and comfort and lets fewer babies die. “Returning to older ways” would restore some balance all right, but entail a holocaust of untold proportion, followed by resumption of a kind of grinding misery never experienced by those who now wistfully toss off medieval fantasies and neolithic romances. A way of life that was nasty, brutish, and nearly always catastrophic for women.
That is not to say the pastoral image doesn’t offer hope. By extolling nature and a lifestyle closer to the Earth, some writers may be helping to create the very sort of wisdom they imagine to have existed in the past. Someday, truly idyllic pastoral cultures may be deliberately designed with the goal of providing placid and just happiness for all, while retaining enough technology to keep existence decent.
But to get there the path lies forward, not by diving into a dark, dank, miserable past. There is but one path to the gracious, ecologically sound, serene pastoralism sought by so many. That route passes, ironically, through successful consummation of this, our first and last chance, our scientific age.”

David Brin book Glory Season

Afterword (p. 563)
Glory Season (1993)

Love, Life, Wisdom, Women

“The essence of a role-playing game is that it is a group, cooperative experience. There is no winning or losing, but rather the value is in the experience of imagining yourself as a character in whatever genre you’re involved in, whether it’s a fantasy game, the Wild West, secret agents or whatever else. You get to sort of vicariously experience those things.”

Gary Gygax (1938–2008) American writer and game designer

Interview in 2006, as quoted in "Gary Gygax, Game Pioneer, Dies at 69" in The New York Times (5 March 2008) http://www.nytimes.com/2008/03/05/arts/05gygax.html?_r=1&ref=arts&oref=slogin

Secret, Imagination, Game

“First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.”

Oscar Niemeyer (1907–2012) Brazilian architect

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

Beauty, Imagination, Search, Light

“I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978)

Thinking, Science

“Criticism is constructive not tattling. Freedom of the press, is not anybody writing anything about anybody. One must write while respecting the facts, even when they are less exciting than the fantasy of those who chose to criticize just to criticize.”

Mohammed VI of Morocco (1963) King of Morocco

Original French: La critique est constructive, pas la délation. La liberté de la presse, ce n’est pas que n’importe qui écrive n’importe quoi sur n’importe qui. Il faut écrire en respectant les faits même quand ils sont moins excitants que le fantasme de ceux qui ont choisi de critiquer pour critiquer. Interview with Le Figaro–September 2001 http://www.maroc.ma/fr/discours-royaux/interview-accord%C3%A9e-par-sa-majest%C3%A9-le-roi-mohammed-vi-au-quotidien-fran%C3%A7ais-%C2%AB-le

Freedom

“The new D&D is too rule intensive. It's relegated the Dungeon Master to being an entertainer rather than master of the game. It's done away with the archetypes, focused on nothing but combat and character power, lost the group cooperative aspect, bastardized the class-based system, and resembles a comic-book superheroes game more than a fantasy RPG where a player can play any alignment desired, not just lawful good.”

Gary Gygax (1938–2008) American writer and game designer

GameSpy interview, Pt. 2 (16 August 2004) http://pc.gamespy.com/articles/538/538820p3.html

Books, Law, Game

“A human life is defined by its relationship with others: by its duty to its species. In the face of this duty, life, liberty, and the pursuit of happiness are meaningless. What you call individual rights are merely the cultural fantasy of a failed civilization.”

Matthew Stover book Blade of Tyshalle

(I.3) Del Rey, p. 74
Blade of Tyshalle (2001)

Life, Happiness

“While it is possible to play a single game, unrelated to any other game events past or future, it is the campaign for which these rules are designed. It is relatively simple to set up a fantasy campaign, and better still, it will cost almost nothing. In fact you will not even need miniature figures, although their occasional employment is recommended for real spectacle when battles are fought. A quick glance at the Equipment section of this booklet will reveal just how little is required. The most extensive requirement is time. The campaign referee will have to have sufficient time to meet the demands of his players, he will have to devote a number of hours to laying out the maps of his "dungeons" and upper terrain before the affair begins.”

Gary Gygax (1938–2008) American writer and game designer

Preface of the Original Dungeons & Dragons, (1 November 1973)

Game, Time, Past, Future

“We needed to go over there, basically, and take out a very big stick right in the heart of that world and burst that bubble.… What they [Muslims] needed to see was American boys and girls going house to house from Basra to Baghdad and basically saying "Which part of this sentence don't you understand? You don't think we care about our open society? You think this bubble fantasy, we're just going to let it grow? Well, suck on this!" That, Charlie, is what this war was about. We could have hit Saudi Arabia! It was part of that bubble. We could have hit Pakistan. We hit Iraq because we could.”

Thomas Friedman (1953) American journalist and author

Charlie Rose (30 May 2003).

War, World, Girl, Boy

“As the Genesis story teaches, knowledge cannot save us from ourselves. If we know more than before, it means only that we have greater scope to enact our fantasies. But – as the Genesis myth also teaches – there is no way we can rid ourselves of what we know. If we try to regain a state of innocence, the result can only be a worse madness. The message of Genesis is that in the most vital areas of human life there can be no progress, only an unending struggle with our own nature.”

John Gray (1948) British philosopher

An Old Chaos: Humanism and Flying Saucers (pp. 79-80)
The Silence of Animals: On Progress and Other Modern Myths (2013)

Life, Way, Nature, Knowledge

“Being pre-eminently a moralist, he needed a medium that enabled him to illustrate a moral insight as briefly and vividly as possible. Being an artist and sensualist, he needed a medium that was epigrammatic or aphoristic, but allowed him scope for fantasy and for that element of suggestiveness which he considered essential to beauty.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Introduction to his translation, Twenty Prose Poems by Charles Baudelaire

Beauty

“The conventional world of science thinks what I'm doing is nonsense, yet I'm one of the biggest skeptics in the UFO community because 90 percent of what I hear about this subject is nonsense. A lot of the information (about aliens) presented to the public is some kind of fantasy, but at its core there's always a little truth.”

Steven M. Greer (1955) American ufologist

Undated
Source: [Pearson, Mike, Is The Proof Out There, Too?, Rocky Mountain News, June 6, 1999, http://nl.newsbank.com/nl-search/we/Archives?p_product=RM&p_theme=rm&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EB4EDDE3547235C&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM, 2007-05-12, http://nbgoku23.googlepages.com/ISTHEPROOFOUTTHERETOO.htm, 2007-05-12]

Truth, World, Communication, Thinking

“I am up to date only sporadically. I live firmly in the world of art, where reality and fantasy are one.”

Fritz Leiber book Our Lady of Darkness

Source: Our Lady of Darkness (1977), Chapter 16 (p. 89)

World, Art, Reality

“Unfortunately, the gains for imagination are not free. The protections for imagination are indiscriminate. They shield bad ideas as well as good ones—and there are many more of the former than the latter. Most fantasies lead us astray, and most of the consequences of imagination for individuals and individual organizations are disastrous. Most deviants end up on the scrap pile of failed mutations, not as heroes of organizational transformation… There is, as a result, much that can be viewed as unjust in a system that induces imagination among individuals and individual organizations in order to allow a larger system to choose among alternative experiments. By glorifying imagination, we entice the innocent into unwitting self-destruction”

James G. March (1928–2018) American sociologist

or if you prefer, altruism
March cited in: Robert I. Sutton (2002) Weird Ideas That Work: 11 1/2 Practices for Promoting, Managing, and Sustaining Innovation. p. 192

Imagination, Idea

“With the way that the times are, we're all looking for a little fantasy… Fantasy is such an important part of my fashion…”

Anna Sui (1964) American fashion designer

via Now Smell This. Anna Sui Secret Wish, Summer by Kenzo, Z Zegna & more new fragrances. Pennsylvania (March 29, 2005). http://www.nstperfume.com/2005/03/29/anna-sui-secret-wish-summer-by-kenzo-z-zegna-more-new-fragrances/

Way, Fashion, Time, Parting

“Bit by bit, as the legend unfolds, the reader gets a more accurate picture of the human race. By degrees, one gains the conviction that here is a race which can be little more than pure fantasy. It is not the kind of race which could rise from humble beginnings to the eminence of culture with which it is gifted in these tales. Its equipment is too poor.
So far it lack of stability has become apparent. Its preoccupation with a mechanical civilization rather than with a culture based on some of the sounder, more worthwhile concepts of life indicates a lack of basic character.
And now, in this tale, we learn of the limited communications which it possessed, a situation which certainly is not conducive to advancement. Man’s inability to understand and appreciate the thought and the viewpoint of another man would be a stumbling block which no amount of mechanical ability could overcome.”

Clifford D. Simak book City

Notes on the Fifth Tale (p. 119)
City (1952)

Life, Communication, Understanding, Learning

“Now as for thinking your account a tale or story, my dear Franz, to be a good story is to me the highest the highest test of the truth of anything. I make no distinction whatever between reality and fantasy, or the objective and the subjective. All life and all awareness are ultimately one, including intensest pain and death itself. Not all the play need please us, and ends are never comforting. Some things fit together harmoniously and beautifully and startlingly with thrilling discords—those are true—and some do not, and those are merely bad art.”

Fritz Leiber book Our Lady of Darkness

Source: Our Lady of Darkness (1977), Chapter 17 (p. 95)

Life, Death, Pain, Truth

“She simply has no concept of what’s real and what’s fantasy—did I say? She’s in the theater.”

Samuel R. Delany book Triton

Source: Triton (1976), Chapter 7 “Tiresias Descending, or Trouble on Triton” (p. 322)

“The usual problem with progressive rock is that the band can get so wrapped up in their own fantasy land that their music becomes completely inaccessible. "Wanky", if you will.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Music, Problem

“My classmates were spinning their fantasies for the future: lawyer, ethnobotanist, Buddhist monk (it was a very progressive high school). Even the dumb, uninteresting ones who were there to provide “balance” looked forward to their marriages and their children. I knew I wasn’t going to have any of this because I knew I didn’t want it. But did that mean I would have nothing? I was the first person in the history of the school not to go to college.”

Susanna Kaysen book Girl, Interrupted

Girl, Interrupted (1994)

Marriage, Children, School, History

“The life we have at this present is the gift of God, "in whom we live, move, and are:" and therefore is he called Jehovah. For the which life as we should be thankful, so we may not in any wise use it after our own fantasy, but to the end for the which it is given and lent us; that is, to the setting forth of God's praise and glory, by repentance, conversion, and obedience to his good will and holy laws: whereunto his long-suffering doth, as it were, even draw us, if our hearts by impenitency were not hardened. And there fore our life in the scripture is called a "walking:" for that as the body daily draweth more and more near his end, that is the earth, even so our soul draweth daily more and more near the death, that is salvation or damnation, heaven or hell.”

John Bradford (1510–1555) English Protestant Reformer and martyr

To the Christian Reader, John Bradford Wisheth the True Knowledge and Peace of Jesus Christ, Our Alone and Omnisufficient Saviour. http://www.godrules.net/library/bradford/07bradford5.htm Sermon on Repentence

Life, Death, God, Law

“The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i. e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 67
Psychotic Reactions and Carburetor Dung (1988)

Music, Way, Home, Communication

“I think it was born out of that grade school fantasy that a lot of nerds like me had, which was "I could probably get the cute red-headed girl that sits across from me, if only every other boy in the entire school dies."”

Brian K. Vaughan (1976) American screenwriter, comic book creator

TALKING "Y" WITH BKV: THE BRIAN K. VAUGHN INTERVIEW conducted by Nolan Reese May 21, 2003

School, Girl, Boy, Thinking

“I was heavily influenced by my first attempt at a novel. I started a fantasy novel back in high school, and…. well… it really sucked. It was a plotless, clichéd mess. When I sat down to write this book, I wanted to make something much, much better. I wanted to write something that was pretty much the opposite of that first novel.
Also, I read Cyrano De Bergerac, right before I started writing the book. Cyrano's character reminded me of some important things, namely, what it really means to be a tragic hero. You don't need a lot of the cliché fantasy trappings to have that cool character.
I also read Giacomo Casanova's memoirs soon after starting this project. That opened my eyes to how interesting an autobiography could be, provided the person telling it has a way with words and has lived a sufficiently adventurous life….”

Patrick Rothfuss (1973) American fantasy writer

Interview with Fantasy Book Critic (25 May 2007) http://fantasybookcritic.blogspot.com/2007/03/interview-with-patrick-rothfuss.html

Life, Books, School, Way

“My career was a hollow success, a tissue of fantasies on film. Cheryl loved my mother, and they were both comfortably endowed in my will. I had never before felt or believed I could be in such a dark hole mentally, physically, and worst of all spiritually. All the good in my life—my mother, my child, my work, my friends—was blotted out by the dead feeling that nothing really mattered. I hadnt heard that suicide was a cry for help. To me it meant putting a big stop to the pain and anguish. There was none of that Ill show them. Boy, they'll miss me when Im gone nonsense. I wasnt trying to hurt anyone. I was aware that everyone would go on and survive, but I knew I definitely could not. I wanted out.”

Lana Turner (1921–1995) American actress

On her depression and suicide attempt, p. 158.
Autobiography

Love, Life, Pain, Feeling

“The morning slips away in a Valium haze and catalogues,
And numerous cups of coffee,
In the afternoon the weekly food is put in bags - as you float off down the high street.
The shop windows reflect, play a nameless host to a closet ghost -
A picture of your fantasy, a victim of your misery…”

Paul Weller (singer) (1958) English singer-songwriter, Guitarist

Private Hell, from Setting Sons (1979)

Food, Coffee

“I don't think there is any difference between fantasy and reality in the way these should be approached in a film. Of course if you live that way you are clinically insane.”

Martin Scorsese (1942) American film director, screenwriter, producer and actor

Scorcese on Scorsese, "Mean Streets—Alice Doesn't Live here Anymore—Taxi Driver".

Way, Thinking, Reality

“A rustic setting always suggests fantasy; to suggest science fiction, you need sheet metal and plastic. You need rivets.”

Orson Scott Card (1951) American science fiction novelist

Quoted by Mary Robinette Kowal in " Precogs and Ray Guns Have No Place In True SciFi http://blogs.amctv.com/scifi-scanner/2009/09/science-fantasy.php". Attributed

Science

“When we do fantasy, we must not lose sight of reality.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in Be Our Guest: Perfecting the Art of Customer Service (Disney Editions, 2001) p. 102

Reality

“Your girlfriend is none too tightly wrapped, if you’ll forgive me for saying so. I don’t think she’s actually crazy, but—I been watching her a long time, and it is my considered opinion that she is none too clear on where the line between fantasy and reality should be drawn.”

Michael Swanwick (1950) American science fiction author

Source: In the Drift (1985), Chapter 5, “Marrow Death” (pp. 180-181)

Forgiveness, Thinking, Reality, Time

“And Spaceship Earth, that glorious and bloody circus, continued its four-billion-year-long spiral orbit about the Sun; the engineering, I must admit, was so exquisite that none of the passengers felt any motion at all. Those on the dark side of the ship mostly slept and voyaged into worlds of freedom and fantasy; those on the light side moved about the tasks appointed for them by their rulers, or idled waiting for the next order from above.”

Robert Anton Wilson book The Illuminatus! Trilogy

The Illuminatus! Trilogy (1975)

World, Freedom, Light, Waiting

“[On modern art] True psychos stand alone. The only pioneers are those who give voices to the ugliest corridors of their unconscious without fear of censure from any quarter. The acts that ordinary of people commit behind closed doors are beyond the ken of any performance artist. Humans' innate weirdness is far more threating and entertaining than anything the professional shock mavens could conjure. I boggle your conception of a world split between cognoscenti and squares. I subvert the subversive and bury the underground under six feet of its own hypocritical manure. I perform unsolicited tattooing, body-piercing, and ritual scarification upon you. Give vent to your sickest fantasies, but don't call it art. Cornhole Barbara Bush, but only if you want to. Sketch your astrological chart with your own feces, but only if it feels good. If you want to do something truly radical, kill yourself. We'll have one less reader, but the world will be a better place.”

Jim Goad (1961) Author, publisher

ANSWER Me!

People, World, Fear, Art

“Some are born to move the world, to live their fantasies
But most of us just dream about the things we'd like to be
Sadder still to watch it die, then never to have known it
For you, the blind who once could see
The bell tolls for thee…
-- Losing It (1982)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

World, Dreams

“Asimov: Battlestar Galactica for instance, started off with twenty to thirty minutes of space battles which looked exactly like air battles in World War I. You could swear that the space ships were surrounded by air the way the maneuvered. One felt it was unworthy.
SWA Magazine: The Vipers in Battlestar Galactica look like jets. Is this a realistic design for the future?
Asimov: It is as if people in the 1880s were writing fantasy stories about airplanes of the future and they had the pilots lean back at the wheel and yell "whoa" and the airplane came to a halt in mid-air.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

An Interview with Isaac Asimov (1979)

War, People, World, Way

“Blake would not laugh at my fantasies if he saw them [in contrary to the public in New York, as Hartley realized well, before]”

Marsden Hartley (1877–1943) American artist

Hartley to Kuntz, April 4, 1932; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 99
in this quote Hartly is referring to his mythical paintings like 'Tollan, Aztec Legend' (1933)
1931 - 1943

“Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys. It is certainly a genuine, legitimate topic as the core of fantasy, but I think the battle between Good and Evil is waged within the individual human hearts. We all have good in us and we all have evil in us, and we may do a wonderful good act on Tuesday and a horrible, selfish, bad act on Wednesday, and to me, that’s the great human drama of fiction. I believe in gray characters, as I’ve said before. We all have good and evil in us and there are very few pure paragons and there are very few orcs. A villain is a hero of the other side, as someone said once, and I think there’s a great deal of truth to that, and that’s the interesting thing. In the case of war, that kind of situation, so I think some of that is definitely what I’m aiming at.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

AssignmentX interview (June 2011) http://www.assignmentx.com/2011/interview-game-of-thrones-creator-george-r-r-martin-on-the-future-of-the-franchise-part-2/

War, Truth, Guy, Mountain

“If Utrillo's paintings depicted actual scenes from life, if they were not imaginative pictorial fantasies, then the whole world would have had to be completely different. If Utrillo's representation was valid, then it would mean that mankind had regressed to an astonishing, almost unbelievable degree. All the things that Fitch believed man capable of enjoying -- dignity, solitude, integrity -- would have been experienced in the past. And that, he thought, was impossible. If men had ever possessed these benefits, they would never have given them up.”

Jane Roberts (1929–1984) American Writer

Source: The Rebellers (1963), p. 12

Life, Men, World, Imagination

“If your sexual fantasies were truly of interest to others, they would no longer be fantasies.”

Fran Lebowitz book Metropolitan Life

"Letters" (p. 143).
Metropolitan Life (1978)

“In this way things, external objects, are assimilated to more or less ordered motor schemas, and in this continuous assimilation of objects the child's own activity is the starting point of play. Not only this, but when to pure movement are added language and imagination, the assimilation is strengthened, and wherever the mind feels no actual need for accommodating itself to reality, its natural tendency will be to distort the objects that surround it in accordance with its desires or its fantasy, in short to use them for its satisfaction. Such is the intellectual egocentrism that characterizes the earliest form of child thought.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism

Way, Feeling, Imagination, Nature

“Just when people think they have me or dad brought to the ground in a box, we click into the realm of the great beast. This isn’t science fiction, fantasy, or insanity. Ask the thousands of people I’ve personally known and who have dealt with us personally. We are mindfuckers. Real mindfuckers in the real world.”

Ronald DeWolf (1934–1991) American critic of Scientology

The Telling of Me, by Me (1981)

People, World, Thinking, Science

“I found that I simply couldn't take fantasy seriously, so it became humourous, and continued from there. I turned my home state of Florida into the Land of Xanth.”

Piers Anthony (1934) English-American writer in the science fiction and fantasy genres

As quoted in 100 Most Popular Genre Fiction Authors (2005) by Bernard Alger Drew, p. 11

Home

“When divorces meant marriage no longer provided security for a lifetime, women adjusted by focusing on careers as empowerment. But when the sacrifice of a career met the sacrifices in a career, the fantasy of a career became the reality of trade-offs. Women developed career ambivalence.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 101.

Women, Marriage, Reality

“It is important to inject love into the place where you live. It is not healthy to rent an interior designer to create a home for you because it is not good to live in another person's fantasy. People should select for themselves and stamp their own identity on a place. They should mix and match everything to make their own cocktail.”

Philippe Starck (1949) French architect and industrial designer

Attributed to Starck in: Vinny Lee (2002) The Essential Guide to Decorating

Love, People, Home, Personality

“If there's a stack [of novels to review], the unpromising stuff goes at the top and the promising stuff goes at the bottom. That way, I am eager to finish Overwrought Romantic Mary Sue Fantasy because I know that will let me read Niche Product That Only the Author, James and Some Guy at JPL Likes.”

James Nicoll (1961) Canadian fiction reviewer

[dh3na8$a1u$1@reader1.panix.com, 2005]
2000s

Way, Guy, Reading

“By the time they first encounter porn, most men have internalized the sexist ideology of our culture, and porn, rather than being an aberration, actually cements and consolidates their ideas about sexuality. And it does this in a way that gives them intense sexual pleasure. This framing of sexist ideology as sexy and hot gives porn a pass to deliver messages about women that in any other form would be seen as completely unacceptable. Imagine what would happen if suddenly we saw a slew of dramas and sitcoms on television where, say, blacks or Jews were repeatedly referred to in a racist or anti-Semitic way, where they got their hair pulled, faces slapped, and choked by white men pushing foreign objects into their mouths. My guess is that there would be an outcry and the images would not be defended on the grounds that they were just fantasy but rather would be seen for what they are: depictions of cruel acts that one group is perpetrating against another group. By wrapping the violence in a sexual cloak, porn renders it invisible, and those of us who protest the violence are consequently defined as anti-sex, not anti-violence.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Gail Dines

Women, Men, Pleasure, Sex

“It was as if all the meritocratic fantasies of every 1960s educationalist had come true and all Harold Wilson’s children had been let in at the gate … Small, vaguely deformed undergraduates would scuttle across the quad as if carrying mobile homes on their backs. Replete with acne and anoraks, they would peer up through thick pebble-glasses, pausing only to blow their noses.”

Toby Young (1963) British journalist

The Oxford Myth (1988) Source: Toby Young quotes on breasts, eugenics and working-class people, Belam, Martin, 2018-01-03, The Guardian, 2018-01-03, en-GB, 0261-3077 http://www.theguardian.com/media/2018/jan/03/toby-young-quotes-on-breasts-eugenics-and-working-class-people,

Children, Home

“…Tibetan prayer wheels: you write a prayer on a paper, put the rolled paper on a wheel, and turn it automatically, without thinking. In this way, the wheel itself is praying for me, instead of me - or more precisely, I myself am praying through the medium of the wheel. The beauty of it all is that in my psychological inferiority I can think about whatever I want, I can yield to the most dirty and obscene fantasies, and it does not matter because - to use a good old Stalinist expression - 'whatever I am thinking, objectively I am praying.”

Slavoj Žižek book The Sublime Object of Ideology

32
The Sublime Object of Ideology (1989)

Beauty, Way, Thinking

“It's just a fantasy
It's not the real thing
It's just a fantasy
It's not the real thing.
But sometimes a fantasy
Is all you need.”

Billy Joel (1949) American singer-songwriter and pianist

Sometimes a Fantasy.
Song lyrics, Glass Houses (1980)

“And where is the boundary-if there is a boundary-between a collective outlook and "the world"?. Many cultures assume such a boundary, but they set it in different places. Divine appearances once were real- they are mere fantasies today. Where shall we, who examine the phenomenon, set the boundary?”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 27.
Conquest of Abundance (2001 [posthumous])

World, Appearance

“I leaned right over to kiss your stoney book
A little jealous of the ships with whom you flirt
A billion lovers with their cameras
Snap to look and in my fantasy
I sail beneath your skirt”

Andy Partridge (1953) British musician

"Statue of Liberty".
White Music (1978)

Books, Lovers, Kiss

“It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:, br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 15-16

Dreams, Idea, Question, Problem

“Today, for the mass of humanity, science and technology embody 'miracle, mystery, and authority'. Science promises that the most ancient human fantasies will at last be realized. Sickness and ageing will be abolished; scarcity and poverty will be no more; the species will become immortal. Like Christianity in the past, the modern cult of science lives on the hope of miracles. But to think that science can transform the human lot is to believe in magic. Time retorts to the illusions of humanism with the reality: frail, deranged, undelivered humanity. Even as it enables poverty to be diminished and sickness to be alleviated, science will be used to refine tyranny and perfect the art of war.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

The unsaved: The Grand Inquisitor and Flying Fish (p. 123)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

War, Age, Hope, Art

“I adore these books. Howard has a gritty, vibrant style--broadsword writing that cuts its way to the heart, with heroes who are truly larger than life. I heartily recommend them to anyone who loves fantasy.”

Robert E. Howard (1906–1936) American author

~ David Gemmell
About

Love, Life, Books, Way

“Mother:
Children and sorrow come together. First
Are sleepless nights, and cradle watchings — next
Your age is vexed with maiden fantasies,
And your girl's lover costeth you more care
Than ever did your own. It is not well!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (7th February 1835)
Translations, From the German

Children, Age, Girl, Lovers

“Doctors and “consumers” are becoming locked within a fantasy that everyone has something wrong with them, everyone and everything can be cured.”

Roy Porter (1946–2002) British historian

Source: The Greatest Benefit to Mankind: A Medical History of Humanity (1997), p. 14

“"Picnic on Nearside", The Magazine of Fantasy and Science Fiction (August 1974), reprinted in Peter Crowther ed. Tales in Space, p. 283”

John Varley (1947) American science fiction author

Science

“Plato was accused by some of his twentieth-century critics of racism, totalitarianism, fascism, and other political crimes with a very contemporary flavor. These accusations are too anachronistic to be taken seriously; whatever explains Hitler and Mussolini, it is not the dialogues of Plato. The more plausible complaint is that Plato does not take seriously the inescapability of politics in some form. Plato’s metaphysics is fascinating; so is his conviction that the just man does better than the unjust man, no matter what earthly fate befalls him. His political thinking often amounts to an injunction to abolish the conflicts that politics exists to resolve and fantasies about how it might be done.”

Alan Ryan (1940) British philosopher

On Politics: A History of Political Thought: From Herodotus to the Present (2012), Ch. 2 : Plato and Antipolitics

Fate, Thinking

“The battle between Good and Evil is a theme of much of fantasy. But I think the battle between Good and Evil is fought largely within the individual human heart, by the decisions that we make. It’s not like evil dresses up in black clothing and you know, they’re really ugly. These are some of the things that Tolkien did; he made them work fabulously, but in the hands of his imitators, they become total clichés. I mean the orc-like creatures who always do dress in black and… they’re really ugly and they’ve got facial deformities or something. You can tell that if somebody’s ugly, he must be evil. And then Tolkien’s heroes are all very attractive people and all that, of course, again this became cliché in the hands of the Tolkien imitators.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

"GRRM Interview Part 2: Fantasy and History", interview with TIME Entertainment http://entertainment.time.com/2011/04/18/grrm-interview-part-2-fantasy-and-history/ (18 April 2011)

People, Thinking, Decision, Evil

“It occurred to me how very tired I sometimes feel as an outspoken feminist. … Trolls are trying to silence women, and I've installed a fiery declaration within myself to never give in, but it's incredibly hard, and gets harder as my platform as a writer grows. What didn’t occur to me initially is that West has spent years in the trenches fighting this endless, thankless fight, and maybe she needs a goddamn break. I had this revelation again, much more profoundly and emotionally, about my own mother while watching Greta Gerwig’s new film, Lady Bird. … Often, my mother and I clashed when she denied me freedom, but only because she had been harmed by the dangers she knew lay ahead for her daughter. I did so many risky, awful things, and then lied to her about them, because I never felt I could be honest with her. I should have known she wasn’t judging me. I should have known that she had done it all before, that even though she wouldn’t have used the word "feminist" to describe herself at the time, mostly she just didn’t want me to have to be so very tired. … Walking home from Lady Bird on the kind of night that New York fall fantasies are made of, I resisted the urge to call my mother, because I thought I might cry until the universe ripped apart at the seams. But then I called her anyway. I sobbed as I told her I had no idea how impossibly hard she had been trying.”

Lauren Duca (1991) American journalist

Sexism, Remembered and Forgotten (November 17, 2017)

Women, Feeling, Home, Idea

“Marx imagined the end of scarcity would bring the end of history. He could not bring himself to see that a world without scarcity had already been achieved - in the prehistoric societies that he and Engels lumped together as 'primitive communism'. Hunter-gatherers were less burdened by labour than the majority of mankind at any later stage, but their sparse communities were completely dependent on the Earth's bounty. Natural catastrophe could wipe them out at any time. Marx could not accept the constraint that was the price of the hunter-gatherers' freedom. Instead, animated by the faith that humans are destined to master the Earth, he insisted that freedom from labour could be achieved without any restraints on their desires. This was only the Brethren of the Free Spirit's apocalyptic fantasy returning as an Enlightenment utopia.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

Non-Progress: Twentieth-century anti-capitalists, THE Phalanstery and The Medieval Brethren of The Spirit (p. 167-8)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

World, Faith, Imagination, History

“That's the nub of the thing, you see — seriousness of spirit. It doesn't mean heaviness of heart, or a lack of fantasy, but it does mean an awareness of influences that touch our lives, sometimes in ways that seem cruel and unfeeling, and sometimes in ways that open up a glory which can never be forgotten.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Scottish Folklore and Opera (1992).

Way, Heart

“Memory, prophecy and fantasy
the past, the future and
the dreaming moment between
are all one country,
living one immortal day.

To know that is Wisdom.

To use it is the Art.”

Clive Barker book The Great and Secret Show

The Great and Secret Show

Wisdom, Dreams, Art, Memory

“Schumann's humor is rarely either witty or light: the unrealizable musical structure, the musical motto hidden and partly inaudible, must have stirred his musical fantasy.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Music, Light

“Middle-class men, neutered by office life and daunted by feminist rhetoric, are shrinking. Lesbianism is increasing, since anxious, unmasculine men have little to offer. Women are simply more interesting to them. Male homosexuality is increasing, because masculinity is in crisis and because maternal consciousness, severed from the support network of the extended family, has become a psychotic system, forcing the young to struggle for life against clinging personal fantasy.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 90

Life, Women, Men, Family

“The great investors are almost entirely clueless as to what their supposed “employees,” the corporation managers are doing. The CEOs are almost entirely clueless as to what the branch and facility managers are doing. And the management of each facility are almost entirely clueless as to what is going on within the black box of the actual production process. In the light of this reality, Mises’ “entrepreneur”—so carefully and closely involved in the minutiae of choosing between technical possibilities of production, a brooding omnipresence guiding the efforts of every employee—is largely a construction of fantasy. It’s quite ironic, in fact, considering that Mises starts out the block quote above with the announcement that the entrepreneur is not omnipresent.”

Kevin Carson (1963) American academic

Organization Theory: A Libertarian Perspective (2008), Chapter 7
Organization Theory: A Libertarian Perspective (2008)

Quotes, Reality, Effort, Light

“Erika Jayne is six words: fantasy, love, escape, glitz, glamour, and fun. I think women should live out loud. I think that we should be fearless. I think we should express ourselves. I think we should have fun. And I don’t think anyone should dictate to you when your best days are, or that you are too old to express yourself. You are of worth and value in your 40s, 50s, and 60s. You don’t have to stop doing what you love simply because you’re not 25. I just think that those are old ideas that need to be broken and discarded quite honestly.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne interview to Refinery29 https://www.refinery29.com/erika-jayne-girardi-real-housewives-of-beverly-hills-interview (2017)

Love, Women, Idea, Thinking

“It amazes me that anyone would dare point to Jesus Christ in moral judgement. You had better have clean hands and a pure heart before you point a finger at the Son of God… Jesus never sinned once, in thought, word, or in deed. He never lied, stole, hated, lusted, coveted, murdered, or dishonoured his parents. Let's now turn the mirror back on you. When was the last time you burned with unlawfully sexual fantasies? You don't need to reply to that. God knows the answer… So take a little advice from a fellow sinner - stop pointing your sin-stained finger at perfection, and instead look at your own self-righteous and duplicitous heart, before it's too late.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

God, Hate, Parent, Time

“I write fantasy. The only science fiction I have written is Fahrenheit 451. It's the art of the possible. Science fiction is the art of the possible. It could happen. It has happened.”

Ray Bradbury (1920–2012) American writer

Art, Science

“Boys are scolded even for their violent fantasies- for the violent stories they want to hear, the violent books they want to read, the violent games they want to play. Male "demonism" is punished, pathologized, and stigmatized from cradle to campus. Even the good guys are treated like bad guys for ganging up, for being "xenophobic," patriotic, or too exclusive. Video games, fighting sports, and movies are decried for being "too violent." Football is deemed "too dangerous" by many overprotective parents. Everyone is supposed to agree that violence is never the answer- unless that violence comes from the cutting edge of the State's ax.”

Jack Donovan (1974) American activist, editor and writer

Pg 105
The Way of Men (2012)

Books, Guy, Game, Boy

“The nineteenth century will colonize; so, in its fantasies, did the nineteenth century soul. When Emma [Bovary] turns spendthrift and buys curtains, carpets and hangings from the draper, the information takes on something from the theme of the novel itself: the material is a symbol of the exotic, and the exotic feeds the Romantic appetite. It will lead to satiety, bankruptcy and eventually to nihilism and the final drive towards death and nothingness.”

V.S. Pritchett (1900–1997) British writer and critic

"Gustave Flaubert: The Quotidian", p. 130
The Myth Makers: European and Latin American Writers (1979)

Death, Soul

“Inherent in human beings are possibilities which we now can't even entertain. Before the space launch, space travel to many of us was the stuff of fantasy, of science fiction. We know what it is to explore the limits of what we consider to be a human being, but if we were to transform our understanding of ourselves, if we were to transform what we knew a human being to be, new possibilities of expression would open. We could function in a more creative way. In a more humane way. In the past we were transformed by the thrust of evolution or by accidental forces. This time we should transform ourselves with a conscious, committed degree of self-awareness.”

Werner Erhard (1935) Critical Thinker and Author

Interview with USA Today, "Mankind Must Find a New Self Awareness", Dan Neuharth and Miles White, December 14, 1982

Way, Travel, Understanding, Science

“For the first time in history, children are growing up whose earliest sexual imprinting derives not from a living human being, or fantasies of their own; since the 1960s pornographic upsurge, the sexuality of children has begun to be shaped in response to cues that are no longer human. […] Today's children and young men and women have sexual identities that spiral around paper and celluloid phantoms: from Playboy to music videos to the blank female torsos in women’s magazines, features obscured and eyes extinguished, they are being imprinted with a sexuality that is mass-produced, deliberately dehumanizing and inhuman.”

Naomi Wolf book The Beauty Myth

Source: The Beauty Myth (1991), Chapter 5 : 'Sex', p. 162

Women, Men, Children, Music

“In the algebra of fantasy, A times B doesn't have to equal B times A. But, once established, the equation must hold throughout the story.”

Lloyd Alexander (1924–2007) American children's writer

"The Flat-Heeled Muse", Horn Book Magazine (1 April 1965)

Time

“Bitterness is the outcome of a wrong mental movement - the attempt to force external events to conform to internal fantasy. The cure is to see fantasy as fantasy, which will reveal it as neither necessary nor rewarding.”

Vernon Howard (1918–1992) American writer

Treasury of Positive Answers

“I admire hard-bitten, wisecracking realism of Ida Lupino and the film noir heroines. I’m sick of simpering white girls with their princess fantasies.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), p. x

Girl, Princess

“The Wizard of Oz (M. G. M.) should settle an old Hollywood controversy: whether fantasy can be presented on the screen as successfully with human actors as with cartoons. ("The New Pictures," August 21, 1939)”

Whittaker Chambers (1901–1961) Defected Communist spy

TIME magazine (1939-1948)

“The Republicans, the opponents no longer have an argument. And certainly, we hear a lot coming from the Republican side that is absolutely out of touch with reality. We raised money through the congressional appropriations process. We enhanced the border security. That part of the work is done. Everybody that I know has looked at it said, okay, we have a secure border. There’s no need for this rhetoric and demagoguery that’s still —is carried out on the Republican side. You’ve run out of excuses. … I understand him, he’s (Donald Trump) talking about a very tall wall. Right? A beautiful tall wall. The most beautiful tall wall, better than the Great Wall of China, that would run the entire border. That he would somehow magically get the Mexican government to pay for. And, you know, it’s just fantasy. And in fact, if he cared to know anything about what members of Congress, like the senator and I have done, where it was necessary, we did support some fencing. Where it was necessary, we did add border patrol agents. We have done what by any fair estimate would have to conclude is a good job, quote, “securing the border.””

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

So let’s get about the business of comprehensive immigration reform.
Presidential campaign (April 12, 2015 – 2016), Democratic Presidential Debate in Miami (March 9, 2016)

Money, Beauty, Quotes, Understanding

“There are times when the emotions are so clamorous and the rational working of the mind so perfunctory that there is no telling where the actual leaves off and the images of fantasy begin.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 35 (p. 577)

Time

“The embodiment of the unconscious of a woman as a figure of the opposite sex, the animus, also has positive and negative features. The animus, however, does not express itself so often in women as an erotic fantasy or mood, but rather as "sacred" convictions. When these latter are expressed loudly and energetically in a masculine style, this masculine side of a woman is easily recognizable. However, it can also manifest in a woman who appears very feminine externally as a quiet but relentless power that is hard as iron. Suddenly one comes up against something in her that is cold, stubborn, and completely inaccessible.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man

Women, Sex, Mood, Appearance

“The struggle for existence in a universe we did not choose, and the burden of being a member of the only race which values objective, verifiable truth as an end in itself, makes us sometimes long for escape from reality -- in some cases through a literature of the fantastic, of marvelous dream worlds, of free-ranging fantasy. But we must not confuse that necessary escape with what is real. Permit me to suggest to the reader that it is a waste of his time and energy to play with fantasies that lack the literary and aesthetic charm of poetry and imaginative prose fiction.”

Revilo P. Oliver (1908–1994) American philologist

"Orage and New Age Consciousness", private letter, February 1977, published on National Vanguard http://www.nationalvanguard.org/story.php?id=6657 (October 25, 2005) 1970s

Truth, World, Dreams, Imagination

“Science-fiction balances you on the cliff. Fantasy shoves you off.”

Ray Bradbury (1920–2012) American writer

The Circus of Dr. Lao Introduction (1956)

Science