“Schumann's humor is rarely either witty or light: the unrealizable musical structure, the musical motto hidden and partly inaudible, must have stirred his musical fantasy.”

—  Charles Rosen

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

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Charles Rosen69
American pianist and writer on music 1927–2012

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“It is typical of Schumann's musical thinking to construct this complex network of references outside his music-to quote Beethoven, and then to have Beethoven's distant beloved refer to Clara. But this should give a clue to the nature of Schumann's achievement. It is not Schumann's music that, refers to Clara but Beethoven's melody, the "secret tone."”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 2 : Fragments

“Inaudible music may seem an odd notion, even a foolishly Romantic one—although it is partly the Romantic prejudice in favor of sensuous experience that makes it seem odd. Still, there are details of music which cannot be heard but only imagined, and even certain aspects of musical form which cannot be realized in sound even by the imagination.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

“The absolutely inaudible is rejected from music during the period of Viennese Classicism in which every musical line is potentially or imaginatively audible, but it makes a dramatic reappearance in the music of Schumann. The most striking of many examples is one of the episodes in the Humoresk, the last of the great piano works of Schumann's early years. … There are three staves: the uppermost for the right hand; the lowest for the left; the middle, which contains the melody, is not to be played. Note that the melody is no more to be imagined as a specific sound than it is to be played: nothing tells us that the melody is to be heard as vocal or instrumental. This melody, however, is embodied in the upper and lower parts as a kind of after-resonance-out of phase, delicate, and shadowy.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Jean Cocteau photo

“All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Le Coq et l’Arlequin (1918)

Claude Debussy photo

“The music I desire must be supple enough to adapt itself to the lyrical effusions of the soul and the fantasy of dreams.”

Claude Debussy (1862–1918) French composer

As quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 194

Marcel Marceau photo

“Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it’s music, not words, that provides power.”

Marcel Marceau (1923–2007) French mime and actor

US News & World Report (23 February 1987)

“For Beethoven, music was still shape, realized and inflected by instrumental sonority: other realizations may be as absurd as arrangements of the Hammerklavier, for example, always are, but the musical conception takes precedence over its realization in sound. The sonority serves the music. For Schumann, however, as for Chopin and Liszt, the conception was worked out directly within the sonority as a sculptor works directly in clay or marble. The instrumental sound is shaped into music.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Claude Debussy photo

“There’s no need either for music to make people think! … It would be enough if music could make people listen”

Claude Debussy (1862–1918) French composer

Letter to Paul Dukas (1901)
Context: I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have. It’s just that I find the actual pieces — whether they’re old or modern, which is in any case merely a matter of dates — so totally poverty-stricken, manifesting an inability to see beyond the work-table. They smell of the lamp, not of the sun. And then, overshadowing everything, there’s the desire to amaze one’s colleagues with arresting harmonies, quite unnecessary for the most part. In short, these days especially, music is devoid of emotional impact. I feel that, without descending to the level of the gossip column or the novel, it should be possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen, despite themselves and despite their petty mundane troubles, and never mind if they’re incapable of expressing anything resembling an opinion. It would be enough if they could no longer recognize their own grey, dull faces, if they felt that for a moment they had been dreaming of an imaginary country, that’s to say, one that can’t be found on the map.

“Nowadays, all students have access to and indeed most own computers and are comfortable with the software used to compose music. There are probably too many musical options for them now and the trick is to limit the number of musical ideas so as to develop structure and continuity in their work.”

Jon Appleton (1939) American composer

"The Decline of Academic Freedom at Dartmouth College", 20 October 2005.
Letter published in "Appleton Leaves Dartmouth", 2005

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“Music is a hidden arithmetic exercise of the soul, which does not know that it is counting.”
Musica est exercitium arithmeticae occultum nescientis se numerare animi.

Gottfried Leibniz (1646–1716) German mathematician and philosopher

Letter to Christian Goldbach, April 17, 1712.
Arthur Schopenhauer paraphrased this quotation in the first book of Die Welt als Wille und Vorstellung: Musica est exercitium metaphysices occultum nescientis se philosophari animi. (Music is a hidden metaphysical exercise of the soul, which does not know that it is philosophizing.)

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