Quotes about eye
page 42

Samuel Taylor Coleridge photo

“My eyes make pictures when they are shut.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

A Day-Dream
Bartlett's Familiar Quotations, 10th ed. (1919)

Tom Stoppard photo
Octavio Paz photo
Thomas Moore photo

“Oh, ever thus, from childhood's hour,
I 've seen my fondest hopes decay;
I never loved a tree or flower
But 't was the first to fade away.
I never nurs'd a dear gazelle,
To glad me with its soft black eye,
But when it came to know me well
And love me, it was sure to die.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part V-VIII: The Fire-Worshippers

John Updike photo
José Martí photo

“I dream of cloisters of marble
where in divine silence
the heroes, standing, rest;
at night, in light of the soul,
I speak with them: at night!
They are in a row: I walk
among the rows: the stone hands
I kiss them;
the stone eyes open;
the stone lips move;
the stone beards tremble;
they seize the sword of stone; they cry:
place the sword in the sheath!
Mute, I kiss their hand.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Sueño con claustros de mármol
donde en silencio divino
los héroes, de pie, reposan;
¡de noche, a la luz del alma,
hablo con ellos: de noche!
Están en fila: paseo
entre las filas: las manos
de piedra les beso: abren
los ojos de piedra: mueven
los labios de piedra: tiemblan
las barbas de piedra: empuñan
la espada de piedra: lloran:
¡viba la espade en la vaina!
Mudo, les beso la mano.
Simple Verses (1891), I dream of cloisters of marble

“… the fear of God together with a keen eye for the main chance.”

Ralph Barton Perry (1876–1957) American philosopher

Chap XXXV. (Among the traits Barton Perry lists as being possessed by Americans and inherited from British Puritans.)
The Present Conflict of Ideals: A Study of the Philosophical Background of the World War (1918)

Margaret Atwood photo

“An eye for an eye only leads to more blindness.”

Cat's Eye (1988)

Chris Stedman photo
Maurice de Vlaminck photo
K. S. Ranjitsinhji photo
Julio Cortázar photo
Bernard Cornwell photo
Caterina Davinio photo

“I am ashamed of the polished words,
so I hide them
throwing rough and crude notes
like the Rondanini Pietà
still raw with matter
on the lines of crystal
like the soul that sparkles in one’s eyes.
…”

Caterina Davinio (1957) Italian writer

Waiting for the End of the World
Source: Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, with parallel English text, English translation by Caterina Davinio and David W. Seaman, Fermenti, Rome 2012, p. 61. </ref>

Ella Wheeler Wilcox photo
Thomas Jefferson photo
Kodo Sawaki photo
Ted Hughes photo

“(From the enclosed booklet) Jamaican Air -- Every flight is the red-eye!”

Mitch Hedberg (1968–2005) American stand-up comedian

Do You Believe in Gosh?

Norbert Wiener photo

“The odors perceived by the ant seem to lead to a highly standardized course of conduct; but the value of a simple stimulus, such as an odor, for conveying information depends not only on the information conveyed by the stimulus itself but on the whole nervous constitution of the sender and receiver of the stimulus as well. Suppose I find myself in the woods with an intelligent savage who cannot speak my language and whose language I cannot speak. Even without any code of sign language common to the two of us, I can learn a great deal from him. All I need to do is to be alert to those moments when he shows the signs of emotion or interest. I then cast my eyes around, perhaps paying special attention to the direction of his glance, and fix in my memory what I see or hear. It will not be long before I discover the things which seem important to him, not because he has communicated them to me by language, but because I myself have observed them. In other words, a signal without an intrinsic content may acquire meaning in his mind by what he observes at the time, and may acquire meaning in my mind by what I observed at the time. The ability that he has to pick out the moments of my special, active attention is in itself a language as varied in possibilities as the range of impressions that the two of us are able to encompass. Thus social animals may have an active, intelligent, flexible means of communication long before the development of language.”

VIII. Information, Language, and Society. p. 157.
Cybernetics: Or Control and Communication in the Animal and the Machine (1948)

T.I. photo

“You can look me in my eyes and see im ready for whatever
dont kill me makes me better”

T.I. (1980) American rapper, record producer, actor, and businessman from Georgia

"Motovation".

Steven Heighton photo
Enoch Powell photo
George Herbert Mead photo
Elizabeth Hand photo
Thomas Brooks photo
James Clerk Maxwell photo

“He that would enjoy life and act with freedom must have the work of the day continually before his eyes. Not yesterday's work, lest he fall into despair; nor to-morrow's, lest he become a visionary—not that which ends with the day, which is a worldly work; nor yet that only which remains to eternity, for by it he cannot shape his actions.
Happy is the man who can recognise in the work of to-day a connected portion of the work of life and an embodiment of the work of Eternity. The foundations of his confidence are unchangeable, for he has been made a partaker of Infinity. He strenuously works out his daily enterprises because the present is given him for a possession.
Thus ought Man to be an impersonation of the divine process of nature, and to show forth the union of the infinite with the finite, not slighting his temporal existence, remembering that in it only is individual action possible; nor yet shutting out from his view that which is eternal, knowing that Time is a mystery which man cannot endure to contemplate until eternal Truth enlighten it.”

James Clerk Maxwell (1831–1879) Scottish physicist

Paper communicated to Frederic Farrar (1854) Æt. 23, as quoted in Lewis Campbell, William Garnett, The Life of James Clerk Maxwell: With Selections from His Correspondence and Occasional Writings (1884) pp. 144-145, https://books.google.com/books?id=B7gEAAAAYAAJ&pg=PA144 and in Richard Glazebrook, James Clerk Maxwell and Modern Physics (1896) pp. 39-40. https://books.google.com/books?id=hbcEAAAAYAAJ&pg=PA39

Brooks D. Simpson photo

“Which are more full of fate:
The stars; or those sad eyes?
Which are more still and great:
Those brows; or the dark skies?”

Lionel Johnson (1867–1902) English poet

By the Statue of King Charles at Charing Cross (1895)

Robert Mitchum photo
Bill O'Reilly photo
Stanley Baldwin photo

“This is Empire Day, and we lift up our eyes beyond our immediate surroundings and our everyday tasks to behold the great inheritance which is ours. Our feet are set in a large space, and if the Titan has known moments of weariness, if our burdens are heavy, our shoulders are yet broad, and they have long been fitted to bear the vast orb of our fate.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech in Hyde Park (24 May 1929), published in This Torch of Freedom (1935), p. 25. In 1902 Joseph Chamberlain said "The weary Titan staggers under the too vast orb of its fate".
1929

Haruki Murakami photo
Taylor Swift photo
Ray Comfort photo
Brigham Young photo

“It has been observed here this morning that we are called fanatics. Bless me! That is nothing. Who has not been called a fanatic who has discovered anything new in philosophy or science? We have all read of Galileo the astronomer who, contrary to the system of astronomy that had been received for ages before his day, taught that the sun, and not the earth, was the centre of our planetary system? For this the learned astronomer was called "fanatic," and subjected to persecution and imprisonment of the most rigorous character. So it has been with others who have discovered and explained new truths in science and philosophy which have been in opposition to long-established theories; and the opposition they have encountered has endured until the truth of their discoveries has been demonstrated by time. The term "fanatic" is not applied to professors of religion only…I will tell you who the real fanatics are: they are they who adopt false principles and ideas as facts, and try to establish a superstructure upon a false foundation. They are the fanatics; and however ardent and zealous they may be, they may reason or argue on false premises till doomsday, and the result will be false. If our religion is of this character we want to know it; we would like to find a philosopher who can prove it to us. We are called ignorant; so we are: but what of it? Are not all ignorant? I rather think so. Who can tell us of the inhabitants of this little planet that shines of an evening, called the moon? When we view its face we may see what is termed "the man in the moon," and what some philosophers declare are the shadows of mountains. But these sayings are very vague, and amount to nothing; and when you inquire about the inhabitants of that sphere you find that the most learned are as ignorant in regard to them as the most ignorant of their fellows. So it is with regard to the inhabitants of the sun. Do you think it is inhabited? I rather think it is. Do you think there is any life there? No question of it; it was not made in vain. It was made to give light to those who dwell upon it, and to other planets; and so will this earth when it is celestialized. Every planet in its first rude, organic state receives not the glory of God upon it, but is opaque; but when celestialized, every planet that God brings into existence is a body of light, but not till then. Christ is the light of this planet. God gives light to our eyes.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses, 13:271 (July 24, 1870)
1870s

Rush Limbaugh photo

“You find yourself staring, looking at, casually glancing at a woman, but you know that it's now socially taboo. You shouldn't be doing it. And you think everybody is noticing you doing it and condemning you in their minds. You shouldn't — so you walk up to the woman and say, "Will you please ask your breasts to stop staring at my eyes?"”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

Libs Want Men to Stop Looking at Women
The Rush Limbaugh Show
2013-12-09
http://www.rushlimbaugh.com/daily/2013/12/09/libs_want_men_to_stop_looking_at_women, quoted in * The Rush Limbaugh Guide To Sexual Harassment
Media Matters for America
2013-12-09
http://mediamatters.org/video/2013/12/09/the-rush-limbaugh-guide-to-sexual-harassment/197197

F. Scott Fitzgerald photo
Zainab Salbi photo
Tanith Lee photo
Will Cuppy photo

“[Footnote:] Much still remains to be learned about his sex life because the Hummingbird is quicker than the eye.”

Will Cuppy (1884–1949) American writer

The Hummingbird
How to Tell Your Friends from the Apes (1931)

Alexander Pope photo
George Long photo
Mobutu Sésé Seko photo
Salvador Dalí photo
Edwin Percy Whipple photo
Percy Bysshe Shelley photo
Anne Brontë photo

“Metre is to rhythm as eye is to ear.”

John Hollander (1929–2013) American poet

'Vision and Resonance:Two senses of Poetic Form' OUP London 1975

“Let's face it, nobody could paint eyes like El Greco, and nobody can paint eyes like Walter Keane.”

Walter Keane (1915–2000) American plagiarist

Referring to himself in the third person, page 39. Cited also in " The lady behind those Keane-eyed kids https://books.google.com/books?id=2FMEAAAAMBAJ&pg=PA56," LIFE 69, no. 21 (20 November 1970), p. 56; by Amy M. Spindler, " Style; An Eye for an Eye http://www.nytimes.com/1999/05/23/magazine/style-an-eye-for-an-eye.html," The New York Times (23 May 1999); and by Jesse Hamlin, " Artist Margaret Keane hasn't lost wide-eyed enthusiasm for work http://www.sfgate.com/entertainment/article/Artist-Margaret-Keane-hasn-t-lost-wide-eyed-5955625.php," SFGate (14 Decembet 2014).
1965, Cited by Jane Howard

Nastassja Kinski photo
Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

George Sand photo

“The whole secret of the study of nature lies in learning how to use one's eyes.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

Apprendre à voir, voilà tout le secret des études naturelles.
http://books.google.com/books?id=btRg0Qw2X9MC&q=%22Apprendre+%C3%A0+voir+voil%C3%A0+tout+le+secret+des+%C3%A9tudes+naturelles%22&pg=PA51#v=onepage
Letter to Juliette Lambert-Adam (7 April 1868)

Mrs Patrick Campbell photo

“She has such pretty little eyes — And they're so close together!”

Mrs Patrick Campbell (1895–1940) British stage actress

Comment about actress Norma Shearer, quoted in They Had Faces Then: Super Stars, Stars, and Starlets Of The 1930's (1974) by John Shipman Springer and, Jack D. Hamilton, p. 54

Malcolm McDowell photo

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

“Anyone seen Kaka's wife? Funnily enough, she's a complete sort. She's the sort of woman who, if she looked you in the eye in a bar and asked you where the fag machine was, you'd start giggling and snort.”

Ben Dirs journalist

Quotes of the Week, 2007-05-09, BBC http://news.bbc.co.uk/solpda/ifs_sport/hi/newsid_6635000/6635253.stm,
Football Commentary

Xun Zi photo
Billy Joel photo
Bawa Muhaiyaddeen photo
George Parsons Lathrop photo
Henry Wadsworth Longfellow photo

“He speaketh not; and yet there lies
A conversation in his eyes.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Hanging of the Crane.
Bartlett's Familiar Quotations, 10th ed. (1919)

George Eliot photo
Meister Eckhart photo
Kit Carson photo
St. Vincent (musician) photo

“Oh but I'd pay anything to keep my conscience clean.
I'm keeping my eyes on the the exit sign. Steady now.”

St. Vincent (musician) (1982) American singer-songwriter

"The Party"
Actor (2009)

Leo Tolstoy photo
Bill Mollison photo
Miho Mosulishvili photo
Henry Adams photo

“Our age has lost much of its ear for poetry, as it has its eye for color and line, and its taste for war and worship, wine and women.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Henry Ward Beecher photo

“I had no idea what I was doing when I wrote Search. There was no carefully designed work plan. There was no theory that I was out to prove. I went out and talked to genuinely smart, remarkably interesting, first-rate people. I had an infinite travel budget that allowed me to fly first class and stay at top-notch hotels and a license from McKinsey to talk to as many cool people as I could all around the United States and the world.
I went to see Karl Weick, who had totally influenced my life. I had read his work a thousand times, and I'd never met him. I went to Oslo to talk with Einar Thorsrud, who had studied empowerment on oil tankers. I went to the Tavistock Institute in London, where the leading thinkers on organizational development were looking at why people work together effectively in team configurations under certain circumstances.
Word of the meeting got back to McKinsey USA, and I was invited to give a presentation to the top management of PepsiCo… The time was drawing near for the Pepsi presentation to take place. One morning at about 6, I sat down at my desk overlooking the San Francisco Bay from the 48th floor of the Bank of America Tower, and I closed my eyes. Then I leaned forward, and I wrote down eight things on a pad of paper. Those eight things haven't changed since that moment. They were the eight basic principles of Search.”

Tom Peters (1942) American writer on business management practices

Tom Peters (2001) "Tom Peters's True Confessions" in Fast Company, December 2001 ( online http://www.fastcompany.com/44077/tom-peterss-true-confessions, Nov 31, 2001).

Laura Antoniou photo
Roger Ebert photo

“…If there's one thing I've learned in this life, it's that you never say no to an old gypsy woman with a blind eye and leprous fingernails.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/drag-me-to-hell-2009 of Drag Me to Hell (7 June 2009)
Reviews, Three star reviews

Grandma Moses photo
Thomas Hood photo
Robert T. Bakker photo

“Our own mammalian order, the primates, prides itself on hand-eye coordination, monkeys, apes, and man are all good manipulators. But no mammal can rival the chameleon for eye-tongue coordination.”

The Dinosaur Heresies: A Revolutionary View of Dinosaurs (1986), Longman Scientific & Technical, p. 68
The Dinosaur Heresies (1986)

Arthur Schopenhauer photo
Lewis F. Powell, Jr. photo
Letitia Elizabeth Landon photo
John Banville photo
Jacqueline Kennedy Onassis photo
George Long photo
William Cowper photo
Silius Italicus photo

“When Hannibal's eyes were sated with the picture of all that valour, he saw next a marvellous sight—the sea suddenly flung upon the land with the mass of the rising deep, and no encircling shores, and the fields inundated by the invading waters. For, where Nereus rolls forth from his blue caverns and churns up the waters of Neptune from the bottom, the sea rushes forward in flood, and Ocean, opening his hidden springs, rushes on with furious waves. Then the water, as if stirred to the depths by the fierce trident, strives to cover the land with the swollen sea. But soon the water turns and glides back with ebbing tide; and then the ships, robbed of the sea, are stranded, and the sailors, lying on their benches, await the waters' return. It is the Moon that stirs this realm of wandering Cymothoe and troubles the deep; the Moon, driving her chariot through the sky, draws the sea this way and that, and Tethys follows with ebb and flow.”
Postquam oculos varia implevit virtutis imago, mira dehinc cernit: surgentis mole profundi injectum terris subitum mare nullaque circa litora et infuso stagnantis aequore campos. nam qua caeruleis Nereus evoluitur antris atque imo freta contorquet Neptunia fundo, proruptum exundat pelagus, caecosque relaxans Oceanus fontis torrentibus ingruit undis. tum uada, ceu saevo penitus permota tridenti, luctantur terris tumefactum imponere pontum. mox remeat gurges tractoque relabitur aestu, ac ratis erepto campis deserta profundo, et fusi transtris expectant aequora nautae. Cymothoes ea regna vagae pelagique labores Luna mouet, Luna, immissis per caerula bigis, fertque refertque fretum, sequiturque reciproca Tethys.

Postquam oculos varia implevit virtutis imago,
mira dehinc cernit: surgentis mole profundi
injectum terris subitum mare nullaque circa
litora et infuso stagnantis aequore campos.
nam qua caeruleis Nereus evoluitur antris
atque imo freta contorquet Neptunia fundo,
proruptum exundat pelagus, caecosque relaxans
Oceanus fontis torrentibus ingruit undis.
tum uada, ceu saevo penitus permota tridenti,
luctantur terris tumefactum imponere pontum.
mox remeat gurges tractoque relabitur aestu,
ac ratis erepto campis deserta profundo,
et fusi transtris expectant aequora nautae.
Cymothoes ea regna vagae pelagique labores
Luna mouet, Luna, immissis per caerula bigis,
fertque refertque fretum, sequiturque reciproca Tethys.
Book III, lines 45–60
Punica

Gregory Benford photo
Eugène Delacroix photo

“Being an artist means seeing things and never having the ability to shut your eyes.”

Keariene Muizz (1977) American artist

Associated Press (2008); from an interview conducted by John Rogers.

Phil Brooks photo

“Look at you people. Look at what's become of the mighty United Kingdom. This land used to be filled with kings and knights and noblemen. You used to rule half the planet, and now you're just as sad and pathetic as the Americans. You can pretend you're not, you can pretend you don't spend your days tucked away in some little pub downing your pints of ale; you can pretend you don't spend every single night filling your lungs and those around you with carcinogens and poisons from your fancy cigarettes and trendy cigars; you can pretend you don't knowingly stuff chewing tobacco in your mouth in one of the most disgusting habits I've ever seen in my life—something that will give you cancer inside of two years. You people are weak-minded. You have no heart, your spirit is broken. You're practically decomposing right before my very eyes as I talk to you, and the only thing you can do is boo or wave a crooked little finger at me and accuse me of being preachy. You people need somebody as righteous as myself to preach to you the proper way to live. You should all aspire to be as great as I am. Do I think I'm better than you? Absolutely, and it's not that hard because my mind is clear; my body, free of poison. Look at me—I am perfect in every way. My strength comes from within, and I don't need a crutch to get through my everyday life like you people, and I certainly don't need a crooked official like Scott Armstrong to fight my battles for me. I filed a formal complaint with the Board of Directors; and as far as tonight goes, I will beat R-Truth just like I'll beat him at Survivor Series, and just like I can easily beat up everybody here in this arena today. Because I am the Choice of a New Generation, and R-Truth's gonna come out here and ask you people, "What's Up?"”

Phil Brooks (1978) American professional wrestler and mixed martial artist

I'll answer that little riddle for you right now. I tell you "what's up" Straight-edge—that is what's up. No narcotics, no drugs, no alcohol, no cigarettes, no prescription medication, and that, you sad, sad people, can save your entire pathetic country and the entire world.
November 13, 2009
Friday Night SmackDown

Christopher Pitt photo
Sarah Bakewell photo
Oliver Cowdery photo

“BE IT KNOWN unto all nations, kindreds, tongues, and people, unto whom this work shall come: That we, through the grace of God the Father, and our Lord Jesus Christ, have seen the plates which contain this record, which is a record of the people of Nephi, and also of the Lamanites, their brethren, and also of the people of Jared, who came from the tower of which hath been spoken. And we also know that they have been translated by the gift and power of God, for his voice hath declared it unto us; wherefore we know of a surety that the work is true. And we also testify that we have seen the engravings which are upon the plates; and they have been shown unto us by the power of God, and not of man. And we declare with words of soberness, that an angel of God came down from heaven, and he brought and laid before our eyes, that we beheld and saw the plates, and the engravings thereon; and we know that it is by the grace of God the Father, and our Lord Jesus Christ, that we beheld and bear record that these things are true. And it is marvelous in our eyes. Nevertheless, the voice of the Lord commanded us that we should bear record of it; wherefore, to be obedient unto the commandments of God, we bear testimony of these things. And we know that if we are faithful in Christ, we shall rid our garments of the blood of all men, and be found spotless before the judgment-seat of Christ, and shall dwell with him eternally in the heavens. And the honor be to the Father, and to the Son, and to the Holy Ghost, which is one God. Amen. OLIVER COWDERY DAVID WHITMER MARTIN HARRIS”

Oliver Cowdery (1806–1850) American Mormon leader

Book of Mormon, 1830 Edition, p. 585 (1830).

L. Ron Hubbard photo

“You are a spirit, then
a god,
full capable
of making space
and energy and time
and all things well.
And there you crouch, forgotten
to yourself and hidden from
the eyes of all
pretending there to be
a beast
that walks and eats and dies.”

L. Ron Hubbard (1911–1986) American science fiction author, philosopher, cult leader, and the founder of the Church of Scientology

"There Is No Compromise With Truth" ( a poem written in 1953 or 1954).

Letitia Elizabeth Landon photo
Ferdinand Hodler photo
John Steinbeck photo