Quotes about expression
page 8

Rick Riordan photo
Ulysses S. Grant photo
Gustav Stresemann photo
Rockwell Kent photo
Stefan Szczesny photo
Michel Aflaq photo
Gustav Stresemann photo
Pliny the Younger photo

“This expression of ours, "Father of a family."”

Pliny the Younger (61–113) Roman writer

Letter 19, 2.
Letters, Book V

Zainab Salbi photo

“Saddam gave us a lot of things. The development of the country … but I think what he took away from us in the meantime, was our very souls. We got into a stage where we were fearing each other, where husbands and wives didn't talk to each other, where parents were afraid to express anything in front of their kids because the teachers often asked the kids, 'what does daddy think of uncle Saddam? What does your mummy think of uncle Saddam?.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

And there are horror stories of parents being executed because of the child.
About Human rights in Saddam Hussein's Iraq, as quoted in the documentary I Knew Saddam https://www.aljazeera.com/programmes/general/2008/02/2008525183923377591.html (2007) by Al Jazeera English.

Newton Lee photo
Martin Heidegger photo
Johan Norberg photo
Arthur Schopenhauer photo

“The philosophy of Kant, then, is the only philosophy with which a thorough acquaintance is directly presupposed in what we have to say here. But if, besides this, the reader has lingered in the school of the divine Plato, he will be so much the better prepared to hear me, and susceptible to what I say. And if, indeed, in addition to this he is a partaker of the benefit conferred by the Vedas, the access to which, opened to us through the Upanishads, is in my eyes the greatest advantage which this still young century enjoys over previous ones, because I believe that the influence of the Sanscrit literature will penetrate not less deeply than did the revival of Greek literature in the fifteenth century: if, I say, the reader has also already received and assimilated the sacred, primitive Indian wisdom, then is he best of all prepared to hear what I have to say to him. My work will not speak to him, as to many others, in a strange and even hostile tongue; for, if it does not sound too vain, I might express the opinion that each one of the individual and disconnected aphorisms which make up the Upanishads may be deduced as a consequence from the thought I am going to impart, though the converse, that my thought is to be found in the Upanishads, is by no means the case.”

:s:The World as Will and Representation/Preface to the First Edition
Kants Philosophie also ist die einzige, mit welcher eine gründliche Bekanntschaft bei dem hier Vorzutragenden gradezu vorausgesetzt wird. — Wenn aber überdies noch der Leser in der Schule des göttlichen Platon geweilt hat; so wird er um so besser vorbereitet und empfänglicher seyn mich zu hören. Ist er aber gar noch der Wohllhat der Veda's theilhaft geworden, deren uns durch die Upanischaden eröfneter Zugang, in meinen Augen, der größte Vorzug ist, den dieses noch junge Jahrhundert vor den früheren aufzuweisen hat, indem ich vermuthe, daß der Einfluß der Samskrit-Litteratur nicht weniger tief eingreifen wird, als im 14ten Jahrhundert die Wiederbelebung der Griechischen: hat also, sage ich, der Leser auch schon die Weihe uralter Indischer Weisheit empfangen und empfänglich aufgenommen; dann ist er auf das allerbeste bereitet zu hören, was ich ihm vorzutragen habe. Ihn wird es dann nicht, wie manchen Andern fremd, ja feindlich ansprechen; da ich, wenn es nicht zu stolz klänge, behaupten möchte, daß jeder von den einzelnen und abgerissenen Aussprüchen, welche die Upanischaden ausmachen, sich als Folgesatz aus dem von mir mitzutheilenden Gedanken ableiten ließe, obgleich keineswegs auch umgekehrt dieser schon dort zu finden ist.
Die Welt als Wille und Vorstellung. Leipzig 1819. Vorrede. pp.XII-XIII books.google https://books.google.de/books?id=0HsPAAAAQAAJ&pg=PR12
The World as Will and Representation (1819; 1844; 1859)

Scott Lynch photo

“It had the expression common to all kittens, that of a tyrant in the becoming.”

Source: Red Seas Under Red Skies (2007), Chapter 11 “All Else, Truth” section 9 (p. 528)

Mark Rothko photo
George Biddell Airy photo
Pauline Kael photo
Frithjof Schuon photo
Karl Heinrich Ulrichs photo

“The prohibition of the expression of the sex drive, i. e., between consenting adults in private, lies outside the legal sphere.”

Karl Heinrich Ulrichs (1825–1895) German jurist, writer and pioneer of LGBT human rights

Karl Heinrich Ulrichs. The riddle of "man-manly love": the pioneering work on male homosexuality, Volume 2, Prometheus Books, 1994. p. 604

Heloise photo

“To her Lord, her Father; her Husband, her Brother; his Servant his Child; his Wife, his Sister; and to express all that is humble, respectful and loving to her Abelard, Heloise writes this.”
Domino suo, imo Patri; Conjugi suo, imo Fratri; Ancilla sua, imo Filia; ipsius Uxor, imo Soror; Abaelardo Heloisa, &c. Abel. Op.

Heloise (1101–1164) French nun, writer, scholar, and abbess

Letter II : Heloise to Abelard, Heading
Letters of Abelard and Heloise

Amir Taheri photo

“[Islamic terrorism] is different from all other forms of terrorism in at least three important respects. First, it rejects all the contemporary ideologies in their various forms; it sees itself as the total outsider with no option but to take control or to fall, gun in hand. It cannot even enter into talks with other terrorist movements which may, in some specific cases at least, share its tactical objectives. Considering itself as an expression of Islamic revival - which must, by definition, lead to the conquest of the entire globe by the True Faith - it bases all its actions on the dictum that the end justifies the means… The second characteristic that distinguishes the Islamic version from other forms of terrorism is that it is clearly conceived and conducted as a form of Holy War which can only end when total victory has been achieved. The term 'low-intensity warfare' has often been used to describe terrorism, but it applies more specifically to the Islamic kind, which does not seek negotiations, give-and-take, the securing of specific concessions or even the mere seizure of political power within a certain number of countries… The third specific characteristic of Islamic terrorism is that it forms the basis of a whole theory of both individual conduct and of state policy. To kill the enemies of Allah and to offer the infidels the choice between converting to Islam or being put to death is the duty of every individual believer as well as the supreme - if not the sole - task of the Islamic state.”

Amir Taheri (1942) Iranian journalist

Holy Terror: The inside story of Islamic terrorism (1987)

Piet Mondrian photo

“Composition allows the artist the greatest possible freedom, so that his subjectivity can express itself, to a certain degree, for as long as needed.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Jane Roberts photo
Hillary Clinton photo

“If the values are that you oppress people, you disappear people, you imprison people or even kill people for expressing their opinions, for expressing freedom of speech, that is not the kind of revolution of values that I ever want to see anywhere.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Democratic Presidential Debate in Miami (March 9, 2016)

James E. Lovelock photo
Dalil Boubakeur photo

“Freedom of expression cannot be the freedom to tell lies, the prophet did not found a terrorist religion, but a religion of peace.”

As quoted in [Prophet cartoons enraging Muslims, International Herald Tribune, 2 February 2006, http://web.archive.org/web/20060204165912/http://www.iht.com/articles/2006/02/02/news/toon.php?, 2007-11-22]

Joss Whedon photo

“The greatest expression of rebellion is joy.”

Joss Whedon (1964) American director, writer, and producer for television and film

Acceptance speech for Dr. Horrible's Sing-Along Blog at the Creative Art Emmys

“Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — refine your singularities; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.”

"A Note on Poetry," preface to The Rage for the Lost Penny: Five Young American Poets (New Directions, 1940) [p. 49]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Daniel J. Boorstin photo

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

Colin Wilson photo
Louis Brandeis photo
Charles Pratt, 1st Earl Camden photo

“Taxation and representation are inseparable… whatever is a man's own, is absolutely his own; no man has a right to take it from him without his consent, either expressed by himself or representative; whoever attempts to do it, attempts an injury; whoever does it, commits a robbery; he throws down and destroys the distinction between liberty and slavery.”

Charles Pratt, 1st Earl Camden (1714–1794) English lawyer, judge and Whig politician

Speech in the House of Lords, on the taxation of Americans by the British parliament, 7 March 1766; as reported in The Oxford Dictionary of Quotations (1990), 2nd edn., p. 60.

Pat Condell photo
Ursula K. Le Guin photo

“Unless physical action reflects psychic action, unless the deeds express the person, I get very bored with adventure stories; often it seems that the more action there is, the less happens.”

Ursula K. Le Guin (1929–2018) American writer

Introduction to the story “Vaster Than Empires and More Slow” p. 166
Short fiction, The Wind’s Twelve Quarters (1975)

Gillian Anderson photo

“I am an actively heterosexual woman who celebrates however people want to express their sexuality.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

On having liberal approach about sex — Evening Standard "Gillian Anderson: Self destruction is my default mode" http://www.standard.co.uk/showbiz/celebrity-news/gillian-anderson-self-destruction-is-my-default-mode-9897489.html/ (December 2, 2014)
2010s

Eugene V. Debs photo

“He who aspires to master the art of expression must first of all consecrate himself completely to some great cause.”

Eugene V. Debs (1855–1926) American labor and political leader

The Secret of Efficient Expression (1911)

Mani Madhava Chakyar photo
Nathaniel Hawthorne photo
Max Wertheimer photo

“It has long seemed obvious — and is, in fact, the characteristic tone of European science — that “science” means breaking up complexes into their component elements. Isolate the elements, discover their laws, then reassemble them, and the problem is solved. All wholes are reduced to pieces and piecewise relations between pieces.
The fundamental “formula” of Gestalt theory might be expressed in this way. There are wholes, the behaviour of which is not determined by that of their individual elements, but where the part-processes are themselves determined by the intrinsic nature of the whole. It is the hope of Gestalt theory to determine the nature of such wholes…
We hear a melody and then, upon hearing it again, memory enables us to recognize it. But what is it that enables us to recognize the melody when it is played in a new key? The sum of the elements is different, yet the melody is the same; indeed, one is often not even aware that a transposition has been made… Is it really true that when I hear a melody I have a sum of individual tones (pieces) which constitute the primary foundation of my experience? Is not perhaps the reverse of this true? What I really have, what I hear of each individual note, what I experience at each place in the melody is apart which is itself determined by the character of the whole,”

Max Wertheimer (1880–1943) Co-founder of Gestalt psychology

As quoted in: George Klir (2013), Facets of Systems Science, p. 25
"Gestalt Theory," 1924

Hans von Seeckt photo

“The Weimar Constitution is for me not a noli me tangere; I did not participate in its creation, and it is in its basic principles contrary to my political thinking…I believed that a change of the constitution was approaching, and that I could help towards this by methods which were not unnecessarily to lead through civil war. So far as concerns my attitude towards the international Social Democracy, I have to confess that at the outset I believed in the possibility to winning over part of it to national co-operation; but I have revised this opinion long ago, a long time before our conversation, in so far as the Social Democratic Party is concerned, not the German working class as such…I see clearly that a collaboration with the Social Democratic Party is impossible because it repudiates the idea of military preparedness…I do not consider a Stresemann cabinet viable, not even after its transformation. This lack of confidence I have expressed to the chancellor himself as well as to the president, and I have told them that in the long run I could not guarantee the attitude of the Reichswehr to a government in which it had no confidence…A Stresemann government cannot last without the support of the Reichswehr and of the forces standing behind it.”

Hans von Seeckt (1866–1936) German general

Letter to von Kahr (2 November 1923), quoted in F. L. Carsten, The Reichswehr and Politics 1918 to 1933 (Oxford: Clarendon Press, 1966), p. 117.

David D. Levine photo
Jean Metzinger photo

“So, music does not attempt to imitate Nature's sounds, but it does interpet and embody emotions awakened by Nature through a convention of its own, in a way to be aesthetically pleasing. In some such way, we, taking our hint from Nature, construct decoratively pleasing harmonies and symphonies of color expression of our sentiments.”

Jean Metzinger (1883–1956) French painter

Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 414

Anish Kapoor photo
Gwyneth Paltrow photo
Arthur Jensen photo
George W. Bush photo
Steve Jobs photo
Friedrich Hayek photo
Winston S. Churchill photo

“The Times is speechless, and takes three columns to express its speechlessness.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech at Kinnaird Hall, Dundee, Scotland ("The Dundee Election"), May 14, 1908, in Liberalism and the Social Problem (1909), Churchill, BiblioBazaar (Second Edition, 2006), p. 148 ISBN 1426451989
Early career years (1898–1929)

Robert Crumb photo
James Clerk Maxwell photo
Ellen G. White photo
Alain Badiou photo
David Foster Wallace photo
Auguste Rodin photo
Umberto Pettinicchio photo
Karel Appel photo

“The Cobra group started new, and first of all we threw away all these things we had known and started afresh, like a child — fresh and new. Sometimes my works look very childish, or childlike, schizophrenic or stupid, you know. But that was the good thing for me. Because, for me, the material is the paint itself. The paint expresses itself. In the mass of paint, I find my imagination and go on to paint it.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quoted in: 'Karel Appel, Dutch Expressionist Painter, Dies at 85', by Margalit Fox, in 'Art & Design', New York Times May 9, 2006
Quote of an oral history in 'Contemporary Artists' - Karel Appel describes the wild artistic urgency that gave rise to the Cobra artist-group

James Comey photo
Ernesto Che Guevara photo

“My first manager's page for Shamrock Rovers, and my, shall I say, reasonably extensive vocabulary is still too confined to express how delighted I feel.”

Damien Richardson (1947) Irish footballer and manager

Shamrock Rovers versus St. Johnstone, 14 July 1999.

James Whitbread Lee Glaisher photo
William Montgomery Watt photo

“I am not a Muslim in the usual sense, though I hope I am a “Muslim” as “one surrendered to God”; but I believe that embedded in the Qur’an and other expressions of the Islamic vision are vast stores of divine truth from which I and other occidentals have still much to learn.”

William Montgomery Watt (1909–2006) Scottish historian

Islam and Christianity Today: A Contribution to Dialogue https://books.google.com/books?id=4YlTAQAAQBAJ&printsec=frontcover&hl=fr&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false, Routledge Library Editions, 1983, p. IX.

James Soong photo
Seneca the Younger photo

“Whether we believe the Greek poet, "it is sometimes even pleasant to be mad", or Plato, "he who is master of himself has knocked in vain at the doors of poetry"; or Aristotle, "no great genius was without a mixture of insanity"; the mind cannot express anything lofty and above the ordinary unless inspired. When it despises the common and the customary, and with sacred inspiration rises higher, then at length it sings something grander than that which can come from mortal lips. It cannot attain anything sublime and lofty so long as it is sane: it must depart from the customary, swing itself aloft, take the bit in its teeth, carry away its rider and bear him to a height whither he would have feared to ascend alone.”

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

In Latin, nullum magnum ingenium sine mixtura dementiae fuit (There is no great genius without some touch of madness). This passage by Seneca is the source most often cited in crediting Aristotle with this thought, but in Problemata xxx. 1, Aristotle says: 'Why is it that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholic?' The quote by Plato is from the Dialogue Phaedrus (245a).
On Tranquility of the Mind

Eduardo Torroja photo
Dejan Stojanovic photo
Thomas Robert Malthus photo
Noam Cohen photo

“Unlike in the United States, where freedom of expression is a fundamental right that supersedes other interests, Europe views an individual’s privacy and freedom of expression as almost equal rights.”

Noam Cohen (1999) American journalist

[Noam, Cohen, The New York Times, Times Articles Removed From Google Results in Europe, October 3, 2014, http://www.nytimes.com/2014/10/04/business/media/times-articles-removed-from-google-results-in-europe.html, October 29, 2014]

Haruki Murakami photo
Enoch Powell photo
Letitia Elizabeth Landon photo
Jayant Narlikar photo
Jacoba van Heemskerck photo

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

Anthony Burgess photo

“Evidently, there is a political element in the attack on The Satanic Verses which has killed and injured good if obstreperous Muslims in Islamabad, though it may be dangerously blasphemous to suggest it. The Ayatollah Khomeini is probably within his self-elected rights in calling for the assassination of Salman Rushdie, or of anyone else for that matter, on his own holy ground. To order outraged sons of the Prophet to kill him, and the directors of Penguin Books, on British soil is tantamount to a jihad. It is a declaration of war on citizens of a free country, and as such it is a political act. It has to be countered by an equally forthright, if less murderous, declaration of defiance…. I do not think that even our British Muslims will be eager to read that great vindication of free speech, which is John Milton’s Areopagitica. Oliver Cromwell’s Republic proposed muzzling the press, and Milton replied by saying, in effect, that the truth must declare itself by battling with falsehood in the dust and heat…. I gain the impression that few of the protesting Muslims in Britain know directly what they are protesting against. Their Imams have told them that Mr Rushdie has published a blasphemous book and must be punished. They respond with sheeplike docility and wolflike aggression. They forgot what Nazis did to books … they shame a free country by denying free expression through the vindictive agency of bonfires…. If they do not like secular society, they must fly to the arms of the Ayatollah or some other self-righteous guardian of strict Islamic morality.”

Anthony Burgess (1917–1993) English writer

'Islam's Gangster Tactics', in the London Independent newspaper , 1989
Writing

Tjalling Koopmans photo

“Man is more than an animal only in that he finds expression for the beautiful.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 92

Paul Krugman photo
Philip Schaff photo
James Jeans photo
Yasunari Kawabata photo
Karl Jaspers photo

“The mass-man has very little spare time, does not live a life that appertains to a whole, does not want to exert himself except for some concrete aim which can be expressed in terms of utility; he will not wait patiently while things ripen; everything for him must provide some immediate gratification; and even his mental life must minister to his fleeting pleasures. That is why the essay has become the customary form of literature, why newspapers are taking the place of books… People read quickly and cursorily.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

Der Massenmensch hat wenig Zeit, lebt kein Leben aus einem Ganzen, will nicht mehr die Vorbereitung und Anstrengung ohne den konkreten Zweck, der sie in Nutzen umsetzt; er will nicht warten und reifen lassen; alles muß sogleich gegenwärtige Befriedigung sein; Geistiges ist zu den jeweils augenblicklichen Vergnügungen geworden. Daher ist der Essay die geeignete Literaturform für alles, tritt die Zeitung an die Stelle des Buches... Man liest schnell.
Man in the Modern Age (1933)

Hans Frank photo

“Let me tell you quite frankly: in one way or another we will have to finish with the Jews. The führer once expressed it as follows: should Jewry once again succeed in inciting a world war, the bloodletting could not be limited to the peoples they drove to war but the Jews themselves would be done for in Europe. If the Jewish tribe survives the war in Europe while we sacrifice our blood for the preservation of Europe, this war will be but a partial success. Basically, I must presume, therefore, that the Jews will disappear. To that end I have started negotiations to expel them to the east. In any case, there will be a great Jewish migration. But what is to become of the Jews? Do you think that they will be settled in villages in the conquered eastern territories? In Berlin we have been told not to complicate matters: since neither these territories, nor our own, have any use for them, we should liquidate them ourselves! Gentlemen, I must ask you to remain unmoved by pleas for pity. We must annihilate the Jews wherever we encounter them and wherever possible, in order to maintain the overall mastery of the Reich here… For us the Jews are also exceptionally damaging because they are being such gluttons. There are an estimated 2.5 million Jews in the General Government, perhaps. 3.5 million. These 3.5 million Jews, we cannot shoot them, nor can we poison them. Even so, we can take steps which in some way or other will pave the way for their destruction, notably in connection with the grand measures to be discussed in the Reich. The General Government must become just as judenfrei (free of Jews) as the Reich!”

Hans Frank (1900–1946) German war criminal

To senior members of his administration, December 16, 1941, quoted in "Why Did the Heavens Not Darken?: the final solution in history" - Page 302 - by Arno J. Mayer - History - 1988

Arthur Schopenhauer photo

“Now if plurality and difference belong only to the appearance-form; if there is but one and the same Entity manifested in all living things: it follows that, when we obliterate the distinction between the ego and the non-ego, we are not the sport of an illusion. Rather are we so, when we maintain the reality of individuation, — a thing the Hindus call Maya, that is, a deceptive vision, a phantasma. The former theory we have found to be the actual source of the phaenomenon of Compassion; indeed Compassion is nothing but its translation into definite expression. This, therefore, is what I should regard as the metaphysical foundation of Ethics, and should describe it as the sense which identifies the ego with the non-ego, so that the individual directly recognises in another his own self, his true and very being. From this standpoint the profoundest teaching of theory pushed to its furthest limits may be shown in the end to harmonise perfectly with the rules of justice and loving-kindness, as exercised; and conversely, it will be clear that practical philosophers, that is, the upright, the beneficent, the magnanimous, do but declare through their acts the same truth as the man of speculation wins by laborious research … He who is morally noble, however deficient in mental penetration, reveals by his conduct the deepest insight, the truest wisdom; and puts to shame the most accomplished and learned genius, if the latter's acts betray that his heart is yet a stranger to this great principle, — the metaphysical unity of life.”

Part IV, Ch. 2, pp. 273 https://archive.org/stream/basisofmorality00schoiala#page/273/mode/2up-274
On the Basis of Morality (1840)

Holden Karnofsky photo
John Wallis photo
Marlon Brando photo

“Acting is the expression of a neurotic impulse. It's a bum's life.”

Marlon Brando (1924–2004) American screen and stage actor

Marlon Brando: The Only Contender, Gary Carey (1985), Ch.13

El Lissitsky photo

“.. into this chaos [after the Bolshevik' revolution] came suprematism extolling the square [referring to the Squares of Malevich] as the very source of all creative expression, and then came communism and extolled work as the true source of man's heartbeat.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote, 1920; in 'Suprematism in World Reconstruction,', El Lissitzky; as cited by Sophie Lissitzky-Küppers in El Lissitzky: Life, Letters, Texts, transl. Helene Aldwinckle and Mary Whittall (Greenwich, Conn.: New York Graphic Society, 1968), p. 327
1915 - 1925