“That spirit, that feeling for one's comrades in the snow, the moonlight, under the blossoms, is also basic to the tea ceremony. A tea ceremony is a coming together in feeling, a meeting of good comrades in a good season. I may say in passing, that to see my novel Thousand Cranes as an evocation of the formal and spiritual beauty of the tea ceremony is a misreading. It is a negative work, and expression of doubt about and warning against the vulgarity into which the tea ceremony has fallen.”

Source: The Sacred Depths of Nature (1998), p. xiv
Context: The role of religion is to integrate the Cosmology and the Morality, to render the cosmological narrative so rich and compelling that it elicits our allegiance and our commitment to its emergent moral understandings. As each culture evolves, a unique Cosmos and Ethos appear in its co-evolving religion. For billions of us, back to the first humans, the stories, ceremonies, and art associated with our religions-of-origin are central to our matrix.
I stand in awe of these religions. I am deeply enmeshed in one of them myself. I have no need to take on the contradictions or immiscibilities between them, any more that I would quarrel with the fact that Scottish bagpipes coexist with Japanese tea ceremonies.

Source: A Great and Terrible Beauty

Founding Address (1876)

Source: Magic Bleeds

Source: Carry on, Jeeves

"Tea For Two" (1925).

Source: Recipe for Salad, p. 383
Source: A memoir of the Rev. Sydney Smith