Quotes about everything
page 8

Pablo Neruda photo
William Shakespeare photo
Ludwig Wittgenstein photo
Haruki Murakami photo
Richard Rohr photo

“The people who know God well—mystics, hermits, prayerful people, those who risk everything to find God—always meet a lover, not a dictator.”

Richard Rohr (1943) American spiritual writer, speaker, teacher, Catholic Franciscan priest

Source: Everything Belongs: The Gift of Contemplative Prayer

Malcolm X photo

“Read absolutely everything you get your hands on because you'll never know where you'll get an idea from…”

Malcolm X (1925–1965) American human rights activist

Source: Malcolm X Speaks: Selected Speeches and Statements

Ludwig Wittgenstein photo

“The world is everything that is the case.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Original German: Die Welt ist alles, was der Fall ist.
1920s, Tractatus Logico-Philosophicus (1922)
Variant: The world is all that is the case.
Context: The world is all that is the case. (1)

Carlos Ruiz Zafón photo
Terry Pratchett photo

“Everything is a test.”

Source: I Shall Wear Midnight

Federico Fellini photo
Alicia Keys photo
Eugene O'Neill photo
Malcolm X photo
Sören Kierkegaard photo

“It belongs to the imperfection of everything human that man can only attain his desire by passing through its opposite.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1841
1840s, The Journals of Søren Kierkegaard, 1840s

Elias Canetti photo

“Everything one has forgotten cries for help in the dream.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

Alles, was man vergessen hat, schreit im Traum um Hilfe.
Die Provinz des Menschen : Aufzeichnungen 1942–1972, München 1973, p. 269

André Malraux photo

“On this earth of ours where everything is subject to the passing of time, one thing only is both subject to time and yet victorious over it: the work of art.”

André Malraux (1901–1976) French novelist, art theorist and politician

André Malraux, TV program: Promenades imaginaires dans Florence, 1975.

W.B. Yeats photo
Virginia Woolf photo

“One must love everything.”

Source: Jacob's Room

Henry Miller photo
Charlie Chaplin photo

“In the end, everything is a gag.”

Charlie Chaplin (1889–1977) British comic actor and filmmaker
B.F. Skinner photo
Dave Pelzer photo
Leonardo Da Vinci photo
Fernando Pessoa photo

“There is no happiness without knowledge. But knowledge of happiness is unhappy; for knowing ourselves happy is knowing ourselves passing through happiness, and having to, immediatly at once, leave it behind. To know is to kill, in happiness as in everything. Not to know, though, is not to exist.”

Ibid., p. 328
The Book of Disquiet
Original: Não há felicidade senão com conhecimento. Mas o conhecimento da felicidade é infeliz; porque conhecer-se feliz é conhecer-se passando pela felicidade, e tendo, logo já, que deixá-la atrás. Saber é matar, na felicidade como em tudo. Não saber, porém, é não existir.

José Saramago photo
Stefan Zweig photo
Paul Valéry photo

“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

Virginia Woolf photo
Julius Malema photo

“A racist country like Australia says: ‘The white farmers are being killed in South Africa.’ We are not killing them. … If they want to go, they must go. They must leave the keys to their tractors because we want to work the land, they must leave the keys to their houses because we want to stay in those houses. They must leave everything they did not come here with in South Africa and go to Australia. … White farmers are the architect of their own misfortune. … Don’t make noise, because you will irritate us. Go to Australia. It is only racists who went to Australia when Mandela got out of prison. It is only racists who went to Australia when 1994 came. It is the racists again who are going back to Australia. … They are rich here because they are exploiting black people. There is no black person to be exploited in Australia, they are going to be poor. … They will come back here with their tail between their legs. We will hire them because we will be the owners of their farms when they come back to South Africa. As to what we are going to do with the land, it’s our business, it’s none of your business.”

Julius Malema (1981) South African political activist

On 21 March 2018 at a Human Rights Day rally in Mpumalanga Stadium, South African politician says Australia is a ‘racist country’, farmers should ‘leave the keys’ when they go http://www.news.com.au/finance/economy/world-economy/south-african-politician-says-australia-is-a-racist-country-farmers-should-leave-the-keys-when-they-go/news-story/e98607c4fa66d30d9b2731aa30e2a956, Frank Chung, news.com.au (22 March 2018)

Sojourner Truth photo

“Honey, I jes' walked round an' round in a dream. Jesus loved me! I knowed it - I fel it. Jesus was my Jesus. Jesus would love me always. I did n't dare tell nobody; it was a great secret. Everything had been got away from me that I ever had; an' I thought that ef I let white folks know about this, maybe they'd get him away - so I said, 'I'll keep this close. I wont let any one know.”

Sojourner Truth (1797–1883) African-American abolitionist and women's rights activist

Olive Gilbert & Sojourner Truth (1878), Narrative of Sojourner Truth, a Bondswoman of Olden Time, page 159. ( text at sojournertruth.org http://www.sojournertruth.org/Library/Archive/LibyanSibyl.htm)

José Saramago photo

“From literature to ecology, from the escape velocity of galaxies to the greenhouse effect, from garbage disposal methods to traffic jams, everything is discussed in our world. But the democratic system, as if it were a given fact, untouchable by nature until the end of time, we don't discuss that.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Intervention in the World Social Forum in Porto Alegre, February of 1992; quoted in Las leyes antidiscriminatorias en el Mercosur: Impactos de la III conferencia mundial contra el racismo, la discriminación racial, la xenofobia y las formas conexas de intolerancia, Durban, 2001: informe sobre el seminario realizado en Montevideo, 29 y 30 de abril de 2002. Published by Organizaciones Mundo Afro, 2002 163 pages.

Jörg Haider photo
Rajneesh photo

“Tantra accepts everything, lives everything. That's why tantra never could become a very accepted ideology. It always remained a fringe ideology.”

Rajneesh (1931–1990) Godman and leader of the Rajneesh movement

Tantra: the Supreme Understanding (1984)

Ludwig Klages photo

“Everything purposeful is meaningless, and everything meaningful is purposeless.”

Ludwig Klages (1872–1956) German psychologist and philosopher

Source: Rhythmen und Runen (1944), p. 280

Mark Twain photo
Sara Paxton photo
Thomas Mann photo
Jeremy Clarkson photo
Roger Federer photo
Kurt Vonnegut photo
Wilhelm Liebknecht photo
Mark Twain photo
Thomas Mann photo
Justin Bieber photo

“Um. Well, I think that's really sad, but everything happens for a reason. I don't know how that would be a reason. I guess I haven't been in that position, so I wouldn't be able to judge that.”

Justin Bieber (1994) Canadian singer-songwriter, record producer, and actor

Rolling Stone "Justin Bieber Talks Sex, Politics, Music and Puberty In New 'Rolling Stone' Cover Story" http://www.rollingstone.com/music/news/justin-bieber-talks-sex-politics-music-and-puberty-in-new-rolling-stone-cover-story-20110216, February 2011

Aldo Leopold photo
Charles Dickens photo
Luc de Clapiers, Marquis de Vauvenargues photo
Marcus Garvey photo

“When the war started in Abyssinia all Negro nationalists looked with hope to Haile Selassie. They spoke for him, they prayed for him, they sung for him, they did everything to hold up his hands, as Aaron did for Moses; but whilst the Negro peoples of the world were praying for the success of Abyssinia this little Emperor was undermining the fabric of his own kingdom by playing the fool with white men, having them advising him[, ] having them telling him what to do, how to surrender, how to call off the successful thrusts of his [Race] against the Italian invaders. Yes, they were telling him how to prepare his flight, and like an imbecilic child he followed every advice and then ultimately ran away from his country to England, leaving his people to be massacred by the Italians, and leaving the serious white world to laugh at every Negro and repeat the charge and snare - "he is incompetent," "we told you so." Indeed Haile Selassie has proved the incompetence of the Negro for political authority, but thank God there are Negroes who realise that Haile Selassie did not represent the truest qualities of the Negro race. How could he, when he wanted to play white? How could he, when he surrounded himself with white influence? How could he, when in a modern world, and in a progressive civilization, he preferred a slave State of black men than a free democratic country where the black citizens could rise to the same opportunities as white citizens in their democracies?”

Marcus Garvey (1887–1940) Jamaica-born British political activist, Pan-Africanist, orator, and entrepreneur

The Failure of Haile Selassie as Emperor in The Blackman, April, 1937.

Robert Penn Warren photo

“Everything seems an echo of something else.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

"A Way to Love God", New and Selected Poems 1923–1985 (1985)

Benjamin Disraeli photo
Emil M. Cioran photo
Emil M. Cioran photo

“Except for music, everything is a lie, even solitude, even ecstasy. Music, in fact, is the one and the other, only better.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

Catherine of Aragon photo
Ludwig Wittgenstein photo
Franz Kafka photo

“Aren’t our eyes made to be torn out, and our hearts for the same purpose? At the same time it’s really not that bad; that’s an exaggeration and a lie, everything is exaggeration, the only truth is longing, which cannot be exaggerated. But even the truth of longing is not so much its own truth; it’s really an expression of everything else, which is a lie. This sounds crazy and distorted, but it’s true.
Moreover, perhaps it isn’t love when I say you are what I love the most — you are the knife I turn inside myself, this is love.”

Hat matt nicht die Augen, um sich sie auszureißen und das Herz zum gleichen Zweck? Dabei ist es ja nicht so schlimm, das ist Übertreibung und Lüge, alles ist Übertreibung, nur die Sehnsucht ist wahr, die kann man nicht übertreiben. Aber selbst die Wahrheit der Sehnsucht ist nicht so sehr ihre Wahrheit, als vielmehr der Ausdruck der Lüge alles übrigen sonst. Es klingt verdreht, aber es ist so.
Auch ist es vielleicht nicht eigentlich Liebe wenn ich sage, daß Du mir das Liebste bist; Liebe ist, daß Du mir das Messer bist, mit dem ich in mir wühle.
Letter to Milena Jesenská (14 September 1920) http://www.abyssal.de/zitate/liebe.htm
Variant translations:
In this love you are like a knife, with which I explore myself.
Letters to Milena (1952)

Kim Jong-un photo

“I hear from higher up that China seems to be succeeding on many fronts – engineering, commerce, hotels, agriculture - everything. In many ways, don’t we need to take them as a model example for us?”

Kim Jong-un (1984) 3rd Supreme Leader of North Korea

As recounted by household chef Kenji Fujimoto, https://www.reuters.com/article/us-northkorea-kimjongun-insight/the-thinking-behind-kim-jong-uns-madness-idUSKBN1DU15Y

Tupac Shakur photo
Friedrich Nietzsche photo
Rainer Maria Rilke photo

“The next tide will erase the way through the mudflats,
and everything will be again equal on all sides;
but the small, far-out island already has its
eyes closed; bewildered, the dike draws a circlearound its inhabitants who were born
into a sleep in which many worlds
are silently confused, for they rarely speak,
and every phrase is like an epitaph.”

Die nächste Flut verwischt den Weg im Watt,
und alles wird auf allen Seiten gleich;
die kleine Insel draußen aber hat
die Augen zu; verwirrend kreist der Deich<p>um ihre Wohner, die in einem Schlaf
geboren werden, drin sie viele Welten
verwechseln schweigend, denn sie reden selten,
und jeder Satz ist wie ein Epitaph
Die Insel I (The Island I) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Napoleon I of France photo

“Send me 300 francs; that sum will enable me to go to Paris. There, at least, one can cut a figure and surmount obstacles. Everything tells me I shall succeed. Will you prevent me from doing so for the want of 100 crowns?”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Letter to his uncle, Joseph Fesch (June 1791), as quoted in A Selection from the Letters and Despatches of the First Napoleon. With Explanatory Notes (1884) edited by D. A. Bingham, Vol. I, p. 24

Everett Dean Martin photo

“It must be borne in mind that everything the propagandist does or says is for effect—most commonly the effect on fools. The public wants not truth but a show?”

Everett Dean Martin (1880–1941)

Source: Are We Victims of Propaganda, Our Invisible Masters: A Debate with Edward Bernays (1929), p. 144

Henri Barbusse photo
C.G. Jung photo

“The overdevelopment of the maternal instinct is identical with that well-known image of the mother which has been glorified in all ages and all tongues. This is the motherlove which is one of the most moving and unforgettable memories of our lives, the mysterious root of all growth and change; the love that means homecoming, shelter, and the long silence from which everything begins and in which everything ends. Intimately known and yet strange like Nature, lovingly tender and yet cruel like fate, 'oyous and untiring giver of life-mater dolorosa and mute implacable portal that closes upon the dead. Mother is motherlove, my experience and my secret. Why risk saying too much, too much that is false and inadequate and beside the point, about that human being who was our mother, the accidental carrier of that great experience which includes herself and myself and all mankind, and indeed the whole of created nature, the experience of life whose children we are? The attempt to say these things has always been made, and probably always will be; but a sensitive person cannot in all fairness load that enormous burden of meaning, responsibility, duty, heaven and hell, on to the shoulders of one frail and fallible human being-so deserving of love, indulgence, understanding, and forgiveness-who was our mother. He knows that the mother carries for us that inborn image of the mater nature and mater spiritualis, of the totality of life of which we are a small and helpless part.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

"Psychological Aspects of the Mother Archetype" (1939) In CW 9, Part I: The Archetypes and the Collective Unconscious P.172

Alejandro Jodorowsky photo
John Wayne photo
Henri Barbusse photo

“Let everything be remade on simple lines. There is only one people, there is only one people!”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXII - Light

Jules Verne photo

“The sea is everything. It covers seven tenths of the terrestrial globe. Its breath is pure and healthy. It is an immense desert, where man is never lonely, for he feels life stirring on all sides. The sea is only the embodiment of a supernatural and wonderful existence. It is nothing but love and emotion.”

La mer est tout! Elle couvre les sept dixièmes du globe terrestre. Son souffle est pur et sain. C'est l'immense désert où l'homme n'est jamais seul, car il sent frémir la vie à ses côtés. La mer n'est que le véhicule d'une surnaturelle et prodigieuse existence; elle n'est que mouvement et amour.
Part I, ch. X: The Man of the Seas
Twenty Thousand Leagues Under the Sea (1870)

Friedrich Nietzsche photo
Chinmayananda Saraswati photo

“The spirit of Advaita is not to keep away from anything, but to keep in tune with everything.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Trent Reznor photo
Pope Francis photo

“Transcendence remains because that light, all in everything, transcends the universe and the species it inhabits at this stage.”

Pope Francis (1936) 266th Pope of the Catholic Church

2010s, 2013, Interview in La Repubblica

Themistocles photo

“He who controls the sea controls everything.”

Themistocles (-524–-459 BC) Athenian statesman

As quoted in Australia Defence http://www.australiandefence.com.au/CE98DE40-F806-11DD-8DFE0050568C22C9
Originally quoted by Cicero in Letters to Atticus http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0008%3Abook%3D10%3Aletter%3D8%3Asection%3D4 (10, 8, 4.): ... cuius omne consilium Themistocleum est. existimat enim qui mare teneat eum necesse esse rerum potiri.
Translation http://perseus.uchicago.edu/perseus-cgi/citequery3.pl?dbname=PerseusLatinTexts&getid=1&query=Cic.%20Att.%2010.8: "On the contrary, his view is entirely that of Themistocles: for he holds that the master of the sea must inevitably be master of the empire."

H.P. Lovecraft photo

“I do differ from you radically in respect to familiar things & scenes; for I always demand close correlation with the landscape & historic stream to which I belong, & would feel completely lost in infinity without a system of reference-points based on known & accustomed objects. I take complete relativity so much for granted, that I cannot conceive of anything as existing in itself in any recognisable form. What gives things an aspect & quasi-significance to us is the fact that we view things consistently from a certain artificial & fortuitous angle. Without the preservation of that angle, coherent consciousness & entity itself becomes inconceivable. Thus my wish for freedom is not so much a wish to put all terrestrial things behind me & plunge forever into abysses beyond light, matter, & energy. That, indeed, would mean annihilation as a personality rather than liberation. My wish is perhaps best defined as a wish for infinite visioning & voyaging power, yet without loss of the familiar background which gives all things significance. I want to know what stretches Outside, & be able to visit all the gulfs & dimensions beyond Space & Time. I want, too, to juggle the calendar at will; bringing things from the immemorial past down into the present, & making long journeys into the forgotten years. But I want the familiar Old Providence of my childhood as a perpetual base for these necromancies & excursions—& in a good part of these necromancies & excursions I want certain transmuted features of Old Providence to form part of the alien voids I visit or conjure up. I am as geographic-minded as a cat—places are everything to me. Long observation has shewn me that no other objective experience can give me even a quarter of the kick I can extract from the sight of a fresh landscape or urban vista whose antiquity & historic linkages are such as to correspond with certain fixed childhood dream-patterns of mine. Of course my twilight cosmos of half-familiar, fleetingly remembered marvels is just as unattainable as your Ultimate Abysses—this being the real secret of its fascination. Nothing really known can continue to be acutely fascinating—the charm of many familiar things being mainly resident in their power to symbolise or suggest unknown extensions & overtones.”

H.P. Lovecraft (1890–1937) American author

Letter to Clark Ashton Smith (7 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 214
Non-Fiction, Letters

Henri Barbusse photo
Adolf Hitler photo
Jack Welch photo

“In manufacturing, we try to stamp out variance. With people, variance is everything.”

Jack Welch (1935) American executive: General Electric CEO

Source: Jack: Straight from the Gut (2001), Ch. 11.

José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Jacques Prevért photo

“Everything was lost except happiness.”

Jacques Prevért (1900–1977) French poet, screenwriter

Attributed

Abraham Lincoln photo

“We are now a mighty nation, we are thirty — or about thirty millions of people, and we own and inhabit about one‑fifteenth part of the dry land of the whole earth. We run our memory back over the pages of history for about eighty‑two years and we discover that we were then a very small people in point of numbers, vastly inferior to what we are now, with a vastly less extent of country, with vastly less of everything we deem desirable among men, we look upon the change as exceedingly advantageous to us and to our posterity, and we fix upon something that happened away back, as in some way or other being connected with this rise of prosperity. We find a race of men living in that day whom we claim as our fathers and grandfathers; they were iron men, they fought for the principle that they were contending for; and we understood that by what they then did it has followed that the degree of prosperity that we now enjoy has come to us. We hold this annual celebration to remind ourselves of all the good done in this process of time of how it was done and who did it, and how we are historically connected with it; and we go from these meetings in better humor with ourselves — we feel more attached the one to the other, and more firmly bound to the country we inhabit. In every way we are better men in the age, and race, and country in which we live for these celebrations. But after we have done all this we have not yet reached the whole.”

Abraham Lincoln (1809–1865) 16th President of the United States

1850s, Speech at Chicago (1858)

William S. Burroughs photo

“1. Never give anything away for nothing. 2. Never give more than you have to (always catch the buyer hungry and always make him wait). 3. Always take back everything if you possibly can.”

William S. Burroughs (1914–1997) American novelist, short story writer, essayist, painter, and spoken word performer

On drug dealing, quoted in The Daily Telegraph (1964)

Hokusai photo
Rumi photo

“Gamble everything for love,
if you are a true human being.”

Rumi (1207–1273) Iranian poet

"On Gambling" Ch. 18 : The Three Fish, p. 193
Disputed, The Essential Rumi (1995)

Heinz von Foerster photo
Adolf Hitler photo

“Everything I undertake is directed against Russia. If the West is too stupid and blind to grasp this, then I shall be compelled to come to an agreement with Russia, beat the West and then after their defeat turn against the Soviet Union with all my forces.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Discussion with Jacob Burckhardt, League of Nation commissioner. Quoted in Norman Rich, Hitler's War Aims: Ideology, the Nazi State, and the Course of Expansion pg. 126 https://books.google.com/books?id=1nPPbpXUZA0C&pg=PA126&dq=hitler+is+against+russia+the+west&hl=en&sa=X&ved=0ahUKEwjR3PP6n5bXAhVC6CYKHTKJB3EQ6AEISjAG#v=onepage&q=hitler%20is%20against%20russia%20the%20west&f=false
1930s

Fyodor Dostoyevsky photo
Christopher Paolini photo
Michel Houellebecq photo

“You get used to terrorist attacks. France will hold on. The French will hold on, without even needing a “sursaut national,” a national pushback reflex. They’ll hold on because there’s no other way, and because you get used to everything. No human force, not even fear, is stronger than habit.”

Michel Houellebecq (1956) writer

"The New York Times - The Opinion Pages", commentary about the November 2015 Paris attacks http://www.nytimes.com/2015/11/21/opinion/how-frances-leaders-failed-its-people.html?_r=0 (21 November 2015)

Claude Monet photo
Reinhold Niebuhr photo
Barack Obama photo
Ronald Reagan photo
Friedrich Nietzsche photo
Jim Henson photo

“Honestly, I've been making up everything as I go. When you're riding the ice pony, you see a lot of talking frogs.”

Jim Henson (1936–1990) American puppeteer

[The New York Times, October 24, 2015, Jim Henson, Puppeteer, Dies; The Muppets' Creator Was 53, Eleanor, Blau, May 17, 1990, http://www.nytimes.com/1990/05/17/obituaries/jim-henson-puppeteer-dies-the-muppets-creator-was-53.html?pagewanted=all]