Quotes about everything
page 36

Robert Erskine Childers photo
Arthur C. Clarke photo

“The Ramans do everything in threes.”

Rendezvous with Rama (1972)
1970s

José Rizal photo

“In the Middle Ages, everything bad was the work of the devil, everything good, the work of God. Today, the French see everything in reverse and blame the Germans for it.”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

Letter to Fr. Pastells (11 November 1892)

Helen Schucman photo
Aldo Capitini photo

“And you mother still close to me,
you know that it is not enough to live an ordered and honest life.
You have been faithful for years to bring order into our house.
As soon as the dawn appeared in the night sky,
you rose towards the tasks awaiting you –
in the silence of a mental prayer.
Perhaps it is not enough even the overwhelming love,
to which you gave the sober expression of concrete acts.
The sacred wool, the steaming milk and the bed
composed with inimitable care by your hands.
Going back in time you recounted to your children their births,
and the birthdays have slowly vanished.
The beginning is now found from a thousand beginnings,
with the ancient, with the unknown, with Christ.
A present act includes them all,
opening after the events have passed.
And there is a severe duty for struggle,
something in our own life could be wrenched away by it.
The guards will soon appear,
and they will take me to my cell with the high window.
You will still be with me,
as mother and inexhaustible human presence.
Giving freely of your love, you still knew that your son is freedom.
You were a nearness, that always found something to do.
I have watched you unflinching under hardness and spite,
always moving, and acting,
holding back your inner rebellion you had pity on rage.
Now we are together to work and open all around.
In the loving gift to the world which ever crucifies us
is our fulfilment.
Seeing its limitations, still to treasure everything
is the gesture of infinite miracle,
and you were right: order comes from this principle,
the earthly goods, as our brothers the prophets tell us,
will be given unto us.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Louis C.K. photo
Thérèse of Lisieux photo
Norman Vincent Peale photo
Swami Vivekananda photo
Allen C. Guelzo photo

“[E]ven a great man cannot be wise in everything.”

Allen C. Guelzo (1953) American historian

2010s, The Bicentennial Lincolns (2010)

Hassan Nasrallah photo
Pete Seeger photo
Jonas Salk photo
Ba Jin photo
Eric Hoffer photo
Eugène Delacroix photo

“Artists who seek perfection in everything are those who cannot attain it in anything.”

Eugène Delacroix (1798–1863) French painter

Les artistes qui cherchent la perfection en tout sont ceux qui ne peuvent l'atteindre en aucune partie.
Quote, 4 March 1858, from Journal de Eugène Delacroix, book 3
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Alain Badiou photo
Morrissey photo
Michael Elmore-Meegan photo
Mobutu Sésé Seko photo
El Lissitsky photo

“It was an honor for me to put on a Chicago Cubs uniform, and I want to personally thank Jim Hendry, the Cubs organization and all the Cub fans for making the past four years so special," Barrett said in a statement. "At the same time, I'm very excited to go to San Diego and do everything that I can to help the Padres win the NL West.”

Michael Barrett (1976) baseball catcher and manager

Barrett bids farewell to his Cubs' fans. The Message was originally posted on his homepage.
Cubs deal Barrett to Padres June 20, 2007 http://mlb.mlb.com/news/article.jsp?ymd=20070620&content_id=2038291&vkey=news_chc&fext=.jsp&c_id=chc

Zadie Smith photo
Arthur Schopenhauer photo

“One can forget everything, everything, only not oneself, one's own being.”

Alles, alles kann einer vergessen, nur nicht sich selbst, sein eigenes Wesen.
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life

African Spir photo
Jack Kerouac photo
Geoffrey West photo

“I’ve always wanted to find the rules that govern everything. It’s amazing that such rules exist. It’s even more amazing that we can find them.”

Geoffrey West (1940) British physicist

2010s
Source: Jonah Lehredec. " A Physicist Solves the City http://www.nytimes.com/2010/12/19/magazine/19Urban_West-t.html?pagewanted=5&_r=1," in www.nytimes.com. Dec 17, 2010.

Vivek Wadhwa photo
Maynard James Keenan photo
Walter Schellenberg photo

“I could not tell Himmler everything because he was too false and two-faced.”

Walter Schellenberg (1910–1952) German general

To Leon Goldensohn (13 March 1946). Quoted in "The Nuremberg Interviews" - by Leon Goldensohn, Robert Gellately - History - 2004

Theodor Mommsen photo

“Of greater importance than this regulation of African clientship were the political consequences of the Jugurthine war or rather of the Jugurthine insurrection, although these have been frequently estimated too highly. Certainly all the evils of the government were therein brought to light in all their nakedness; it was now not merely notorious but, so to speak, judicially established, that among the governing lords of Rome everything was treated as venal--the treaty of peace and the right of intercession, the rampart of the camp and the life of the soldier; the African had said no more than the simple truth, when on his departure from Rome he declared that, if he had only gold enough, he would undertake to buy the city itself. But the whole external and internal government of this period bore the same stamp of miserable baseness. In our case the accidental fact, that the war in Africa is brought nearer to us by means of better accounts than the other contemporary military and political events, shifts the true perspective; contemporaries learned by these revelations nothing but what everybody knew long before and every intrepid patriot had long been in a position to support by facts. The circumstance, however, that they were now furnished with some fresh, still stronger and still more irrefutable, proofs of the baseness of the restored senatorial government--a baseness only surpassed by its incapacity--might have been of importance, had there been an opposition and a public opinion with which the government would have found it necessary to come to terms. But this war had in fact exposed the corruption of the government no less than it had revealed the utter nullity of the opposition. It was not possible to govern worse than the restoration governed in the years 637-645; it was not possible to stand forth more defenceless and forlorn than was the Roman senate in 645: had there been in Rome a real opposition, that is to say, a party which wished and urged a fundamental alteration of the constitution, it must necessarily have now made at least an attempt to overturn the restored senate. No such attempt took place; the political question was converted into a personal one, the generals were changed, and one or two useless and unimportant people were banished. It was thus settled, that the so-called popular party as such neither could nor would govern; that only two forms of government were at all possible in Rome, a -tyrannis- or an oligarchy; that, so long as there happened to be nobody sufficiently well known, if not sufficiently important, to usurp the regency of the state, the worst mismanagement endangered at the most individual oligarchs, but never the oligarchy; that on the other hand, so soon as such a pretender appeared, nothing was easier than to shake the rotten curule chairs. In this respect the coming forward of Marius was significant, just because it was in itself so utterly unwarranted. If the burgesses had stormed the senate-house after the defeat of Albinus, it would have been a natural, not to say a proper course; but after the turn which Metellus had given to the Numidian war, nothing more could be said of mismanagement, and still less of danger to the commonwealth, at least in this respect; and yet the first ambitious officer who turned up succeeded in doing that with which the older Africanus had once threatened the government,(16) and procured for himself one of the principal military commands against the distinctly- expressed will of the governing body. Public opinion, unavailing in the hands of the so-called popular party, became an irresistible weapon in the hands of the future king of Rome. We do not mean to say”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 3, pg 163, Translated by W.P. Dickson.
The History of Rome - Volume 3

Vladimir Lenin photo
Manu Chao photo

“Everything is a lie in this world
Really everything is a lie
Everything is a lie, I tell my self
Everything is a lie, why is it?”

Manu Chao (1961) French Spanish singer, guitarist and record producer

Todo es mentira en este mundo
Todo es mentira la verdad
Todo es mentira yo me digo
Todo es mentira ¿Por qué será?
Mentira https://www.youtube.com/watch_popup?v=PCZuYK3Rjig.
Clandestino (1998)

Arthur Ponsonby photo
Bowe Bergdahl photo

“I am sorry for everything. The horror that is America is disgusting.”

Bowe Bergdahl (1986) American soldier captured by the Taliban in 2009 and released in 2014 as part of a prisoner swap

Last e-mail to parents (2009)

Toni Morrison photo
Gertrude Stein photo
Gore Vidal photo
Nathaniel Hawthorne photo
Henry Moore photo

“I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc… To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world”

Henry Moore (1898–1986) English artist

critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114

Paula Modersohn-Becker photo

“Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede, 24 July 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 197
1898

Kane Hodder photo
Robert Fisk photo

“Terrorism' is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence - our violence - which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing 'commentators' of the America east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks. In August 1914, the soldiers thought they would be home by Christmas. Today, we are fighting for ever. The war is eternal. The enemy is eternal, his face changing on our screens. Once he lived in Cairo and sported a moustache and nationalised the Suez Canal. Then he lived in Tripoli and wore a ridiculous military uniform and helped the IRA and bombed American bars in Berlin. Then he wore a Muslim Imam's gown and ate yoghurt in Tehran and planned Islamic revolution. Then he wore a white gown and lived in a cave in Afghanistan and then he wore another silly moustache and resided in a series of palaces around Baghdad. Terror, terror, terror. Finally, he wore a kuffiah headdress and outdated Soviet-style military fatigues, his name was Yassir Arafat, and he was the master of world terror and then a super-statesman and then again, a master of terror, linked by Israeli enemies to the terror-Meister of them all, the one who lived in the Afghan cave.”

Robert Fisk (1946) English writer and journalist

The Great War for Civilization (2005)

Dan Harmon photo
Mark Ames photo
Jacob Maris photo

“Thijs knew everything by himself, he was a genius.”

Jacob Maris (1837–1899) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacob Maris, in het Nederlands: Thijs wist alles uit zich zelf, hij was een genie.
Quote of Jacob Maris about his brother Matthijs Maris, in a talk with G. H. Marius in: De Hollandsche Schilderkunst in de 19e eeuw, G. H. Marius; Martinus Nijhoff, s-Gravenhage, 1903/1920, p. 144
Variant: A painting is finished when one can see what it represents. (translation from original Dutch, Fons Heijnsbroek, 2018)

Clifford D. Simak photo
Johann Wolfgang von Goethe photo

“People should talk less and draw more. Personally, I would like to renounce speech altogether and, like organic nature, communicate everything I have to say visually.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Wir sprechen überhaupt viel zu viel. Wir sollten weniger sprechen und mehr zeichnen. Ich meinerseits möchte mir das Reden ganz abgewöhnen und wie die bildende Natur in lauter Zeichnungen fortsprechen.
Attributed to Goethe by Johannes Falk in Goethe aus näherm persönlichen Umgange dargestellt (1832). http://www.literatur-live.de/salon/_falk_goethe.pdf
Attributed

Elie Wiesel photo
Ben Folds photo
Li Hongzhi photo

“Although Qigong has been spread for quite a long period of time, several decades already, no one knows its real implications. Therefore, I have written in the book, Zhuan Falun, everything about certain phenomena in the Qigong community, why Qigong is spread in ordinary human society, and what the ultimate goal of Qigong is. Therefore, this book is a systematic work that enables one to practice cultivation. Through reading it repeatedly, many people feel that there is something unique about the book: no matter how many times you have read this book, you always seem to feel a sense of freshness, and no matter how many times you have read it, you always attain a different understanding from the same sentence, and no matter how many times you have read it, you always feel that there is still a great deal of content in it that is yet to be found. Why is it this way, then? It is because that I have systematically compiled many things that are considered heavenly secrets within this book, such as that people are able to practice cultivation, how cultivation should be practiced, and the characteristics of this universe, etc. For a practitioner, it can enable him to complete his cultivation practice successfully. Because no one has ever done such a thing in the past, when reading this book, many people find that a lot of the contents are heavenly secrets. After races are mixed up, you will find one's child born to be an infant of mixed blood. However, there is a partition in the middle of this child's life. If it is separated, he will be physically and intellectually incomplete or a person with an incomplete body. Modern science also knows that it is getting worse one generation after another. It would be like this”

Li Hongzhi (1951) Chinese religious leader and dissident

Falun Buddha Fa Lecture in Sydney http://www.falundafa.org/book/eng/lectures/1996L.html

Ogden Nash photo
Brigham Young photo
Stanley Baldwin photo

“The fortunes of a nation are determined above everything by the quality of its people.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech at Douglas Castle, Lanarkshire, Scotland (27 August 1927), quoted in Our Inheritance (London: Hodder and Stoughton, 1938), p. 129.
1927

Dave Sim photo

“I take it as a given that God's knowledge of the Cerebus storyline dwarfs my own as God's knowledge of everything dwarfs my own.”

Dave Sim (1956) Canadian cartoonist, creator of Cerebus

#2, p. 9
Following Cerebus (2004-)

Don DeLillo photo
Tathagata Satpathy photo
Walter Wick photo
Ursula K. Le Guin photo
Henri Matisse photo

“At each stage I reach a balance, a conclusion. At the next sitting, if I find that there is a weakness in the whole, I make my way back into the picture by means of the weakness — I re-enter through the breach — and I reconceive the whole. Thus everything becomes fluid again.”

Henri Matisse (1869–1954) French artist

Statement by Matisse to Tériade; as quoted by Tériade in 'Constance de Fauvisme', in 'Minotaure' (15 October 1936), translated by Jack Flam in Matisse on Art (1995)
1930s

Stephenie Meyer photo
James Baldwin photo
Michel Foucault photo
Jack Kerouac photo

“You make me wanna give you everything
I been watchin' you
Show me 'round your world
Whatcha' do whatcha' do”

Erika Jayne (1969) American singer, actress and television personality

"Give You Everything"
Song lyrics, Pretty Mess (2009)

Jock Stein photo

“I don't believe everything Bill tells me about his players. Had they been that good, they'd not only have won the European Cup but the Ryder Cup, the Boat Race and even the Grand National.”

Jock Stein (1922–1985) Scottish footballer and manager

On Bill Shankly http://www.liverpoolfc.tv/lfc_story/a_quotes.shtml

William James photo

“Everything which is demanded is by that fact a good.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"The Will to Believe" p. 205 http://books.google.com/books?id=Moqh7ktHaJEC&pg=PA205
1890s, The Will to Believe and Other Essays in Popular Philosophy (1897)

Neville Chamberlain photo
Hilary Duff photo
Neil Kinnock photo
Jack Johnson (musician) photo
Paavo Haavikko photo
Ben Bova photo
Edmund Hillary photo

“The phrase "an idea whose time has come" captures a fundamental reality about an irresistible movement that sweeps over the politics and our society, pushing aside everything that might stand in its path.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 1, How Does an Idea's Time Come?, p. 1

Will Cuppy photo

“And he [Hannibal] probably believed, up to the very end, that everything might still come out right if he only had a few you-know-whats.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Hannibal

Christopher Reeve photo
Benoît Mandelbrot photo

“If you have a hammer, use it everywhere you can, but I do not claim that everything is fractal.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

As quoted in "Fractal Finance" by Greg Phelan in Yale Economic Review (Fall 2005)

Louis-ferdinand Céline photo

“Eternal vigilance is the condition, not only of liberty, but of everything which as civilized men we hold dear.”

August Heckscher II (1913–1997) American writer

Address, Kenyon College (April 4, 1957)

Florbela Espanca photo

“If you came to see me in the evening,
That time of mild and magic weariness,
When nighttime softly covers everything,
And took me in your arms with tenderness.
[…]
And my lips are like a flower in the sun…
When my eyes are tightly closed with strong desire…
And I hold out my arms to bring you near…”

Florbela Espanca (1894–1930) Portuguese poet

Se tu viesses ver-me hoje à tardinha,
A essa hora dos mágicos cansaços,
Quando a noite de manso se avizinha,
E me prendesses toda nos teus barcos...
[...]
E é como um cravo ao sol a minha boca...
Quando os olhos se me cerram de desejo...
E os meus braços se estendem para ti...
Citações e Pensamentos de Florbela Espanca (2012), p. 108
Translated by John D. Godinho
The Flowering Heath (1931), "Se tu viesses ver-me hoje à tardinha"

Adrienne von Speyr photo
Hafizullah Amin photo

“Comrade Stalin showed us how to build socialism in a backward country: it's painful to begin with, but afterwards everything turns out just fine.”

Hafizullah Amin (1929–1979) politician, former Afghan head of state (1979)

As quoted in Rodric Braithwaite (2010) Afgantsy: The Russians in Afghanistan 1979-89, page 76

Arthur Schopenhauer photo
Plutarch photo

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

GG Allin photo
Charles Baudelaire photo

“Everything, alas, is an abyss, — actions, desires, dreams,
Words!”

Hélas! tout est abîme, — action, désir, rêve,
Parole!
"Le Gouffre" [The Abyss], Nouvelles Fleurs du Mal (1862) http://fr.wikisource.org/wiki/Le_Gouffre