Quotes about entertainment
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Rupert Murdoch photo

“After all, we are in the entertainment business.”

Rupert Murdoch (1931) Australian-American media mogul

Remarks after the Hitler diaries turned out to be forgeries.
Robert Harris, Selling Hitler

Hariprasad Chaurasia photo
Carl Sagan photo

“We can’t just conclude that science puts too much power into the hands of morally feeble technologists or corrupt, power-crazed politicians and decide to get rid of it. Advances in medicine and agriculture have saved more lives than have been lost in all the wars in history. Advances in transportation, communication, and entertainment have transformed the world. The sword of science is double-edged.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

"Why We Need To Understand Science" in The Skeptical Inquirer Vol. 14, Issue 3 (Spring 1990)
Context: I know that science and technology are not just cornucopias pouring good deeds out into the world. Scientists not only conceived nuclear weapons; they also took political leaders by the lapels, arguing that their nation — whichever it happened to be — had to have one first. … There’s a reason people are nervous about science and technology.
And so the image of the mad scientist haunts our world—from Dr. Faust to Dr. Frankenstein to Dr. Strangelove to the white-coated loonies of Saturday morning children’s television. (All this doesn’t inspire budding scientists.) But there’s no way back. We can’t just conclude that science puts too much power into the hands of morally feeble technologists or corrupt, power-crazed politicians and decide to get rid of it. Advances in medicine and agriculture have saved more lives than have been lost in all the wars in history. Advances in transportation, communication, and entertainment have transformed the world. The sword of science is double-edged. Rather, its awesome power forces on all of us, including politicians, a new responsibility — more attention to the long-term consequences of technology, a global and transgenerational perspective, an incentive to avoid easy appeals to nationalism and chauvinism. Mistakes are becoming too expensive.

Stella Vine photo
Oriana Fallaci photo

“To make you cry I’ll tell you about the twelve young impure men I saw executed at Dacca at the end of the Bangladesh war. They executed them on the field of Dacca stadium, with bayonet blows to the torso or abdomen, in the presence of twenty thousand faithful who applauded in the name of God from the bleachers. They thundered "Allah akbar, Allah akbar." Yes, I know: the ancient Romans, those ancient Romans of whom my culture is so proud, entertained themselves in the Coliseum by watching the deaths of Christians fed to the lions. I know, I know: in every country of Europe the Christians, those Christians whose contribution to the History of Thought I recognize despite my atheism, entertained themselves by watching the burning of heretics. But a lot of time has passed since then, we have become a little more civilized, and even the sons of Allah ought to have figured out by now that certain things are just not done. After the twelve impure young men they killed a little boy who had thrown himself at the executioners to save his brother who had been condemned to death. They smashed his head with their combat boots. And if you don’t believe it, well, reread my report or the reports of the French and German journalists who, horrified as I was, were there with me. Or better: look at the photographs that one of them took. Anyway this isn’t even what I want to underline. It’s that, at the conclusion of the slaughter, the twenty thousand faithful (many of whom were women) left the bleachers and went down on the field. Not as a disorganized mob, no. In an orderly manner, with solemnity. They slowly formed a line and, again in the name of God, walked over the cadavers. All the while thundering Allah–akbar, Allah–akbar. They destroyed them like the Twin Towers of New York. They reduced them to a bleeding carpet of smashed bones.”

Oriana Fallaci (1929–2006) Italian writer

Rage and the Pride">

David Dixon Porter photo
Charles Lyell photo
Heather Brooke photo
Newton Lee photo
Mike Tyson photo

“I'm not too interested in these swan songs I'm continuing to hear. I'm just Mike. I'm a peasant. I'm here to entertain the people. I'm no elite person. At one stage in my life, I had my little jewelry and all my little girlfriends and my big cars and things. At one point, I thought life was about acquiring things. But as a I get older life is totally about losing everything. As life goes on, we lose more than we acquire. I don't want the finest girl in the world anymore. I'm just trying to stay balanced, basically.”

Mike Tyson (1966) American boxer

As quoted in USA Today http://www.usatoday.com/sports/boxing/2005-06-12-tyson-retire-talk_x.htm (2005).
Reported in The New Yorker as: “At one point, I thought life was about acquiring things. Life is totally about losing everything.” http://www.newyorker.com/archive/2005/06/27/050627ta_talk_remnick
On himself

John D. Carmack photo

“[A]t its best, entertainment is going to be a subjective thing that can't win for everyone, while at worst, a particular game just becomes a random symbol for petty tribal behavior.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in John Carmack Biography http://www.biographybase.com/biography/Carmack_John.html.

“With usenet gone, we just don't teach our kids entertainment-level hyperbole any more.”

Paul Vixie (1963) American internet pioneer

NANOG mailing list http://www.merit.edu/mail.archives/nanog/2006-01/msg00593.html

Phil Brooks photo
Craig Ferguson photo

“I'm a vulgar lounge entertainer, I don't need to wear a tie.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014)

William Moulton Marston photo

“In the spring of the freshman year, the sophmore girls held what was called "The Baby Party" which all freshmen girls were compelled to attend. At this affair, the freshmen girls were questioned as to their misdemeanors and punished for their disobedience and rebellions. The baby party was so name because the freshman girls were required to dress as babies.
At the party; the freshmen girls were put through various students under command of sophomores. Upon one occasion, for instance, the freshman girls were led into a dark corridor where their eyes were blindfolded, and their arms were bound behind them. Only one freshman at a time was taken through this corridor along which sophomore guards were stationed at intervals. This arrangement was designed to impress the girls punished with the impossibility of escape from their captresses. After a series of harmless punishments, each girl was led into a large room where all the Junior and Senior girls were assembled. There she was sentenced to go through various exhibitions, supposed to be especially suitable to punish each particular girls failure to submit to discipline imposed by the upper class girl. The sophomore girls carried long sticks with which to enforce, if necessary, the stunts which the freshmen were required to preform. While the programme did not call for a series of pre-arranged physical struggles between individual girls…frequent rebellion of the freshman against the commands of their captresses and guards furnished the most exciting portion of the entertainment according to the report of a majority of the class girls.
Nearly all the sophomores reported excited pleasantness of captivation emotion throughout the party. The pleasantness of captivation response appeared to increase when they were obliged to overcome rebellious freshmen physically, or to preform the actions from which the captive girls strove to escape….
Female behavior also contains still more evidence than male behavior that captivation emotion is not limited to inter-sex relationships. The person of another girls seems to evoke from female subjects, under appropriate circumstances, filly as strong captivation response as does that of a male.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

as quoted in Wonder Woman: Bondage and Feminism in the Marston/Peter comics, 1941-1948, pp. 64-65 by Noah Berlatsky.
The Emotions of Normal People (1928)

David Fincher photo
Kin Hubbard photo

“Th' only way t' entertain some folks is t' listen t' 'em.”

Kin Hubbard (1868–1930) cartoonist

New Sayings by Abe Martin and Velma's Vow: A Gripping Love Tale by Miss Fawn Lippincut (1916).

“The Phantom Menace is not a masterpiece, but it's an example of how imagination, craftsmanship, and technological bravura can fashion superior entertainment out of something that is far from flawless.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw99.html of Star Wars Episode I: The Phantom Menace (1999).
Three-and-a-half star reviews

Halldór Laxness photo
Gary Gygax photo
Robert Holmes photo
Ayn Rand photo

“A country cannot be defeated politically unless it is defeated culturally. Our alien rulers knew that they could not conquer India without conquering Hinduism - cultural India's name at its deepest and highest, and the principle of its identity, continuity and reawakening. Therefore Hinduism became an object of their special attack. Physical attack was supplemented by ideological attack. They began to interpret for us our history, our religion, our culture and ourselves. We learnt to look at us through their eyes…. The long period created an atmosphere of mental slavery and imitation. It created a class of people Hindu in their names and by birth but anti-Hindu in orientation, sympathy and loyalty. They knew all the bad things and nothing good about Hinduism. Hindu dharma is now being subverted from within. Anti-Hindu Hindus are very important today; they rule the roost; they write our histories, they define our nation; they control the media, the academia, the politics, the higher administration and higher courts. They are now working as clients of those forces who are planning to revive their old Imperialism… During this period our minds became soft. We became escapists; we wanted to avoid conflict at any cost, even conflict and controversy of ideas, even when this controversy was necessary. We developed an escape-route. We called it "synthesis". We said all religions, all scriptures, all prophets preach the same things. It was intellectual surrender, and our enemies saw it that way; they concluded that we are amenable to anything, that we would clutch at any false hope or idea to avoid a struggle, and that we would do nothing to defend ourselves. Therefore, they have become even more aggressive. It also shows that we have lost spiritual discrimination (viveka), and would entertain any falsehood; this is prajñâ-dosha, drishti-dosha, and it cannot be good for our survival in the long run. People first fall into delusion before they fall into misfortune.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

Nathanael Greene photo
Emil M. Cioran photo
Don Soderquist photo
Herbert Marcuse photo
Daniel Handler photo

“Like Kant before him, Darwin insists that the source of all error is semblance. Analogy, he says again and again, is always a ‘deceitful guide’ (see pp. 61, 66, 473). As against analogy, or as I would say merely metaphorical characterizations of the facts, Darwin wishes to make a case for the existence of real ‘affinities’ genealogically construed. The establishment of these affinities will permit him to postulate the linkage of all living things to all others by the ‘laws’ or ‘principles’ of genealogical descent, variation, and natural selection. These laws and principles are the formal elements in his mechanistic explanation of why creatures are arranged in families in a time series. But this explanation could not be offered as long as the data remained encoded in the linguistic modes of either metaphor or synecdoche, the modes of qualitative connection. As long as creatures are classified in terms of either semblance or essential unity, the realm of organic things must remain either a chaos of arbitrarily affirmed connectedness or a hierarchy of higher and lower forms. Science as Darwin understood it, however, cannot deal in the categories of the ‘higher’ and ‘lower’ any more than it can deal in the categories of the ‘normal’ and ‘monstrous.’ Everything must be entertained as what it manifestly seems to be. Nothing can be regarded as ‘surprising,’ any more than anything can be regarded as ‘miraculous.”

Hayden White (1928–2018) American historian

"The fictions of factual representation"

“There are days when any electrical appliance in the house, including the vacuum cleaner, offers more entertainment than the TV set.”

Harriet Van Horne (1920–1998) American journalist

Women Know Everything! http://books.google.com/books?id=nTKgWEBhBeoC&pg=PA429&lpg=PA429&dq=There+are+days+when+any+electrical+appliance+in+the+house,+including+the+vacuum+cleaner,+offers+more+entertainment+than+the+TV+set.&source=web&ots=OgBpFo7CWB&sig=ngxgVw4am7DRU0wMlhh9DCs3N7k&hl=en&sa=X&oi=book_result&resnum=3&ct=result by Karen Weekes, published by Quirk Books, 2007

Mary Pickford photo

“I am no longer in pictures for money. I am in them because I love them. I am not in vain. I do not care about giving a smashing personal performance. My one ambition is to create fine entertainment.”

Mary Pickford (1892–1979) Canadian-American actress

Herbert Howe, "Mary Pickford's Favorite Stars and Films". Photoplay, January 1924, p. 28-29. (Photoplay Publishing Company). https://archive.org/stream/pho26chic#page/n31/mode/2up

Don DeLillo photo
Donald Barthelme photo
Mario Cuomo photo

“Entertainers and sports figures achieve fame and wealth but find the world empty and dull without the solace and stimulation of drugs.”

Mario Cuomo (1932–2015) American politician, Governor of New York

Address at Iona College (1984)

Heinrich Robert Zimmer photo
Blase J. Cupich photo
George Ade photo

“In the city a funeral is just an interruption of traffic; in the country it is a form of entertainment.”

George Ade (1866–1944) American writer, newspaper columnist and playwright

Cosmopolitan Magazine, February 1928

L. Frank Baum photo
Natasha Lyonne photo

“I’m a movie star. Can I talk to my entertainment lawyer?”

Natasha Lyonne (1979) actress

Sarcastic remark to a police officer after failing a Breathalyzer test (28 August 2001), a comment The Smoking Gun named "The Most Entertaining Celebrity Arrest Report" of 2001; of this incident she later said:
Listen, I’m not for everyone. Maybe those officers didn’t understand that I was kidding. … Maybe a lot of those people who wrote up those police reports thought I was being serious. They probably don’t have my same sense of humor. It’s not like they have a Petri dish of highbrow comedy over at the precinct.
As quoted in "Spoonful of Sugar : Natasha Lyonne’s Sweet Comeback" by Shira Levine, in Heeb Magazine (20 January 2009) http://kittyradio.com/soapbox/gossip/46450-natasha-lyonne-interview-heeb-magazine.html

Pendleton Ward photo
Ludwig Klages photo
Thomas Jefferson photo

“I see too many proofs of the imperfection of human reason, to entertain wonder or intolerance at any difference of opinion on any subject; and acquiesce in that difference as easily as on a difference of feature or form; experience having long taught me the reasonableness of mutual sacrifices of opinion among those who are to act together for any common object, and the expediency of doing what good we can, when we cannot do all we would wish.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to John Randolph (1 December 1803), published in The Works of Thomas Jefferson in Twelve Volumes http://oll.libertyfund.org/ToC/0054.php, Federal Edition, Paul Leicester Ford, ed., New York: G. P. Putnam's Sons, 1904, Vol. 109 http://files.libertyfund.org/files/806/0054-10_Bk.pdf, pp. 54
1800s, First Presidential Administration (1801–1805)

Prince Philip, Duke of Edinburgh photo
Tom Jones photo
Roger Ebert photo
Nicholas Sparks photo

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

Dhyan Chand photo
Larry Correia photo
Joyce Carol Oates photo
Chris Hedges photo
Hartley Coleridge photo
Walt Disney photo

“I am interested in entertaining people, in bringing pleasure, particularly laughter, to others, rather than being concerned with "expressing" myself with obscure creative impressions.”

Walt Disney (1901–1966) American film producer and businessman

Quoted in "The man behind 'The Magic Kingdom'" in The Gazette [Colorado Springs http://findarticles.com/p/articles/mi_qn4191/is_20050507/ai_n14625292/print (7 May 2005)]

Edgar Rice Burroughs photo

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

Dana Gioia photo
Enoch Powell photo
Jack Gleeson photo
A. James Gregor photo
Ilana Mercer photo

“Thomas Jefferson never entertained the folly that he was of immigrant stock. He considered the English settlers of America courageous conquerors, much like his Saxon forebears, to whom he compared them. To Jefferson, early Americans were the contemporary carriers of the Anglo-Saxon project.”

Ilana Mercer South African writer

" The Declaration of Independence No Longer Expresses the American Mind http://www.americanthinker.com/articles/2017/07/the_declaration_no_longer_expresses_the_american_mind.html," American Thinker, July 4, 2017
2010s, 2017
Variant: Thomas Jefferson never entertained the folly that he was of immigrant stock. He considered the English settlers of America courageous conquerors, much like his Saxon forebears, to whom he compared them. To Jefferson, early Americans were the contemporary carriers of the Anglo-Saxon project.

Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Chiaki Kuriyama photo
Kazuo Hirai photo
Jonathan Edwards photo
Chuck Klosterman photo
Pat Conroy photo
Carl Linnaeus photo
Colin Wilson photo
John Ireland (bishop) photo
John DiMaggio photo
Daniel Handler photo
Henry Fielding photo

“…the excellence of the mental entertainment consists less in the subject than in the author's skill in well dressing it up.”

Henry Fielding (1707–1754) English novelist and dramatist

Book I, Chapter 1
The History of Tom Jones (1749)

David Hume photo
Jesse Ventura photo

“Having been a villain in wrestling, my relationship with the media has always been rocky. They don't view wrestling for what it really is, entertainment.”

Jesse Ventura (1951) American politician and former professional wrestler

Harvard interview (February 2004)

John Adams photo

“There are many other evils in our country which are growing, whereas the practice of slavery is fast diminishing, and threaten to bring punishment on our land more immediately than the oppression of the blacks. That sacred regard to truth in which you and I were educated, and which is certainly taught and enjoined from on high, seems to be vanishing from among us. A general relaxation of education and government, a general debauchery as well as dissipation, produced by pestilential philosophical principles of Epicurus, infinitely more than by shows and theatrical entertainments; these are, in my opinion, more serious and threatening evils than even the slavery of the blacks, hateful as that is. I might even add that I have been informed that the condition of the common sort of white people in some of the Southern States, particularly Virginia, is more oppressed, degraded, and miserable, than that of the negroes. These vices and these miseries deserve the serious and compassionate consideration of friends, as well as the slave trade and the degraded state of the blacks. I wish you success in your benevolent endeavors to relieve the distresses of our fellow creatures, and shall always be ready to cooperate with you as far as my means and opportunities can reasonably be expected to extend.”

John Adams (1735–1826) 2nd President of the United States

1800s, Letter to George Churchman and Jacob Lindley (1801)

Walt Disney photo

“Animation offers a medium of story telling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in "COSI exhibit explores world of cartoons" by Jeffrey Zupanic in The Review (2 August 2007) http://www.the-review.com/news/article/2344671

Johnny Carson photo
Reggie Fils-Aimé photo
Calvin Coolidge photo
Georg Brandes photo
Nile Kinnick photo
Peter Cook photo

“You know, I go to the theatre to be entertained… I don’t want to see plays about rape, sodomy and drug addiction… I can get all that at home.”

Peter Cook (1937–1995) British architect

Caption to a cartoon drawn by Roger Law, published in The Observer (8 July 1962)

Roger Ebert photo
George Canning photo

“I for my part still conceive it to be the paramount duty of a British member of parliament to consider what is good for Great Britain…I do not envy that man's feelings, who can behold the sufferings of Switzerland, and who derives from that sight no idea of what is meant by the deliverance of Europe. I do not envy the feelings of that man, who can look without emotion at Italy – plundered, insulted, trampled upon, exhausted, covered with ridicule, and horror, and devastation – who can look at all this, and be at a loss to guess what is meant by the deliverance of Europe? As little do I envy the feelings of that man, who can view the peoples of the Netherlands driven into insurrection, and struggling for their freedom against the heavy hand of a merciless tyranny, without entertaining any suspicion of what may be the sense of the word deliverance. Does such a man contemplate Holland groaning under arbitrary oppressions and exactions? Does he turn his eyes to Spain trembling at the nod of a foreign master? And does the word deliverance still sound unintelligibly in his ear? Has he heard of the rescue and salvation of Naples, by the appearance and the triumphs of the British fleet? Does he know that the monarchy of Naples maintains its existence at the sword's point? And is his understanding, and his heart, still impenetrable to the sense and meaning of the deliverance of Europe?”

George Canning (1770–1827) British statesman and politician

Speech in 1798, quoted in Wendy Hinde, George Canning (London: Purnell Books Services, 1973), p. 66.

Roger Ebert photo

“I had a colonoscopy once, and they let me watch it on TV. It was more entertaining than The Brown Bunny.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/festivals-and-awards/gallo-goes-on-the-offensive-after-bunny-flop of an early version of The Brown Bunny, when it was shown at the 2003 Cannes Film Festival (4 June 2003)
After director Vincent Gallo responded to the above criticism by mocking Ebert's obesity, Ebert responded: "It is true that I am fat, but one day I will be thin, and he will still be the director of The Brown Bunny." http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20030604/FILMFESTIVALS01/66010303 (4 June 2003)

John Lancaster Spalding photo
John Tyndall photo