Quotes about emotion
page 13

Narada Maha Thera photo
Daniel Goleman photo
Joseph Beuys photo

“Fat' traverses the path from a chaotically dispersed, undirected energy form to a form. Then it appears in the famous fat corner.... now [a wedge of fat in the angle between seat and back of the wooden old Chair, Beuys used in the fat-sculpture, like 'Stuhl mit Fett' (Fet Chair), 1964] intersects the human body in the region that houses certain emotional forces”

Joseph Beuys (1921–1986) German visual artist

Beuys laughed, and so did everyone else of the public
In a public debate at the Kunstring (Artcircle) Folkwang in Essen, 1972; (Stachelhaus 1991, p. 71); as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 29
1970's

“Pride is the emotional reward of achievement. It is not a vice to be overcome but a virtue to be attained.”

Nathaniel Branden (1930–2014) Canadian–American psychotherapist and writer

The Six Pillars of Self-Esteem (1994)

Gertrude Stein photo
Wyndham Lewis photo
Peter Greenaway photo
Daniel Barenboim photo
Maurice Denis photo

“The profoundness of our emotions comes from the sufficiency of these lines and these colors to explain themselves.... everything is contained in the beauty of the work.”

Maurice Denis (1870–1943) French painter

Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13]
In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat
1890 - 1920

Alexander Maclaren photo
Edmund Burke photo
Piet Mondrian photo
G. I. Gurdjieff photo

“Conscious faith is freedom. Emotional faith is slavery. Mechanical faith is foolishness.”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

Aphorisms

Letitia Elizabeth Landon photo
Daniel Levitin photo
Björk photo
Robin Sloan photo

“He has the strangest expression on his face—the emotive equivalent of 404”

Robin Sloan (1979) American writer

page not found.
Source: Mr. Penumbra's 24-Hour Bookstore (2012), Chapter 12 “The Founder’s Puzzle” (p. 96)

Mary Martin photo
Letitia Elizabeth Landon photo

“The weakness of our nature—how soon any strong emotion masters it!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Michel Seuphor photo
Jack London photo
Steven Erikson photo
Frances Kellor photo
Gail Dines photo

“No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a non-rapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.” Neither Dworkin nor MacKinnon “pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology. If, then, we replace the “Does porn cause rape?” question with more nuanced questions that ask how porn messages shape our reality and our culture, we avoid falling into the images-lead-to-rape discussion. What this reformulation does is highlight the ways that the stories in pornography, by virtue of their consistency and coherence, create a worldview that the user integrates into his reservoir of beliefs that form his ways of understanding, seeing, and interpreting what goes on around him.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Ch 5, Page 85, Gail Dines

David Sedaris photo
D.H. Lawrence photo

“The more scholastically educated a man is generally, the more he is an emotional boor.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

John Galsworthy (1927)

William James photo

“A purely disembodied human emotion is a nonentity.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Source: 1890s, The Principles of Psychology (1890), Ch. 25

Henry Ward Beecher photo

“…no emotion, any more than a wave, can long retain its own individual form.”

Henry Ward Beecher (1813–1887) American clergyman and activist

The Sermons of Henry Ward Beecher in Plymouth Church, Brooklyn, J. B. Ford, 1871, p. 24
Other Sourced

Pope Benedict XVI photo
Robert A. Heinlein photo

“You're in bad shape when your emotions force you into acts which you know are foolish.”

Source: Have Space Suit—Will Travel (1958), Chapter 8

Diane Ackerman photo
Owen Lovejoy photo

“Now, what about this negro equality of which we hear so much, in and out of Congress? It is claimed by the Democrats of today, that Jefferson has uttered an untruth in the declaration of principles which underlie our government. I still abide by the democracy of Jefferson, and avow my belief that all men are created equal. Equal how? Not in physical strength, not in symmetry of form and proportion, not in graceful of motion, or loveliness of feature, not in mental endowment, moral susceptibility, and emotional power. Not socially equal, not of necessity politically equal. Not this, but every human being equally entitled to his life, his liberty, and the fruit of his toil. The Democratic Party deny this fundamental doctrine of our government, and say that there is a certain class of human beings which have no rights. If you maliciously kill them, it is no murder. If you take away their liberty, it is no crime. If you deprive them of their earnings, it is no theft. No rights which another is bound to regard. Was there ever so much diabolism compressed into one sentence? Why do |the Democrats come to us with their complaints about the negroes? I for one feel no responsibility in the matter. I did not create them; was not consulted.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838–64 https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA177 (2004), edited by William Frederick Moore and Jane Ann Moore, p. 177
1850s, The Fanaticism of the Democratic Party (February 1859)

Stanislav Grof photo
Richard Henry Dana Jr. photo
Nyanaponika Thera photo
Pitirim Sorokin photo

“The resort to human flesh, often after months of ever-increasing hunger pangs, appeared to be an animallike reaction without painful emotional overtones.”

Pitirim Sorokin (1889–1968) American sociologist

Pitirim Sorokin (1942) Man and Society in Calamity http://books.google.nl/books?id=KackGHJUko8C. E. P. Dutton. p. 66; as cited in: Lewis Petrinovich (2000) The cannibal within. p. 177

George Gissing photo

“It's a lack of clarity that creates chaos and frustration. Those emotions are poison to any living goal.”

Source: Life, the Truth, and Being Free (2010), p. 101

Oliver Sacks photo
Adyashanti photo
Chris Cornell photo
Anil Kumble photo
André Maurois photo
Sean Penn photo
Taylor Caldwell photo
John Gray photo
Natacha Rambova photo
Romário photo

“"Trying to stop Robinho is a physical fatigue. Trying to stop Romário is an emotional fatigue."”

Romário (1966) Brazilian association football player

Marcar o Robinho é desgaste físico. Marcar o Romário é desgaste emocional
About
Source: ISTO É Magazine, Edition. 1788.
Context: Santos FC player Narciso.

John F. Kennedy photo
Daniel Radcliffe photo

“It was very emotional, actually. In the front of the book I wrote something Anton Chekhov wrote to the woman he ended up spending the rest of his life with: "Hello, the last page of my life."”

Daniel Radcliffe (1989) English actor

Which I thought was very appropriate.
On reading Harry Potter and the Deathly Hallows, the last book of the Harry Potter series, as quoted in "Daniel Radcliffe" by Chris Norris in Details (October 2008) http://men.style.com/details/blogs/thegadabout/2008/09/daniel-radcliff.html

Jerry Coyne photo

“To Parker Bright, Hannah Black, and other critics of this painting, I say this:
I completely reject your criticism. If only artists of the proper ethnicity can depict violence inflicted on their group, then only writers of the proper ethnicity can write about the same issues, and so on with all the arts. And what goes for ethnicity or race goes for gender: men cannot write about suffering inflicted on women, nor women about suffering inflicted on men. Gays cannot write about straight people and vice versa.
The fact is that we are all human, and we are all capable of sharing, as well as depicting, the pain and suffering of others. I will not allow you to fracture art and literature the way you have fractured politics. Yes, horrible injustices have been visited on minority groups, on women, on gays, and on other marginalized people, but to allow that injustice to be conveyed only by “properly ethnic or gendered artists” is to deny us our common humanity and deprive us of emotional solidarity. No group, whatever its pigmentation or chromosomal constitution, has the exclusive right to create art or literature about their own subgroup. To deny others that right is to censor them.
To those who say this painting has caused them “unnecessary hurt” because it is by a white artist about black pain, I say, “Your own pain about this artwork is gratuitous; I do not take it seriously. It’s the cry of a coddled child who simply wants attention.””

Jerry Coyne (1949) American biologist

" Insane political correctness: snowflakes urge destruction of Emmett Till painting https://whyevolutionistrue.wordpress.com/2017/04/04/insane-political-correctness-snowflakes-urge-destruction-of-emmett-till-painting/" April 4, 2017

Malcolm Fraser photo

“The prime minister, because of his unreasoned drive to get his own way, his obstinacy, impetuous and emotional reactions, has imposed strains upon the Liberal Party, the government and the public service. I do not believe he is fit to hold the great office of prime minister, and I cannot serve in his government.”

Malcolm Fraser (1930–2015) Australian politician, 22nd Prime Minister of Australia

Fraser resigning from cabinet on 8 March 1971 and denouncing John Gorton's leadership http://australianpolitics.com/1971/03/09/malcolm-frasers-resignation-speech.html

Lewis Mumford photo
Eric Holder photo
Sri Aurobindo photo
Robert M. Pirsig photo
Wassily Kandinsky photo
Warren Farrell photo
John Danforth photo
Dwight D. Eisenhower photo

“Now as before it is the vulgar and the vital and the possibility of its transformation into the beautiful which continues to challenge and fascinate me… Or perhaps the subject of my art is like the definition of humor — emotional pain remembered in tranquillity.”

Grace Hartigan (1922–2008) American artist

Statement to World Artists : 1950-1980 as quoted n "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008)
Unsourced variant: I have found "my subject", it concerns that which is vital and vulgar in American life and the possibility of its transcendence into the beautiful.

Isabelle Adjani photo
Nigel Cumberland photo

“Always be honest with yourself about how you are feeling, no matter what kinds of emotions might be building up inside of you. …Pretending to ourselves that we are not feeling something, does not make that emotion disappear.”

Nigel Cumberland (1967) British author and leadership coach

page 204
Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?id=p24GkAsgjGEC&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#v=onepage&q=nigel%20cumberland&f=false, Managing Teams in a Week (2013) https://books.google.ae/books?id=qZjO9_ov74EC&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#v=onepage&q=nigel%20cumberland&f=false, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id=4S7vAgAAQBAJ&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#v=onepage&q=nigel%20cumberland&f=false

Doris Lessing photo
Bruce Palmer Jr. photo
Éric Pichet photo
Italo Calvino photo
Anton Chekhov photo
Muhammad Iqbál photo
J.M. Coetzee photo

“Against human opposition the machine usually emerges victorious, since individual patterns tend to be not random but a function of emotions and previous training and experience.”

Richard Arnold Epstein (1927) American physicist

Source: The Theory of Gambling and Statistical Logic (Revised Edition) 1977, Chapter Four, Coins, Wheels, And Oddments, p. 90

Johnny Marr photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Nicholas Murray Butler photo

“When you remember how few Jews there are in Italy and how relatively few there are in Germany, one must wonder at the violence and the bitterness of this perse cution. The number of Jews in Italy is only a small fraction of those in the city of New York, while there are in the city of New York six times as many Jews as there were in the German Reich when the last war ended and possibly more than four times as many as there are there now. Yet the persecution, personal, physical, family, financial, goes on, openly and secretly, in a way that is perfectly appalling. To my great astonishment, this anti-Semitic persecution has been violently and publicly revived in this country within the last few weeks or months, and it is as discreditable to us that this should have happened as anything that we can imagine.'
Jews differ among themselves just as do Spaniards or Italians or Canadians or Americans. There are some who belong to one party, some who belong to another some whp hold one point of view, some who hold a point of view that is contradictory. The notion that all who belong to that race or profess that faith are of one mind in everything that relates to their public relationships is a grotesque departure from fact. But if you can play upon an excited public emotion by the use of these terms and by the insinuation that the entire Hebrew population is engaged, let us say as we have been told from the platform recently in trying to get this nation into war, such statements, although absolutely contradictory to every well-known fact, will, if repeated long enough, be believed and acted upon by a certain number of our unthinking population.
We cannot protest too vigorously and too strongly against that sort of thing. It may be the Ku Klux Klan persecuting the Catholics, it may be the anti-Semites persecuting the Jews: but persecution on racial or religious ground has absolutely no place in a nation given over to liberty and which calls itself a democracy.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Liberty-Equality-Fraternity (1942)

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“Half a century ago, the first feeling of all Englishmen was for England. Now, the sympathies of a powerful party are instinctively given to whatever is against England. It may be Boers or Baboos, or Russians or Affghans, or only French speculators – the treatment these all receive in their controversies with England is the same: whatever else my fail them, they can always count on the sympathies of the political a party from whom during the last half century the rulers of England have been mainly chosen…It is striking, though by no means a solitary indication of how low, in the present temper of English politics, our sympathy with our own countrymen has fallen. Of course, we shall be told that a conscience of exalted sensibility, which is the special attribute of the Liberal party, has enabled them to discover, what English statesmen had never discovered before, that the cause to which our countrymen are opposed is generally the just one…For ourselves, we are rather disposed to think that patriotism has become in some breasts so very reasonable an emotion, because it is ceasing to be an emotion at all; and that these superior scruples, to which our fathers were insensible, and which always make the balance of justice lean to the side of abandoning either our territory or our countrymen, indicate that the national impulses which used to make Englishmen cling together in face of every external trouble are beginning to disappear.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

‘Disintegration’, Quarterly Review, no. 312; October 1883, reprinted in Paul Smith (ed.), Lord Salisbury on Politics. A selection from his articles in the Quaterly Review, 1860-1883 (Cambridge University Press, 1972), pp. 342-343
1880s

Charles Darwin photo
Henry Adams photo
Sarvepalli Radhakrishnan photo

“In emotional vibrancy experience is recollected not in tranquility… but in excitement.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Frank Popper photo
D.H. Lawrence photo
Massimo Pigliucci photo
George F. Kennan photo
David D. Levine photo
Samuel Taylor Coleridge photo
John Galsworthy photo