Quotes about emotion
page 13

“Buddhism appeals more to the intellect than to the emotion. It is concerned more with the character of the devotees than with their numerical strength.”

Narada Maha Thera (1898–1983) Sri Lankan monk and missionary

Buddhism in a Nutshell

“Effective leaders are alike in one crucial way: They all have a high degree of what has come to be known as emotional intelligence. It’s not that IQ and technical skills are irrelevant. They do matter, but mainly as “threshold capabilities”; that is, they are the entry-level requirements for executive positions. But my research, along with other recent studies, clearly shows that emotional intelligence is the sine qua non of leadership.”

Daniel Goleman (1946) American psychologist & journalist

Source: IQ and technical skills are important, but emotional intelligence is the sine qua non of leadership (1998), p. 94

Way, Intelligence, Study

“Fat' traverses the path from a chaotically dispersed, undirected energy form to a form. Then it appears in the famous fat corner.... now [a wedge of fat in the angle between seat and back of the wooden old Chair, Beuys used in the fat-sculpture, like 'Stuhl mit Fett' (Fet Chair), 1964] intersects the human body in the region that houses certain emotional forces”

Joseph Beuys (1921–1986) German visual artist

Beuys laughed, and so did everyone else of the public
In a public debate at the Kunstring (Artcircle) Folkwang in Essen, 1972; (Stachelhaus 1991, p. 71); as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 29
1970's

Appearance, Housing

“Pride is the emotional reward of achievement. It is not a vice to be overcome but a virtue to be attained.”

Nathaniel Branden (1930–2014) Canadian–American psychotherapist and writer

The Six Pillars of Self-Esteem (1994)

“Gertrude Stein, in her work, has always been possessed by the intellectual passion for exactitude in the description of the inner and outer reality. She has reproduced simplification by this concentration, and as a result the destruction of associational emotion in poetry and prose. She knows that beauty, music, decoration, the result of emotion should never be the cause, even events should never be the cause of emotion nor should they be the material of poetry or prose. Nor should emotion itself be the cause of poetry and prose. They should consist of an exact reproduction of either an outer or inner reality.”

Gertrude Stein book The Autobiography of Alice B. Toklas

Source: The Autobiography of Alice B. Toklas (1933), p. 259

Beauty, Music, Reality, Passion

“1. Laughter is the Wild Body's song of triumph.
2. Laughter is the climax in the tragedy of seeing, hearing and smelling self-consciously.
3. Laughter is the bark of delight of a gregarious animal at the proximity of its kind.
4. Laughter is an independent, tremendously important, and lurid emotion.
5. Laughter is the representative of Tragedy, when Tragedy is away.
6. Laughter is the emotion of tragic delight.
7. Laughter is the female of Tragedy.
8. Laughter is the strong elastic fish, caught in Styx, springing and flapping about until it dies.
9. Laughter is the sudden handshake of mystic violence and the anarchist.
10. Laughter is the mind sneezing.
11. Laughter is the one obvious commotion that is not complex, or in expression dynamic.
12. Laughter does not progress. It is primitive, hard and unchangeable.”

Wyndham Lewis (1882–1957) writer and painter

"Inferior Religions" (1917), cited from Lawrence Rainey (ed.) Modernism: An Anthology (Oxford: Blackwell, 2005) pp. 208-9.

Spring, Fish, Laughter, Strong

“All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

“Wagner exploited all forms of expression at a composer's disposal -- harmony, dynamics, orchestration -- to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves. That's why there is also something manipulative about Wagner's music, which is not to say that it's not honest. In fact, I believe that it's totally honest, but it also happens to be manipulative.”

Daniel Barenboim (1942) Israeli Argentine-born pianist and conductor

SPIEGEL Interview with Daniel Barenboim

Music, Time

“The profoundness of our emotions comes from the sufficiency of these lines and these colors to explain themselves.... everything is contained in the beauty of the work.”

Maurice Denis (1870–1943) French painter

Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13] In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat 1890 - 1920

Beauty, Color

“We are only asking you to give to Christ that which you give to others, to transfer the old emotions, the blessed emotions, the exercise of which makes gladness in the life here below, to transfer them to Him, and to rest safe in the Lord. Faith is trust.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 590.

Life, Faith, Exercises, Christ

“It is now sixteen or seventeen years since I saw the Queen of France, then the Dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in—glittering like the morning star, full of life, and splendor, and joy. Oh! what a Revolution! And what a heart must I have to contemplate without emotion that elevation and that fall! Little did I dream when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honor, and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult. But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished for ever.”

Edmund Burke book Reflections on the Revolution in France

Volume iii, p. 331
Reflections on the Revolution in France (1790)

Love, Life, Men, Age

“Thus we must carefully distinguish between two kinds of reality, one which has an individual character, and one which has a universal appearance... It is, however, wrong to think that the non-figurative artist finds impressions and emotions received from the outside useless, and regards it even as necessary to fight against them... It is equally wrong to think that the non-figurative artist creates through 'the pure intention of his mechanical process', that he makes 'calculated abstractions' and that he wish to 'suppress sentiment not only in himself but in the spectator'... It is thus clear that he has not become a mechanic, but that the progress of science, of technique, of machinery, of life as a whole, has only made him into a living machine, capable of realizing in a pure manner the essence of art.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in: 'Plastic Art and Pure Plastic Art', Piet Mondrian (1937); in 'Documents of modern Art' ed. Robert Motherwell for Wittenborn, Schulz, New York 1945
1930's

Life, Art, Thinking, Reality

“Conscious faith is freedom. Emotional faith is slavery. Mechanical faith is foolishness.”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

Aphorisms

Faith, Freedom

“There cannot be a greater error than to suppose that the poet does not feel what he writes. What an extraordinary, I might say, impossible view, is this to take of an art more connected with emotion than any of its sister sciences. What — the depths of the heart are to be sounded, its mysteries unveiled, and its beatings numbered by those whose own heart is made by this strange doctrine — a mere machine wound up by the clock-work of rhythm! No; poetry is even more a passion than a power, and nothing is so strongly impressed on composition as the character of the writer. I should almost define poetry to be the necessity of feeling strongly in the first instance, and the as strong necessity of confiding in the second.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Art, Error, Feeling, Confidence

“KNOWING YOURSELF means being able to separate the true from the false in yourself - love from emotion, joy from sentiment, Will from desire. No man can teach another self-knowledge. He can only lead him or her up to self-discovery - the source of truth.”

Barry Long (1926–2003) Australian spiritual teacher and writer

Knowing Yourself: The True in the False (1996)

Love, Truth, Knowledge, Joy

“When a beautiful rose dies beauty does not die because it is not really in the rose. Beauty is an awareness in the mind. It is a mental and emotional response that we make. We respond to life as though it were perfect. When we go into a forest we do not see the fallen rotting trees. We are inspired by a multitude of uprising trees... The goal of life is happiness and to respond to life as though it were perfect is the way to happiness. It is also the way to positive art work.”

Agnes Martin (1912–2004) American artist

In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000

Life, Happiness, Beauty, Art

“So much of the research on musical expertise has looked for accomplishment in the wrong place, in the facility of the fingers rather than the expressiveness of emotion.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Music

“Emotional landscapes
They puzzle me
The riddle gets solved and you push me up to this state of emergency
How beautiful to be!
State of emergency
Is where I want to be”

Björk (1965) Icelandic singer-songwriter

"Jóga", from Homogenic (1997)
Songs

Beauty

“He has the strangest expression on his face—the emotive equivalent of 404”

Robin Sloan (1979) American writer

page not found.
Source: Mr. Penumbra's 24-Hour Bookstore (2012), Chapter 12 “The Founder’s Puzzle” (p. 96)

“I was seventeen years old, a married woman without real responsibilities, miserable about my mixed-up emotions, afraid there was something awfully wrong with me because I didn’t enjoy being a wife. Worst of all, I didn't have enough to do.”

Mary Martin (1913–1990) American actress

Source: My Heart Belongs (1976), p. 39

“The weakness of our nature—how soon any strong emotion masters it!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Nature, Strong

“As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations… for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship… (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness. It is the same in the cases of Mondrian, Kandinsky and the Cubists: abstraction and figuration have a common frontier in their work that is so tenuous that we often do not know which side we are on. It is this ambiguity that imports a rare poetic charm to their paintings. Artists like Klee, Miro and Dubuffet have also pitched their tents on this borderline and constantly travel from one side tot the other.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), pp. 43/44: (1962)

Friendship, Secret, Travel, Feeling

“These women, capable of the most sublime emotions, of the tenderest sympathies, were openmouthed and screaming. They wanted to live, they were helpless, likes rats in a trap, and they screamed.”

Jack London book The Sea-Wolf

Source: The Sea-Wolf (1904), Chapter One

Women

“Prediction had become a privilege now lost to her. Never mind the outside world, she could not even guess her own actions, or the course of her thoughts.
Was this the true nature of emotion? she wondered. The great defier of logic, of control—the whims of being human. What lay ahead?”

Steven Erikson book Gardens of the Moon

Source: Gardens of the Moon (1999), Chapter 16 (p. 457)

World, Nature

“Admittedly America has not fully succeeded. The absence of definition, of principles, and of methods of Americanization shows her success thus far to have been rather a happy accident, an outcome which cannot be expected in a more exacting future. Has it been regarded as a war necessity to be dealt with expeditiously and then dropped, or will it become a science, thereby progressing from emotion to reason, from impulse to logic, and from chaos to order? With the war ended, there is danger that we will turn aside to new interests, unless a foundation of science can be laid and a philosophy evolved.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

War, Happiness, Science, Success

“No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a non-rapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.” Neither Dworkin nor MacKinnon “pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology. If, then, we replace the “Does porn cause rape?” question with more nuanced questions that ask how porn messages shape our reality and our culture, we avoid falling into the images-lead-to-rape discussion. What this reformulation does is highlight the ways that the stories in pornography, by virtue of their consistency and coherence, create a worldview that the user integrates into his reservoir of beliefs that form his ways of understanding, seeing, and interpreting what goes on around him.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Ch 5, Page 85, Gail Dines

Women, Men, Hate, World

“The word phobic has its place when properly used, but lately it's been declawed by the pompous insistence that most animosity is based upon fear rather than loathing. No credit is given for distinguishing between these two very different emotions.”

David Sedaris book Me Talk Pretty One Day

Me Talk Pretty One Day (2000)

Fear

“The more scholastically educated a man is generally, the more he is an emotional boor.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

John Galsworthy (1927)

Education

“A purely disembodied human emotion is a nonentity.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Source: 1890s, The Principles of Psychology (1890), Ch. 25

“Yet I also appreciate that we cannot win this battle to save species and environments without forging an emotional bond between ourselves and nature as well—for we will not fight to save what we do not love (but only appreciate in some abstract sense). So let them all continue—the films, the books, the television programs, the zoos, the little half acre of ecological preserve in any community, the primary school lessons, the museum demonstrations, even […] the 6:00 A. M. bird walks. Let them continue and expand because we must have visceral contact in order to love. We really must make room for nature in our hearts.”

Stephen Jay Gould book Eight Little Piggies

"Unenchanted Evening", p. 40
Eight Little Piggies (1993)

Love, Books, School, Communication

“…no emotion, any more than a wave, can long retain its own individual form.”

Henry Ward Beecher (1813–1887) American clergyman and activist

The Sermons of Henry Ward Beecher in Plymouth Church, Brooklyn, J. B. Ford, 1871, p. 24
Other Sourced

“When I think of art, I think of beauty. Beauty is the mystery of life. It is in the mind, not in the eye. In our minds, we have an awareness of perfection that leads us on... The response to beauty is emotion. Sometimes very subtle emotions of which we are almost not aware, and sometimes our most powerful emotions..”

Agnes Martin (1912–2004) American artist

1980 - 2000, The Skowhegan Lecture', 1987

Life, Beauty, Art, Thinking

“"Rock" [music]… is the expression of elemental passions, and at rock festivals it assumes a cultic character, a form of worship, in fact, in opposition to Christian worship. People are, so to speak, released from themselves by the experience of being part of a crowd and by the emotional shock of rhythm, noise, and special lighting effects. However, in the ecstasy of having all their defenses torn down, the participants sink, as it were, beneath the elemental force of the universe.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2000, The Spirit of the Liturgy (2000)

People, Music, Light, Universe

“You're in bad shape when your emotions force you into acts which you know are foolish.”

Robert A. Heinlein book Have Space Suit—Will Travel

Source: Have Space Suit—Will Travel (1958), Chapter 8

“We think of it as a sort of traffic accident of the heart. It is an emotion that scares us more than cruelty, more than violence, more than hatred. We allow ourselves to be foiled by the vagueness of the word. After all, love requires the utmost vulnerability. We equip someone with freshly sharpened knives; strip naked; then invite him to stand close. What could be scarier?”

Diane Ackerman (1948) Author, poet, naturalist

A Natural History of Love (1994)

Love, Thinking, Heart

“Now, what about this negro equality of which we hear so much, in and out of Congress? It is claimed by the Democrats of today, that Jefferson has uttered an untruth in the declaration of principles which underlie our government. I still abide by the democracy of Jefferson, and avow my belief that all men are created equal. Equal how? Not in physical strength, not in symmetry of form and proportion, not in graceful of motion, or loveliness of feature, not in mental endowment, moral susceptibility, and emotional power. Not socially equal, not of necessity politically equal. Not this, but every human being equally entitled to his life, his liberty, and the fruit of his toil. The Democratic Party deny this fundamental doctrine of our government, and say that there is a certain class of human beings which have no rights. If you maliciously kill them, it is no murder. If you take away their liberty, it is no crime. If you deprive them of their earnings, it is no theft. No rights which another is bound to regard. Was there ever so much diabolism compressed into one sentence? Why do |the Democrats come to us with their complaints about the negroes? I for one feel no responsibility in the matter. I did not create them; was not consulted.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838&ndash;64 https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA177 (2004), edited by William Frederick Moore and Jane Ann Moore, p. 177 1850s, The Fanaticism of the Democratic Party (February 1859)

Life, Men, Feeling, Democracy

“In one of my early books I suggested that the potential significance of LSD and other psychedelics for psychiatry and psychology was comparable to the value the microscope has for biology or the telescope has for astronomy. My later experience with psychedelics only confirmed this initial impression. These substances function as unspecific amplifiers that increase the cathexis (energetic charge) associated with the deep unconscious contents of the psyche and make them available for conscious processing. This unique property of psychedelics makes it possible to study psychological undercurrents that govern our experiences and behaviours to a depth that cannot be matched by any other method and tool available in modern mainstream psychiatry and psychology. In addition, it offers unique opportunities for healing of emotional and psychosomatic disorders, for positive personality transformation, and consciousness evolution.”

Stanislav Grof (1931) Czech pychiatrist

Foreword to the MAPS edition of LSD: My Problem Child (October 2005) by Dr. Albert Hofmann

Books, Study, Personality

“As we made the high point off San Diego, Point Loma, we were greeted by the cheering presence of a lighthouse. As we swept round it in the early morning, there, before us, lay the little harbor of San Diego, its low spit of sand, where the water runs so deep; the opposite flats, where the Alert grounded in starting for home; the low hills, without trees, and almost without brush; the quiet little beach; but the chief objects, the hide houses, my eye looked for in vain. They were gone, all, and left no mark behind. I wished to be alone, so I let the other passengers go up to the town, and was quietly pulled ashore in a boat, and left to myself. The recollections and the emotions were all sad… and only sad.”

Richard Henry Dana Jr. (1815–1882) United States author and lawyer

Twenty-Four Years After (1869)

Sadness, Home, Tree, Water

“During decades of the present life and throughout millennia of previous lives traversing the round of existence, there has steadily grown within each individual a closely knit system of intellectual and emotional prejudices, of bodily and mental habits that are no longer questioned as to their rightful position and useful function in human life. Here again, the application of bare attention loosens the hard soil of these often very ancient layers of the human mind.”

Nyanaponika Thera (1901–1994) German Buddhist monk

Source: The Vision of Dhamma (1994), p. 77

Life, Question

“The resort to human flesh, often after months of ever-increasing hunger pangs, appeared to be an animallike reaction without painful emotional overtones.”

Pitirim Sorokin (1889–1968) American sociologist

Pitirim Sorokin (1942) Man and Society in Calamity http://books.google.nl/books?id=KackGHJUko8C. E. P. Dutton. p. 66; as cited in: Lewis Petrinovich (2000) The cannibal within. p. 177

Hunger, Pain, Appearance

“Poetry, as nearly as I can understand it, is a statement in words about a human experience, whether the experience be real or hypothetical, major or minor; but it is a statement of a particular kind. Words are symbols for concepts, and the philosopher or scientist endeavors as far as may be to use them with reference to nothing save their conceptual content. Most words, however, connote feelings and perceptions, and the poet, like the writer of imaginative prose, endeavors to use them with reference not only to their denotations but to their connotations as well. Such writers endeavor to communicate not only concepts, arranged, presumably, either in rational order or in an order of apprehensible by the rational mind, but the feeling or emotion which the rational content ought properly to arouse.”

Yvor Winters (1900–1968) American poet and literary critic

The Audible Reading of Poetry (1951)

Feeling, Imagination, Communication, Understanding

“It is the mind which creates the world around us, and even though we stand side by side in the same meadow, my eyes will never see what is beheld by yours, my heart will never stir to the emotions with which yours is touched.”

George Gissing (1857–1903) English novelist

As quoted in 'The Book Of Us : A Guide To Scrapbooking About Relationships (2005) Angie Pedersen, p. 46

World, Heart

“It's a lack of clarity that creates chaos and frustration. Those emotions are poison to any living goal.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 101

“Some employees in slaughterhouses, she notes, rapidly develop a protective hardness and start killing animals in a purely mechanical way: “The person doing the killing approaches his job as if he was stapling boxes moving along a conveyor belt. He has no emotions about his act.” Others, she reveals, “start to enjoy killing and… torment the animals on purpose.” Speaking of these attitudes turned Temple’s mind to a parallel: “I find a very high correlation,” she said, “between the way animals are treated and the handicapped…. Georgia is a snake pit—they treat [handicapped people] worse than animals…. Capital-punishment states are the worst animal states and the worst for the handicapped.” All this makes Temple passionately angry, and passionately concerned for humane reform: she wants to reform the treatment of the handicapped, especially the autistic, as she wants to reform the treatment of cattle in the meat industry.”

Oliver Sacks (1933–2015) British neurologist and writer

An Anthropologist On Mars, The New Yorker, 27 December 1993

People, Way, Passion, Animals

“True love is not all bliss. As my teacher said, true love is bittersweet, like dark chocolate. It almost hurts a little bit. Ultimately all emotions contain their opposite.”

Adyashanti (1962) Spiritual teacher

Interview for The Sun Magazine (2007)

Love, Teachers, Hurt

“I've had close friends who were on the verge of having nervous breakdowns or having one, and would walk into a room and be together. I think everyone struggles. And it's hard to be critical. I'm not somebody else, I'm not in anyone else's skin; I don't know what they are thinking or what they are going through or why they do what they do. I know what it feels like to be suicidal, and I know what it feels like to be hopeless. There is some point where I learnt enough about myself to know that I don't have the tolerance to create other hurdles as well. If I would have ever started taking drugs when I was younger, I would never have lived. I would have gone out quick. I don't have the tolerance to live in that emotional and physical pain and not have anything positive or good around me. I think that as far as the life that I have, I couldn't imagine it being any better. And even with that I still get down-spirited a lot, so… (laughs). If I look at it that way, I wouldn't want to make it any worse.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Metal Hammer, October 1996 http://web.stargate.net/soundgarden/articles/hammer_10-96.shtml, On depression and suicide

Life, Pain, Way, Feeling

“Voluptuous habits speedily bind all the powers of the soul in loathsome vassalage, and exclude every thought except such as relate to the beastly pleasures of which it is the slave. Distracted by cravings as inexorable as they are base, and in their vileness perpetually reproduced, — tantalized by the impure fountains of a diseased imagination, and oppressed with its own effeminacy, — the mind loses its vigor and its productiveness. Every faculty rapidly deteriorates and decays; memory becomes extinguished, inanity destroys resolution, and the heart is as cold and callous as a cinder extinct. It ceases to love, to sympathize, and diffuse the delicious tears that sanctify friendship's shrine. The whole countenance assumes an expression of obdurateness and repugnance. The features, marked with premature decay, proclaim that the source of gentle sentiments, pure emotions, and innocent joys, is exhausted, like a limpid fountain invaded by the scoria and flame of a volcano. All the elements of life seem to have retreated into their abused organs only to perish there. Even the organs themselves are withered, and worse than dead; their infirmities, maladies, sufferings, rush in a multitude upon the degraded victim, and overwhelm him in awful retribution.”

Elias Lyman Magoon (1810–1886) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 354.

Love, Life, Friendship, Pleasure

“He is an extraordinary man with extraordinary career. It`s been a privilege to play with him. It was emotional for all of us but it`s a great time to celebrate the farewell of one of India`s greatest cricketers.”

Anil Kumble (1970) Former Indian cricketer

By Rahul Dravid.
Kumble Calls it a Day: Quotes... For and By Kumble...

Time

“One of the most serious obstacles to happiness is the awkwardness of modern man, with his mind full of doctrines and abstract formulas, when he attempts to re-establish contact with real emotions. Animals and unsophisticated people achieve happiness more naturally, because their desires are simpler and truer. Civilized man, a parrot enslaved by his chattering, ceaselessly inoculates himself with loves and hatreds which he does not actually fee.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

Love, Happiness, People, Nature

“Thank you. If there's one thing that actors know, other than that there weren't any WMDs, it's that there is no such thing as best in acting. And That's proven by these great actors that I was nominated with as well as the — as well as the Giamattis, Cages, Downey Jrs., Nicholsons, etc. that were not nominated. We know how great all of you were. My daughter Dylan and son Hopper find it presumptuous and embarrassing to write a speech, and so I'm gonna give it a go without. God, I really thank Clint Eastwood professionally and humanly for coming into my life. The great, great cast that I had to work with, my friends. Where do you go? Dennis Lehane, Brian Helgeland, Ma. Dad. Robin, for being an undying emotional inspiration on this rollercoaster I'm learning to enjoy. Thank you all very much.”

Sean Penn (1960) American actor, screenwriter, and film director

Oscar acceptance speech for Mystic River, 76th Annual Academy Awards - Best Actor in a Leading Role http://www.oscars.org/76academyawards/winners/01_lead_actor.html (2004-02-29)

Life, God, Learning, Daughters

“I am not insensible to natural beauty, but my emotional joys center on the improbable yet sometimes wondrous works of that tiny and accidental evolutionary twig called Homo sapiens. And I find, among these works, nothing more noble than the history of our struggle to understand nature—a majestic entity of such vast spatial and temporal scope that she cannot care much for a little mammalian afterthought with a curious evolutionary invention, even if that invention has, for the first time in some four billion years of life on earth, produced recursion as a creature reflects back upon its own production and evolution. Thus, I love nature primarily for the puzzles and intellectual delights that she offers to the first organ capable of such curious contemplation.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

Prologue, p. 13
Bully for Brontosaurus (1991)

Love, Life, Beauty, History

“Childish raptures! said Lucifer, with scorn, his eyes flashing like lightning. "Are we indeed whimpering and craven children, or slaves? Can we be content with toys and little deliciousnesses? Are we not mind, as well as emotion? And is not the mind, of both angel and man, the noblest of possessions, and worth exercising. It is in our minds that we approach the closest of Him, Who is all Mind. Mind is the creator of all philosophy, all order, all beauty, all satisfaction, but emotion is the lowliest of the virtues, if it is a virtue at all. Mind has in it the capacity to know all things, or, at least, the minds of angels.”

Taylor Caldwell (1900–1985) Novelist

Dialouges with the Devil (1967)
1960s

Children, Beauty, Angels, Exercises

“As machines slip from human control they will do more than become conscious. They will become spiritual beings, whose inner life is no more limited by conscious thought than ours. Not only will they think and have emotions. They will develop the errors and illusions that go with self-awareness.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

Non-Progress: The soul in tha machine (p. 187)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

Life, Error, Thinking

“I felt as if I had at last returned home. The first few days I was there I couldn't stop the tears streaming from my eyes. It was not sadness, but some emotional impact from the past- a returning to a place once loved after too long a time.”

Natacha Rambova (1897–1966) American film personality and fashion designer

On visiting Egypt, p. 207
Madam Valentino: The Many Lives of Natacha Rambova (1991)

Love, Sadness, Home, Tear

“"Trying to stop Robinho is a physical fatigue. Trying to stop Romário is an emotional fatigue."”

Romário (1966) Brazilian association football player

Marcar o Robinho é desgaste físico. Marcar o Romário é desgaste emocional
About
Source: ISTO É Magazine, Edition. 1788.
Context: Santos FC player Narciso.

“I give you three examples: first, medical space research may open up new understanding of man's relation to his environment. Examinations of the astronaut's physical, and mental, and emotional reactions can teach us more about the differences between normal and abnormal, about the causes and effects of disorientation, about changes in metabolism which could result in extending the life span. When you study the effects on our astronauts of exhaust gases which can contaminate their environment, and you seek ways to alter these gases so as to reduce their toxicity, you are working on problems similar to those in our great urban centers which themselves are being corrupted by gases and which must be clear.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, President John F. Kennedy's last formal speech and public words

Life, Way, Understanding, Problem

“It was very emotional, actually. In the front of the book I wrote something Anton Chekhov wrote to the woman he ended up spending the rest of his life with: "Hello, the last page of my life."”

Daniel Radcliffe (1989) English actor

Which I thought was very appropriate. On reading Harry Potter and the Deathly Hallows, the last book of the Harry Potter series, as quoted in "Daniel Radcliffe" by Chris Norris in Details (October 2008) http://men.style.com/details/blogs/thegadabout/2008/09/daniel-radcliff.html

Life, Books

“To Parker Bright, Hannah Black, and other critics of this painting, I say this:
I completely reject your criticism. If only artists of the proper ethnicity can depict violence inflicted on their group, then only writers of the proper ethnicity can write about the same issues, and so on with all the arts. And what goes for ethnicity or race goes for gender: men cannot write about suffering inflicted on women, nor women about suffering inflicted on men. Gays cannot write about straight people and vice versa.
The fact is that we are all human, and we are all capable of sharing, as well as depicting, the pain and suffering of others. I will not allow you to fracture art and literature the way you have fractured politics. Yes, horrible injustices have been visited on minority groups, on women, on gays, and on other marginalized people, but to allow that injustice to be conveyed only by “properly ethnic or gendered artists” is to deny us our common humanity and deprive us of emotional solidarity. No group, whatever its pigmentation or chromosomal constitution, has the exclusive right to create art or literature about their own subgroup. To deny others that right is to censor them.
To those who say this painting has caused them “unnecessary hurt” because it is by a white artist about black pain, I say, “Your own pain about this artwork is gratuitous; I do not take it seriously. It’s the cry of a coddled child who simply wants attention.””

Jerry Coyne (1949) American biologist

" Insane political correctness: snowflakes urge destruction of Emmett Till painting https://whyevolutionistrue.wordpress.com/2017/04/04/insane-political-correctness-snowflakes-urge-destruction-of-emmett-till-painting/" April 4, 2017

Women, Men, Pain, People

“The prime minister, because of his unreasoned drive to get his own way, his obstinacy, impetuous and emotional reactions, has imposed strains upon the Liberal Party, the government and the public service. I do not believe he is fit to hold the great office of prime minister, and I cannot serve in his government.”

Malcolm Fraser (1930–2015) Australian politician, 22nd Prime Minister of Australia

Fraser resigning from cabinet on 8 March 1971 and denouncing John Gorton's leadership http://australianpolitics.com/1971/03/09/malcolm-frasers-resignation-speech.html

Way

“The physical lot of surviving workers had notably improved, with unemployment insurance, social security, and the new health services, while their children's school education was assured by the government-operated schools: in addition, they had, for intellectual or emotional stimulus and diversion, the radio and the television. But the work itself was no longer as various, as interesting, or as sustaining to the personality…”

Lewis Mumford book The Myth of the Machine

Technical Liberation
The Myth of the Machine (1967-1970), The Pentagon of Power (1970)

Children, Health, Education, School

“Nearly seven months have passed since the shooting death of 18-year-old Michael Brown in Ferguson, Missouri. That tragic incident provoked widespread demonstrations and stirred strong emotions from those in the Ferguson area and around our nation. It also prompted a federal investigation by the U. S. Department of Justice, with the Criminal Section of the Civil Rights Division, the U. S. Attorney’s Office of the Eastern District of Missouri and the FBI seeking to determine whether this shooting violated federal civil rights law.”

Eric Holder (1951) 82nd Attorney General of the United States

2010s, Update on Investigations in Ferguson (2015)

Death, Justice, Law, Strong

“I think many non-Jews don't realise the tremendous emotional heat that is involved here in the second half of the twentieth century. A heat that derives from the Holocaust. That is to say the destruction, the mass murder of the Jews in Eastern Europe where most of the Jews were. That both the Israelis and the Jews of the United States are the bereaved children of that population who were murdered. And the bond between the Jews of the United States and the people of Israel has the emotional intensity derived from that common bereavement. And that is what gives. I do understand that people resent the power of the pro-Israel lobby in this country [the US], but that power derives from that elemental basic bond of the common bereavement and the horror that is there in the background. Therefore, Jews in the United States do react strongly – and that's what makes this a very powerful lobby, and it is – they do react strongly to anything that seems to them to threaten the connection of the United States in Israel, which is Israel's lifeline. They see this as threatening. This may be an exaggerated fear, but always there is the shadow there of a possible new Holocaust. Israel overrun. The people of Israel massacred again.”

Conor Cruise O'Brien (1917–2008) Irish politician

C-SPAN (March 26 1986).

Children, People, Fear, Understanding

“The Spirit is a higher infinite of verities; life is a lower infinite of possibilities which seek to grow and find their own truth and fulfilment in the light of these verities. Our intellect, our will, our ethical and our aesthetic being are the reflectors and the mediators. The method of the West is to exaggerate life and to call down as much — or as little — as may be of the higher powers to stimulate and embellish life.
But the method of India is on the contrary to discover the spirit within and the higher hidden intensities of the superior powers and to dominate life in one way or another so as to make it responsive to and expressive of the spirit and in that way increase the power of life. Its tendency with the intellect, will, ethical, aesthetic and emotional being is to sound indeed their normal mental possibilities, but also to upraise them towards the greater light and power of their own highest intuitions.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

The Renaissance in India (1918)

Life, Truth, Way, Light

“In this allegory the seeker, trying to reach the One, is drawn by two horses, one white and noble and temperate, and the other surly, stubborn, passionate and black. The one is forever aiding him in his upward journey to the portals of heaven, the other is forever confounding him. The Chairman has not stated it yet, but he is at the point at which he must now announce that the white horse is temperate reason, the black horse is dark passion, emotion. He is at the point at which these must be described, but the false note suddenly becomes a chorus.”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 30

Passion, Horse, Falseness

“.. emotion that I experienced on first seeing the fresh paint come out of the tube.... the impression of colours strewn over the palette: of colours – alive, waiting, as yet unseen and hidden in their little tubes..”

Wassily Kandinsky (1866–1944) Russian painter

Source: 1916 -1920, Autobiography', 1918, p. 9

Waiting, Painting

“Men tend to put all their emotional eggs in the basket of their wives (or womenfriends), it is difficult for a man to communicate feelings of disappointment to his wife because, if she withdraws, it feels to him like his entire emotional support system has collapsed.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Men, Disappointment, Feeling, Communication

“The old adage that polite conversation should not include talk of politics or religion is understandable because both subjects are so heavily laden with emotion that discussion can quickly turn to shouting. Blood is shed over politics, religion and the two in combination.”

John Danforth (1936) American politician

Page 215
Faith and Politics (2006)

Religion, Understanding

“We face a hostile ideology; global in scope, atheistic in character, ruthless in purpose and insidous in method. Unhappily the danger it poses promises to be of indefinite duration. To meet it successfully there is call for not so much the emotional and transitory sacrifices of questions but rather those which enable us to carry forward steadily, surely and without complaint the burdens of a prolonged and complex struggle with liberty the stake. Only thus shall we remain despite every provocation on our charted course towards permanent peace and human betterment.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

1960s, Farewell address (1961)

Hostility, Peace, Question

“Now as before it is the vulgar and the vital and the possibility of its transformation into the beautiful which continues to challenge and fascinate me… Or perhaps the subject of my art is like the definition of humor — emotional pain remembered in tranquillity.”

Grace Hartigan (1922–2008) American artist

Statement to World Artists : 1950-1980 as quoted n "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008)
Unsourced variant: I have found "my subject", it concerns that which is vital and vulgar in American life and the possibility of its transcendence into the beautiful.

Pain, Beauty, Art

“I like films that rest in the memory so I try and choose parts which have some kind of social or emotional force. For me, being an actress is not just a profession but a profession of faith.”

Isabelle Adjani (1955) French actress

Joyeux Anniversaire Isabelle Adjani http://www.city-connect.org/happy-birthday-isabelle-adjani/.

Faith, Memory, Parting

“Always be honest with yourself about how you are feeling, no matter what kinds of emotions might be building up inside of you. …Pretending to ourselves that we are not feeling something, does not make that emotion disappear.”

Nigel Cumberland (1967) British author and leadership coach

page 204 Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?id=p24GkAsgjGEC&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#v=onepage&q=nigel%20cumberland&f=false, Managing Teams in a Week (2013) https://books.google.ae/books?id=qZjO9_ov74EC&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#v=onepage&q=nigel%20cumberland&f=false, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id=4S7vAgAAQBAJ&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#v=onepage&q=nigel%20cumberland&f=false

Feeling

“There was a kind of shifting of the balances of my brain, of the way I had been thinking, the same kind of realignment as when, a few days before, words like democracy, liberty, freedom, had faded under pressure of a new sort of understanding of the real movement of the world towards dark, hardening power. I knew, but of course the word, written, cannot convey the quality of this knowing, that whatever already is has its logic and its force. I felt this, like a vision, in a new kind of knowing. And I knew that the cruelty and the spite and the I. I. I. I. of Saul and of Anna were part of the logic of war; and I knew how strong these emotions were, in a way that would never leave me, would become part of how I saw the world.”

Doris Lessing book The Golden Notebook

Anna Wulf, in "Free Women: 4"
The Golden Notebook (1962)

War, World, Way, Democracy

“Vietnam, Laos, and Cambodia (the whole peninsula of Indochina) present a puzzling picture, enigmatic to most foreigners and especially so to Americans. The very name Vietnam evokes deep emotions and bitter memories in our countrymen. But the tendency to blame Vietnam for our domestic ills has no foundation in fact. The problems of urban decay, racial disharmony, drug abuse, and all the rest were bound to plague us, whether or not we became involved in Vietnam. Indeed, one can argue that in the 1950s, well before we became heavily involved in Vietnam, a sense of national direction and purpose appeared to be lacking in the United States. This book looks at the Vietnam War from the perspective of a senior military professional who held important positions of responsibility during the conflict. Among other things, I will seek to bring out the lessons we have learned or should have learned from the war, and their implications for the future. The severe impact of the war on our armed forces and its almost disastrous effect on the U. S. Army will receive special treatment.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. vii-viii

War, Books, Problem, Sense

“In developped countries, successive governments have always acted like firemen putting out fires instead of architects designing new buildings. The tax loopholes they have created are responses to emotions provoked by a given event, or an attempt to ease social tension caused by taxpayer exasperation (and/or reflecting their power). Any rational global management policy must satisfy two imperatives: simplicity; and stability.”

Éric Pichet (1960) economist

General Theory of Social and Tax Expenditures and Proposals for Recasting the French System of Tax 'Loopholes' https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2841200 Article in Revue de Droit Fiscal n36 (2016). Tax policy, Tax and Social Expenditures

Success, Country

“He was carried away by that mania of the storyteller, who never knows which stories are more beautiful—the ones that really happened and the evocation of which recalls a whole flow of hours past, of petty emotions, boredom, happiness, insecurity, vanity, and self-disgust, or those which are invented, and in which he cuts out a main pattern, and everything seems easy, then begins to vary it as he realizes more and more that he is describing again things that had happened or been understood in lived reality.”

Italo Calvino book The Baron in the Trees

The Baron in the Trees (1957), Chapter 16; English translation: Archibald Colquhoun (1959).

Happiness, Beauty, Reality, Past

“Eyes—the head’s chief of police. They watch and make mental notes. A blind person is like a city abandoned by the authorities. On sad days they cry. In these carefree times they weep only from tender emotions.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

A Brief Human Anatomy (1883)

Sadness, Time, Personality, Cry

“It cannot be denied that Islam, regarded as an ethical ideal plus a certain kind of polity – by which expression I mean a social structure regulated by a legal system and animated by a specific ethical ideal – has been the chief formative factor in the life-history of the Muslims of India. It has furnished those basic emotions and loyalties which gradually unify scattered individuals and groups, and finally transform them into a well-defined people, possessing a moral consciousness of their own.”

Muhammad Iqbál (1877–1938) Urdu poet and leader of the Pakistan Movement

Sir Muhammad Iqbal’s 1930 Presidential Address to the 25th Session of the All-India Muslim League, Allahabad, 29 December 1930 (from University of Columbia website http://www.columbia.edu/itc/mealac/pritchett/00islamlinks/txt_iqbal_1930.html)

Life, People, History, Animals

“Hitherto he has found in Western music, in Bach above all, everything he needs. Now he encounters something that is not in Bach, though there are intimations of it: a joyous yielding of the reasoning, comprehending mind to the dance of the fingers. He hunts through record shops, and in one of them finds an LP of a sitar player named Ustad Vilayat Khan, with his brother — a younger brother, to judge from the picture — on a veena, and an unnamed tabla player. He does not have a gramophone of this own, but he is able to listen to the first ten minutes in the shop. It is all there: the hovering exploration of tone-sequences, the quivering emotion, the ecstatic rushes. He cannot believe his good fortune. A new continent and all for a mere nine shillings! He takes the record back to his room, packs it away between sleeves of cardboard till the day he will able to listen to it again.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Music, Dance

“… as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.... What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.... in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.”

Franz Kline (1910–1962) American painter

n.p.
1960's, Living Art, 1963

Happiness, Sadness, Mood, Thinking

“Against human opposition the machine usually emerges victorious, since individual patterns tend to be not random but a function of emotions and previous training and experience.”

Richard Arnold Epstein (1927) American physicist

Source: The Theory of Gambling and Statistical Logic (Revised Edition) 1977, Chapter Four, Coins, Wheels, And Oddments, p. 90

Victory, Training

“I think when something's over, events have a way of conspiring to make you realise that it's over. As cryptic as that sounds, it's true. Things would happen and I'd be like, Am I going to have to deal with this for the rest of my life? And it was a very, very emotional band. It's in the music. The relationship between me and Morrissey was very emotional. It wasn't volatile in that we would row or anything like that, but it was so intense that if rocked slightly it would be a big deal. Was the lack of a manager important? Massively, I think. I was nursemaiding people when I needed nursemaiding myself. And I couldn't see where we were going to go in the near future musically without repeating ourselves and not being as good.”

Johnny Marr (1963) musician

from "Trouble at Mill" by John Harris, Mojo (April 2001).

Life, People, Music, Way

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Men, Soul, Communication, Reality

“When you remember how few Jews there are in Italy and how relatively few there are in Germany, one must wonder at the violence and the bitterness of this perse cution. The number of Jews in Italy is only a small fraction of those in the city of New York, while there are in the city of New York six times as many Jews as there were in the German Reich when the last war ended and possibly more than four times as many as there are there now. Yet the persecution, personal, physical, family, financial, goes on, openly and secretly, in a way that is perfectly appalling. To my great astonishment, this anti-Semitic persecution has been violently and publicly revived in this country within the last few weeks or months, and it is as discreditable to us that this should have happened as anything that we can imagine.'
Jews differ among themselves just as do Spaniards or Italians or Canadians or Americans. There are some who belong to one party, some who belong to another some whp hold one point of view, some who hold a point of view that is contradictory. The notion that all who belong to that race or profess that faith are of one mind in everything that relates to their public relationships is a grotesque departure from fact. But if you can play upon an excited public emotion by the use of these terms and by the insinuation that the entire Hebrew population is engaged, let us say as we have been told from the platform recently in trying to get this nation into war, such statements, although absolutely contradictory to every well-known fact, will, if repeated long enough, be believed and acted upon by a certain number of our unthinking population.
We cannot protest too vigorously and too strongly against that sort of thing. It may be the Ku Klux Klan persecuting the Catholics, it may be the anti-Semites persecuting the Jews: but persecution on racial or religious ground has absolutely no place in a nation given over to liberty and which calls itself a democracy.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Liberty-Equality-Fraternity (1942)

War, Family, Faith, Way

“Psychology, speaking for emotion and instinct, has reduced intellect to impotence over life. Metaphysics has subordinated it to will. Bergson and his followers have charged it with falsehood and issued a general warning against its misrepresentations; while with pragmatists and instrumentalists it has sunk so low that it is dressed in livery and sent to live in the servant's quarters. It is against this last indignity in particular that I wish to speak a word of protest, to the end that the intellect may be accorded full rights within the community of human activities and interests.”

Ralph Barton Perry (1876–1957) American philosopher

The Integrity of the Intellect (July 1920)

Life, Communication

“The foolish thing was trying to solve the problem all by myself. But the deeper I get tangled up in this mass of dreams and memories the more I realize that emotional problems can't be solved as intellectual problems are.”

Daniel Keyes book Flowers for Algernon

Flowers for Algernon (1966)

Dreams, Problem, Memory

“Half a century ago, the first feeling of all Englishmen was for England. Now, the sympathies of a powerful party are instinctively given to whatever is against England. It may be Boers or Baboos, or Russians or Affghans, or only French speculators – the treatment these all receive in their controversies with England is the same: whatever else my fail them, they can always count on the sympathies of the political a party from whom during the last half century the rulers of England have been mainly chosen…It is striking, though by no means a solitary indication of how low, in the present temper of English politics, our sympathy with our own countrymen has fallen. Of course, we shall be told that a conscience of exalted sensibility, which is the special attribute of the Liberal party, has enabled them to discover, what English statesmen had never discovered before, that the cause to which our countrymen are opposed is generally the just one…For ourselves, we are rather disposed to think that patriotism has become in some breasts so very reasonable an emotion, because it is ceasing to be an emotion at all; and that these superior scruples, to which our fathers were insensible, and which always make the balance of justice lean to the side of abandoning either our territory or our countrymen, indicate that the national impulses which used to make Englishmen cling together in face of every external trouble are beginning to disappear.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

‘Disintegration’, Quarterly Review, no. 312; October 1883, reprinted in Paul Smith (ed.), Lord Salisbury on Politics. A selection from his articles in the Quaterly Review, 1860-1883 (Cambridge University Press, 1972), pp. 342-343
1880s

Justice, Feeling, Thinking

“We are getting mixed up with the French tradition. In talking about the necessity to 'finish' a thing, we then said American painters 'finish' a thing that looks 'unfinished', and the French, they 'finish' it. I have seen Henri Matisse's that were more 'unfinished' and yet more 'finished' than any American painters. Matisse was obviously in a terrific emotion at the time and he was more 'unfinished' than 'finished.”

William Baziotes (1912–1963) American painter

Source: 1950s, Artists' Session at Studio 35, (1950), p. 216

Time

“The lower animals, like man, manifestly feel pleasure and pain, happiness and misery. Happiness is never better exhibited than by young animals, such as puppies, kittens, lambs, &c., when playing together, like our own children. Even insects play together, as has been described by that excellent observer, P. Huber, who saw ants chasing and pretending to bite each other, like so many puppies.
The fact that the lower animals are excited by the same emotions as ourselves is so well established, that it will not be necessary to weary the reader by many details. Terror acts in the same manner on them as on us, causing the muscles to tremble, the heart to palpitate, the sphincters to be relaxed, and the hair to stand on end. Suspicion, the offspring of fear, is eminently characteristic of most wild animals. Courage and timidity are extremely variable qualities in the individuals of the same species, as is plainly seen in our dogs. Some dogs and horses are ill-tempered and easily turn sulky; others are good-tempered; and these qualities are certainly inherited.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter II: "Comparison of the Mental Powers of Man and the Lower Animals", pages 39-40 http://darwin-online.org.uk/content/frameset?pageseq=52&itemID=F937.1&viewtype=image The Descent of Man (1871)

Pain, Happiness, Children, Pleasure

“In essence, religion was love; in no case was it logic. Reason can reach nothing except through the senses; God, by essence, cannot be reached through the senses; if he is to be known at all, he must be known by contact of spirit with spirit, essence with essence; directly; by emotion; by ecstasy; by absorption of our existence with his; by substitution of his spirit for ours. The world had no need to wait five hundred years longer in order to hear this same result reaffirmed by Pascal. Saint Francis of Assisi had affirmed it loudly enough, even if the voice of Saint Bernard had been less powerful than it was. The Virgin had asserted it in tones more gentle, but anyone can still see how convincing, who stops a moment to feel the emotion that lifted her wonderful Chartres spire up to God.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love, God, World, Religion

“In emotional vibrancy experience is recollected not in tranquility… but in excitement.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

“As far as the sensory experience of the spectator goes, the most outstanding American kinetic artist is unquestionably the Chinese-born Wen-Ying Tsai. His pieces, which are perfect on the technological level, serve the primary purpose of giving a complete visual experience to the spectator, whose sound solicitations provoke a choreographic, chromatic and rhythmic response in the ‘cybernetic sculptures’. […]
György Kepes has commented enthusiastically on the ‘magic rhythms emanating from this swaying, dancing steel trembling with life’, and he has also noted the sense of ‘an instant fellowship, a spontaneous celebration’ which is re-created in their presence. As he concludes: ‘Rhythm is friendship and in Tsai’s work there is friendship of light, sound and our own heart-beats.’
If this appraisal testifies to the success with which Tsai affects the sensory and emotional responses of the spectator, we must not neglect the fact that he is also addressing himself to reason and the scientific element in his audience. In effect, the observer can enter an almost mathematical relationship with these works, and sharpen his perceptual powers through the exact assessment of the various aesthetic parameters of vibration, sound, colour, wave movement, etc.”

Frank Popper (1918) French art historian

Frank Popper, Art--Action and Participation, New York University Press, 1975, p. 214

Life, Friendship, Mathematics, Sense

“And dimly she realized one of the great laws of the human soul: that when the emotional soul receives a wounding shock, which does not kill the body, the soul seems to recover as the body recovers. But this is only appearance. It is really only the mechanism of the reassumed habit. Slowly, slowly the wound to the soul begins to make itself felt, like a bruise, which only slowly deepens its terrible ache, till it fills all the psyche. And when we think we have recovered and forgotten, it is then that the terrible after-effects have to be encountered at their worst.”

D.H. Lawrence book Lady Chatterley's Lover

Lady Chatterley's Lover (1928)

Law, Soul, Thinking, Appearance

“It should be clear by now that there are people who can, in fact, be reasonably considered experts; that it is rational to rely, within limits, on ex pert opinion; and that it is possible, by exercising relatively simple criteria, to gain insight into whether a particular expert is reliable or not. It is also true that experts, of course, do make mistakes, and that even the agreement of a large majority of experts in a field does not guarantee that they got it right. That’s the nature of scientific truth, as we have seen throughout this book: it is tentative, because it is the result of a human endeavor that is limited both by the type and amount of available evidence and by humans’ finite mental powers and emotional reactions. But the examples above show how you can, with a little bit of practice, tell science from bunk!”

Massimo Pigliucci (1964) chair of the Department of Philosophy at CUNY-Lehman College

Nonsense on Stilts (2010), Ch. 12 : Who's Your Expert?

People, Truth, Books, Exercises

“The logic and necessity of the new generation — and what they are so furiously opposed to — must be seen against a background of what has gone wrong in America. It must be understood in light of the betrayal and loss of the American dream, the rise of the Corporate State of the 1960's, and the way in which that State dominates, exploits, and ultimately destroys both nature and man. Its rationality must be measured against the insanity of existing "reason" — reason that makes impoverishment, dehumanization, and even war appear to be logical and necessary. Its logic must be read from the fact that Americans have lost control of the machinery of their society, and only new values and a new culture can restore control. Its emotions and spirit can be comprehended only by seeing contemporary America through the eyes of the new generation.”

Charles A. Reich book The Greening of America

Source: The Greening of America (1970), Chapter I : The Coming American Revolution, p. 5

War, Dreams, Way, Nature

“I have been careful not to use either of the terms, 'emotional' or 'affective'. I have been equally careful not to invoke the notion of 'cognition'. The classic distinction which separates these two constructs has, in the manner of most classic distinctions that once were useful, become a barrier to sensitive psychological inquiry. When one so divides the experience of man, it becomes difficult to make the most of the holistic aspirations that may infuse the science of psychology with new life, and may replace the classicism now implicit even in the most 'behaviouristic' research.”

George Kelly (psychologist) (1905–1967) American psychologist and therapist

George A. Kelly, "Humanistic methodology in psychological research," In: B Maher (ed), Clinical Psychology and Personality: the Selected Papers of George Kelly, Wiley. 1969. p. 140.

Life, Science