Quotes about door
page 8

Van Morrison photo

“Leaves of brown they fall to the ground.
And it's here, over there leaves around.
Shut the door, dim the lights and relax.
What is more, your desire or the facts?”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Autumn Song
Song lyrics, Hard Nose the Highway (1973)

Li Zhi (philosopher) photo

“Writings such as commentaries and annotations exist to assist people in becoming sages, but in fact they close the doors to sagehood.”

Li Zhi (philosopher) (1527–1602) Chinese philosopher

[Saussy, Haun, Lee, Pauline, Handler-Spitz, Rivi, A Book to Burn and a Book to Keep (Hidden): Selected Writings, 2016, Columbia University Press, 0231541538, https://books.google.com/books?id=4Xm0CwAAQBAJ, Prefaces, 4–5]

Martin Luther King, Jr. photo
Toni Morrison photo
Will Arnett photo

“Arrested Development opened a lot of doors for me, and once I sort of became, I guess what you'd say "available," there was a lot of opportunity out there, and it's been nice; a lot of people have found it in their hearts to offer me movie parts.”

Will Arnett (1970) Canadian actor

"Will Arnett: The TV Squad Interview," TV Squad (August 2, 2006) http://www.tvsquad.com/2006/08/02/will-arnett-the-tv-squad-interview/
2006

George Moore (novelist) photo
Pierre-Auguste Renoir photo
Bernard Cornwell photo
Jacopone da Todi photo
Phil Brooks photo

“I really hope that the symbolism isn't lost on you four Superstars in the chamber right now, because it's killing me. Here's four extremely weak individuals that, every day, are locked inside a prison of addiction, like most of these people here today; and now, the four of you are locked inside the Elimination Chamber with me. And be sure, it's not me locked in here with you — it's you locked in here with me. And tomorrow morning, when you're nursing the pain and the wounds that this chamber and myself have caused you, I want you to remember that when your pod door opens and you came out and I defeated you, don't think of it as failure. Think of it as me saving you. [Standing over Rey Mysterio's pod] Think of it as me setting you free.
Punk: [To Undertaker, after elimination R-Truth] You'd better pray that your pod door opens last, 'cause when you come out, I'm gonna make you tap out, just like I did before. [To John Morrison] And I'm gonna prove to you that your decadent rock life will get you nowhere. I'm gonna prove to the world that straight-edge means I'm better than you! For those of you at home, feel free, place your hand on the screen and feel CM Punk flow through you!
Lawler: Matt, did you just put your hand on the screen?
Striker: Yes.
Lawler: Do you feel CM Punk flow through you?
Punk: Nobody can stop me!
Cole: Guys, the sermon's over in [checking the timer] three seconds.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Elimination Chamber - February 21, 2010
Friday Night SmackDown

Antoni Tàpies photo
John Rogers Searle photo
Caterina Davinio photo

“The head tumbles between the legs
like a wooden ball
you fall, dark night
in the eyes,
the door a span away
inaccessible
you are on your knees
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), Overdose
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990] (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.</ref>

Lucius Shepard photo
Johann Wolfgang von Goethe photo
Frank McCourt photo
John Fante photo
David Lloyd George photo
Barbara Ehrenreich photo
Li Qingzhao photo

“Seeing a guest come, she feels shy;
Her stockings coming down, away she tries to fly.
Her hairpin drops;
She never stops
But to look back.
She leans against the door,
Pretending to sniff at mume blossoms once more.”

Li Qingzhao (1084–1155) Chinese writer

《点绛唇》 ("Rouged Lips"), as translated by Xu Yuan Zhong in Song of the Immortals (New World Press, 1994), p. 227

John Howard Yoder photo

“p>The inherent contradictions and binds men find themselves in in trying to become less macho in their relationship with a woman were poignantly expressed in a letter written by a young man to a New York newspaper in response to an article that addressed itself to a question posed by a woman writer—whether women would be able to think of a non-macho man as sexy. The letter writer wrote:I am by nature a gentle and non-aggressive 27-year-old man who often finds women turned off sexually by my tenderness and non-macho view of the world. I have come to realize that for all their talk, a lot of women still want the hairy, sexy, war-mongering, aggressive machoman of their dreams. So after several fruitless years as a gentle poet-man, I now turn myself into a heavy machismo when I go out with a woman. It works. I open the doors, I order the food and drinks, I decide which movie or play we will see. I keep my shirt unbuttoned down past my nipples and wear a gold chain around my neck with a carved elephant tusk medallion, and if the relationship is not working out, I make the first move and tell my companion that I'm sorry but we're through.The sad thing about all this is that it works.”

Herb Goldberg (1937–2019) American psychologist

After all those years of being naturally sensitive and gentle, and now I've got to turn myself inside out just to appear sexy. It's fun and it's nice, but I do wish I could just be myself again.</p></blockquote>
Who Is the Victim? Who Is the Oppressor?, pp. 165&ndash;166
The New Male (1979)

Joseph Heller photo
Lee Child photo
Elie Wiesel photo
Jeff Foxworthy photo
Letitia Elizabeth Landon photo

“But wit cuts its bright way through the glass-door of public favour;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Louis Bromfield photo
Jerome David Salinger photo
Randal Marlin photo

“I'd have to lock the door of the paint room. He wouldn't allow anyone in. I was like a prisoner.”

Margaret Keane (1927) American artist

1999, Cited by Amy M. Spindler

Mike Tyson photo

“Being a champion opens lots of doors—I'd like to get a real estate license, maybe sell insurance.”

Mike Tyson (1966) American boxer

http://jco.usfca.edu/boxing/desert.html
On boxing

Kathy Griffin photo
John Ogilby photo
Paul Cézanne photo
Amit Shah photo

“While the door-to-door campaign was already on, we made sure that each and every person and every household in each and every village, town and city gets our party and Narendra Modi’s message. Around 33 per cent of Uttar Pradesh is a dark area, in the sense that there are no newspapers, no TV, nothing.”

Amit Shah (1964) Indian politician

"Exclusive Amit Shah Interview: People are waiting to vote for Modi," 2013, "Sunday Interview: We had 450 video raths with GPS and I’d get feedback on my mobile, says Amit Shah", 2014

Johnny Mercer photo

“The days of wine and roses laugh and run away like a child at play
Through the meadow land toward a closing door
A door marked "nevermore" that wasn't there before”

Johnny Mercer (1909–1976) American lyricist, songwriter, singer and music professional

Song The Days of Wine and Roses

Bel Kaufmanová photo
Lee Kuan Yew photo

“How does the Malay in the kampong find his way out into this modernised civil society? By becoming servants of the 0.3 per cent who would have the money to hire them to clean their shoe, open their motorcar doors?”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

Lee Kuan Yew in the Parliament of Malaysia, 1965 http://maddruid.com/?p=645
1960s

John Fante photo

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

Ask the Dust (1939)

Glenn Beck photo

“Let me tell you this: They shut me down on radio, that's fine, I'll do TV. They shut me down on TV, that's fine, I'll do Internet. They shut me down on the Internet, that's fine, I'll do stage shows. They shut me down on stage shows, that's fine, I'll go door to door. You will have to shoot me in the head. We are not stopping.”

Glenn Beck (1964) U.S. talk radio and television host

The Glenn Beck Program
Premiere Radio Networks
2010-05-18
After attacking Media Matters, Beck says: "You will have to shoot me in the head. We are not stopping"
2010-05-18
Media Matters for America
http://mediamatters.org/mmtv/201005180014
2010s, 2010

Charles Fort photo

“The fate of all explanation is to close one door only to have another fly wide open.”

Charles Fort (1874–1932) American writer

Source: The Book of The Damned (1919), Ch. 3, part 2 at resologist.net

“Jenna stumbled backward, her eyes on the woman who slammed the door behind her with one foot while both hands held a gun. A big gun. Pointed right at Jenna.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), p. 108

Edwin Abbott Abbott photo

“On the whole we get on pretty smoothly in our domestic relations, except in the lower strata of the Military Classes. There the want of tact and discretion on the part of the husbands produces at times indescribable disasters. Relying too much on the offensive weapons of their acute angles instead of the defensive organs of good sense and seasonable simulation, these reckless creatures too often neglect the prescribed construction of the women's apartments, or irritate their wives by ill-advised expressions out of doors, which they refuse immediately to retract. Moreover a blunt and stolid regard for literal truth indisposes them to make those lavish promises by which the more judicious Circle can in a moment pacify his consort. The result is massacre; not, however, without its advantages, as it eliminates the more brutal and troublesome of the Isosceles; and by many of our Circles the destructiveness of the Thinner Sex is regarded as one among many providential arrangements for suppressing redundant population, and nipping Revolution in the bud.

Yet even in our best regulated and most approximately Circular families I cannot say that the ideal of family life is so high as with you in Spaceland. There is peace, in so far as the absence of slaughter may be called by that name, but there is necessarily little harmony of tastes or pursuits; and the cautious wisdom of the Circles has ensured safety at the cost of domestic comfort.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 4. Concerning the Women

Harry Chapin photo
Chuck Palahniuk photo
Dean Acheson photo

“No change (Marshall replacing former SecDef. Louis Johnson, who, soon after he resigned, was diagnosed with a fatal "brain malady") could have been more welcome to me. It brought only one embarrassment. The General (Marshall) insisted, overruling every protest of mine, in meticulously observing the protocol involved in my being the senior Cabinet officer. Never would he go through a door before me, or walk anywhere but on my left; he would go around an automobile to enter it after me and sit on the left; in meetings he would insist on my speaking before him. To be treated so by a revered and beloved former chief was a harrowing experience. But the result in government was, I think, unique in the history of the Republic. For the first time and perhaps, though I am not sure, the last, the Secretaries of State and Defense, with their top advisors, met with the Chiefs of Staff in their map room and discussed common problems together. At one of these meetings General Bradley and I made a treaty, thereafter scrupulously observed. The phrases 'from a military point of view' and 'from a political point of view' were excluded from our talks. No such dichotomy existed. Each of us had our tactical and strategic problems, but they were interconnected, not separate.”

Present at the Creation: My Years in the State Department (1969), State Department Management, Leadership Perspectives

Yoel Esteron photo
George W. Bush photo

“[W]e're creating… an ownership society in this country, where more Americans than ever will be able to open up their door where they live and say, welcome to my house, welcome to my piece of property.”

George W. Bush (1946) 43rd President of the United States

Remarks to the National Association of Home Builders, Columbus, Ohio, October 2, 2004 http://georgewbush-whitehouse.archives.gov/news/releases/2004/10/20041002-7.html
2000s, 2004

Saddam Hussein photo

“I call on you not to hate, because hate does not leave space for a person to be fair and it makes you blind and closes all doors of thinking.”

Saddam Hussein (1937–2006) Iraqi politician and President

Saddam Hussein Farewell Letter http://www.msnbc.msn.com/id/16368242/ (MSNBC online)
Statement in a farewell letter written to the Iraqi people, written Nov. 5, 2006, released Dec. 27, 2006.

Paul Gabriël photo

“[to mr. L. de Haes] Well, go upstairs, you know the way; are you going to take a look? At the moment you will not find many special things, but you find always something; and then we have another chat, anyway. Go ahead, I'll follow you; beware of entering because there is a large painting just in front of the door.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: [tegen L. de Haes] Ga maar naar boven, je weet den weg; kom je eens een kijkje nemen? Er is toevallig op 't oogenblik niet veel bizonders, maar je vindt toch altijd wat; en dan maken we nog een praatje nietwaar; ga je gang, ik volg je wel; pas op met het binnengaan want er staat een groot schilderij voor de deur.
Quote of Gabriël, 1893; as cited by L. de Haes, in 'P.J.C. Gabriël'; published in Elsevier's geïllustreerd maandschrift 3., April/May 1893, pp. 453-473
1880's + 1890's

Thomas Jefferson photo
Auguste Rodin photo
Edgar Rice Burroughs photo
Ralston Bowles photo

“If heaven is the reason and dieing is the door, than why aren't we all leaving what's the drama for?”

Ralston Bowles (1952) American musician

From the song "Draper" on the album Carwreck Conversations (2004)

John Green photo
George Steiner photo
Frances Power Cobbe photo

“The time comes to every dog when it ceases to care for people merely for biscuits or bones, or even for caresses, and walks out of doors. When a dog really loves, it prefers the person who gives it nothing, and perhaps is too ill ever to take it out for exercise, to all the liberal cooks and active dog-boys in the world.”

Frances Power Cobbe (1822–1904) Irish writer, social reformer, anti-vivisection activist and leading suffragette

The Confessions of a Lost Dog https://books.google.it/books?id=uNgBAAAAQAAJ&pg=PA3 (London: Griffith & Farran, 1867), pp. 15-16.

Ben Carson photo

“God has opened many doors of opportunity throughout my lifetime, but I believe the greatest of those doors was allowing me to be born in the United States of America.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: America the Beautiful (2012), Ch. 13: 'What's Good about America'

Dave Eggers photo
Gordon B. Hinckley photo
Maxwell D. Taylor photo
A. M. Klein photo

“For the tourist's
brown pennies scattered at the old church door,
the ragged papooses jump, and bite the dust.”

A. M. Klein (1909–1972) writer, journalist, lawyer

Indian Reservation: Caughnawaga (1983)

John Milton photo
Mirkka Rekola photo
David Bowie photo
Henrik Ibsen photo

“The younger generation will come knocking at my door.”

Solness, Act I
The Master Builder (1892)

Anna Akhmatova photo

“Peace, reconciliation and unity are sentiments meant not only for the person next door but for all people.”

Josefa Vosanibola Fijian politician

Fiji Live, 22 November 2005 http://www.Fijilive.com: Comments on the Reconciliation, Tolerance, and Unity Bill

Scott Lynch photo

““When I get this door open, you’re dead, Jean!“
“When you get that door open? I look forward to many long years of life, then.“”

Reminiscence “The Capa of Vel Virazzo” section 5 (p. 65)
Red Seas Under Red Skies (2007)

Jay Miner photo

“When Commodore acquired Amiga in 1984, the legion of Amiga loyalists thought the world would beat a path to the better-mousetrap door. It didn't happen. The Amiga languished.”

Jay Miner (1932–1994) American electrical engineer

In Amazing Computer Magazine https://archive.org/details/amazing-computing-magazine-1994-09 (September 1994)

Ursula Goodenough photo
Jerome K. Jerome photo
George William Curtis photo

“The slavery debate has been really a death-struggle from that moment. Mr. Clay thought not. Mr. Clay was a shrewd politician, but the difference between him and Calhoun was the difference between principle and expediency. Calhoun's sharp, incisive genius has engraved his name, narrow but deep, upon our annals. The fluent and facile talents of Clay in a bold, large hand wrote his name in honey upon many pages. But time is already licking it away. Henry Clay was our great compromiser. That was known, and that was the reason why Mr. Buchanan's story of a bargain with J. Q. Adams always clung to Mr. Clay. He had compromised political policies so long that he had forgotten there is such a thing as political principle, which is simply a name for the moral instincts applied to government. He did not see that when Mr. Calhoun said he should return to the Constitution he took the question with him, and shifted the battle-ground from the low, poisonous marsh of compromise, where the soldiers never know whether they are standing on land or water, to the clear, hard height of principle. Mr. Clay had his omnibus at the door to roll us out of the mire. The Whig party was all right and ready to jump in. The Democratic party was all right. The great slavery question was going to be settled forever. The bushel-basket of national peace and plenty and prosperity was to be heaped up and run over. Mr. Pierce came all the way from the granite hills of New Hampshire, where people are supposed to tell the truth, to an- nounce to a happy country that it was at peace — that its bushel-basket was never so overflowingly full before. And then what? Then the bottom fell out. Then the gentlemen in the national rope -walk at Washington found they had been busily twining a rope of sand to hold the country together. They had been trying to compromise the principles of human justice, not the percentage of a tariff; the instincts of human nature and consequently of all permanent government, and the conscience of the country saw it. Compromises are the sheet-anchor of the Union — are they? As the English said of the battle of Bunker Hill, that two such victories would ruin their army, so two such sheet- anchors as the Compromise of 1850 would drag the Union down out of sight forever.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Geert Wilders photo
Judith Krug photo
Paul Simonon photo
Thom Yorke photo
Edward St. Aubyn photo
Merrick Garland photo

“The great joy of being a prosecutor is that you don’t take whatever case walks in the door. You evaluate the case, you make your best judgement, you only go forward if you believe that the defendant is guilty. You may well be wrong, but you have done your best to ensure that as far as the evidence that you are able to attain, the person is guilty. It is the kind of even-handed balancing that a judge should undertake although of course a judge has the advantage of having somebody speak for the other side.”

Merrick Garland (1952) American judge

[Merrick Garland, Confirmation hearing on nomination of Merrick Garland to the United States Court of Appeals for the District of Columbia Circuit, United States Senate, December 1, 1995]; quote excerpted in:
[March 18, 2016, http://blogs.wsj.com/law/2016/03/16/judge-merrick-garland-in-his-own-words/, Judge Merrick Garland, In His Own Words, Joe Palazzolo, March 16, 2016, The Wall Street Journal]
Confirmation hearing on nomination to United States Court of Appeals for the District of Columbia Circuit (1995)

Michael Savage photo

“[Stating a variation to William Blake's aphorism] When you open the doors of perception, you can see things as they are -- horrible.”

The Savage Nation
The Savage Nation (1995- ), 2016-08-16
Radio, 0:20
2016

Mark Tobey photo
Benjamin Jowett photo

“Doubt comes in at the window, when Inquiry is denied at the door.”

Benjamin Jowett (1817–1893) Theologian, classical scholar, and academic administrator

On the interpretation of Scripture http://www.bible-researcher.com/jowett1.html

Stanley Baldwin photo
Anne Morrow Lindbergh photo

“The punctuation of anniversaries is terrible, like the closing of doors, one after another between you and what you want to hold on to.”

Anne Morrow Lindbergh (1906–2001) American aviator and author

Diary entry on the first anniversary of the kidnapping and death of her son Charles Augustus Lindbergh III (1 March 1932); later published in Locked Rooms and Open Doors (1974) ISBN 0156529564

Nikos Kazantzakis photo
Samuel Taylor Coleridge photo

“God knows, it is as much as I can do to put meat and bread on my own table; & hourly some poor starving wretch comes to my door, to put in his claim for a part of it.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Letter to Thomas Poole (23 March 1801)
Letters

Fernand Léger photo
Ezra Pound photo
Bret Easton Ellis photo
Michael Moore photo

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003

Dolly Parton photo
Clive Staples Lewis photo
P. D. Ouspensky photo
C. V. Raman photo

“Look at the resplendent colours on the soap bubbles!
Why is the sea blue?
What makes diamond glitter!
What makes Hubli So Special
Ask the right questions, and nature will open the doors to her secrets”

C. V. Raman (1888–1970) Indian physicist

Opening statement in [Parameswaran, Uma, C.V. Raman: A Biography, http://books.google.com/books?id=RbgXRdnHkiAC, 2011, Penguin Books India, 978-0-14-306689-7] page=xiii

Douglas Adams photo