“For the tourist's
brown pennies scattered at the old church door,
the ragged papooses jump, and bite the dust.”

A quotation of a traditional Guy Fawkes Night saying
The Hollow Men (1925)

Source: The Merry Adventures of Robin Hood

p, 125
Unkempt Thoughts (1957)

When the Lamp is Shattered http://www.readprint.com/work-1382/Percy-Bysshe-Shelley (1822), st. 1 <br class="br">Context: When the lamp is shattered<br>The light in the dust lies dead —<br>When the cloud is scattered,<br>The rainbow&#x27;s glory is shed.<br>When the lute is broken,<br>Sweet tones are remembered not;<br>When the lips have spoken,<br>Loved accents are soon forgot.

"Beggars in London", in Le Progrès Civique (12 January 1929), translated into English by Janet Percival and Ian Willison
Context: Spending the night out of doors has nothing attractive about it in London, especially for a poor, ragged, undernourished wretch. Moreover sleeping in the open is only allowed in one thoroughfare in London. If the policeman on his beat finds you asleep, it is his duty to wake you up. That is because it has been found that a sleeping man succumbs to the cold more easily than a man who is awake, and England could not let one of her sons die in the street. So you are at liberty to spend the night in the street, providing it is a sleepless night. But there is one road where the homeless are allowed to sleep. Strangely, it is the Thames Embankment, not far from the Houses of Parliament. We advise all those visitors to England who would like to see the reverse side of our apparent prosperity to go and look at those who habitually sleep on the Embankment, with their filthy tattered clothes, their bodies wasted by disease, a living reprimand to the Parliament in whose shadow they lie.

Source: http://www.larazon.es/noticia/7874-aguirre-ni-zapatero-ni-sus-delfines-saben-arreglar-la-que-han-liado. &#x27;La Razón&#x27; Diary. May 6th, 2011.

Yet in belief, in the clarification of my philosophy, I had taken an important step. I no longer wavered between alternative views of the world, to be put on or taken off like alternative plays at the theatre. I now saw that there was only one possible play, the actual history of nature and of mankind, although there might well be ghosts among the characters and soliloquies among the speeches. Religions, all religions, and idealistic philosophies, all idealistic philosophies, were the soliloquies and the ghosts. They might be eloquent and profound. Like Hamlet's soliloquy they might be excellent reflective criticisms of the play as a whole. Nevertheless they were only parts of it, and their value as criticisms lay entirely in their fidelity to the facts, and to the sentiments which those facts aroused in the critic.

p. 169
Persons and Places (1944)

An Appeal to the Young (1880)