Quotes about comparison

A collection of quotes on the topic of comparison, other, use, making.

Quotes about comparison

Meryl Streep photo

“I no longer have patience for certain things, not because I’ve become arrogant, but simply because I reached a point in my life where I do not want to waste more time with what displeases me or hurts me. I have no patience for cynicism, excessive criticism and demands of any nature. I lost the will to please those who do not like me, to love those who do not love me and to smile at those who do not want to smile at me. I no longer spend a single minute on those who lie or want to manipulate. I decided not to coexist anymore with pretense, hypocrisy, dishonesty and cheap praise. I do not tolerate selective erudition nor academic arrogance. I do not adjust either to popular gossiping. I hate conflict and comparisons. I believe in a world of opposites and that’s why I avoid people with rigid and inflexible personalities. In friendship I dislike the lack of loyalty and betrayal. I do not get along with those who do not know how to give a compliment or a word of encouragement. Exaggerations bore me and I have difficulty accepting those who do not like animals. And on top of everything I have no patience for anyone who does not deserve my patience.”

Meryl Streep (1949) American actress

Misattributed to Meryl Streep (and widely disseminated on the Internet as of August/September 2014), this quote is allegedly a translation of a text by the author José Micard Teixeira, the original of which begins (in Portuguese): "Já não tenho paciência para algumas coisas, não porque me tenha tornado arrogante..."
Misattributed

Dilma Rousseff photo

“Any comparison between the military dictatorship and democracy can only come from those who do not value the Brazilian democracy. (…) I am proud to have lied. Lying under torture is not easy. In the face of torture, a person with dignity lies. Enduring torture is very difficult (…) The pain is unbearable; you can not imagine how. I am proud to have lied, because I saved my comrades from the same torture and from death.”

Dilma Rousseff (1947) 36th President of Brazil

Responding http://www.youtube.com/watch?v=Tiyezo1fLRs to Senator José Agripino Maia - former member of ARENA, ruling party of the military dictatorship - in a Senate hearing, May 7. He suggested that, for having lied when she was interrogated by the political police, she could also have been lying about the leak of data of Fernando Henrique Cardoso's personal expenditures.
2008

George Orwell photo
George Orwell photo

“I note that once again there is serious talk of trying to attract tourists to this country after the war… [b]ut it is quite safe to prophesy that the attempt will be a failure. Apart from the many other difficulties, our licensing laws and the artificial price of drink are quite enough to keep foreigners away…. But even these prices are less dismaying to foreigners than the lunatic laws which permit you to buy a glass of beer at half past ten while forbidding you to buy it at twenty-five past, and which have done their best to turn the pubs into mere boozing shops by excluding children from them.
How downtrodden we are in comparison with most other peoples is shown by the fact that even people who are far from being ""temperance"" don't seriously imagine that our licensing laws could be altered. Whenever I suggest that pubs might be allowed to open in the afternoon, or to stay open till midnight, I always get the same answer: ""The first people to object would be the publicans. They don't want to have to stay open twelve hours a day."" People assume, you see, that opening hours, whether long or short, must be regulated by the law, even for one-man businesses. In France, and in various other countries, a café proprietor opens or shuts just as it suits him. He can keep open the whole twenty-four hours if he wants to; and, on the other hand, if he feels like shutting his cafe and going away for a week, he can do that too. In England we have had no such liberty for about a hundred years, and people are hardly able to imagine it.”

George Orwell (1903–1950) English author and journalist

As I Please column in The Tribune (18 August 1944), http://alexpeak.com/twr/dwall/
"As I Please" (1943–1947)

Tracey Emin photo

“There is no comparison between him and me; he developed a whole new way of making art and he's clearly in a league of his own. It would be like making comparisons with Warhol.”

Tracey Emin (1963) English artist, one of the group known as Britartists or Young British Artists

The Independent on Sunday http://enjoyment.independent.co.uk/film/features/article350884.ece 2005-03-12. Accessed 2006-03-19.
On artist Damien Hirst.

Epictetus photo

“Above all avoid speaking of persons, either in the way of praise or blame, or comparison. If you can, win over the conversation of your company to what it should be by your own. But if you should find yourself cut off without escape among strangers and aliens, be silent.”

Epictetus (50–138) philosopher from Ancient Greece

Golden Sayings of Epictetus
Context: Let silence be your general rule; or say only what is necessary and in few words. We shall, however, when occasion demands, enter into discourse sparingly, avoiding such common topics as gladiators, horse-races, athletes; and the perpetual talk about food and drink. Above all avoid speaking of persons, either in the way of praise or blame, or comparison. If you can, win over the conversation of your company to what it should be by your own. But if you should find yourself cut off without escape among strangers and aliens, be silent. (164).

Rocco Siffredi photo

“When I put the penis in the vulva of my partner, strangely she almost always makes a comparison with a dildo … my chapel is too big not to enjoy.”

Rocco Siffredi (1964) Italian pornographic actor, director, producer and entrepreneur

from "The Zoo of 105"

Josephs Quartzy photo

“All things are equal without comparisons”

Josephs Quartzy (1999) Tanzanian actor

Source: Philosophies from an old Journal

Alexandre Dumas photo

“There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of life.”

Chapter 117 http://en.wikisource.org/wiki/The_Count_of_Monte_Cristo/Chapter_117
Source: The Count of Monte Cristo (1845–1846)
Context: Tell the angel who will watch over your future destiny, Morrel, to pray sometimes for a man who, like Satan, thought himself, for an instant, equal to God; but who now acknowledges, with Christian humility, that God alone possesses supreme power and infinite wisdom... There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of life.

“… success is not a comparison of what we have done with what others have done.”

Myles Munroe (1954–2014) Bahamian Evangelical Christian minister

Source: understanding your potential discovering the hidden you

Vladimir Nabokov photo
Mark Twain photo

“Comparison is the death of joy.”

Mark Twain (1835–1910) American author and humorist
Theodore Roosevelt photo

“Comparison is the thief of joy.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

As quoted in Becoming a Great School (2013) by Cooper, Gustafson and Salah, p. ix
Disputed

Blaise Pascal photo
Paul Klee photo
Edgar Allan Poe photo

“There is then no analogy whatever between the operations of the Chess-Player, and those of the calculating machine of Mr. Babbage, and if we choose to call the former a pure machine we must be prepared to admit that it is, beyond all comparison, the most wonderful of the inventions of mankind.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

Poe stating his arguments that Maelzel's Chess-Player was a hoax. Maelzel's Chess-Player http://www.eapoe.org/works/essays/maelzel.htm, Southern Literary Journal (April 1836).

Bede photo

“The present life of man, O king, seems to me, in comparison of that time which is unknown to us, like to the swift flight of a sparrow through the room wherein you sit at supper in winter, with your commanders and ministers, and a good fire in the midst, whilst the storms of rain and snow prevail abroad; the sparrow, I say, flying in at one door, and immediately out at another, whilst he is within, is safe from the wintry storm; but after a short space of fair weather, he immediately vanishes out of your sight, into the dark winter from which he had emerged. So this life of man appears for a short space, but of what went before, or what is to follow, we are utterly ignorant. If, therefore, this new doctrine contains something more certain, it seems justly to deserve to be followed.”
Talis...mihi uidetur, rex, vita hominum praesens in terris, ad conparationem eius, quod nobis incertum est, temporis, quale cum te residente ad caenam cum ducibus ac ministris tuis tempore brumali, accenso quidem foco in medio, et calido effecto caenaculo, furentibus autem foris per omnia turbinibus hiemalium pluviarum vel nivium, adveniens unus passeium domum citissime pervolaverit; qui cum per unum ostium ingrediens, mox per aliud exierit. Ipso quidem tempore, quo intus est, hiemis tempestate non tangitur, sed tamen parvissimo spatio serenitatis ad momentum excurso, mox de hieme in hiemem regrediens, tuis oculis elabitur. Ita haec vita hominum ad modicum apparet; quid autem sequatur, quidue praecesserit, prorsus ignoramus. Unde si haec nova doctrina certius aliquid attulit, merito esse sequenda videtur.

Book II, chapter 13
This, Bede tells us, was the advice given to Edwin, King of Northumbria by one of his chief men, at a meeting where the king proposed that he and his followers should convert to Christianity. It followed a speech by the chief priest Coifi, who also spoke in favor of conversion.
Historia Ecclesiastica Gentis Anglorum (Ecclesiastical History of the English People)

Friedrich Nietzsche photo
Albert Einstein photo
José Saramago photo
Ludwig Wittgenstein photo
Abraham Lincoln photo

“I believe, if we take habitual drunkards as a class, their heads and their hearts will bear an advantageous comparison with those of any other class. There seems ever to have been a proneness in the brilliant and warm-blooded to fall into this vice.”

Abraham Lincoln (1809–1865) 16th President of the United States

Address to the Springfield Washingtonian Temperance Society (22 February 1842), quoted at greater length in John Carroll Power (1889) Abraham Lincoln: His Life, Public Services, Death and Funeral Cortege
1840s

Catherine of Genoa photo
Bruce Lee photo

“Reality is apparent when one ceases to compare. — There is "what is" only when there is no comparison at all, and to live with what is, is to be peaceful.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Source: Striking Thoughts (2000), p. 19

Aurelius Augustinus photo
Theodore Roosevelt photo
George Washington photo

“I am not clear that a discrimination will not render slavery more irksome to those who remain in it. Most of the good and evil things in this life are judged of by comparison; and I fear a comparison in this case will be productive of much discontent in those who are held in servitude.”

George Washington (1732–1799) first President of the United States

Letter to Henry Laurens (20 March 1779) https://web.archive.org/web/20141008220806/http://amrevmuseum.org/reflections/african-americans-continental-army-and-state-militias-during-american-war-independence
1770s, Letter to Henry Laurens (1779)

Jean Jacques Rousseau photo

“At first our pupil had merely sensations, now he has ideas; he could only feel, now he reasons. For from the comparison of many successive or simultaneous sensations and the judgment arrived at with regard to them, there springs a sort of mixed or complex sensation which I call an idea. The way in which ideas are formed gives a character to the human mind. The mind which derives its ideas from real relations is thorough; the mind which relies on apparent relations is superficial. He who sees relations as they are has an exact mind; he who fails to estimate them aright has an inaccurate mind; he who concocts imaginary relations, which have no real existence, is a madman; he who does not perceive any relation at all is an imbecile. Clever men are distinguished from others by their greater or less aptitude for the comparison of ideas and the discovery of relations between them. Simple ideas consist merely of sensations compared one with another. Simple sensations involve judgments, as do the complex sensations which I call simple ideas. In the sensation the judgment is purely passive; it affirms that I feel what I feel. In the percept or idea the judgment is active; it connects, compares, it discriminates between relations not perceived by the senses. That is the whole difference; but it is a great difference. Nature never deceives us; we deceive ourselves.”

Emile, or On Education (1762), Book III

C.G. Jung photo
Karl Marx photo

“But it cannot be its own or its own standard of comparison.”

Notebook I, The Chapter on Money, p. 93.
Grundrisse (1857/58)
Context: Money appears as measure (in Homer, e. g. oxen) earlier than as medium of exchange, because in barter each commodity is still its own medium of exchange. But it cannot be its own or its own standard of comparison.

Epictetus photo

“Knowest thou what kind of speck you art in comparison with the Universe?—That is, with respect to the body; since with respect to Reason, thou art not inferior to the Gods”

Epictetus (50–138) philosopher from Ancient Greece

Golden Sayings of Epictetus
Context: Knowest thou what kind of speck you art in comparison with the Universe?—That is, with respect to the body; since with respect to Reason, thou art not inferior to the Gods, nor less than they. For the greatness of Reason is not measured by length or height, but by the resolves of the mind. Place then thy happiness in that wherein thou art equal to the Gods. (33).

Carl Friedrich Gauss photo

“Spherical trigonometry and certain other theorems, to which the author has added a new one of frequent application, then serve for the solution of the problems which the comparison of the various directions involved can present.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

"Gauss's Abstract of the Disquisitiones Generales circa Superficies Curvas presented to the Royal Society of Gottingen" (1827) Tr. James Caddall Morehead & Adam Miller Hiltebeitel in General Investigations of Curved Surfaces of 1827 and 1825 http://books.google.com/books?id=SYJsAAAAMAAJ& (1902)
Context: In researches in which an infinity of directions of straight lines in space is concerned, it is advantageous to represent these directions by means of those points upon a fixed sphere, which are the end points of the radii drawn parallel to the lines. The centre and the radius of this auxiliary sphere are here quite arbitrary. The radius may be taken equal to unity. This procedure agrees fundamentally with that which is constantly employed in astronomy, where all directions are referred to a fictitious celestial sphere of infinite radius. Spherical trigonometry and certain other theorems, to which the author has added a new one of frequent application, then serve for the solution of the problems which the comparison of the various directions involved can present.

Jiddu Krishnamurti photo

“You are actually what you are and to understand what you are, this process of comparison must come to an end.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Talks & Dialogues, Saanen (9 July1967) http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=41&chid=1, p. 86
1960s
Context: Throughout life, from childhood, from school until we die, we are taught to compare ourselves with another; yet when I compare myself with another I am destroying myself. In a school, in an ordinary school where there are a lot of boys, when one boy is compared with another who is very clever, who is the head of the class, what is actually taking place? You are destroying the boy. That’s what we are doing throughout life. Now, can I live without comparison — without comparison with anybody? This means there is no high, no low — there is not the one who is superior and the other who is inferior. You are actually what you are and to understand what you are, this process of comparison must come to an end. If I am always comparing myself with some saint or some teacher, some businessman, writer, poet, and all the rest, what has happened to me — what have I done? I only compare in order to gain, in order to achieve, in order to become — but when I don’t compare I am beginning to understand what I am. Beginning to understand what I am is far more fascinating, far more interesting; it goes beyond all this stupid comparison.

Alex Morgan photo

“When you have 12 teams in an Olympics in comparison to a World Cup where you have double that amount of teams, I think every single team is going to be difficult.”

Alex Morgan (1989) American soccer player

"‘Soccer Mom’ Alex Morgan Back And Looking For Gold In Tokyo" https://www.teamusa.org/News/2021/July/08/Soccer-Mom-Alex-Morgan-Back-And-Looking-For-Gold-In-Tokyo (July 8, 2021)

Miguel de Cervantes photo

“Comparisons are odious.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 23.

Ralph Waldo Emerson photo

“What lies behind you and what lies in front of you, pales in comparison to what lies inside of you.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

As reported by Quoteinvestigator on January 11, 2011 http://quoteinvestigator.com/2011/01/11/what-lies-within/ the quote appeared in “Meditations in Wall Street” (1940) by Wall Street trader Henry Stanley Haskins, "a Wall Street trader with a checkered background. The phrase was misattributed because the true author's name was initially withheld. In addition, the assignment of the maxim to a more prestigious individual, e.g., Emerson or Thoreau, made it more attractive and more believable as a nugget of wisdom." Emerson made a number of similar statements — in "The American Scholar," for example, he says "Give me insight into to-day, and you may have the antique and future worlds" — which probably increased the likelihood of misattribution.
Misattributed
Variant: What lies behind us and what lies ahead of us are tiny matters compared to what lies within us.
Variant: What lies behind us and what lies before us are tiny matters compared to what lies within us.

Terry Jones photo
Marilyn Monroe photo
Ayn Rand photo
Thomas Hobbes photo
Francis Bacon photo
Jeffrey Eugenides photo
Yasunari Kawabata photo
Alexandre Dumas photo

“There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more”

Chapter 117 http://en.wikisource.org/wiki/The_Count_of_Monte_Cristo/Chapter_117
The Count of Monte Cristo (1845–1846)

Mary Roach photo
Nancy Mitford photo
Aldous Huxley photo
Jonathan Swift photo

“Berg made himself unique so comparisons were impossible.”

The Catcher Was a Spy: The Mysterious Life of Moe Berg

Evelyn Waugh photo

“Comparisons are odious.”

A Handful of Dust
Misattributed

Jonathan Swift photo
François Lelord photo

“Making comparisons can spoil your happiness.”

Source: Hector and the Search for Happiness

Dietrich Bonhoeffer photo

“If my sinfulness appears to me in any way smaller or less detestable in comparison with the sins of others, I am still not recognizing my sinfulness at all.”

Dietrich Bonhoeffer (1906–1945) German Lutheran pastor, theologian, dissident anti-Nazi

Source: Life Together: The Classic Exploration of Christian Community

Brené Brown photo
Tomson Highway photo
Thomas Carlyle photo

“There were many at Bell Labs and MIT who compared Shannon's insight to Einstein's. Others found that comparison unfair - unfair to Shannon.”

William Poundstone (1955) American writer

Part One, Entropy, Claude Shannon, p. 15
Fortune's Formula (2005)

African Spir photo
Will Eisner photo

“Maurice Joly: Your honor, I have not written a lampoon here…this book’s delineations are applicable to all governments!
Prosecutor: No, your honor.. this man has written a tract that barely conceals a horrid defamation of our emperor!!
Maurice Joly: No! No! No! This book provides a call to conscience…a perspective for citizens concerned about the harsh realities of the conditions in which they live…
Furthermore, my book shows how the despotism taught by Machiavelli in “The Prince” could, by artifice and evil ways, impose itself on our society.
Prosecutor: No, your honor. It does more than that… for by ‘’’using’’’ the despotism of Machiavelli’’’ asa comparison, Joly seeks to show that Bonaparte, our sovereign, and an evil Italian are ‘’’the same’’’ in thought and deed!
Maurice Joly: If the reader sees a relationship to the infamy of the emperor, am I to blame?
Judge: Maurice Joly, I charge you with the crime of defamation! Of suggesting through shameful means that our sovereign has led the public astray, degraded our nation and corrupted our morals! This is an infamy, sir!!
Judge: Therefore, Maurice Joly, this court sentences you to 15 months imprisonment.
Maurice Joly: This is unfair and an example of this despotic society under Louis Bonaparte!
Balif: Quiet! You’ve had your say!
Judge: The emperor’s police will immediately confiscate all copies of this book they can find!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp.16-19

Howard Carter photo
Russell L. Ackoff photo

“Because we cannot yet (1) characterize all the possible experimental designs along quantitative scales and (2) generate cost-of-error functions, comparisons must be made in specific contexts rather than by use of analytic optimizing.”

Russell L. Ackoff (1919–2009) Scientist

Source: 1960s, Scientific method: optimizing applied research decisions, 1962, p. 340 as cited in: Philosophica gandensia, Vol.6-7 (1968). p. 141.

James Allen photo
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P. D. Ouspensky photo
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Jiddu Krishnamurti photo

“Just observe what you are. What you are is the fact: the fact that you are jealous, anxious, envious, brutal, demanding, violent. That is what you are. Look at it, be aware; don’t shape it, don’t guide it, don’t deny it, don’t have opinions about it. By looking at it without condemnation, without judgement, without comparison, you observe; out of that observation, out of that awareness comes affection. Now, go still further. And you can do this in one flash. It can only be done in one flash — not first from the outside and then working further and deeper and deeper and deeper; it does not work that way, it is all done with one sweep, from the outermost to the most inward, to the innermost depth. Out of this, in this, there is attention — attention to the whistle of that train, the noise, the coughing, the way you are jerking your legs about; attention whereby you listen to what is said, you find out what is true and what is false in what is being said, and you do not set up the speaker as an authority. So this attention comes out of this extraordinarily complex existence of contradiction, misery and utter despair. And when the mind is attentive, it can then give focus, which then is quite a different thing; then it can concentrate but that concentration is not the concentration of exclusion. Then the mind can give attention to whatever it is doing, and that attention becomes much more efficient, much more vital, because you are taking everything in.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIV, p. 301
Posthumous publications, The Collected Works

Clinton Edgar Woods photo

“The actual manufacture of material into a specific product is a sort of digestive process which must have a functioning organization purposed to meet the required ends, just as the human body has, and it is governed by similar conditions. It must also be directed by a specific intelligence and must have internal and external avenues of correspondence to keep it alive; and, like a living organism, must adhere to the eternal economy of things and show a profit by its activities or it cannot progress.
To exemplify this in a simple way, the writer has laid out Figure I, showing the prime elements composing the anatomy of an industrial body. One does not have to draw on the imagination very far to make a comparison of this anatomy with that of man. It has its mind, will power, and brain to direct it, as indicated by the stockholders, directors and executive officers, a heart which keeps in flow the circulating medium internally; and avenues of correspondence with the outside world which furnish to it the very elements of existence.
This chart shows first, that the stockholders are simply elements belonging to the general public who have made an investment for some specific purpose; second, that immediately after this, the election of directors sets into action the first internal factor in the body, which is then divided into different functioning powers by the election of executive officers.”

Clinton Edgar Woods (1863) American engineer

Source: Organizing a factory (1905), p. 24

Charles Darwin photo
Francisco De Goya photo
Corneliu Zelea Codreanu photo
Charles Dickens photo
Jordan Peterson photo

“12 principles for a 21st century conservatism.
1. The fundamental assumptions of Western civilization are valid.
2. Peaceful social being is preferable to isolation and to war. In consequence, it justly and rightly demands some sacrifice of individual impulse and idiosyncrasy.
3. Hierarchies of competence are desirable and should be promoted. 
4. Borders are reasonable. Likewise, limits on immigration are reasonable. Furthermore, it should not be assumed that citizens of societies that have not evolved functional individual-rights predicated polities will hold values in keeping with such polities.
5. People should be paid so that they are able and willing to perform socially useful and desirable duties. 
6. Citizens have the inalienable right to benefit from the result of their own honest labor.
7. It is more noble to teach young people about responsibilities than about rights. 
8. It is better to do what everyone has always done, unless you have some extraordinarily valid reason to do otherwise.
9. Radical change should be viewed with suspicion, particularly in a time of radical change.
10. The government, local and distant, should leave people to their own devices as much as possible.
11. Intact heterosexual two-parent families constitute the necessary bedrock for a stable polity. 
12. We should judge our political system in comparison to other actual political systems and not to hypothetical utopias.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Speech of Jordan Peterson at Carleton Place for the Conservative Party of Ontario <nowiki>[12 https://www.youtube.com/watch?v=Nyw4rTywyY0</nowiki>]
Concepts

John Maynard Keynes photo
Báb photo

“In the Name of God, the Most Exalted, the Most Holy. All praise and glory befitteth the sacred and glorious court of the sovereign Lord, Who from everlasting hath dwelt, and unto everlasting will continue to dwell within the mystery of His Own divine Essence, Who from time immemorial hath abided and will forever continue to abide within His transcendent eternity, exalted above the reach and ken of all created beings. The sign of His matchless Revelation as created by Him and imprinted upon the realities of all beings, is none other but their powerlessness to know Him. The light He hath shed upon all things is none but the splendour of His Own Self. He Himself hath at all times been immeasurably exalted above any association with His creatures. He hath fashioned the entire creation in such wise that all beings may, by virtue of their innate powers, bear witness before God on the Day of Resurrection that He hath no peer or equal and is sanctified from any likeness, similitude or comparison. He hath been and will ever be one and incomparable in the transcendent glory of His divine being and He hath ever been indescribably mighty in the sublimity of His sovereign Lordship. No one hath ever been able befittingly to recognize Him nor will any man succeed at any time in comprehending Him as is truly meet and seemly, for any reality to which the term ‘being’ is applicable hath been created by the sovereign Will of the Almighty, Who hath shed upon it the radiance of His Own Self, shining forth from His most august station. He hath moreover deposited within the realities of all created things the emblem of His recognition, that everyone may know of a certainty that He is the Beginning and the End, the Manifest and the Hidden, the Maker and the Sustainer, the Omnipotent and the All-Knowing, the One Who heareth and perceiveth all things, He Who is invincible in His power and standeth supreme in His Own identity, He Who quickeneth and causeth to die, the All-Powerful, the Inaccessible, the Most Exalted, the Most High. Every revelation of His divine Essence betokens the sublimity of His glory, the loftiness of His sanctity, the inaccessible height of His oneness and the exaltation of His majesty and power. His beginning hath had no beginning other than His Own firstness and His end knoweth no end save His Own lastness.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

I, 1
The Persian Bayán

Michael von Faulhaber photo
Sir William Lawrence, 1st Baronet photo
Mohammad Reza Pahlavi photo
Leo Tolstoy photo

“The Christianity of the first centuries recognized as productions of good art, only legends, lives of saints, sermons, prayers, and hymn-singing evoking love of Christ, emotion at his life, desire to follow his example, renunciation of worldly life, humility, and the love of others; all productions transmitting feelings of personal enjoyment they considered to be bad, and therefore rejected … This was so among the Christians of the first centuries who accepted Christ teachings, if not quite in its true form, at least not yet in the perverted, paganized form in which it was accepted subsequently.
But besides this Christianity, from the time of the wholesale conversion of whole nations by order of the authorities, as in the days of Constantine, Charlemagne and Vladimir, there appeared another, a Church Christianity, which was nearer to paganism than to Christ's teaching. And this Church Christianity … did not acknowledge the fundamental and essential positions of true Christianity — the direct relationship of each individual to the Father, the consequent brotherhood and equality of all people, and the substitution of humility and love in place of every kind of violence — but, on the contrary, having founded a heavenly hierarchy similar to the pagan mythology, and having introduced the worship of Christ, of the Virgin, of angels, of apostles, of saints, and of martyrs, but not only of these divinities themselves but of their images, it made blind faith in its ordinances an essential point of its teachings.
However foreign this teaching may have been to true Christianity, however degraded, not only in comparison with true Christianity, but even with the life-conception of the Romans such as Julian and others, it was for all that, to the barbarians who accepted it, a higher doctrine than their former adoration of gods, heroes, and good and bad spirits. And therefore this teaching was a religion to them, and on the basis of that religion the art of the time was assessed. And art transmitting pious adoration of the Virgin, Jesus, the saints, and the angels, a blind faith in and submission to the Church, fear of torments and hope of blessedness in a life beyond the grave, was considered good; all art opposed to this was considered bad.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Adolphe Quetelet photo
Iain Banks photo

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Jean-François Lyotard photo

“While we talk, the sun is getting older. It will explode in 4.5 billion years. … In comparison everything else seems insignificant. Wars, conflicts, political tension, shifts in opinion, philosophical debates, even passions—everything’s dead already if this infinite reserve from which you now draw energy to defer answers, if in short thought as a quest, dies out with the sun. … The inevitable explosion to come, the one that’s always forgotten in your intellectual ploys, can be seen in a certain way as coming before the fact to render these ploys … futile. … In 4.5 billions years there will arrive the demise of your phenomenology and your utopian politics, and there’ll be no one there to toll the death knell or hear it. It will be too late to understand that your passionate, endless questioning always depended on a “life of the mind.” … Thought borrows a horizon and orientation, the limitless limit and the end without end it assumes, from the corporeal, sensory, emotional and cognitive experience of a quite sophisticated but definitely earthly existence. With the disappearance of the earth, thought will have stopped—leaving that disappearance absolutely unthought of. … The death of the sun is a death of mind. … There’s no sublation or deferral if nothing survives. … The sun, our earth, and your thought will have been no more than a spasmodic state of energy, an instant of established order, a smile on the surface of matter in a remote corner of the cosmos. … Human death is included in the life of the mind. Solar death implies an irreparably exclusive disjunction between death and thought: if there’s death, then there’s no thought.”

Jean-François Lyotard (1924–1998) French philosopher

Source: Thought Without a Body? (1994), pp. 286-289

Syama Prasad Mookerjee photo
Roberto Mangabeira Unger photo
Matthew Arnold photo
Gerald Durrell photo