Quotes about closing
page 28

Susan Kay photo
Ira Glass photo

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life

Chiaki Kuriyama photo

“I loved playing Go Go, because the character's so extreme. And she's pretty close to my real character. Especially the fact that she liked her sword with a lot of accessories.”

Chiaki Kuriyama (1984) Japanese actress and singer

Complex Magazine (February/March 2004) On her role as Go Go Yubari in Kill Bill: Vol. 1

Oswald Pohl photo
Alexander McCall Smith photo
H. Rider Haggard photo
Bhimrao Ramji Ambedkar photo
Wilford Woodruff photo
Georg Simmel photo

“The Stranger is close to us, insofar as we feel between him and ourselves common features of a national, social, occupational, or generally human, nature. He is far from us, insofar as these common features extend beyond him or us, and connect us only because they connect a great many people.”

Der Fremde ist uns nah, insofern wir Gleichheiten nationaler oder sozialer, berufsmäßiger oder allgemein menschlicher Art zwischen ihm und uns fühlen; er ist uns fern, insofern diese Gleichheiten über ihn und uns hinausreichen und uns beide nur verbinden, weil sie überhaupt sehr Viele verbinden.
Source: The Stranger (1908), p. 405

Eugene V. Debs photo

“You remember that, at the close of Theodore Roosevelt’s second term as President, he went over to Africa to make war on some of his ancestors. You remember that, at the close of his expedition, he visited the capitals of Europe; and that he was wined and dined, dignified and glorified by all the Kaisers and Czars and Emperors of the Old World. He visited Potsdam while the Kaiser was there; and, according to the accounts published in the American newspapers, he and the Kaiser were soon on the most familiar terms. They were hilariously intimate with each other, and slapped each other on the back. After Roosevelt had reviewed the Kaiser’s troops, according to the same accounts, he became enthusiastic over the Kaiser’s legions and said: “If I had that kind of an army, I could conquer the world.” He knew the Kaiser then just as well as he knows him now. He knew that he was the Kaiser, the Beast of Berlin. And yet, he permitted himself to be entertained by that Beast of Berlin; had his feet under the mahogany of the Beast of Berlin; was cheek by jowl with the Beast of Berlin. And, while Roosevelt was being entertained royally by the German Kaiser, that same Kaiser was putting the leaders of the Socialist Party in jail for fighting the Kaiser and the Junkers of Germany. Roosevelt was the guest of honor in the white house of the Kaiser, while the Socialists were in the jails of the Kaiser for fighting the Kaiser. Who then was fighting for democracy? Roosevelt? Roosevelt, who was honored by the Kaiser, or the Socialists who were in jail by order of the Kaiser? “Birds of a feather flock together.””

Eugene V. Debs (1855–1926) American labor and political leader

The Canton, Ohio Speech, Anti-War Speech (1918)

Bob Woodward photo
Charles Darwin photo
Daniel J. Boorstin photo
Alex Salmond photo
Józef Piłsudski photo

“All that we can gain in the west depends on the Entente — on the extent to which it may wish to squeeze Germany, [while in the east] there are doors that open and close, and it depends on who forces them open and how far.”

Józef Piłsudski (1867–1935) Polish politician and Prime Minister

(Probably 1918) Margaret MacMillan, Paris 1919 : Six Months That Changed the World, Random House Trade Paperbacks, 2003, ISBN 0375760520, p. 211.
Attributed

Josh Groban photo
C. D. Broad photo

“[It is a] well-known fact that the likely contacts of two individuals who are closely acquainted tend to be more overlapping than those of two arbitrarily selected individuals”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Anatol Rapoport (1954, p. 75); as quoted in: Samuel Leinhardt (1977) Social Networks: A Developing Paradigm, p. 350
1950s

Anne Morrow Lindbergh photo
Anne Brontë photo
Tom Rath photo

“Hector had always been known as a great shoemaker. In fact, customers from such far-off places as France claimed that Hector made the best shoes in the world. Yet for years, he had been frustrated with his small shoemaking business. Although Hector knew he was capable of making hundreds of shoes per week, he was averaging just 30 pairs. When a friend asked him why, Hector explained that while he was great at producing shoes, he was a poor salesman -- and terrible when it came to collecting payments. Yet he spent most of his time working in these areas of weakness.
So, Hector's friend introduced him to Sergio, a natural salesman and marketer. Just as Hector was known for his craftsmanship, Sergio could close deals and sell. Given the way their strengths complemented one another, Hector and Sergio decided to work together. A year later, this strengths-based duo was producing, selling, and collecting payment for more than 100 pairs of shoes per week -- a more than threefold increase.
While this story may seem simplistic, in many cases, aligning yourself with the right task can be this easy. When we're able to put most of our energy into developing our natural talents, extraordinary room for growth exists. So, a revision to the "You-can-be-anything-you-want-to-be" maxim might be more accurate.”

Tom Rath (1975) American author

StrengthsFinder 2.0, 2007
Source: Tom Rath, "The Fallacy Behind the American Dream," Business Journal, Feb. 8, 2007 (Excerpted from StrengthsFinder 2.0)

Pauline Kael photo
Frances Kellor photo

“He who travels in the Barque of Peter had better not look too closely into the engine room.”

Ronald Knox (1888–1957) English priest and theologian

Reply when asked why he did not visit Rome, quoted in Penelope Fitzgerald, The Knox Brothers (1977)

Robert Rauschenberg photo
Anton Mauve photo

“You're too close to your model.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

Quote of Mauve, teaching Vincent van Gogh, c. End of Dec. 1881 in The Hague; as cited by Vincent van Gogh in his letter to brother Theo http://vangoghletters.org/vg/letters/let193/letter.html, from Etten, c. Friday, 23 December 1881]
Vincent decided then to become a painter and asked his older cousin-in-law Anton Mauve to teach him
1880's

David Davis photo

“Project managers who believe that closing down a project will wreck their careers are tempted to carry on in the hope they will have a slight chance of saving their reputations. Both courses carry the risk of disaster for those responsible for a project, but one—abandonment—is often far better for the company.”

David Davis (1948) British Conservative Party politician and former businessman

"New Projects: Beware of False Economies" https://hbr.org/1985/03/new-projects-beware-of-false-economies, published in Harvard Business Review (March 1985)
On management of big projects

Norman Foster, Baron Foster of Thames Bank photo
Auguste Rodin photo

“Painting, literature, music, are more closely allied than the public usually admit. They are merely different means of expression.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Plutarch photo

“He is a fool who leaves things close at hand to follow what is out of reach.”

Of Garrulity.
Attributed to Hesiod, Frag. 219
Moralia, Others

Margaret Atwood photo

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Christian David Ginsburg photo
James K. Morrow photo
Nicholas Sparks photo
Robert F. Kennedy photo
Philip K. Dick photo
Donald J. Trump photo

“The ideologies of the super-tribes exercised absolute power over all individual minds under their sway.
In civilized regions the super-tribes and the overgrown natural tribes created an astounding mental tyranny. In relation to his natural tribe, at least if it was small and genuinely civilized, the individual might still behave with intelligence and imagination. Along with his actual tribal kinsmen he might support a degree of true community unknown on Earth. He might in fact be a critical, self-respecting and other-respecting person. But in all matters connected with the super-tribes, whether national or economic, he behaved in a very different manner. All ideas coming to him with the sanction of nation or class would be accepted uncritically and with fervor by himself and all his fellows. As soon as he encountered one of the symbols or slogans of his super-tribe he ceased to be a human personality and became a sort of de-cerebrate animal, capable only of stereotyped reactions. In extreme cases his mind was absolutely closed to influences opposed to the suggestion of the super-tribe. Criticism was either met with blind rage or actually not heard at all. Persons who in the intimate community of their small native tribe were capable of great mutual insight and sympathy might suddenly, in response to tribal symbols, be transformed into vessels of crazy intolerance and hate directed against national or class enemies. In this mood they would go to any extreme of self-sacrifice for the supposed glory of the super-tribe. Also they would show great ingenuity in contriving means to exercise their lustful vindictiveness upon enemies who in favorable circumstances could be quite as kindly and intelligent as themselves.”

Source: Star Maker (1937), Chapter V: Worlds Innumerable; 2. Strange Mankinds (p. 62)

Nyanaponika Thera photo
Leo Tolstoy photo
Giacomo Casanova photo

“I saw that everything famous and beautiful in the world, if we judge by the descriptions and drawings of writers and artists, always loses when we go to see it and examine it closely.”

Giacomo Casanova (1725–1798) Italian adventurer and author from the Republic of Venice

History of My Life (trans. Trask 1967), 1997 reprint, vol. 11, chap. 4, p. 112

Henry Moore photo
Ursula K. Le Guin photo
Tomas Kalnoky photo

“This is the start, the beginning
The prologue to the yarn that you're spinning
A million synonyms will never get close to describe the feeling”

Tomas Kalnoky (1980) American musician

If Only for Memories from "The Hands That Thieve" (2013)

F. Scott Fitzgerald photo
John Ruysbroeck photo
Sri Aurobindo photo

“In the stupendous rush of change which is coming on the human world as a result of the present tornado of upheaval, ancient India's culture, attacked by European modernism, overpowered in the material field, betrayed by the indifference of her children, may perish for ever along with the soul of the nation that holds it in its keeping…. Each nation is a Shakti or power of the evolving spirit in humanity and lives by the principle which it embodies. India is the Bharata Shakti, the living energy of a great spiritual conception, and fidelity to it is the very principle of her existence…. To follow a law or principle involuntarily or ignorantly or contrary to the truth of one's consciousness is a falsehood and a self-destruction. To allow oneself to be killed, like the lamb attacked by the wolf, brings no growth, farthers no development, assures no spiritual merit. Concert or unity may come in good time, but it must be an underlying unity with a free differentiation, not a swallowing up of one by another or an incongruous and inharmonious mixture. Nor can it come before the world is ready for these greater things. To lay down one's arms in a state of war is to invite destruction and it can serve no compensating spiritual purpose…. India is indeed awaking and defending herself, but not sufficiently and not with the whole-heartedness, the clear sight and the firm resolution which can alone save her from the peril. Today it is close; let her choose,… for the choice is imperatively before her, to live or to perish.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

December, 1918
India's Rebirth

Ernst Thälmann photo

“There were sometimes in our own ranks comrades who thought themselves cleverer and more capable of judging various questions than was done in the definite decisions of our World Party. Here I stress with the greatest emphasis: our relations with the Comintern, this close, indestructible, firm confidence between the C. P. G. and the C. I. and its Executive—this is one of our Party, the inner-political struggles and disputes in the past and of the higher political maturity of our Party generally.”

Ernst Thälmann (1886–1944) leader of the Communist Party of Germany (KPD) during much of the Weimar Republic

Ernst Thälmann in address to the KPD Party on the October Conference, 1932; as cited in: Wilhelm Pieck. " Ernst Thaelmann, Fifty Years Old https://www.marxists.org/archive/pieck/1936/07/thaelmann.htm," The Communist Review, Vol. 3, No. 7, July 1936, pp. 12-17.

Anthony Burgess photo

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

Anthony Burgess (1917–1993) English writer

Pop Music

Theodor Reuss photo
Simone Weil photo

“If all men, by the act of being born, are destined to suffer violence, that is a truth to which the empire of circumstances closes their minds.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Si tous sont destinés en naissant à souffrir la violence, c'est là une vérité à laquelle l'empire des circonstances ferme les esprits des hommes.
in The Simone Weil Reader, p. 163
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)

Thanissaro Bhikkhu photo
Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Davey Havok photo
Tim Buck photo
David Brin photo

“It is generally assumed that men are damaged in their capacity for closeness and intimacy. If intimacy is defined as a loving closeness with another person, then it is usually true that the early conditioning of men to be performers and competitors in the impersonal competitive world limits their intimacy capacity. Women are assumed to have a greater capacity for intimacy than men because they express caring emotions and allow themselves to be dependent and close in relationships more easily. Yet, a closer look will provide a different perspective.

True intimacy is love and closeness based on knowledge of the inner reality and inner experience of the other. However, in romantic relationships, closeness ends or is put into crisis when men describe honestly their inner experiences to women. Women assail the relationship behavior of men and men acknowledge what they are told. Rarely is the opposite true. Men accept the reality of women more than women accept the reality of men.

The fact that a woman's priority is placed on personal needs bears no relationship to a genuine capacity for intimacy. To be loved and known, and to be fully comfortable expressing one's personal self, are two major components of intimacy. There are few men who have received that from a woman. The opposite holds true. A woman's love for a man is contingent on his participating in her romantic fantasy of what he and the relationship should be. Few men risk challenging or undermining that fantasy. Instead, they play by the rules of romance even when it feels uncomfortable, knowing that being loved by her is fragile and easily broken once he reveals his resistances and unromantic feelings.”

Herb Goldberg (1937–2019) American psychologist

Why Women Are Also Incapable of Intimacy, pp. 120–121
What Men Still Don't Know About Women, Relationships, and Love (2007)

Vasily Grossman photo
Colin Wilson photo
Kage Baker photo
Guity Novin photo
Alexander Pope photo

“By foreign hands thy dying eyes were closed,
By foreign hands thy decent limbs composed,
By foreign hands thy humble grave adorned,
By strangers honored, and by strangers mourned.”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 51.

Attila photo

“Here you stand, after conquering mighty nations and subduing the world. I therefore think it foolish for me to goad you with words, as though you were men who had not been proved in action. Let a new leader or an untried army resort to that. It is not right for me to say anything common, nor ought you to listen. For what is war but your usual custom? Or what is sweeter for a brave man than to seek revenge with his own hand? It is a right of nature to glut the soul with vengeance. Let us then attack the foe eagerly; for they are ever the bolder who make the attack. Despise this union of discordant races! To defend oneself by alliance is proof of cowardice. See, even before our attack they are smitten with terror. They seek the heights, they seize the hills and, repenting too late, clamor for protection against battle in the open fields. You know how slight a matter the Roman attack is. While they are still gathering in order and forming in one line with locked shields, they are checked, I will not say by the first wound, but even by the dust of battle. Then on to the fray with stout hearts, as is your wont. Despise their battle line. Attack the Alani, smite the Visigoths! Seek swift victory in that spot where the battle rages. For when the sinews are cut the limbs soon relax, nor can a body stand when you have taken away the bones. Let your courage rise and your own fury burst forth! Now show your cunning, Huns, now your deeds of arms! Let the wounded exact in return the death of his foe; let the unwounded revel in slaughter of the enemy. No spear shall harm those who are sure to live; and those who are sure to die Fate overtakes even in peace. And finally, why should Fortune have made the Huns victorious over so many nations, unless it were to prepare them for the joy of this conflict. Who was it revealed to our sires the path through the Maeotian swamp, for so many ages a closed secret? Who, moreover, made armed men yield to you, when you were as yet unarmed? Even a mass of federated nations could not endure the sight of the Huns. I am not deceived in the issue;--here is the field so many victories have promised us. I shall hurl the first spear at the foe. If any can stand at rest while Attila fights, he is a dead man.”

Attila (406–453) King of the Hunnic Empire

As quoted by Jordanes, The Origin and Deeds of the Goths http://people.ucalgary.ca/~vandersp/Courses/texts/jordgeti.html#attila, translated by Charles C. Mierow

John Archibald Wheeler photo

“Of all obstacles to a thoroughly penetrating account of existence, none looms up more dismayingly than “time.” Explain time? Not without explaining existence. Explain existence? Not without explaining time. To uncover the deep and hidden connection between time and existence, to close on itself our quartet of questions, is a task for the future.”

John Archibald Wheeler (1911–2008) American physicist

"Hermann Weyl and the Unity of Knowledge" http://www.weylmann.com/wheeler.shtml, American Scientist (July-August 1986) Vol. 74, pp. 366-375. Reprinted in At Home in the Universe (1993), p. 171. http://books.google.com/books?id=w9BXAAAAYAAJ&q=%22hermann+weyl+and+the+unity+of+knowledge%22#search_anchor

Hermann Hesse photo

“We were picking apart a problem in linguistic history and, as it were, examining close up the peak period of glory in the history of a language; in minutes we had traced the path which had taken it several centuries. And I was powerfully gripped by the vision of transitoriness: the way before our eyes such a complex, ancient, venerable organism, slowly built up over many generations, reaches its highest point, which already contains the germ of decay, and the whole intelligently articulated structure begins to droop, to degenerate, to totter toward its doom. And at the same time the thought abruptly shot through me, with a joyful, startled amazement, that despite the decay and death of that language it had not been lost, that its youth, maturity, and downfall were preserved in our memory, in our knowledge of it and its history, and would survive and could at any time be reconstructed in the symbols and formulas of scholarship as well as in the recondite formulations of the Glass Bead Game. I suddenly realized that in the language, or at any rate in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.”

The Glass Bead Game (1943)

Eliza Farnham photo
Tad Williams photo

“Tiamak closed his eyes to make a short prayer of thanks, hoping that the gods, like children, could be confirmed in good behavior by praise.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 1, Chapter 13, “The Nest Builders” (p. 405).

Zbigniew Brzeziński photo
Ramnath Goenka photo
Gustav Cassel photo

“Economics is in high degree a pedagogical discipline, and an economist must be in close touch with popular psychology in order to know what ought to be said at any particular moment.”

Gustav Cassel (1866–1945) Swedish economist

Quoted in Bertil Ohlin (1972, 107); as cited in: Carlson, Benny, and Lars Jonung. "Knut Wicksell, Gustav Cassel, Eli Heckscher, Bertil Ohlin and Gunnar Myrdal on the role of the economist in public debate." Econ Journal Watch 3.3 (2006): p. 525

Stephen Harper photo

“I don't know all the facts on Iraq, but I think we should work closely with the Americans.”

Stephen Harper (1959) 22nd Prime Minister of Canada

Report Newsmagazine, March 25 2002: On the Iraq war.
2002

David Icke photo
Charles Dickens photo

“I'm alright. I love you. I love my life. I'm always close to you.”

Ritsuko Okazaki (1959–2004) Japanese singer

"I'm Always Close to You", For Ritz
Lyrics

Jacob Bronowski photo
Henry Wadsworth Longfellow photo
James O'Keefe photo
Shaun Ellis photo

“My obsession with wolves hadn't helped past relationships. I had split up with Jan, the mother of my four children, after 11 years together, but there was never any animosity; it was more a case of separation by default. Maybe I never gave that relationship a chance. I was so passionate about wolves that I wonder whether any human relationship could have come close. If I'd had to choose between spending a night in the wolf enclosure or at home, I would probably have chosen the wolves.”

Shaun Ellis (1977) American football player, defensive end

I howled for the woman I loved... and she howled back - British wolfman tells how his obsession drove away the love of his life http://www.dailymail.co.uk/sciencetech/article-1245507/I-howled-woman-I-loved--howled--British-wolfman-tells-obsession-drove-away-love-life.html, Daily Mail, (23 January, 2010)

Dejan Stojanovic photo

“With open eyes, you watch; with closed eyes, you see.”

“A Book,” p. p. 92
The Creator (2000), Sequence: “Nostalgic Elements”

Zoran Đinđić photo
Clifford D. Simak photo
Luise Rainer photo

“How can you close your eyes and say this has nothing to do with me? I'm not speaking about politics. Politics is a terrible thing. Everyone wants power.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Of the bombing of Kosovo
Article in Movie Maker http://www.moviemaker.com/directing/article/luise_rainer_3324/

Benjamin Rush photo
Eddie Izzard photo

“[About homophobes] As long as they're homophobic behind closed doors, and don't hurt anyone, I'm fine with it.”

Eddie Izzard (1962) British stand-up comedian, actor and writer

Unrepeatable (1994)

“The greatest sermons are the ones given with a closed mouth and an open heart.”

Source: Life, the Truth, and Being Free (2010), p. 135

Pat Condell photo