Source: Anonymous reader point out that quote appears on internet from 2015. Rumi, having died in the 1200s, when the first mention of this quote was around 2015.
Quotes about charm
A collection of quotes on the topic of charm, likeness, use, love.
Quotes about charm
As quoted in Building A Life Of Value : Timeless Wisdom to Inspire and Empower Us (2005) by Jason A. Merchey, p. 74
First Mughal emperor Babur wrote in his autobiography Tuzk-e-Babri
“It is absurd to divide people into good and bad. People are either charming or tedious.”
Lord Darlington, Act I
Source: Lady Windermere's Fan (1892)
To Leon Goldensohn (24 May 1946)
The Nuremberg Interviews (2004)
“Why, I’m just as true and honest as dirt. And I’m even more charming than dirt.”
Source: Trickster's Choice
Speech http://hansard.millbanksystems.com/commons/1845/mar/17/agricultural-interest in the House of Commons (17 March 1845).
1840s
Letter by Mozart, as quoted in a journal entry (12 December 1856) The Journal of Eugene Delacroix as translated by Walter Pach (1937), p. 521. The quote is not found in any authentic letter by Mozart.
"As I Please," Tribune (9 June 1944)<sup> http://alexpeak.com/twr/tpithoa/</sup>
"As I Please" (1943–1947)
Canto V, lines 100–105 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Inferno
“But youth smiles without any reason. It is one of its chiefest charms.”
Source: The Picture of Dorian Gray
“She behaves as if she was beautiful. Most American women do. It is the secret of their charm.”
“There is a charm about the forbidden that makes it unspeakably desirable.”
“Gossip is charming! History is merely gossip. But scandal is gossip made tedious by morality.”
Cecil Graham http://books.google.com/books?id=8SzYgCNz-vwC&q="Gossip+is+charming+History+is+merely+gossip+But+scandal+is+gossip+made+tedious+by+morality"&pg=PT52#v=onepage, Act III
Variant: Scandal is gossip made tedious by morality.
Source: Lady Windermere's Fan (1892)
Source: The Sermons of Jonathan Edwards: A Reader
Memoirs (trans. Machen 1894), book 1, Preface http://etext.library.adelaide.edu.au/c/casanova/c33m/preface2.html
Referenced
“Charms strike the sight, but merit wins the soul.”
Canto V, line 33.
Variant: Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul.
Source: The Rape of the Lock (1712, revised 1714 and 1717)
“Stay is a charming word in a friend's vocabulary.”
Misattributed
Source: Concord Days
“She lacks the indefinable charm of weakness.”
Variant: She is very clever, too clever for a woman. She lacks the indefinable charm of weakness.
Source: The Picture of Dorian Gray
“Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.”
Act I, scene i; the first lines of this passage are often rendered in modern spelling as "Music has charms to soothe a savage breast", or misquoted as: "Music hath charms to soothe the savage beast".
The Mourning Bride (1697)
Context: Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I've read, that things inanimate have mov'd,
And, as with living Souls, have been inform'd,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
'Tis not in Harmony to calm my Griefs.
Anselmo sleeps, and is at Peace; last Night
The silent Tomb receiv'd the good Old King;
He and his Sorrows now are safely lodg'd
Within its cold, but hospitable Bosom.
Why am not I at Peace?
“Falling out of love is chiefly a matter of forgetting how charming someone is.”
“Knowledge would be fatal. It is the uncertainty that charms one. A mist makes things wonderful.”
Source: The Picture of Dorian Gray
"To my Child-friend" in The Game Of Logic (1886)
Letter to Clark Ashton Smith (7 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 214
Non-Fiction, Letters
Carl Friedrich Gauss: Titan of Science (1955) by Guy Waldo Dunnington. p. 348
Source: "Woman in Europe" (1927), P.245
[Sharma, S. D., Sarangi maestro calls present music soulless drudgery, The Tribune, 28 February 2008, http://www.webcitation.org/5pb5rvJkI]
Mira Bai, Love Poems from God: Twelve Sacred Voices from the East and West http://books.google.co.in/books?id=ENaRTjQRMaIC&pg=PT329
after Monet's death
Source: Denis Rouart (1972) Claude Monet, p. 22 : About the first steps in his career
Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Quote in a letter to art-critic Theodore Duret (13 August 1887, L. 794); as cited in: Katharine Jordan Lochnan, Luce Abélès, James McNeill Whistler (2004), Turner, Whistler, Monet, p. 179
1870 - 1890
Further account of his conversations with Andrew Pit
The History of the Quakers (1762)
The very search for the improvement of the body (and the concomitant “happiness” of the psyche) must lead to further discontent.
page 39.
Creating Beauty to Cure the Soul (1998)
Jennifer Garner interview: Still the girl next door http://www.nj.com/entertainment/movies/index.ssf/2012/08/jennifer_garner_interview.html
“Our charms depart all on their own, so pluck the bloom.
For if you don't, it meets a wasted doom.”
Nostra sine auxilio fugiunt bona; carpite florem,
Qui, nisi carptus erit, turpiter ipse cadet.
Book III, lines 79–80 (tr. Len Krisak)
Ars Amatoria (The Art of Love)
Louise Bourgeois, Donald Burton Kuspit (1988). Bourgeois. p. 76: On the art world
Stylist, "Queen of everything: Sigourney Weaver" https://www.stylist.co.uk/people/interviews-and-profiles/queen-of-everything-sigourney-weaver/173306, (2012).
This quotation is not known to exist in Plato's writings. It apparently first appeared as a quotation attributed to Plato in The Pleasures of Life, Part II by Sir John Lubbock (Macmillan and Company, London and New York), published in 1889.
Misattributed
Interview: Chuck Dixon http://www.gothamwdeszczu.com.pl/en/2013/07/04/interview-chuck-dixon/ (July 4, 2013)
A Commentary on St. Paul's Epistle to the Galatians https://books.google.com/books?id=zeCWncYgGOgC&pg=PA37&source=gbs_toc_r&cad=3#v=onepage&q&f=false by Martin Luther, Johann Friedrich Wilhelm Tischer, Samuel Simon Schmucker Chapter 3, p. 286
Commentary on the Epistle to the Galatians (1535)
Case of the Excise Officers http://www.thomaspaine.org/essays/other/case-of-the-excise-officers.html, (1772)
1770s
Foreword of Name Reactions in Heterocyclic Chemistry (2004) by Jie Jack Li
“All charming people, I fancy, are spoiled. It is the secret of their attraction.”
"The Portrait of Mr. W. H.," Blackwood's Magazine, July 1889 http://books.google.com/books?id=QfczAQAAMAAJ&q=%22All+charming+people+I+fancy+are+spoiled+It+is+the+secret+of+their+attraction%22&pg=PA4#v=onepage
Wer es versteht, den Leuten mit Anmut und Behagen Dinge auseinander zu setzen, die sie ohnehin wissen, der verschafft sich am geschwindesten den Ruf eines gescheiten Menschen.
Source: Aphorisms (1880/1893), p. 37.
"At the Top of My Voice" (1929-30); translation from Patricia Blake (ed.) The Bedbug and Selected Poetry (Bloomington: Indiana University Press, 1975) pp. 223-5
Keith (1968) PhotoplayMagazine.com
Brian Keith on starring in his own movies
"Our Vanishing Wildlife", in The Outlook (25 January 1913); republished in Literary Essays (vol. 12 of The Works of Theodore Roosevelt, national ed., 1926), chapter 46, p. 420
1910s
Of Constantine Doukas
The Alexiad, Book 1
Napoleon : In His Own Words (1916)
<p>Phileas Fogg avait gagné son pari. Il avait accompli en quatre-vingts jours ce voyage autour du monde ! Il avait employé pour ce faire tous les moyens de transport, paquebots, railways, voitures, yachts, bâtiments de commerce, traîneaux, éléphant. L'excentrique gentleman avait déployé dans cette affaire ses merveilleuses qualités de sang-froid et d'exactitude. Mais après ? Qu'avait-il gagné à ce déplacement ? Qu'avait-il rapporté de ce voyage ?</p><p>Rien, dira-t-on ? Rien, soit, si ce n'est une charmante femme, qui — quelque invraisemblable que cela puisse paraître — le rendit le plus heureux des hommes !</p><p>En vérité, ne ferait-on pas, pour moins que cela, le Tour du Monde ?</p>
Source: Around the World in Eighty Days (1873), Ch. XXXVII: In Which It Is Shown that Phileas Fogg Gained Nothing by His Tour Around the World, Unless It Were Happiness
Vol. I, Ch. 13: Of the King who did according to his will, and magnified himself above every God, and honored Mahuzzims, and regarded not the desire of women
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: The Cataphrygians brought in also several other superstitions: such as were the doctrine of Ghosts, and of their punishment in Purgatory, with prayers and oblations for mitigating that punishment, as Tertullian teaches in his books De Anima and De Monogamia. They used also the sign of the cross as a charm. So Tertullian in his book de Corona militis... All these superstitions the Apostle refers to, where he saith: Now the Spirit speaketh expressly, that in the latter times some shall depart from the faith, giving heed to seducing spirits, and doctrines of devils, the Dæmons and Ghosts worshiped by the heathens, speaking lies in hypocrisy, about their apparitions, the miracles done by them, their relics, and the sign of the cross, having consciences seared with a hot iron; forbidding to marry, and commanding to abstain from meats, &c. 1 Tim. iv. 1,2,3. From the Cataphrygians these principles and practices were propagated down to posterity. For the mystery of iniquity did already work in the Apostles days in the Gnostics, continued to work very strongly in their offspring the Tatianists and Cataphrygians, and was to work till that man of sin should be revealed; whose coming is after the working of Satan, with all power and signs, and lying wonders, and all deceivableness of unrighteousness; colored over with a form of Christian godliness, but without the power thereof, 2 Thess. ii. 7-10.
A Few Thoughts for a Young Man (1850)
Context: The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies. <!-- p. 35
On Truth and Lie in an Extra-Moral Sense (1873)
Context: The drive toward the formation of metaphors is the fundamental human drive, which one cannot for a single instant dispense with in thought, for one would thereby dispense with man himself. This drive is not truly vanquished and scarcely subdued by the fact that a regular and rigid new world is constructed as its prison from its own ephemeral products, the concepts. It seeks a new realm and another channel for its activity, and it finds this in myth and in art generally. This drive continually confuses the conceptual categories and cells by bringing forward new transferences, metaphors, and metonymies. It continually manifests an ardent desire to refashion the world which presents itself to waking man, so that it will be as colorful, irregular, lacking in results and coherence, charming, and eternally new as the world of dreams. Indeed, it is only by means of the rigid and regular web of concepts that the waking man clearly sees that he is awake; and it is precisely because of this that he sometimes thinks that he must be dreaming when this web of concepts is torn by art.
“All that sternness amid charm,
All that sweetness amid strength?”
Peace http://poetry.poetryx.com/poems/1564/
The Green Helmet and Other Poems (1910)
Context: Ah, that Time could touch a form
That could show what Homer's age
Bred to be a hero's wage.
'Were not all her life but a storm,
Would not painters pain a form
Of such noble lines,' I said,
'Such a delicate high head,
All that sternness amid charm,
All that sweetness amid strength?
Ah, but peace that comes at length,
Came when Time had touched her form.
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 95
Source: supanet.com/find/famous-quotes-by/axel-munthe/a-man-can-stand-a-lot-as-fqb50991/
The most surprising circumstance is that this letter, though written by an obscure person, was so happy in its effect as to put a stop to the persecution.
The History of the Quakers (1762)
but adieu to this, till happier times, if I ever shall see them.
Letter to https://founders.archives.gov/documents/Washington/02-06-02-0013#GEWN-02-06-02-0013-fn-0002 Mrs. George William Fairfax (Sally Cary Fairfax) (12 September 1758)
1750s
“Modesty is an old-fashioned virtue, which, given your charms, you must certainly do without.”
First Dialogue, Delmonce
Philosophy in the Bedroom (1795)
As quoted in "Idea of Anti-Semitism Filled Nietzsche With Ire and Melancholy" in The New York Times (19 December 1987) http://query.nytimes.com/gst/fullpage.html?res=9B0DE0D91E3EF93AA25751C1A961948260