Quotes about bud

A collection of quotes on the topic of bud, flowers, flower, likeness.

Quotes about bud

Adolf Hitler photo

“While the Zionists try to make the rest of the World believe that the national consciousness of the Jew finds its satisfaction in the creation of a Palestinian state, the Jews again slyly dupe the dumb Goyim. It doesn't even enter their heads to build up a Jewish state in Palestine for the purpose of living there; all they want is a central organisation for their international world swindler, endowed with its own sovereign rights and removed from the intervention of other states: a haven for convicted scoundrels and a university for budding crooks.
It is a sign of their rising confidence and sense of security that at a time when one section is still playing the German, French-man, or Englishman, the other with open effrontery comes out as the Jewish race.”

1920s, Zweites Buch (1928)
Source: Mein Kampf
Context: Jewry is a Folk with a racial core that is not wholly unitary. Nevertheless, as a Folk, it has special intrinsic characteristics which separate it from all other Folks living on the globe. Jewry is not a religious community, but the religious bond between Jews; rather is in reality the momentary governmental system of the Jewish Folk. The Jew has never had a territorially bounded State of his own in the manner of Aryan States. Nevertheless, his religious community is a real State, since it guarantees the preservation, the increase and the future of the Jewish Folk. But this is solely the task of the State. That the Jewish State is subject to no territorial limitation, as is the case with Aryan States, is connected with the character of the Jewish Folk, which is lacking in the productive forces for the construction and preservation of its own territorial State.

Anaïs Nin photo

“The day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Frequently attributed to Nin, but without cited source in her work (possibly due to a quotation in Living on Purpose: Straight Answers to Universal Questions (2000) by Dan Millman that attributed the quote to Nin without source).
In March 2013, a former Director of Public Relations at John F. Kennedy University in Orinda, Elizabeth Appell, claimed she had authored the quote in 1979 for an inspirational header on a class schedule: http://anaisninblog.skybluepress.com/2013/03/who-wrote-risk-is-the-mystery-solved/
Disputed
Variant: The day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.

Henri-Frédéric Amiel photo

“Each bud flowers but once and each flower has but its minute of perfect beauty; so, in the garden of the soul each feeling has, as it were, its flowering instant, its one and only moment of expansive grace and radiant kingship.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

30 December 1850
Journal Intime (1882), Journal entries
Context: Each bud flowers but once and each flower has but its minute of perfect beauty; so, in the garden of the soul each feeling has, as it were, its flowering instant, its one and only moment of expansive grace and radiant kingship. Each star passes but once in the night through the meridian over our heads and shines there but an instant; so, in the heaven of the mind each thought touches its zenith but once, and in that moment all its brilliancy and all its greatness culminate. Artist, poet, or thinker, if you want to fix and immortalize your ideas or your feelings, seize them at this precise and fleeting moment, for it is their highest point. Before it, you have but vague outlines or dim presentiments of them. After it you will have only weakened reminiscence or powerless regret; that moment is the moment of your ideal.

Walter Scott photo

“The rose is fairest when 't is budding new,
And hope is brightest when it dawns from fears.
The rose is sweetest wash'd with morning dew,
And love is loveliest when embalm'd in tears.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto IV, stanza 1.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

John Amos Comenius photo
Paulo Coelho photo
Barry Lyga photo

“I’m a complicated man, with complicated taste buds.”

Barry Lyga (1971) American writer

Source: I Hunt Killers

Brené Brown photo

“For me, vulnerability led to anxiety, which led to shame, which led to disconnection, which led to Bud Light.”

Brené Brown (1965) US writer and professor

Source: Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead

Guy Gavriel Kay photo
Virginia Woolf photo
Diane Ackerman photo
John Keats photo
Mark Twain photo

“We began to stir against slavery. Hearts grew soft, here, there, and yonder. There was no place in the land where the seeker could not find some small budding sign of pity for the slave. No place in all the land but one—the pulpit. It yielded at last; it always does. It fought a strong and stubborn fight, and then did what it always does, joined the procession—at the tail end. Slavery fell. The slavery text remained; the practice changed, that was all.”

Mark Twain (1835–1910) American author and humorist

Bible Teaching and Religious Practice http://books.google.com/books?id=sujuHO_fvJgC&pg=PA568&dq=twain+%22Bible+Teaching+and+Religious+Practice%22&cd=1#v=onepage&q=twain%20%22Bible%20Teaching%20and%20Religious%20Practice%22&f=false.
"Bible Teaching and Religious Practice" (1923)

José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Friedrich Nietzsche photo
José Saramago photo

“The best way to killing a rose is to force it open when it is still only the promise of a bud.”

Source: The Cave (2000), p. 89 (Vintage 2003)

Alfred Noyes photo

“We tell you He is risen again,
The Lord of Life is risen again,
The boughs put forth their tender buds, and
Love is Lord of all!”

Alfred Noyes (1880–1958) English poet

The Lord of Misrule
The Lord of Misrule and Other Poems (1915)
Context: He died and He went down to hell!
You know not what you mean.
Our rafters were of green fir. Also our beds were green.
But out of the mouth of a fool, a fool, before the darkness fall,
We tell you He is risen again,
The Lord of Life is risen again,
The boughs put forth their tender buds, and
Love is Lord of all!

Pierre Joseph Proudhon photo

“I should like to restore with one hand what I destroy with the other. When pruning an old tree one should avoid destroying the buds and fruit; you know this is as well as anyone.”

Pierre Joseph Proudhon (1809–1865) French politician, mutualist philosopher, economist, and socialist

Preface
What is Property? (1840)

Alexis Karpouzos photo
Adrienne Rich photo
Khaled Hosseini photo
Edna St. Vincent Millay photo
Anaïs Nin photo
Christopher Paul Curtis photo
Gaston Bachelard photo

“A word is a bud attempting to become a twig. How can one not dream while writing? It is the pen which dreams. The blank page gives the right to dream.”

Gaston Bachelard (1884–1962) French writer and philosopher

Introduction, sect. 6
La poétique de la rêverie (The Poetics of Reverie) (1960)

Algernon Charles Swinburne photo
Stuart Hall photo
Robert Seymour Bridges photo
Alan Moore photo
Samuel Taylor Coleridge photo

“Ere sin could blight or sorrow fade,
Death came with friendly care;
The opening bud to heaven conveyed,
And bade it blossom there.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Epitaph on an Infant
Bartlett's Familiar Quotations, 10th ed. (1919)

Mary Midgley photo

“Many natural patterns, such as the arrangement of buds on a stem, accord with the series of Fibonacci numbers, and Fibonacci spirals are also observed in spiral nebulae. There are, moreover, no flying pigs …”

Mary Midgley (1919–2018) British philosopher and ethicist

Review of 'What Darwin Got Wrong' by Jerry Fodor and Massimo Piattelli Palmarini (2010) http://www.theguardian.com/books/2010/feb/06/what-darwin-got-wrong.

John Keats photo

“As though a rose should shut and be a bud again.”

Stanza 27
Poems (1820), The Eve of St. Agnes

Joel Fuhrman photo
Charles Mingus photo
Mata Amritanandamayi photo
Primo Levi photo

“For me chemistry represented an indefinite cloud of future potentialities which enveloped my life to come in black volutes torn by fiery flashes, like those which had hidden Mount Sinai. Like Moses, from that cloud I expected my law, the principle of order in me, around me, and in the world. I was fed up with books, which I still continued to gulp down with indiscreet voracity, and searched for a key to the highest truths; there must be a key, and I was certain that, owing to some monstrous conspiracy to my detriment and the world's, I would not get in school. In school they loaded with me with tons of notions that I diligently digested, but which did not warm the blood in my veins. I would watch the buds swell in spring, the mica glint in the granite, my own hands, and I would say to myself: "I will understand this, too, I will understand everything, but not the way they want me to. I will find a shortcut, I will make a lock-pick, I will push open the doors."
It was enervating, nauseating, to listen to lectures on the problem of being and knowing, when everything around us was a mystery pressing to be revealed: the old wood of the benches, the sun's sphere beyond the windowpanes and the roofs, the vain flight of the pappus down in the June air. Would all the philosophers and all the armies of the world be able to construct this little fly? No, nor even understand it: this was a shame and an abomination, another road must be found.”

"Hydrogen"
The Periodic Table (1975)

Sara Teasdale photo

“There is no sign of leaf or bud,
A hush is over everything —
Silent as women wait for love,
The world is waiting for the spring.”

Sara Teasdale (1884–1933) American writer and poet

"Central Park at Dusk"
Helen of Troy and Other Poems (1911)

Letitia Elizabeth Landon photo

“Once the buds of the pomegranate
Paled beside her cheek's warm dye,
Now 'tis like the last sad planet
Waning in the morning sky —
She has wept away its red.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1836-3) (Vol.48) Subjects for Pictures. Second Series. III. The Moorish Maiden’s Vigil
The Monthly Magazine

Rudyard Kipling photo

“Cities and Thrones and Powers,
Stand in Time's eye,
Almost as long as flowers,
Which daily die:
But, as new buds put forth
To glad new men,
Out of the spent and unconsidered Earth,
The Cities rise again.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Cities and Thrones and Powers, Stanza 1 (1906).
Puck of Pook's Hill 1906

Edwin Abbott Abbott photo

“On the whole we get on pretty smoothly in our domestic relations, except in the lower strata of the Military Classes. There the want of tact and discretion on the part of the husbands produces at times indescribable disasters. Relying too much on the offensive weapons of their acute angles instead of the defensive organs of good sense and seasonable simulation, these reckless creatures too often neglect the prescribed construction of the women's apartments, or irritate their wives by ill-advised expressions out of doors, which they refuse immediately to retract. Moreover a blunt and stolid regard for literal truth indisposes them to make those lavish promises by which the more judicious Circle can in a moment pacify his consort. The result is massacre; not, however, without its advantages, as it eliminates the more brutal and troublesome of the Isosceles; and by many of our Circles the destructiveness of the Thinner Sex is regarded as one among many providential arrangements for suppressing redundant population, and nipping Revolution in the bud.

Yet even in our best regulated and most approximately Circular families I cannot say that the ideal of family life is so high as with you in Spaceland. There is peace, in so far as the absence of slaughter may be called by that name, but there is necessarily little harmony of tastes or pursuits; and the cautious wisdom of the Circles has ensured safety at the cost of domestic comfort.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 4. Concerning the Women

Heinrich Heine photo

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

“"All this beauty makes a person realize how insignificant they are," Paul says.
"How insignificant I am. You're the insignificant one"
He grins real big as he realizes how his words sounded. "I didn't mean it like that," he chuckles.
"No, I know what you meant, bud. I was just thinking kind of the same thing. I was looking at all this depth and it came to me how very shallow you are."
"Ha, ha," Paul chortles. He takes a few steps down the trail and turns. "You know, Don, I was just looking at this little flowery cactus here and thinking how nice it looks and it made me realize how ugly you are."
"Is that right," I say. "Well, I was just considering how smart these rocks look and it made me realize how dumb you are." With that I give him a little kick in the backside.
"How smart these rocks are?" he heckles. "Well, I was just looking at that cloud up there, reflecting on its beauty and stuff, and it hit me how much you smell."
"Is that right," I say. "The cloud made you realize that, huh?"
Paul distances himself a little and keeps turning to see if I am going to kick him again. He's got this grin going like he got the last laugh.
"You know, Paul, I was just looking at this pebble and it made me realize that I'm going to tackle you and throw you off the ledge."
"I see. That's real deep, Don. The pebble; you got that from a pebble?"”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

William Cowper photo

“His purposes will ripen fast,
Unfolding every hour;
The bud may have a bitter taste,
But sweet will be the flower.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)

John Ogilby photo

“Now fields are green, and trees bear silver buds.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Bucolicks

John Dos Passos photo
George Lippard photo
John Adams photo

“Nip the shoots of arbitrary power in the bud, is the only maxim which can ever preserve the liberties of any people.”

John Adams (1735–1826) 2nd President of the United States

No. 3
1770s, Novanglus essays (1774–1775)

Helen Keller photo
Paul Laurence Dunbar photo
Edwin Arnold photo
Rubén Darío photo

“I seek a form that my style cannot discover,
a bud of thought that wants to be a rose.”

Rubén Darío (1867–1916) Nicaraguan poet and writer

Prosas Profanas y Otros Poemas (Profane Hymns and Other Poems). I Seek a Form (1896).

Kaarlo Sarkia photo
Letitia Elizabeth Landon photo
Torquato Tasso photo

“About the hill lay other islands small,
Where other rocks, crags, cliffs, and mountains stood,
The Isles Fortunate these elder time did call,
To which high Heaven they reigned so kind and good,
And of his blessings rich so liberal,
That without tillage earth gives corn for food,
And grapes that swell with sweet and precious wine
There without pruning yields the fertile vine.The olive fat there ever buds and flowers,
The honey-drops from hollow oaks distil,
The falling brook her silver streams downpours
With gentle murmur from their native hill,
The western blast tempereth with dews and showers
The sunny rays, lest heat the blossoms kill,
The fields Elysian, as fond heathen sain,
Were there, where souls of men in bliss remain.”

Torquato Tasso (1544–1595) Italian poet

Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)

Arthur Symons photo
Bill Hicks photo

“The bud is on the bough again,
The leaf is on the tree.”

Charles Jefferys (1807–1865) British music publisher

The Meeting of Spring and Summer, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

James McNeill Whistler photo
Edmund Spenser photo
Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Joel Mokyr photo
Conrad Black photo
William Cowper photo

“A worm is in the bud of youth,
And at the root of age.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Stanzas subjoined to a Bill of Mortality.
Bartlett's Familiar Quotations, 10th ed. (1919)

William Collins photo

“Bill and I were pretty much the same age bracket, and strangely enough, we both went through the same influences, starting with Nat Cole, going into Bud Powell during the bebop period, and then getting into the Lennie Tristano school orienta—in my particular case, Lee Konitz more than Lennie. I mean, in an era when everybody else was playing funky piano, we… I suppose, in a general category, that made us both the same. Whereby [sic] to my mind, we were both radically different. But after I put out that first album, the reviews started off by saying, "Clare Fischer owes much to Bill Evans." And then, when I would write an album, they would say "Clare Fischer owes much to Gil Evans."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

And I would call that my Evans brothers syndrome.
Radio interview https://itunes.apple.com/us/album/talking-jazz-volume-22-arrangers/id398326105, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT452&dq=%22But+Bill+and+I+were+pretty+much%22&hl=en&sa=X&ved=0ahUKEwjWm_Tw9MXRAhWF8CYKHdeKBs8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

William Wordsworth photo

“The budding rose above the rose full blown.”

Bk. XI, l. 121.
The Prelude (1799-1805)

Isaac Watts photo

“A flower, when offered in the bud,
Is no vain sacrifice.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 12: "The Advantages of early Religion".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Isaac Rosenberg photo
Torquato Tasso photo

“p>'Ah, see,' he sang, 'the shamefast, virgin rose
first bursting her green bud so timidly,
half hidden and half bare: the less she shows
herself, the lovelier she seems to be.
Now see her bosom, budding still, unclose
and look! She droops, and seems no longer she—
not she who in her morning set afire
a thousand lads and maidens with desire.So passes in the passing of a day
the leaf and flower from our mortal scene,
nor will, though April come again, display
its bloom again, nor evermore grow green.”

Torquato Tasso (1544–1595) Italian poet

Deh mira (egli cantò) spuntar la rosa
Dal verde suo modesta e verginella;
Che mezzo aperta ancora, e mezzo ascosa,
Quanto si mostra men, tanto è più bella.
Ecco poi nudo il sen già baldanzosa
Dispiega: ecco poi langue, e non par quella,
Quella non par che desiata innanti
Fu da mille donzelle e mille amanti.<p>Così trapassa al trapassar d'un giorno
Della vita mortale il fiore, e 'l verde:
Nè, perchè faccia indietro April ritorno,
Si rinfiora ella mai, nè si rinverde.
Canto XVI, stanzas 14–15 (tr. Wickert)
Gerusalemme Liberata (1581)

Kurt Schuschnigg photo
Jack Benny photo

“Thug: [repeating] Look, bud, I said 'Your money or your life.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)
Variant: Mugger: Look bud. I said, your money or your life.

Bill Engvall photo
Enoch Powell photo
Robert Herrick photo

“Before man's fall the rose was born,
St. Ambrose says, without the thorn;
But for man's fault then was the thorn
Without the fragrant rose-bud born; But ne'er the rose without the thorn.”

"The Rose" (published c. 1648). Compare: "Flower of all hue, and without thorn the rose", John Milton, Paradise Lost, book iv. line 256.; "Every rose has it's thorn", Poison, "Every Rose Has Its Thorn".
Hesperides (1648)

George Marshall photo
Ralph Waldo Emerson photo
Francesco Dall'Ongaro photo

“Slowly doth bud, and slowly doth mature
The woodland oak, yet doth long time endure.
Lashed by the winds, her leaves around she steews,
But, the wind passed, her beauty she renews.”

Francesco Dall'Ongaro (1808–1873) Italian poet, playwright and librettist

Stornelli Politici, ""Costanza"".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 354.

Charles Darwin photo

“I assume that cells, before their conversion into completely passive or "formed material," throw off minute granules or atoms, which circulate freely throughout the system, and when supplied with proper nutriment multiply by self-division, subsequently becoming developed into cells like those from which they were derived. These granules for the sake of distinctness may be called … gemmules. They are supposed to be transmitted from the parents to the offspring, and are generally developed in the generation which immediately succeeds, but are often transmitted in a dormant state during many generations and are then developed. Their development is supposed to depend on their union with other partially developed cells or gemmules which precede them in the regular course of growth. … Lastly, I assume that the gemmules in their dormant state have a mutual affinity for each other, leading to their aggregation either into buds or into the sexual elements. … These assumptions constitute the provisional hypothesis which I have called Pangenesis.”

volume II, chapter XXVII: "Provisional Hypothesis of Pangenesis", page 374 http://darwin-online.org.uk/content/frameset?pageseq=389&itemID=F877.2&viewtype=image
It is sometimes claimed that modern biologist are dogmatic "Darwinists" who uncritically accept all of Darwin's ideas. This is false: No one today accepts Darwin's hypothesis of gemmules and pangenesis.
The Variation of Animals and Plants under Domestication (1868)

Margaret Elizabeth Sangster photo

“Never yet was a springtime,
Late though lingered the snow,
That the sap stirred not at the whisper
Of the southwind, sweet and low;
Never yet was a springtime
When the buds forgot to blow.”

Margaret Elizabeth Sangster (1838–1912) American poet, author, journalist, editor

Awakening.
Bartlett's Familiar Quotations, 10th ed. (1919)

Makoto Kobayashi (physicist) photo
Andrew Marvell photo

“Gather the flowers, but spare the buds.”

Andrew Marvell (1621–1678) English metaphysical poet and politician

The Picture of Little T.C. in a Prospect of Flowers.

Oliver Stone photo

“I leave Bud Fox in the canyons of Wall Street, just another ant, one of millions of ants…. We’re all absorbed in this system of capitalism…. You join the collective unconscious.”

Oliver Stone (1946) American film director, screenwriter, and producer

Wall Street DVD Director’s Commentary (2000)

Eliza Acton photo
Algernon Charles Swinburne photo

“Like rose-hued sea-flowers toward the heat,
They stretch and spread and wink
Their ten soft buds that part and meet.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Étude Réaliste.
Undated

Percy Bysshe Shelley photo
John Donne photo
Roden Noel photo

“With whisper of her mellowing grain,
With treble of brook and bud and tree,
Earth joys for ever to sustain
The bass eternal of the sea.”

Roden Noel (1834–1894) English poet

"Beatrice", in Beatrice, and other Poems (1868).

John Keats photo
Winston S. Churchill photo
Leo Tolstoy photo
Henry Howard, Earl of Surrey photo