1920s, Zweites Buch (1928)
Source: Mein Kampf
Context: Jewry is a Folk with a racial core that is not wholly unitary. Nevertheless, as a Folk, it has special intrinsic characteristics which separate it from all other Folks living on the globe. Jewry is not a religious community, but the religious bond between Jews; rather is in reality the momentary governmental system of the Jewish Folk. The Jew has never had a territorially bounded State of his own in the manner of Aryan States. Nevertheless, his religious community is a real State, since it guarantees the preservation, the increase and the future of the Jewish Folk. But this is solely the task of the State. That the Jewish State is subject to no territorial limitation, as is the case with Aryan States, is connected with the character of the Jewish Folk, which is lacking in the productive forces for the construction and preservation of its own territorial State.
Quotes about bud
A collection of quotes on the topic of bud, flowers, flower, likeness.
Quotes about bud
Frequently attributed to Nin, but without cited source in her work (possibly due to a quotation in Living on Purpose: Straight Answers to Universal Questions (2000) by Dan Millman that attributed the quote to Nin without source).
In March 2013, a former Director of Public Relations at John F. Kennedy University in Orinda, Elizabeth Appell, claimed she had authored the quote in 1979 for an inspirational header on a class schedule: http://anaisninblog.skybluepress.com/2013/03/who-wrote-risk-is-the-mystery-solved/
Disputed
Variant: The day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
30 December 1850
Journal Intime (1882), Journal entries
Context: Each bud flowers but once and each flower has but its minute of perfect beauty; so, in the garden of the soul each feeling has, as it were, its flowering instant, its one and only moment of expansive grace and radiant kingship. Each star passes but once in the night through the meridian over our heads and shines there but an instant; so, in the heaven of the mind each thought touches its zenith but once, and in that moment all its brilliancy and all its greatness culminate. Artist, poet, or thinker, if you want to fix and immortalize your ideas or your feelings, seize them at this precise and fleeting moment, for it is their highest point. Before it, you have but vague outlines or dim presentiments of them. After it you will have only weakened reminiscence or powerless regret; that moment is the moment of your ideal.
Canto IV, stanza 1.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)
“I’m a complicated man, with complicated taste buds.”
Source: I Hunt Killers
Source: Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead
“Moments like this are buds on the tree of life. Flowers of darkness they are.”
Source: Mrs. Dalloway
Bible Teaching and Religious Practice http://books.google.com/books?id=sujuHO_fvJgC&pg=PA568&dq=twain+%22Bible+Teaching+and+Religious+Practice%22&cd=1#v=onepage&q=twain%20%22Bible%20Teaching%20and%20Religious%20Practice%22&f=false.
"Bible Teaching and Religious Practice" (1923)
“The best way to killing a rose is to force it open when it is still only the promise of a bud.”
Source: The Cave (2000), p. 89 (Vintage 2003)
The Lord of Misrule
The Lord of Misrule and Other Poems (1915)
Context: He died and He went down to hell!
You know not what you mean.
Our rafters were of green fir. Also our beds were green.
But out of the mouth of a fool, a fool, before the darkness fall,
We tell you He is risen again,
The Lord of Life is risen again,
The boughs put forth their tender buds, and
Love is Lord of all!
Preface
What is Property? (1840)
Introduction, sect. 6
La poétique de la rêverie (The Poetics of Reverie) (1960)
O'Connell and Rawling swiftly interrupt.
BBC Fighting Talk (2005)
The Growth of Love http://www.poemhunter.com/p/m/poem.asp?poet=6639&poem=510395, Sonnet 6 (1876).
Poetry
Epitaph on an Infant
Bartlett's Familiar Quotations, 10th ed. (1919)
Review of 'What Darwin Got Wrong' by Jerry Fodor and Massimo Piattelli Palmarini (2010) http://www.theguardian.com/books/2010/feb/06/what-darwin-got-wrong.
What Is A Jazz Composer? (1971)
"Central Park at Dusk"
Helen of Troy and Other Poems (1911)
(1836-3) (Vol.48) Subjects for Pictures. Second Series. III. The Moorish Maiden’s Vigil
The Monthly Magazine
Cities and Thrones and Powers, Stanza 1 (1906).
Puck of Pook's Hill 1906
Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26
Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)
No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)
“Now fields are green, and trees bear silver buds.”
The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Bucolicks
The Quaker City; or, the Monks of Monk Hall, part 1, chapter 9 "The Bride" (1844)
No. 3
1770s, Novanglus essays (1774–1775)
“I seek a form that my style cannot discover,
a bud of thought that wants to be a rose.”
Prosas Profanas y Otros Poemas (Profane Hymns and Other Poems). I Seek a Form (1896).
"My Heart Is a Flower"
Lyrics, The Way to Salvation (1991)
Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)
“The bud is on the bough again,
The leaf is on the tree.”
The Meeting of Spring and Summer, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Broken Lights Diaries 1953-54.
Propositions, 2
1870 - 1903, The Gentle Art of Making Enemies' (1890)
“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)
Source: The lever of riches: Technological creativity and economic progress, 1992, p. 171
on the ill-planned succession at Argus Corporation in 1978
The Establishment Man by Peter Newman
“A worm is in the bud of youth,
And at the root of age.”
Stanzas subjoined to a Bill of Mortality.
Bartlett's Familiar Quotations, 10th ed. (1919)
Source: Ode to Evening (1747) http://www.netpoets.com/classic/poems/017002.htm, line 21.
And I would call that my Evans brothers syndrome.
Radio interview https://itunes.apple.com/us/album/talking-jazz-volume-22-arrangers/id398326105, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT452&dq=%22But+Bill+and+I+were+pretty+much%22&hl=en&sa=X&ved=0ahUKEwjWm_Tw9MXRAhWF8CYKHdeKBs8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)
"The Rose-Bud of Autumn" in The Youth's Coronal (published 1850).
“A flower, when offered in the bud,
Is no vain sacrifice.”
Song 12: "The Advantages of early Religion".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)
Deh mira (egli cantò) spuntar la rosa
Dal verde suo modesta e verginella;
Che mezzo aperta ancora, e mezzo ascosa,
Quanto si mostra men, tanto è più bella.
Ecco poi nudo il sen già baldanzosa
Dispiega: ecco poi langue, e non par quella,
Quella non par che desiata innanti
Fu da mille donzelle e mille amanti.<p>Così trapassa al trapassar d'un giorno
Della vita mortale il fiore, e 'l verde:
Nè, perchè faccia indietro April ritorno,
Si rinfiora ella mai, nè si rinverde.
Canto XVI, stanzas 14–15 (tr. Wickert)
Gerusalemme Liberata (1581)
Source: The Brutal Takeover: The Austrian ex-Chancellor’s account of the Anschluss of Austria by Hitler, 1971, p. 62
“Thug: [repeating] Look, bud, I said 'Your money or your life.”
The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)
Variant: Mugger: Look bud. I said, your money or your life.
Frankenstein, trying to explain to his fiancee why he experiments the way he does
Frankenstein (1931)
"The Rose" (published c. 1648). Compare: "Flower of all hue, and without thorn the rose", John Milton, Paradise Lost, book iv. line 256.; "Every rose has it's thorn", Poison, "Every Rose Has Its Thorn".
Hesperides (1648)
Intellect
1840s, Essays: First Series (1841)
"November 21st — Twigs," page 220
The Forest Unseen: A Year's Watch in Nature http://theforestunseen.com/ (2012)
Stornelli Politici, ""Costanza"".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 354.
volume II, chapter XXVII: "Provisional Hypothesis of Pangenesis", page 374 http://darwin-online.org.uk/content/frameset?pageseq=389&itemID=F877.2&viewtype=image
It is sometimes claimed that modern biologist are dogmatic "Darwinists" who uncritically accept all of Darwin's ideas. This is false: No one today accepts Darwin's hypothesis of gemmules and pangenesis.
The Variation of Animals and Plants under Domestication (1868)
Awakening.
Bartlett's Familiar Quotations, 10th ed. (1919)
Interview, IPMU News No 5 (March 2009) http://www.ipmu.jp/ipmu-news/005/012-015-Interview.pdf
“Gather the flowers, but spare the buds.”
The Picture of Little T.C. in a Prospect of Flowers.
Wall Street DVD Director’s Commentary (2000)
Reviewing "Tocata" https://www.youtube.com/watch?v=a940h3-1NV0 from Brazilliance; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe
Twickenham Ferry (1883).
Étude Réaliste.
Undated
" I Stood Tiptoe http://www.bartleby.com/126/2.html", l. 1
Poems (1817)