Quotes about brow

A collection of quotes on the topic of brow, eye, heart, herring.

Quotes about brow

William Shakespeare photo

“Come, gentle night; come, loving, black-browed night;
Give me my Romeo; and, when I shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night…”

Variant: When he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
Source: Romeo and Juliet

William Shakespeare photo
Karel Čapek photo
Oscar Wilde photo
Ovid photo
Elizabeth Barrett Browning photo
Terry Pratchett photo
Robert Browning photo

“That great brow
And the spirit-small hand propping it.”

By the Fireside, xxiii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Miguel de Cervantes photo

“Which I have earned with the sweat of my brows.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book I, Ch. 4.

Stéphane Mallarmé photo
Friedrich Nietzsche photo

“As soon as it becomes possible, by dint of a strong will, to overthrow the entire past of the world, then, in a single moment, we will join the ranks of independent gods. World history for us will then be nothing but a dreamlike otherworldly being. The curtain falls, and man once more finds himself a child playing with whole worlds—a child, awoken by the first glow of morning, who laughingly wipes the frightful dreams from his brow.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Sobald es aber möglich wäre, durch einen starken Willen die ganze Weltvergangenheit umzustürzen, sofort träten wir in die Reihe der unabhängigen Götter, und Weltgeschichte hieße dann für uns nichts als ein träumerisches Selbstentrücktsein; der Vorhang fällt, und der Mensch findet sich wieder, wie ein Kind mit Welten spielend, wie ein Kind, das beim Morgenglühen aufwacht und sich lachend die furchtbaren Träume von der Stirn streicht.
"Fatum und Geschichte," April 1862

Zygmunt Krasiński photo
Ronald Reagan photo
Rupert Brooke photo
Robert Browning photo

“On our Pompilia, faultless to a fault,
Law bends a brow maternally severe,
Implies the worth of perfect chastity,
By fancying the flaw she cannot find.”

Book IX : Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus.
The Ring and the Book (1868-69)
Context: Forgive me this digression — that I stand
Entranced awhile at Law's first beam, outbreak
O' the business, when the Count's good angel bade
"Put up thy sword, born enemy to the ear,
"And let Law listen to thy difference!"
And Law does listen and compose the strife,
Settle the suit, how wisely and how well!
On our Pompilia, faultless to a fault,
Law bends a brow maternally severe,
Implies the worth of perfect chastity,
By fancying the flaw she cannot find.

Nikos Kazantzakis photo

“Enlighten the dark blood of your ancestors, shape their cries into speech, purify their will, widen their narrow, unmerciful brows.”

The Saviors of God (1923)
Context: Enlighten the dark blood of your ancestors, shape their cries into speech, purify their will, widen their narrow, unmerciful brows. This is your second duty.
For you are not only a slave. As soon as you were born, a new possibility was born with you, a free heartbeat stormed through the great sunless heart of your race.

Ivo Andrič photo
Rick Riordan photo
Galway Kinnell photo
Holly Black photo
John Keats photo
Laura Ingalls Wilder photo

“There is nothing wrong with God's plan that man should earn his bread by the sweat of his brow.”

Laura Ingalls Wilder (1867–1957) American children's writer, diarist, and journalist

Source: Writings to Young Women from Laura Ingalls Wilder: On Wisdom and Virtues

Kim Harrison photo
P.G. Wodehouse photo
Wilford Woodruff photo
George William Russell photo
Richard Fuller (minister) photo
Alain photo
Robert E. Howard photo
George Chapman photo
Thomas Chalmers photo

“Live for something! Do good and leave behind you a monument of virtue that the storm of time can never destroy. Write your name in kindness, love, and mercy on the hearts of the thousands you come in contact with, year by year, and you will never be forgotten. Your name, your deeds, will be as legible on the hearts you leave behind, as the stars on the brow of evening. Good deeds will shine as the stars of heaven.”

Thomas Chalmers (1780–1847) Scottish mathematician and a leader of the Free Church of Scotland

Source: Misattributed, P. 243. in Dictionary of Burning Words of Brilliant Writers (1895). This is actually a quote from The golden chain; or, The Christian graces illustrated and enforced (1855) by John Harvey

“Whoso maintains that I am humbled now
(Who wait the Awful Day) is still a liar;
I hope to meet my Maker brow to brow
And find my own the higher.”

Frances Cornford (1886–1960) English poet

"Epitaph for a Reviewer", line 1; from Collected Poems (London: Cresset Press, 1954) p. 112.

Stephen Vincent Benét photo
Matthew Stover photo
James Macpherson photo
Ben Hecht photo
William Ernest Henley photo
Matthew Arnold photo

“Radiant with ardour divine!
Beacons of Hope ye appear!
Languor is not in your heart,
Weakness is not in your word,
Weariness not on your brow.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

St. 12
Rugby Chapel (1867)

Stephen Baxter photo
Robert Patrick (playwright) photo

“For people like us it is necessary to be a bit stronger, more self-critical, more observant than the usual run. Whether we happen to come already enhanced with these qualities, as some have claimed, or whether our situation invests them in us, we have traditionally - and we do have a long and proud tradition - been a little finer, a little firmer, more sensitive and flexible than others… There will be times when only your own spine can support you, moments when only your own wit can inspire you, days when nothing but exacting self-control can raise you from bed, nights when nothing but your word can impel you into society. But of all these disciplines, there is nothing you must hold to more sternly than to be kind and sympathetic. The easiest armor to put on is always cruelty. That armor will, indeed, see you through everything. Vicious condescension toward those without your strength can make you feel momentarily superior. But that easy armor must be forgone. Don't ever curdle that creamy brow with lines of easy disdain, or curl those lips with a popular sneer. Of all the models available, the one of gentleman in our late war is most succinct: Face what you have to face with humor, dignity, and style; protect yourself with knightly grace; have contempt for your own weakness and never encourage it in others; but never, Ralph, never for an instant permit yourself to feel anything other than pity and deepest sympathy for unfortunate comrades who have, after all, fallen in the same battle.”

Robert Patrick (playwright) (1937) Playwright, poet, lyricist, short story writer, novelist

One of Those People
Untold Decades: Seven Comedies of Gay Romance (1988)

Wilfred Owen photo
Dashiell Hammett photo
Robert Graves photo
Charles Dickens photo
Anne Morrow Lindbergh photo
Frederick William Robertson photo
Robert Burns photo
John Banville photo
Ian Fleming photo
Percy Bysshe Shelley photo
Homér photo
George William Russell photo
Zakir Hussain (politician) photo
Letitia Elizabeth Landon photo
Hugh Blair photo
Pierre-Jean de Béranger photo
Ludovico Ariosto photo

“A virgin is like a rose: while she remains on the thorn whence she sprang, alone and safe in a lovely garden, no flock, no shepherd approaches. The gentle breeze and the dewy dawn, water, and earth pay her homage; amorous youths and loving maidens like to deck their brows with her, and their breasts. / But no sooner is she plucked from her mother-stalk, severed from her green stem, than she loses all, all the favour, grace, and beauty wherewith heaven and men endowed her.”

La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.<p>Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)

Christopher Marlowe photo

“A pleasant-smiling cheek, a speaking eye,
A brow for love to banquet royally.”

First Sestiad
Hero and Leander (published 1598)

Robert E. Howard photo
Tracey Ullman photo

“My face is a good one for doing impersonations. I’ve got small eyes, a low brow and a big head … When I worked at the BBC in the 80s the only wigs that would fit me were Mike Yardwood's.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

Quoted in 2016 in The Guardian https://www.theguardian.com/culture/2016/jan/10/tracey-ullman-my-face-is-good-for-impersonations

Samuel Butler photo
Joseph Conrad photo
Susanna Moodie photo

“Oh ye! who all life's energies combine
The fadeless laurel round your brows to twine,
Pause but one moment in your brief career,
Nor seek for glory in a mortal sphere.”

Susanna Moodie (1803–1885) Canadian writer

From her poem Fame in Enthusiasm and Other Poems Smith, Elder and Co London 1831

Letitia Elizabeth Landon photo

“Twas as she hoped, — he sleeps; and now
Her lips are on his throbbing brow,
Sucking the poison forth : 't was bliss
To know she gave her life for his.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(6th March 1824) Metrical Tales. Tale II. The Poisoned Arrow
(13th March 1824) Metrical Tales. Tale III. — The Sisters See The Vow of The Peacock
The London Literary Gazette, 1824

Letitia Elizabeth Landon photo

“I've thought upon thy brow when Night
Threw o'er my pallet her summer moonlight,
And I have looked on the midnight sky
To catch the depth and light of thy eye;
I painted from these and from memory,
For I could not paint when I looked on thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

28th April 1824) Raphael Showing his Mistress her Portrait By Mr. Brockedon. (British Gallery.
The London Literary Gazette, 1824

Grady Booch photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

George William Russell photo

“We are desert leagues apart;
Time is misty ages now
Since the warmth of heart to heart
Chased the shadows from my brow.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Winston S. Churchill photo
Letitia Elizabeth Landon photo
Edward Young photo
Percy Bysshe Shelley photo
Vincent Van Gogh photo
Paul Bourget photo
Edgar Rice Burroughs photo
George Sand photo

“I see upon their noble brows the seal of the Lord, for they were born kings of the earth far more truly than those who possess it only from having bought it.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

Je vois sur leurs nobles fronts le sceau du Seigneur, car ils sont nés rois de la terre bien mieux que ceux qui la possèdent pour l'avoir payée.
Of peasants, in La Mare au diable, ch. 2 (1851); Frank Hunter Potter (trans.) The Haunted Pool (New York: Dodd, Mead, 1895) p. 25

Oliver Goldsmith photo

“A nightcap decked his brows instead of bay,
A cap by night — a stocking all the day!”

Oliver Goldsmith (1728–1774) Irish physician and writer

Description of an Author's Bedchamber (1760).

Kunti photo
James A. Garfield photo

“If wrinkles must be written upon our brows, let them not be written upon the heart. The spirit should not grow old.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

Letter to Colonel A. F. Rockwell (13 August 1866)
1860s

James Macpherson photo
Walter Scott photo
Reginald Heber photo

“Eternity has no gray hairs! The flowers fade, the heart withers, man grows old and dies, the world lies down in the sepulchre of ages, but time writes no wrinkles on the brow of Eternity.”

Reginald Heber (1783–1826) English clergyman

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 213.

William Collins photo
Letitia Elizabeth Landon photo
Charles Wolfe photo
Percy Bysshe Shelley photo