Quotes about band

A collection of quotes on the topic of band, likeness, people, doing.

Quotes about band

Freddie Mercury photo

“Led Zeppelin is the greatest. Robert Plant is one of the most original vocalists of our time. As a rock band they deserve the kind of success they're getting.”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

As quoted in "Queen's Freddie Mercury Shopping For An Image In London" by Scott Cohen in Circus Magazine (April 1975).

Rick Riordan photo
Kurt Cobain photo
Chris Cornell photo
Freddie Mercury photo
Buddy Rich photo
Kurt Cobain photo

“They're claiming that [the grunge bands] finally put Seattle on the map, but, like, what map? …I mean, we had Jimi Hendrix. Heck, what more do we want?”

Kurt Cobain (1967–1994) American musician and artist

From an interview with Marc Coiteux on Musique Plus, 1991-09-21, Montreal, Quebec, Canada.
Interviews (1989-1994), Video

Paul McCartney photo
Bon Scott photo

“Malcolm? He's the brain [of the band].”

Bon Scott (1946–1980) Rock musician

When asked about Malcolm Young, rhythm guitarist of AC/DC. From Reims, December 1979.

Albert Schweitzer photo
Krist Novoselic photo

“We weren't really interested in those bands; we were—because we came out of this subterranean scene. And then Nirvana breaks big, and it's just diametrically opposite: we have, like, facial hair, and just, kind of, logger shirts, but we're all, like, "sensitive" and "feminine"—you know what I mean?”

Krist Novoselic (1965) Croatian-American rock musician

36:00–36:19, about mainstream rockers of the 1980s
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w

Charles Spurgeon photo
Kurt Cobain photo

“I just can’t believe anyone would start a band just to make the scene and be cool and have chicks. I just can’t believe it.”

Kurt Cobain (1967–1994) American musician and artist

As quoted in Option (1992-01-02).
Interviews (1989-1994), Print

Billie Joe Armstrong photo

“We pride ourselves on trying to put on the best show we can and we're not afraid to say that we happen to be the best live band in the world”

Billie Joe Armstrong (1972) American singer and guitarist

Reported in Q Magazine interview - Jan 2015

Kurt Cobain photo

“Same thing happened in the punk movement in the late 70's…a punk band would start, play one gig, and get signed to a major label right away, 'cause it [was] a trend. That just shows there are a lot of old school dinosaurs in the record industry who need to be weeded out.”

Kurt Cobain (1967–1994) American musician and artist

Date unknown, but believed to be 1992-06-30 in Sweden http://www.livenirvana.com/official/index.html.
Interviews (1989-1994), Video

Kurt Cobain photo

“What are they tuning, a harp? I thought we were a big rich rock band. We should have a whole bunch of extra guitars.”

Kurt Cobain (1967–1994) American musician and artist

1993-11-18 at Sony Music Studios, New York City, New York (MTV Unplugged).
Stage banter

Nick Carter photo
William Shakespeare photo
William Shakespeare photo
Barack Obama photo
Vinko Vrbanić photo
H.P. Lovecraft photo
Bert McCracken photo

“When I hooked up with them I was still going to Narcotics Anonymous. But they were never into drugs. If it weren't for the band, I think I'd still be getting high.”

Bert McCracken (1982) American musician

Jim Farber (March 11, 2003) "Our Kelly's Mormon boyfriend", New Zealand Herald, Wilson & Horton Ltd., p. 6.

Hans-Hermann Hoppe photo

“As for the moral status of majority rule, it must be pointed out that it allows for A and B to band together to rip off C, C and A in turn joining to rip off B, and then B and C conspiring against A, and so on.”

Democracy - The God That Failed: The Economics and Politics of Monarchy, Democracy, and Natural Order (Transaction: 2001): 104.
Democracy: The God That Failed (2001)

Barack Obama photo
John Dryden photo
Little Raven (Arapaho leader) photo
Phillis Wheatley photo
Kurt Vonnegut photo
Thomas Paine photo
Bryan Ferry photo

“All those rappers, they're the only glamorous people working in music now. The rock bands are rather drab, even the good ones. You definitely don't want to look at them. But some of those R&B people are very good.”

Bryan Ferry (1945) English musician

Source: Roxy Music legend Bryan Ferry unwinds in Paris, Talia Soghomonian, December 2002 http://www.musicomh.com/music/features/bryan-ferry.htm,

Marilyn Manson photo
Max Scheler photo

“All ancient philosophers, poets, and moralists agree that love is a striving, an aspiration of the “lower” toward the “higher,” the “unformed” toward the “formed,” … “appearance” towards “essence,” “ignorance” towards “knowledge,” a “mean between fullness and privation,” as Plato says in the Symposium. … The universe is a great chain of dynamic spiritual entities, of forms of being ranging from the “prima materia” up to man—a chain in which the lower always strives for and is attracted by the higher, which never turns back but aspires upward in its turn. This process continues up to the deity, which itself does not love, but represents the eternally unmoving and unifying goal of all these aspirations of love. Too little attention has been given to the peculiar relation between this idea of love and the principle of the “agon,” the ambitious contest for the goal, which dominated Greek life in all its aspects—from the Gymnasium and the games to dialectics and the political life of the Greek city states. Even the objects try to surpass each other in a race for victory, in a cosmic “agon” for the deity. Here the prize that will crown the victor is extreme: it is a participation in the essence, knowledge, and abundance of “being.” Love is only the dynamic principle, immanent in the universe, which sets in motion this great “agon” of all things for the deity.
Let us compare this with the Christian conception. In that conception there takes place what might be called a reversal in the movement of love. The Christian view boldly denies the Greek axiom that love is an aspiration of the lower towards the higher. On the contrary, now the criterion of love is that the nobler stoops to the vulgar, the healthy to the sick, the rich to the poor, the handsome to the ugly, the good and saintly to the bad and common, the Messiah to the sinners and publicans. The Christian is not afraid, like the ancient, that he might lose something by doing so, that he might impair his own nobility. He acts in the peculiarly pious conviction that through this “condescension,” through this self-abasement and “self-renunciation” he gains the highest good and becomes equal to God. …
There is no longer any “highest good” independent of and beyond the act and movement of love! Love itself is the highest of all goods! The summum bonum is no longer the value of a thing, but of an act, the value of love itself as love—not for its results and achievements. …
Thus the picture has shifted immensely. This is no longer a band of men and things that surpass each other in striving up to the deity. It is a band in which every member looks back toward those who are further removed from God and comes to resemble the deity by helping and serving them.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), pp. 85-88

Aleksandr Pushkin photo
Thelonious Monk photo
Klaus Meine photo
Henri Barbusse photo
Theodor W. Adorno photo
Billy Corgan photo

“The Smashing Pumpkins was never meant to be a small band. It was going to either be a big band, or a no band.”

Billy Corgan (1967) American musician, songwriter, producer, and author

Smashing Pumpkins (1996)

Dadabhai Naoroji photo

“More than 20 years earlier a small band of Hindu students and thoughtful gentlemen used to meet secretly to discuss the effects of British rule in India. The home charges and the transfer of capital from India to England in various shapes, and the exclusion of the children of the country from any share or voice in the administration of their own country, formed the chief burden of their complaint.”

Dadabhai Naoroji (1825–1917) Indian politician

As the theoretician of the "Drain Theory", he explained in his lecture delivered at the East Indian Association, London on 2 May 1867 in Forerunners of Dadabhai Naoroji’s Drain Theory, 3 December 2013, Jstor Organization http://www.jstor.org/discover/10.2307/4411389?uid=3738256&uid=2129&uid=2&uid=70&uid=4&sid=21103047963541,
Drain Theory

Ozzy Osbourne photo
Dave Grohl photo

“What's the last thing a drummer says in a band? "Hey guys, why don't we try one of my songs?”

Dave Grohl (1969) American rock musician, multi-instrumentalist, and singer-songwriter

"Give the Drummer Some," http://www.fooarchive.com/gpb/tenjokes.htm www.fooarchive.com (1995)

Ozzy Osbourne photo
Charles I of England photo
Kurt Cobain photo

“I'd like to live off the band, but if not, I'll just retire to Mexico or Yugoslavia with a few hundred dollars, grow potatoes, and learn the history of rock through back issues of Creem magazine.”

Kurt Cobain (1967–1994) American musician and artist

As quoted in The Daily Of The University Of Washington (1989-05-05).
Interviews (1989-1994), Print

Kurt Vonnegut photo
Klaus Meine photo
George Grossmith photo

“You should see me dance the Polka,
You should see me cover the ground,
You should see my coat-tails flying,
As I jump my partner round;
When the band commences playing,
My feet begin to go,
For a rollicking romping Polka
Is the jolliest fun I know.”

George Grossmith (1847–1912) English comedian, writer, composer, actor, and singer

Song You should see me dance the Polka This song was performed and played a roll in the 1941 movie, "Dr. Jekyll and Mr. Hyde" in a scene that took place in an English music hall. The movie starred Spencer Tracy, Ingrid Bergman, and Lana Turner; directed by Victor Fleming.

Abraham Lincoln photo
Artie Shaw photo

“It became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.”

Artie Shaw (1910–2004) American clarinetist, composer, and bandleader

On "Begin the Beguine", as quoted in Artie Shaw, the Reluctant 'King of Swing', 2002-03-08, 2007-12-20, http://web.archive.org/web/20020804051447/http://www.npr.org/programs/morning/features/2002/mar/shaw/, 2002-08-04 http://www.npr.org/programs/morning/features/2002/mar/shaw/,

Friedrich Schiller photo

“One people will we be, — a band of brothers;
No danger, no distress shall sunder us.
We will be freemen as our fathers were,
And sooner welcome death than live as slaves.
We will rely on God's almighty arm,
And never quail before the power of man.”

Wir wollen sein ein einzig Volk von Brüdern,
in keiner Not uns trennen und Gefahr.
Wir wollen frei sein, wie die Väter waren,
eher den Tod, als in der Knechtschaft leben.
Wir wollen trauen auf den höchsten Gott
und uns nicht fürchten vor der Macht der Menschen.
Act II, Sc. 2, as translated by C. T. Brooke
Variant translation: We shall be a single People of brethren,
Never to part in danger nor distress.
We shall be free, just as our fathers were,
And rather die than live in slavery.
We shall trust in the one highest God
And never be afraid of human power.
Wilhelm Tell (1803)

Abraham Lincoln photo

“I propose now closing up by requesting you play a certain piece of music or a tune. I thought "Dixie" one of the best tunes I ever heard… I had heard our adversaries over the way had attempted to appropriate it. I insisted yesterday that we had fairly captured it… I presented the question to the Attorney-General, and he gave his opinion that it is our lawful prize… I ask the Band to give us a good turn upon it.”

Abraham Lincoln (1809–1865) 16th President of the United States

At the end of the Civil War, asking that a military band play "Dixie" (10 April 1865) as quoted in Dan Emmett and the Rise of Early Negro Minstrelsy (1962) by Hans Nathan. Variant account: "I have always thought "Dixie" one of the best tunes I have ever heard. Our adversaries over the way attempted to appropriate it, but I insisted yesterday that we fairly captured it... I now request the band to favor me with its performance".
1860s

Milla Jovovich photo
Bon Scott photo
Barack Obama photo

“Throughout human history, societies have grappled with fundamental questions of how to organize themselves, the proper relationship between the individual and the state, the best means to resolve inevitable conflicts between states. And it was here in Europe, through centuries of struggle -- through war and Enlightenment, repression and revolution -- that a particular set of ideals began to emerge: The belief that through conscience and free will, each of us has the right to live as we choose. The belief that power is derived from the consent of the governed, and that laws and institutions should be established to protect that understanding. And those ideas eventually inspired a band of colonialists across an ocean, and they wrote them into the founding documents that still guide America today, including the simple truth that all men -- and women -- are created equal. But those ideals have also been tested -- here in Europe and around the world. Those ideals have often been threatened by an older, more traditional view of power. This alternative vision argues that ordinary men and women are too small-minded to govern their own affairs, that order and progress can only come when individuals surrender their rights to an all-powerful sovereign. Often, this alternative vision roots itself in the notion that by virtue of race or faith or ethnicity, some are inherently superior to others, and that individual identity must be defined by “us” versus “them,” or that national greatness must flow not by what a people stand for, but by what they are against. In many ways, the history of Europe in the 20th century represented the ongoing clash of these two sets of ideas, both within nations and among nations. The advance of industry and technology outpaced our ability to resolve our differences peacefully, and even among the most civilized of societies, on the surface we saw a descent into barbarism.”

Barack Obama (1961) 44th President of the United States of America

2014, Address to European Youth (March 2014)

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

H.P. Lovecraft photo

“The negro is fundamentally the biological inferior of all White and even Mongolian races, and the Northern people must occasionally be reminded of the danger which they incur in admitting him too freely to the privileges of society and government. …The Birth of a Nation, … is said to furnish a remarkable insight into the methods of the Ku-Klux-Klan, that noble but much maligned band of Southerners who saved half of our country from destruction at the close of the Civil War. The Conservative has not yet witnessed the picture in question, but he has seen both in literary and dramatic form The Clansman, that stirring, though crude and melodramatic story by Rev. Thomas Dixon, Jr., on which The Birth of a Nation is based, and has likewise made a close historical study of the Klu-Klux-Klan, finding as a result of his research nothing but Honour, Chivalry, and Patriotism in the activities of the Invisible Empire. The Klan merely did for the people what the law refused to do, removing the ballot from unfit hands and restoring to the victims of political vindictiveness their natural rights. The alleged lawbreaking of the Klan was committed only by irresponsible miscreants who, after the dissolution of the Order by its Grand Wizard, Gen. Nathan Bedford Forrest, used its weird masks and terrifying costumes to veil their unorganised villainies.
Race prejudice is a gift of Nature, intended to preserve in purity the various divisions of mankind which the ages have evolved.”

H.P. Lovecraft (1890–1937) American author

Response to observations made in In A Minor Key by Charles D. Isaacson, in The Conservative, Vol. I, No. 2, (1915), p. 4
Non-Fiction

Piero Scaruffi photo

“The fact that so many books still name the Beatles "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art.”

Piero Scaruffi (1955) Italian writer

Context: The fact that so many books still name the Beatles "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success: the Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worth of being saved.

Vladimir Nabokov photo

“The term "bend sinister" means a heraldic bar or band drawn from the left side (and popularly, but incorrectly, supposed to denote bastardy).”

Source: Bend Sinister (1963), p. vi.
Context: The term "bend sinister" means a heraldic bar or band drawn from the left side (and popularly, but incorrectly, supposed to denote bastardy). This choice of title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life, a sinistral and sinister world. The title's drawback is that a solemn reader looking for "general ideas" or "human interest" (which is much the same thing) in a novel may be led to look for them in this one.

Billie Joe Armstrong photo
Billie Joe Armstrong photo
Chris Martin photo
Jawaharlal Nehru photo

“The conflict between capitalism and democracy is inherent and continuous; it is often hidden by misleading propaganda and by the outward forms of democracy, such as parliaments, and the sops that the owning classes throw to the other classes to keep them more or less contented. A time comes when there are no more sops left to be thrown, and then the conflict between the two groups comes to a head, for now the struggle is for the real thing, economic power in the State. When that stage comes, all the supporters of capitalism, who had so far played with different parties, band themselves together to face the danger to their vested interests. Liberals and such-like groups disappear, and the forms of democracy are put aside. This stage bas now arrived in Europe and America, and fascism, which is dominant in some form or other in mast countries, represents that stage. Labour is everywhere on the defensive, not strong enough to face this new and powerful consolidation of the forces of capitalism. And yet, strangely enough, the capitalist system itself totters and cannot adjust itself to the new world. It seems certain that even if it succeeds in surviving, it will be but another stage in the long conflict. For modern industry and modern life itself, under any form of capitalism, are battlefields where armies are continually clashing against each other.”

Glimpses of World History (1949)

Miles Davis photo

“Miles said he looked on his need for constant change as a curse. However, Miles, along with Duke Ellington, in terms of looking for models of how you strategize with a band, have been there constantly in the background for me. Not the Beatles as a construct for a group, not Led Zeppelin, not the Floyd. My guides have always been Miles and Duke.”

Miles Davis (1926–1991) American jazz musician

Robert Fripp, on how Miles Davis influenced his leadership in King Crimson.
As quoted in a Rolling Stone interview "The Crimson King Seeks a New Court" by Hank Shteamer (15 April 2019) https://www.rollingstone.com/music/music-features/robert-fripp-interview-king-crimson-tour-david-bowie-kanye-west-820783/.
Quotes by others

Gene Simmons photo

“KISS is the number-one American band in gold-record sales. In the world, only the Beatles and the Stones are ahead of us. Every other band should be wiping my ass. The line forms over there to the left.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

What I've Learned (July 2002)

Ozzy Osbourne photo
Arthur Horeanu photo

“There are two answer versions. Short version: my name is Arthur, the other members of the band were in a band called Neverland. And the long one: I sang with many bands, some with a longer duration than others and I was aware of everything Arad had to offer in terms of teenage musicians. I saw that Neverland was no longer active, so I contacted them, joined forces and became what you see on the screens in front of you.”

Arthur Horeanu (2004) Romanian singer-songwriter

As an answer to: "What inspired you when you chose the band's [Arthur in Neverland] name?" genunderground.ro (January 20, 2021) https://genunderground.ro/rumpelstiltskin-printre-printisori-un-interviu-cu-arthur-in-neverland/?fbclid=IwAR1xdfMzYGpjSOJ2rcor_UYENEgr8ve1AInYG11734t45oPrScajUrauyNw,

Eoin Colfer photo
Scott Westerfeld photo
Mitch Albom photo

“Everyone joins a band in this life. And what you play always affects someone. Sometimes, it affects the world.”

Mitch Albom (1958) American author

Source: The Magic Strings of Frankie Presto: A Novel

Cassandra Clare photo
Jonathan Safran Foer photo
Mitch Albom photo
Ian McEwan photo

“My genes, my love, are rubber bands and rope - make yourself a structure you can live inside.”

Aimee Bender (1969) Novelist, short story writer

Source: Willful Creatures

Sylvia Day photo
Rick Riordan photo
Jodi Picoult photo
T.D. Jakes photo
Clive Barker photo
Eric Jerome Dickey photo

“You want to put a band-aid on something that needs stitches.”

Eric Jerome Dickey (1961) American author

Source: Cheaters

Brandon Flowers photo
Edmund Burke photo

“Society is indeed a contract. Subordinate contracts for objects of mere occasional interest may be dissolved at pleasure — but the state ought not to be considered as nothing better than a partnership agreement in a trade of pepper and coffee, calico or tobacco, or some other such low concern, to be taken up for a little temporary interest, and to be dissolved by the fancy of the parties. It is to be looked on with other reverence; because it is not a partnership in things subservient only to the gross animal existence of a temporary and perishable nature. It is a partnership in all science; a partnership in all art; a partnership in every virtue, and in all perfection. As the ends of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are to be born. Each contract of each particular state is but a clause in the great primaeval contract of eternal society, linking the lower with the higher natures, connecting the visible and the invisible world, according to a fixed compact sanctioned by the inviolable oath which holds all physical and all moral natures, each in their appointed place. This law is not subject to the will of those, who by an obligation above them, and infinitely superior, are bound to submit their will to that law. The municipal corporations of that universal kingdom are not morally at liberty at their pleasure, and on their speculations of a contingent improvement, wholly to separate and tear asunder the bands of their subordinate community, and to dissolve it into an unsocial, uncivil, unconnected chaos of elementary principles. It is the first and supreme necessity only, a necessity that is not chosen, but chooses, a necessity paramount to deliberation, that admits no discussion, and demands no evidence, which alone can justify a resort to anarchy. This necessity is no exception to the rule; because this necessity itself is a part too of that moral and physical disposition of things, to which man must be obedient by consent or force: but if that which is only submission to necessity should be made the object of choice, the law is broken, nature is disobeyed, and the rebellious are outlawed, cast forth, and exiled, from this world of reason, and order, and peace, and virtue, and fruitful penitence, into the antagonist world of madness, discord, vice, confusion, and unavailing sorrow.”

Reflections on the Revolution in France (1790)

David Draiman photo
Keith Richards photo

“There are certain guys that are band players and there's certain guys that ain't. If there's anybody lazier than me, it's Eric (Clapton).”

Keith Richards (1943) British rock musician, member of The Rolling Stones

Mojo magazine; reported in " In quotes: Keith Richards http://news.bbc.co.uk/1/hi/entertainment/6526133.stm", BBC (April 4, 2007).

Thomas Jefferson photo
Roger Manganelli photo
Eldon Hoke photo
Bert McCracken photo

“I just kind of thought about doing this my whole life. I never doubted myself once. I've always been singing, and I've always wanted to be on tour with a rock band.”

Bert McCracken (1982) American musician

Eric R. Danton (September 1, 2005) "McCracken Had No Rock Doubts", The Hartford Courant, The Hartford Courant Co., p. 5.

Chris Cornell photo