“My first memory of Nirvana was getting a cassette of demos, which ended up becoming Bleach. Everybody's response was that this was an amazing band and these were amazing songs. It was another indication that the Northwest had something special that you couldn't argue with.
It was pretty shocking to see a threepiece that sounded like that, and trying to get inside the head of a guy who writes a song like "Floyd the Barber" – where does the kernel of a song like that start?
The Seattle scene benefitted from an MTV culture, and it was because of the way Nirvana looked and presented themselves that created this kind of unanimous support worldwide. Rock music had become kind of hedonistic – 35-year-old men taking a helicopter to the stage and dating supermodels, and going out of their way to separate themselves from their audience. Nirvana, more than any other band, rocked way harder, had significant originality, while looking like guys you went to high school with. I think that was their secret. There was an inclusion that was long overdue, and it was what rock was supposed to be about.
The legend isn't simply going to be the way that he took his life; I believe it will always be the songs.”

Soundgarden Era

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Chris Cornell71

American singer-songwriter, musician 1964–2017

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“Yamanaka: "The first thing I want you to know is about dodo's. 'Dodo' is the name of an extinct bird which is big but cannot fly. I made the song likening the 'bird' to bands I like, such as 'a great musician who passed away' or 'the split-up band'. Life is mortal, all things die. The last day will psychically also come to a band. However, I sing this song lightly to oppose these themes, something like "even if I die, I'll be back!" or "Only the pillows won't break up, right!?" It's not a very serious song, more a positive one. This song has an alternative sound, which I really like lately."”

Sawao Yamanaka (1968) Japanese singer-songwriter

Source: http://www.jame-world.com/us/articles-2700-wake-up-the-pillows-interview.html

“Either you write songs or you don't. And if you do write songs like I do, I think there's a natural desire to want to make records. So, when I left Pink Floyd, I guess I had two, no three choices open to me: Not to do it anymore, which is daft as I was writing songs, although I suppose I could have written for other people, but I like making records; so I could either do it as Roger Waters or I could have got together with other people and said hey, why don't we start a band? But my view of bands had been jaundiced slightly by my previous experience, so I think that was something I never considered.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Gold, 1992
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“a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in you or the world, that one song stays the same, just like that moment. Which is pretty amazing, when you actually think about it.”

Sarah Dessen book Just Listen

Variant: because a song can take you back instantly to a moment, or a place, or even a person. no matter what else has changed in you or the world, that one song stays the same, just like that moment.
Source: Just Listen

“My guitar is like my best friend. My guitar can get me through anything. If I can sit down and write an amazing song with my guitar about what's going on in life, then that's the greatest therapy for me.”

Miley Cyrus (1992) American actor and singer-songwriter

Mirror.co.uk http://www.mirror.co.uk/celebs/2008/05/05/miley-cyrus-i-like-to-be-the-girl-no-guy-can-get-89520-20406057/ (May 5, 2008)

“A guitarist or a drummer can get a cold and still play; I get a cold and sound like a wet mitten trying to sing you a love song. Charming.”

Tori Amos book Piece by Piece

Source: Piece by Piece

“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

Roger Manganelli (1973) American musician

laughs

“We had one night where I wanted a bunch of percussion noises at the end of song. We went into this room with three cases of percussion. Everybody just grabbed different shakers and things and was just throwing them around.
A few of the guys in the band got a little carried away and I just remember looking up and somebody was running into a wall. Another guy was leaping head first about three of four feet in the air. But other than that it was pretty sedated.”

Beck (1970) American Musician (b.1970)

The Aquarian Weekly, 15 December 1999

“Whenever I start working on a song, I immediately try to forget everything, to empty my hands and head of anything that may be hanging over from another song or album.”

The Edge (1961) Irish rock musician, guitar player of U2

On being a musician

“You might also see that some of my playlists are simply two songs on repeat fifteen times, like I’m a psycho getting pumped up to murder the president.”

Mindy Kaling book Is Everyone Hanging Out Without Me?

Source: Is Everyone Hanging Out Without Me?

“Back around 1971, I was playing in a bar in Chicago one night, and after the show, I was packing up my guitar and stuff, and I was walking out the door, and a little guy stopped me. And he said, "Arlo, before you leave, I wanna sing you a song." I said "Come on man, I don't wanna hear no songs. I hate songs. I don't even like my songs! Why should I like your songs?" I was just tired, I wanted to get out of there, I was being a butt-head. He said, "Arlo, I just wanna sing you one song." I said, "Tell you what. Buy me beer. I'll sit here and drink it. As long as it lasts, you can do whatever you want." He said, "That sounds like a good deal."”

Arlo Guthrie (1947) American folk singer

I said "It does?" It turned out to be one of the finer beers of my entire life.
Arlo talking about his first meeting with Steve Goodman, who would perform to him "The City of New Orleans" (Live in Sydney)

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Chris Cornell71

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